史国良（释慧禅），生于1956年，1980年毕业于中央美术学院国画系研究生班，29岁成为北京画院一级画家，美术界最年轻的教授，是中国美术协会会员，中央美术学院及首都师范大学美术系客座教授。史国良的作品《刻经》荣获有“美术奥斯卡”之誉的第23届蒙特卡罗国际现代艺术大奖赛“联合国教科文组织大奖”并受到文化部的嘉奖。
他的画风以写实手法反映时代生活为主，功底扎实、笔墨厚重、是中国人物画坛写实画派的重要的代表。史国良1989年移居加拿大温哥华，1995年在美国西来寺出家，为当代中国画僧的再传人，现定居北京。1956年生于北京;1973年从师周思聪学画；1975年毕业于北京带三师范美术班；1975年《新的一页》参加北京美展；1976年从师黄胄学画；1976年《越唱心里越快活》参加北京优秀作品展；1977年参加文化部中国画创作组；1978年考入中央美术学院国画系研究生班；1978年《月色》《牧鸭》参加文化部中国画创作组第一、二届展览；1979年《山里人》、《藏区写生》参加中国中青年画家习作展；1980年毕业分配至解放军艺术学院美术系任教。
1980年《八个壮劳力》、《买猪图》参加中央美术学院研究生毕业展；1981年参加中国画研究院人物画研究班;1981年《高蠡暴动》参加全军美展；1981年兰州群艺馆史国良观摩展；1982年举办刘大为、史国良、尚丁速写联展;1982年四川美术学院史国良画展；1984年《访状元》参加第六届全国美展；1985年调至北京画院;1985年《添灯油》参加北京画院迎春画展；1986年《空门》参加第七届全国美展；1988年台湾高雄名家画廊史国良画展；1989年赴加拿大讲学办展，并移民温哥华。
1989年《刻经》参加第23届蒙特卡罗国际现代艺术大奖赛；1989年《史国良速写集》、《水墨人物画技法》、（四川美术出版社）《史国良画选》、《史国良画集》（香港出版）《写实水墨人物技法》（天津美术出版社）1989年第23届蒙特卡罗现代艺术大奖赛联合国科教文组织大奖中华人民共和国文化部荣誉嘉奖；1990年香港大会堂史国良画展；1990年加拿大中华总会杰出艺术奖；1990年参加为非洲难民筹款的“饥馑三十”义卖活动；1991年参与兴办为修西藏寺庙筹款的义卖画展；参与组织温哥华画家等举办“血浓于水”义卖筹款的画展；参与组织温哥华华人艺术家协会，任副会长；1994年参加温哥华中国画家无人展。
1995年在西来寺出家为僧；1995年《史国良画集》、《史国良速写集》（荣宝斋出版社）1997年回国定居；1997年《小昭寺》、《母子图》等，参加中央美术学院提名展，《自画像》、《菩提小叶》等参加肖像画联展；《四季》、《拉萨街头》、《礼佛图》参加第一、二、三届深圳国际水墨双年展；1998年北京文雅堂史国良画展；1998年参加中国佛教学会举办的赈水灾义卖；参加为失学儿童筹款的义卖画展；参加抗沙尘暴植树义卖画展；参加为来京打工者失学子女捐书义卖画展；2001年《礼佛图》参加全国民族画展；2001年香港荣宝斋史国良画展；2001年《史国良新作品》（文雅堂出版）；2001年《史国良画集》（中国画报社）；2001年参加中央电视台环保活动义卖；2002-2003年史国良访谈2002年参加保护什刹海活动；2003年《八个壮劳力》、《买猪图》参加中华世纪坛《世纪风骨》50家提名展、个展；2003年参加为残疾人筹款义卖；参加保护母亲河义卖；2003年参加中国佛教代表大会。

