安娜Bilinska-Bohdanowicz, Anna（1857年—1893年4月18日），波兰画家。
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在1882年初她陪她长期患病的朋友Klementyna Krassowska慕尼黑之旅,萨尔茨堡、维也纳和意大利北部旅行之前,她在巴黎定居,一起学习玛丽因患在Academie朱利安,后来她还教。她住在法国直到1892年,她嫁给了一个名叫安东尼Bohdanowicz的医生,把他的名字(安娜Bilińska-Bohdanowiczowa)。他们回到华沙后他们的婚姻,她打算开一个Parisian-style艺术学校,但心脏病患病,一年后在36岁时去世。
安娜Bilińska-Bohdanowiczowa最出名的是她的肖像,画着伟大的直觉。她的自画像围裙和刷子,(1887),该创新一个新的将艺术家的自画像构成的模型的背景下,因此说她是自己的模型。[2]她也画静物画,类型的场景和景观,是一个现实主义的代表。她的作品中可以找到华沙国家博物馆和国家博物馆克拉科夫.
In early 1882 she accompanied her chronically ill friend Klementyna Krassowska on a journey to Munich, Salzburg, Vienna and northern Italy, before travelling to and settling in Paris where she studied along with Marie Bashkirtseff at the Académie Julian,[1] and where later she also taught. She lived in France until 1892, where she married a medical doctor named Antoni Bohdanowicz and took his name (Anna Bilińska-Bohdanowiczowa). They returned to Warsaw after their marriage, where she intended to open a Parisian-style art school for women, but fell ill with a heart condition and died a year later at age 36.
Anna Bilińska-Bohdanowiczowa is best known for her portraits, painted with great intuition. Her Self-Portrait with Apron and Brushes,(1887), which innovated a new self-portrait pose by placing the artist in front of a model's backdrop, thus stating that she is her own model.[2] She also painted still lifes, genre scenes and landscapes, and was a representative of realism. Her paintings can be found in the National Museum Warsaw and National Museum Kraków.
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