朱斯面包车克利夫出生1485左右朱斯面包车克利夫的出生地并不确知。在安特卫普的各种法律文件，他被称为“朱斯范德比克别名面包车克利夫”。因此，可能是他从来到下莱茵地区或城市命名克莱沃，从他的名字的。据推测，他开始一月霍埃斯特，他在高坛的尼古拉教堂中的画作面板辅助车间1505左右他的艺术训练的Kalkar，下莱茵，德国。

朱斯面包车克利夫被认为已经搬到布鲁日 1507之间-因为他的绘画风格类似于布鲁日画家1511后来，他搬到了安特卫普，并在1511成为圣安特卫普会馆免费的主人卢克。他是公会的共同执事数年于1520年，与1516和1536之间的学生呈现沿[4]有可能他在法国在1529年或1535所花费的时间在法庭上他也许也做了一次旅行意大利的这个时候和伦敦（英格兰）围绕1535年至1536年。

他有两个孩子从他的第一次婚姻，一个女儿和一个儿子。他的儿子科内利斯（1520）成为一个画家。虽然他的死亡日期是未知的，朱斯面包车克利夫1540月草拟了一份遗嘱月10日，和他的第二任妻子在4月1541年列为寡妇

从十七到十九世纪，作为一个艺术家丢了朱斯面包车克利夫的名称。现在归因于朱斯面包车克利夫的这些画，在当时，被称为“处女之死的大师，”目前在瓦尔拉夫理查尔茨博物馆（科隆），三联后的作品。1894年它被发现在三联背面会标是乔斯范德比克，朱斯面包车克利夫的别名。

的Kalkar和布鲁日的影响被认为在许多人朱斯面包车克利夫的早期作品，如亚当和夏娃（1507）。在处女之死（1520）显示几位艺术家的综合影响。它具有强烈的情感雨果范德去，和肖像思想扬·凡·艾克和罗伯特·坎平。意大利艺术与朱斯面包车克利夫自己的色彩和光线的敏感度相结合的强大影响力使他的作品尤其是独特的。在“ 安特卫普风格主义”的风格是在辨认朝拜的贤士。它被认为是在“安特卫普Mannerists”分别依次由朱斯面包车克利夫影响。

像昆汀Matsys，一位同行的画家活跃在安特卫普，朱斯面包车克利夫拨款主题和技术达芬奇。这是在使用明显的渲染层次中的处女和柒。柔软，多情的多个版本，麦当娜和儿童和神圣家族被发现，在他的车间生产。

Cliff was born at about 1485 of the van van van Cliff's birthplace. In various legal documents in Antwerp, he was called "Euse Vanderbeek alias van Cliff". So it may be that he came from Rhine or the city named Klevo, from his name. It is speculated that he began in January, Joest, he was in the high altar of the Church of Nicola in the painting panel auxiliary workshop around 1505 of his art training Kalkar, under Rhine, germany.
Joos van Cliff is believed to have moved to Bruges between 1507 - because of his style of painting is similar to the Bruges painter 1511 later, he moved to Antwerp and became St. Antwerp hall free master Luke in 1511. He is the common association in 1520 deacon for several years, and 1516 and 1536 between the students present along the [4] may he in France in 1529 or 1535 of the time spent in the court, he may also do a trip this time in Italy and London (England) on 1535 to 1536.
He has two children from his first marriage, a daughter and a son. His son Cornelis (1520) became an artist. Although the date of his death is unknown, Euse van Cliff 1540 month drafted a will on, and his second wife in April of 1541 as a widow
From Seventeen to nineteenth Century, as an artist lost the name of van Cliff van. These paintings are now attributed to van van Cliff, at the time, known as the "master of the virgin's death," currently in the works of the Wallraff Richard F Museum (or the post of the triple), after the works of the union of the Chinese and the French (the Chinese Academy of Sciences), in the works of the Museum of Art (). In 1894 it was found in the back of the triple Jose Vanderbeek, Euse van Cliff alias.
The effects of Kalkar and Bruges are considered in many of the early works of Euse van van Cliff, such as the works of the authors of the works of the people of the Republic of China and the United States, such as in the works of the Chinese people and the people of the Republic of China (1507), by virtue of the influence of the early works of the. The death of the Virgin (1520) shows the combined effects of several artists. It has a strong emotional Hugo Van De De, and the portrait of thought of Jan Van Ike and Robert Campion. The strong influence of the Italy art and van van Cliff's own combination of color and light makes his work especially unique. In the "Antwerp style" style is in recognition of the Magi to worship. It is believed that in the "Antwerp Mannerists", respectively, by Zhu van Cliff impact.
Like Quentin Matsys, a fellow painter active in Antwerp, the van of the Cliff grant theme and technology of the, the. This is obvious in the use of sfumato in virgin and seven. Soft, affectionate versions of Madonna and the children and holy family were found in his workshop production.