史国良出家了，因此当今名画家里有了个和尚，和尚里多了个名画家，用史国良自己的话说，他要将自清末虚谷以后断了的画僧法脉接上。然而，作为和尚应清心寡欲，万事皆空；作为画家，应内心丰富，落笔寄情。身为画僧，应如何走出这两难之境呢？
从1979生至今，史国良以西藏文化为主题进行了大量的人物画创作。他数十次赴藏采风，几乎跑遍了藏区各地，他曾目睹西藏的信徒们从四川阿坝徒步叩拜去拉萨朝圣的壮观场面，曾钻进藏民油渍黑亮的帐篷里与他们同吃同住，曾与牧民策马扬鞭在草原上奔驰。这期间他被博大精深的藏文化所震撼，被藏民们纯朴、虔诚、执著的精神所感动，与西藏结下了深深的情缘。
艺术是感情的产物，作为出家的僧人、入世的画家，站在佛门内的史国良以其出家人独特的视角关注着现代人的生活，他将自己对西藏热烈的情感融入笔端，以写实传神的生动笔触，撩开了蒙在藏民脸上那层神秘面纱，揭示出他们纯净、善良、虔诚的内心世界。《朝圣者》、《添灯油》、《转经》等一系列作品展现出具有深厚文化底蕴的西部风情，形成了融民族性、时代性和鲜明个性的人物画风。其中《转经》以现实主义的写实手法描绘了十几个转经的藏民。画家通过藏民从进入圣殿时的茫然、困惑的神态到走出殿堂时心悦、解脱的面目表情，刻画出了藏民在整个礼拜过程中的心理变化。

法缘
从画家到画僧的嬗变，可不是一件轻松洒脱的事情。
只有受过“三坛大戒”，才可成为正式的出家人。受戒之前，戒子们(等待受戒的男女)的集训生活比军营更加严格。每人被授予一个号码，代替了各自的姓名。所有的戒子编为若干班，史国良被指定为比丘三班的班首。每天清晨4时起床，只有10分钟的整理内务和盥洗时间；一间寮房(和尚居住的房间)住九个人，卫生间里只有两个便器。为了不因站队迟到而受罚，早上的“如厕战”进行得无比紧张而激烈。
早课的第一堂是朝山，从山脚开始，念一句佛号，趴在地上叩一个头起来，向山上迈一步；再念一句佛号，再叩一个头，再起来……一直叩到山顶，即使赶上下雨地上全湿的时候也要叩下去。炎热的夏季，戒子们仍然要按规矩穿好六层僧衣，即使不下雨，浑身上下从里到外也会被汗水浸透。在西藏，史国良看过也画过一队队男男女女的藏民背着行囊摇着转铃，走一步叩一个长头，直叩到佛住的地方。现在他亲身经历了，尽管汉传佛教和藏传佛教叩头的姿势不尽相同。
朝山过后是念经。
吃饭叫“过堂”。每餐都要站队，在纠察师傅的带领下唱开斋偈；东面都为男众，西面都为女众，每个人面前放置一个汤碗、一个饭碗，坐要笔直，双目看前方，不能说话，也不能四处张望。第一天用的是竹筷，第二天就改用铁筷了，这是对戒子们进行无声行为的训练。饭毕，还要集体念“结斋偈”。
上午的早课后，一般是去大殿听讲。下午课主要是练习佛门的规矩：如何合掌，如何行礼……晚课过后往往已是夜11点。晚上睡觉也有规矩：面朝里，右手托头侧卧——如释伽牟尼涅槃时的睡姿，这也有个名称，叫做“吉祥卧”，而且必须盖棉被。天那样热，戒子们总要到后半夜才能睡着，刚刚进入梦乡，起床的钟声又敲响了……
山上有许多燕子，史国良把它们写进了日记。“小燕子，你们是候鸟，都集中到我们这座山上了。你们很快就要飞回北京去繁育后代了，如果在城北的护城河边的一个大院里看到一位白发苍苍的老太太，她就是我妈妈，你们给她捎个信儿，说我想她。你们要是能飞到温哥华就好了，替我去看看我的孩子和他的妈妈过得好不好，看看他们在做什么……”
按照寺里的规定，每天午饭后，亲属可以来看戒子。哪位戒子的亲属来了，纠察师傅就会在结斋时叫：“×号，留下来!”
