他的作品抓住了关注查理二世，谁希望保留Largillière在他的服务，而是由引起争议守望者宅基地反对罗马天主教惊慌Largillière。Largillière离开巴黎，在那里他深受市民作为一个画家收到。

在1685年登基，詹姆斯二世要求Largillière返回英国。詹姆斯二世提供Largillière王室收藏门将的办公室，但他拒绝透露由于被不安黑麦宅基地。然而，短暂的停留在伦敦期间，他画的国王，王后的画像摩德纳的玛丽，和威尔士亲王詹姆斯·弗朗西斯·爱德华·斯图尔特。威尔士亲王的画像已经不能Largillière的在伦敦逗留期间，涂因为王子是不是天生的，直到1688年的三幅肖像画在他的青年王子Largillière绘必须在巴黎，在那里他才回来的某个时候被处决1686年三月国王詹姆斯二世的画像1686年国王詹姆斯被画是描绘在黄金盔甲搭配白色领带，并定位在一个圆框设置水彩画般的背景前。

该Islaic学院
在巴黎，在这一年1686Largillière产生的画家的肖像查尔斯·勒布伦准入法兰西学院。画像显示勒布伦，那么该学院董事长，在上掩埋工作，由散在画面内的地板和桌子古典半身像和雕像所包围。勒布伦，由Largillière的肖像打动，接受了他的学院。1690年，Largillière是由法国科学院记录作为一个历史画家，这是该学院的一个突出的艺术趋势，直到引进马奈。

1693年，涂Largillière阿拉斯省长皮埃尔·德·Montesquiou，以庆祝他的促进准将1691年。

1694年，Largillière的提出，显示在教堂的多人物作品圣艾蒂安笃山。

1709年，涂Largillière的王室肖像路易十四的家庭。这幅画像显示了国王路易十四，夫人Ventadour（勃艮第公爵的孩子们的家庭教师），3岁的路易斯，布列塔尼公爵（1707年至1712年），路易，大王太子和路易斯，勃艮第公爵，未来王太子。国王显示不同于尤其是其他数字轻微的局促感。在这幅作品中，Largillière使用结构化处置文艺复兴技术。

一年后，Largillière画的自画像也包含了他家族的两个女性成员。

在他生命的最后，Largillière画巴黎贵族的匿名男子画像的重复。一个例子是画于1710年，一名男子与传播的手指隐瞒的另一只手拿着信站着。从大约1715的另一个画像显示穿着类似的衣服，假发在后台多立克柱一个人的正面四分之三视图。

1714年，涂Largillière国王波兰奥古斯特二世。Largillière也画艺术家雅克-安托万Arlaud的在红色长袍以类似的方式向画家查尔斯勒布伦的Largillière的肖像，以及雕塑家尼古拉斯Couston。大约在明年Largillière画手的不同类型的研究，目前居住在卢浮宫。

在1718年，Largillière画的法国诗人和散文家伏尔泰。

基督进入耶路撒冷是一幅山水画的画Largillière在1720年。

Largillière了他最后的自画像在1725年这幅画像显示了艺术家在他的画架朝观众盯着。

Largillière是于1743年被任命为法国科学院的名誉校长。

尼古拉斯·德Largillière1746 3月20日逝世，享年89岁。他去世后，他捐赠给法国几个小景观和他创造的静物照片。

在阿什莫尔博物馆（牛津大学）时，菲茨威廉博物馆（剑桥大学）的艺术檀香山博物馆的卢浮宫的艺术国家画廊（华盛顿特区）中，纳尔逊-阿特金斯艺术博物馆（密苏里州堪萨斯城） ，该博物馆美术学院斯特拉斯堡和布雷拉画廊（AC米兰），Calouste Gulbenkian博物馆，国家博物馆德艺术安蒂加（里斯本），博物馆德Fundatie（兹沃勒），[2]在底特律艺术学院（底特律）和速度艺术博物馆（路易斯维尔）是持有由Nicolas德Largillière作品的公共收藏中。