史国良知道自己的亲人和自己远隔着千山万水，根本不可能来看自己的，可每次结斋时还是暗暗盼着能听到自己的编号。自然，每次他都怀着失落和怅惘离开斋堂。
受戒的日子终于来临了。
剃度仪式在1996年9月27日举行，和史国良一同剃度的还有来自美国、澳大利亚、印度、香港、台湾等国家和地区的141名男众和女众。
那是一个盛大的法会。
史国良双手合十跪在地上。自从下定出家的决心，他一直处在一种亢奋之中，以殉道者的心情体味着献身的勇敢和悲壮。然而，现实的僧侣生涯把他的浪漫和幻想彻底地击碎了。他已经意识到自己为了实现画僧的理想将要付出何等的代价。
戒场上，黄幡飘舞，香烟缭绕，法器齐鸣。法钟“咣咣”，每一声都让他全身的肌肉震颤；法鼓“咚咚”，每一下都像敲在他的头顶上；法号“呜呜”，他觉得自己的心一片一片地破碎了。
这也是一个他与尘世告别的仪式。从此以后，那个年轻的教授史国良、大画家史国良、名人史国良不复存在了，他变成了慧禅和尚，置身于小沙弥的队伍中，长伴着青灯、古佛、暮鼓、晨钟。
可尘世中，还有多少他无法扯断的牵挂!

1956年 生于北京；
1973年 从师周思聪学画；
1975年 毕业于北京带三师范美术班；
《新的一页》参加北京美展；
1976年 从师黄胄学画；
《越唱心里越快活》参加北京优秀作品展；
1977年 参加文化部中国画创作组；
1978年 考入中央美术学院国画系研究生班；
《月色》《牧鸭》参加文化部中国画创作组第一、二届展览；
1979年 《山里人》、《藏区写生》参加中国中青年画家习作展；
1980年 毕业分配至解放军艺术学院美术系任教；
《八个壮劳力》、《买猪图》参加中央美术学院研究生毕业展；
1981年 《高蠡暴动》参加全军美展；
兰州群艺馆史国良观摩展；
参加中国国家画院人物画研究班；
1982年 四川美术学院史国良画展；
举办刘大为、史国良、尚丁速写联展；
1984年 《访状元》参加第六届全国美展；
1985年 《添灯油》参加北京画院迎春画展；
调至北京画院；
1986年 《空门》参加第七届全国美展；
1988年 台湾高雄名家画廊史国良画展；
1989年 赴加拿大讲学办展，并移民温哥华；
《刻经》参加第23届蒙特卡罗国际现代艺术大奖赛；
出版《史国良速写集》、《水墨人物画技法》（四川美术出版社）；
出版《史国良画选》、《史国良画集》（香港出版）；
出版《写实水墨人物技法》（天津美术出版社）；
获第23届蒙特卡罗现代艺术大奖赛联合国科教文组织大奖；
获中华人民共和国文化部荣誉嘉奖；
1990年 参加为非洲难民筹款的“饥馑三十”义卖活动；
获加拿大中华总会杰出艺术奖；
举办香港大会堂史国良画展；
1991年 参与兴办为修西藏寺庙筹款的义卖画展；
参与组织温哥华画家等举办“血浓于水”义卖筹款的画展；
参与组织温哥华华人艺术家协会，任副会长；
1994年 参加温哥华中国画家无人展；
1995年 出版《史国良画集》、《史国良速写集》（荣宝斋出版社）；
在西来寺出家为僧；
1997年 《小昭寺》、《母子图》等，参加中央美术学院提名展，《自画像》、《菩提小叶》等参加肖像画联展；《四季》、《拉萨街头》、《礼佛图》参加第一、二、三届深圳国际水墨双年展；
回国定居；
1998年 参加中国佛教学会举办的赈水灾义卖；
参加为失学儿童筹款的义卖画展；
参加抗沙尘暴植树义卖画展；
参加为来京打工者失学子女捐书义卖画展；
举办北京文雅堂史国良画展；
2001年 出版《史国良新作品》（文雅堂出版）；
《史国良画集》（中国画报社）；
举办香港荣宝斋史国良画展；
《礼佛图》参加全国民族画展；参加中央电视台环保活动义卖；
2002-2003年 史国良访谈；
2002年 参加保护什刹海活动；
2003年 《八个壮劳力》、《买猪图》参加中华世纪坛《世纪风骨》50家提名展、个展；
参加为残疾人筹款义卖；
参加保护母亲河义卖；
参加中国佛教代表大会；

年参加为非洲难民筹款的“饥馑三十”义卖活动；
1991年参与兴办为修西藏寺庙筹款的义卖画展
1998年参加中国佛教学会举办的赈水灾义卖；参加为失学儿童筹款的义卖画展；参加抗沙尘暴植树义卖画展；参加为来京打工者失学子女捐书义卖画展；
2001年参加中央电视台环保活动义卖；
2002-2003年史国良访谈2002年参加保护什刹海活动；
2003年参加为残疾人筹款义卖；参加保护母亲河义卖。

Shi Guoliang (Shi Huichan), born in 1956, 1980 graduated from the Chinese Painting Department of China Central Academy of Fine Arts graduate class at the age of 29 and became a painter of Beijing painting art, the youngest professor, is a member of China Art Association, a visiting professor at the China Central Academy of Fine Arts and the Fine Arts Department of Capital Normal University. Shi Guoliang's work "engraved classics" won the "art of Oscar" reputation of the twenty-third Monte Carlo International Modern Art Grand Prix "UNESCO Award" and by the Ministry of culture award.
His style to realistically reflect the era of life oriented, solid foundation, thick ink, is China figure painting realism importantrepresentative. In 1989 Shi Guoliang moved to Canada, Vancouver, 1995 in the United States west to the temple monks, as descendants of contemporary painting monk China, now settled in Beijing. Born in Beijing in 1956 1973 from Zhou Sicong; painting; 1975 graduated from Beijing with three normal art class in 1975; "a new page" in the Beijing art exhibition; 1976 1976 from Huang Zhou painting; "the heart sing more happy to participate in Beijing" exhibition of outstanding works; in 1977 the group participated in the creation of Chinese painting department; in 1978 admitted to the Department of Chinese painting of China Central Academy of Fine Arts graduate class; 1978 "Moonlight" "duck" in the Ministry of culture and China painting exhibition, the first group of two; 1979, "" mountain people "sketching" in China young artists exhibition at the Art Department of writing; 1980 graduate assigned to the PLA Art academy.
1980 "eight", "pig strong labor to buy map" in China Central Academy of Fine Arts Graduate Exhibition; 1981 to participate in the seminar Chinese painting painting Research Institute; 1981 "Li riots" in the art exhibition; 1981 Lanzhou Art Museum exhibition held in 1982 the history of China; Liu Dawei, Shi Guoliang, Shi Guoliang, Ding Shang sketch of Sichuan Fine Art Institute in 1982; exhibition; 1984 "visit the champion" in the sixth national art exhibition; 1985 to the Beijing art academy; 1985 "Tim oil" in Beijing art academy spring exhibition; 1986 "Buddhism" in the seventh national art exhibition; 1988 Taiwan Kaohsiung Shi Guoliang Masters Gallery exhibition; exhibition and lecture to Canada in 1989, immigrants in Vancouver.