让-巴蒂斯特OUDRY和雅各布面包车Schuppen，分别Largillière的瞳孔和侄子，也是洛可可画家。
 

His work caught the attention of Charlie II, who wants to keep Largilli re in his service, but by the controversial rye homestead against the Rome Catholic panic Largilli re. Largilli re left Paris, where he received by the public as a painter.
The throne in 1685, James S asked Largilli re to return to the uk. James S Largilli re the keeper of the Royal Collection Office, but he refused to disclose the disturbed rye house site. However, during a brief stay in London, he painted the portrait of the king, the queen of Modena, Marie of, and the prince of James Francis Edward Stuart. During the stay in London, Prince Welsh portrait has not Largilli re, James because the prince is not born, the three portrait until 1688 in his youth Prince Largilli re must be painted in Paris, a time where he returned was executed in March 1686 king James S's portrait of King James is drawn in 1686 depicted in the Golden Armor collocation of white tie, and background color positioning like setting water in a circular frame before.
The Islaic College
In Paris, in this year the 1686Largilli re produced the painter's portrait of Charles Lebrun access to College France. The portrait shows Lebrun, then the president of the Academy, buried in the work, surrounded by images of the inside of the floor and the table of classical busts and statues. Lebrun, moved by Largilli re's portrait, received his college. In 1690, Largilli re was recorded by the French Academy of Sciences as a history painter, this is one of the highlights of the art trend of the college, until the introduction of manet.
In 1693, Mr Largilli re of Alaska governor Pierre de Montesquiou, Brigadier General in 1691 to celebrate his promotion.
In 1694, the Largilli re, displayed in Benedict Hill works of Saint Etienne church.
In 1709, Mr Largilli re of the royal family portrait of Louis Xiv. This picture shows the king Louis Xiv, Mrs. Ventadour (Duke of Burgundy, children's tutor), 3 year old Lewis, Prince Brittany (1707 to 1712), King Louis, and Prince Lewis, Duke of Burgundy, the prince of the future. The king is different from other digital display especially slightly cramped feeling. In this painting, Largilli re using structured Renaissance disposal technology.
A year later, Largilli re painted a self portrait also contains two female members of his family.At the end of his life, Largilli re anonymous man portrait paintings of Paris noble repeat. An example was drawn in 1710, when a man stood with a hand holding a letter in his other hand. Show wearing similar clothes from another portrait of about 1715, 3/4 positive view wig in the background a Doric column.
In 1714, Mr Largilli re of King Polan August S. Largilli re painting artist Jacques Antoine Arlaud in the red robe in a similar way to the portrait painter Charles Lebrun de Largilli re, and the sculptor Nicholas Couston. About the different types of research Largilli re hand painted next year, currently living in Le Louvre museum.
In 1718, Largilli re painted the French poet and essayist Voltaire.
Christ into Jerusalem is a landscape painting of Largilli re in 1720.
Largilli re his last self portrait in 1725 this portrait shows the artist in his easel staring toward the audience.
Largilli re is the honorary president in 1743 was appointed the French Academy of sciences.
Nicholas de Largilli re1746 died on March 20th, aged 89. After his death, he donated to the French landscape and he created several small stills.
In the Ashe Moore Museum (University of Oxford), Fitz William (University of Cambridge) Art Museum Honolulu Museum of the Le Louvre Museum National Gallery of Art (Washington), Nelson Atkins (Missouri Museum of art in Kansas City, the Museum of Academy of Fine Arts), Strasbourg and Pinacoteca di Brera (AC Milan), the Calouste Gulbenkian Museum, National Museum of Art (Antiga de Lisbon), museum de Fundatie (Zwolle), [2] at the Art Institute of Detroit (Detroit) and the speed Art Museum (Luis Weil) is held by Nicolas de Largilli re works in public collections.
Jean Baptiste OUDRY and Jacob van Schuppen, respectively Largilli re pupil and nephew, and Rococo painter.