"1989" in the twenty-third carved by Monte Carlo International Modern Art Grand Prix in 1989; "Shi Guoliang", "sketch painting techniques" (Sichuan Fine Arts Publishing House), "Shi Guoliang", selected paintings "Shi Guoliang album" (published in Hongkong) "realism figure technology law" (Tianjin Fine Arts Publishing house) Awards award of People's Republic of China Culture Department of honor of UNESCO in 1989 twenty-third session of the Monte Carlo of modern art Grand Prix UN; 1990 Hongkong City Hall Shi Guoliang exhibition; 1990 Canada Chinese Association Award for outstanding art; in 1990 for African refugees fundraising "famine thirty" charity activities; 1991 to participate in setting up for the repair of the Tibet Temple charity fundraising exhibition; participate in the organization of Vancouver painters held "blood thicker than water" charity fundraising exhibition; participate in the organization of the Chinese Artists Association of Vancouver, Vice president; in 1994 to participate in Vancouver Chinese painter no show.
1995 in the west to temple monk; 1995 "Shi Guoliang album", "Shi Guoliang" sketchbook (Rong Baozhai Press) settled back in 1997; in 1997, "" small temple "mother and child", to attend the China Central Academy of Fine Arts Nomination Exhibition, "self portrait", "Bodhi" in portrait painting exhibition leaflets; "four seasons", "Lhasa Street", "Buddha" in the first and two or three international Ink Painting Biennial of Shenzhen; Beijing in 1998 1998 to participate in the exhibition hall elegant Shi Guoliang; Chinese Buddhist Association held a flood relief charity for children; to participate in fund-raising charity exhibition in anti sandstorm; planting charity exhibition; for workers who came to Beijing school children book sale the exhibition in 2001; "Buddha map" to participate in the national national art exhibition; 2001 Hongkong rongbaozhai Shi Guoliang exhibition in 2001; "Shi Guoliang new works" (Wen Yatang Publishing); 2001 "Shi Guoliang album" (China pictorial); CCTV in 2001 to participate in environmental protection activities of school; 2002-2003 Shi Guoliang interview in 2002 to participate in the protection of Shichahai; 2003 "eight", "pig strong labor to buy map" to the China Millennium "50 century style" Nomination Exhibition, exhibition in 2003; for the disabled charity sale; to protect the mother river in 2003 China charity; Buddhist congress.

Shi Guoliang monk, so the painter had a monk, monk in a famous painter, Shi Guoliang's own words, he will later break since the end of the Qing Dynasty Xugu monk painting method with pulse. However, as a monk should ascetic, everything is empty; as a painter, should be rich in heart, to love. As a monk, how to get out of this dilemma?
From 1979 to now, Shi Guoliang has done a lot of figure painting with the theme of Tibet culture. He went to dozens of Tibetan folk songs, almost all over the Tibetan areas, he has witnessed the believers in Tibet from Sichuan to Lhasa on foot after ABA spectacular pilgrimage, once drilling tents with black grease Tibetans they ate, and herdsmen Cemayangbian gallop on the grasslands. During this period he was shocked by the broad and profound Tibetan culture, the Tibetan people have touched by the simple, pious and persevering spirit, the deep love and Tibet.
Art is the feelings of the product, as a monk, the painter, standing in the Buddhist in Shi Guoliang in the family a unique perspective on modern people's life, his writings on Tibet warm emotion, vivid brushwork with realistic and vivid, swept over the face of the mysterious veil of Tibetans they reveal, pure, kind and faithful inner world. "Pilgrims", "Tim", "prayer". A series of works to show the profound cultural heritage of western style, the formation of financial nationalism and times and distinctive character style. The "turning" in realistic realistic depiction of a dozen by the turn of the Tibetan people. The painter through the Tibetans from entering the temple at the dazed and confused manner to out of the hall when the moods, free of facial expression, depicts the psychological changes in the whole process of worship in tibetan.

predestined relationship with Buddhism
To change from the painter painting monk, is not an easy thing and.
Only a "three tan commandment", to become official monk. Ordained before they ring (waiting for the ordained men and women) training camp is more strict than life. Each person was given a number instead of their respective names. All rings for several classes, Shi Guoliang was designated as the first class class three monks. Every morning get up at 4, and only 10 minutes of housekeeping and washing time; a room (monk living room) nine people live in the bathroom only two toilet. In order not to be punished for being late in the morning, "the toilet war" was very intense.
The first class is a class, from the foot to read a Buddha, knocking up a head lying on the ground, to step on the mountain; and then read a Buddha, and then knock a head up again...... Always knock to the top of the hill, even when it rains to catch all wet to knock down. Hot summer, rings are still according to the rules in the six layer of frock, even if it does not rain, covered from the inside to the outside will be soaked with sweat. In Tibet, Shi Guoliang saw also painted a team of men and women of the Tibetan people carrying luggage shaking bell, step on a long head, straight knock to the Buddha's place. Now he has experienced, although Han Buddhism and Tibetan Buddhism which is not the same posture.
After the monastery is chanting.
Eat called "arraigned". Every meal in singing verse in Eid under the leadership of the picket master; for the men to the East, West for women, everyone put a bowl, a bowl, sit straight, eyes look ahead, unable to speak, can not look around. The first day is on the use of chopsticks, iron chopsticks for second days, this is the behavior of their silent ring training. After dinner, but also read "collective vegetarian verse".
In the early morning, usually go to the hall to listen. The afternoon classes mainly to practice the rules of Buddhism: how to prayer, how to salute...... After the evening are 11 nights. There are rules of sleep at night: face, right hand side head - such as Ga Muni Nirvana position, which also has a name called "auspicious lie", and must cover the quilt. It was so hot, rings are always midnight to get to sleep, just go to sleep, wake up the bell rang......
There are many swallows on the mountain, Shi Guoliang wrote them into the diary. "Swallow, you are migratory birds, all concentrated on our mountain. You are soon to fly back to Beijing to breed, if you see an old lady grey-haired a compound in the north of the moat, she is my mother, you give her a message, she said I want to. If only you could fly to Vancouver and see if my baby and his mother had a good time and see what they were doing......"
In accordance with the provisions of the temple, after lunch every day, relatives can see the ring. Which one of the relatives to ring, the master will study in the picket node called: "No. stay!"
Shi Guoliang knew that their loved ones and their far across the numerous hills and streams may not see themselves, and each node can be lent or secretly hoping to hear your number. Naturally, every time he had lost and lost to leave the dining hall.
Ordained the day has finally arrived.
The tonsure ceremony was held on September 27, 1996, and ordained Shi Guoliang together and from the United States, Australia, India, Hongkong, Taiwan and other countries and regions of the 141 men and women.
It was a grand law meeting.
Shi Guoliang clasped his hands kneeling on the ground. Since set a determination, he has been in a state of excitement, to the martyr's mood appreciate the courage and heroic devotion. However, the realistic monastic career completely shattered his romance and fantasy. He had realized how much he would pay for the ideal of drawing monks.
KAIJO, yellow streamers fluttering, cigarette smoke, Buddhist gongs. The clock method of bang bang, each sound let his body muscle tremor; drums "thump", each of them like a knock on his head; fahao "hum", he felt his heart broken to a piece of land.
This is a ritual he said goodbye to the world. Since then, the young professor Shi Guoliang, painter Shi Guoliang, celebrity Shi Guoliang gone, he became a monk in the Hui Zen, young team, with long qingdeng, Gufo, bell, ding.
But in this world, how much he can't break the worry!

Born in 1956 in Beijing;
From 1973 Zhou Sicong painting;
1975 graduated from Beijing with three normal art class;
"A new page" in the Beijing art exhibition;
From 1976 Huang Zhou painting;
"More singing more happy heart" to participate in Beijing outstanding works exhibition;
1977 to participate in the Ministry of culture Chinese painting creative group;
1978 admitted to the Chinese Painting Department of China Central Academy of Fine Arts graduate class;
"Moonlight" "duck" in the Ministry of culture and Chinese painting exhibition, the first group of two;
"1979", "mountain people" in Tibetan painting Chinese young artists works exhibition;
1980 graduation assigned to the PLA Art College Art Department to teach;
"Eight strong labor", "buy pig figure" to participate in China Central Academy of Fine Arts graduate exhibition;
1981 "Li riots" in the art exhibition;
Lanzhou Group Art Museum History exhibition;
In China National Academy of painting research class;
Sichuan Fine Art Institute Shi Guoliang exhibition 1982;
Liu Dawei, Shi Guoliang, Ding Shang held sketch exhibition;
1984 visit to "champion" in the Sixth National Art exhibition;
"1985" in Beijing with oil painting exhibition spring;
To the Beijing art academy;
In 1986 the "empty" in the Seventh National Art exhibition;
Shi Guoliang Gallery, Kaohsiung, Taiwan, 1988;
He went to Canada in 1989 exhibition, and immigrants in Vancouver;
"Engraved classics" to participate in the twenty-third Monte Carlo International Modern Art grand prix;
"Shi Guoliang", published a sketch "ink painting techniques" (Sichuan Fine Arts Publishing House);
"Shi Guoliang", published pictures of "Shi Guoliang album" (published in Hongkong);
Publishing "realistic ink figure technique" (Tianjin Fine Arts Publishing House);
The twenty-third Monte Carlo modern art Grand Prix UNESCO award;
People's Republic of China Ministry of culture honor award;
1990 to participate in fund-raising for the refugees in Africa "famine thirty" charity activities;
Canadian Chinese Federation outstanding art award;
Shi Guoliang exhibition held in Hongkong city hall;
In 1991 set up to repair the Tibet Temple bazaar fundraising exhibition;
Participate in the organization of Vancouver painters held "blood is thicker than water, the Fundraising Charity exhibition;
Participate in the organization of Vancouver Chinese Artists Association, vice president;
1994 to participate in Vancouver Chinese painter no show;
In 1995 published "Shi Guoliang album", "Shi Guoliang" album (rongbaozhai publishing house);
In the west to the temple as a monk;
"1997", "small temple" mother, attended the China Central Academy of Fine Arts Nomination Exhibition, "self portrait", "Bodhi" in portrait painting exhibition leaflets; "four seasons", "Lhasa Street", "Buddha" in the first, the two or three Shenzhen international ink painting biennale;
Return to settle;
In 1998 China Buddhist Association held a flood relief charity;
For children charity fundraising exhibition;
In the anti sandstorm tree planting charity exhibition;
For workers who came to Beijing school children book sale exhibition;
Beijing elegant hall Shi Guoliang exhibition;
Shi Guoliang's new works published in 2001 (published by Wen Yatang);
"Shi Guoliang album" (China pictorial);
Hongkong rongbaozhai Shi Guoliang exhibition held;
"Buddha map" in national art exhibition; to participate in environmental protection activities at CCTV;
Shi Guoliang interview in 2002-2003;
2002 to participate in the protection of Shichahai activities;
2003 "eight", "pig strong labor to buy map" to the China Millennium "50 century style" Nomination Exhibition, exhibition;
To participate in the charity sale for the disabled;
To protect the mother river bazaar;
Attend the Chinese Buddhist congress;
  To participate in the fund-raising for the refugees in Africa "famine thirty" charity activities;
In 1991 set up to repair the Tibet Temple bazaar fundraising Exhibition
In 1998 China Buddhist Association held the flood relief charity for children; to participate in fund-raising charity exhibition in anti sandstorm; planting charity exhibition; for workers who came to Beijing school children book sale exhibition;
The sale in 2001 to participate in environmental protection activities of CCTV;
2002-2003 Shi Guoliang interview 2002 to participate in activities to protect Shichahai;
2003 to participate in the charity sale for the disabled; to protect the mother river bazaar.