塞尚的画作在第一展览来表现的沙龙des拒绝在1863年，这显示不是由官员的陪审团接受作品巴黎沙龙。沙龙每年都拒绝了塞尚的意见，从1864年1869年他继续提交作品的沙龙，直到1882年。在这一年，通过老乡艺术家的干预安托万Guillemet，他展出的肖像去工作重点，大概肖像路易奥古斯特塞尚，艺术家的父亲，阅读“L'Événement” 1866年（国家艺术画廊，华盛顿特区），他的第一次和最后一次成功提交给沙龙。 
有一天，塞尚是遇上了风暴在外地工作一段时间。只为一场倾盆大雨不到两个小时的工作之后，他才决定回家; 但在途中，他崩溃了。他被路过的司机带回家。他的老管家揉了揉胳膊和腿，恢复循环; 结果，他苏醒。在接下来的一天，他打算继续工作，但后来他昏了过去; 与他正在大声呼救模型; 他被放在床上，他从来没有离开过它。他数天后死亡，在1906年10月22日的肺炎和被埋没在圣皮埃尔公墓在他的普罗旺斯地区艾克斯的故乡。
在马赛地区留下霍滕斯，塞尚巴黎和普罗旺斯之间移动，在第一（1874年）和第三印象派展览（1877年）参展。1875年，他吸引了收藏家的关注维克多Chocquet （德），其佣金提供了一些经济援助。但是，塞尚的画作展出吸引了欢闹，愤怒，和讽刺。Chocquet的塞尚的肖像评论家路易·勒鲁瓦说：“这种奇特的找头，一个老开机的颜色可能会给[孕妇]震动，并在她的子宫其进入世界前水果引起黄热病。” 
Cezanne from Saint SAUVEUR (Alpine Province, town to Occitania). Cezanne was born in January 19, 1839 in Provence region AIKE.  in February 22nd, he was baptized in Ma De Lena church, and his grandmother and uncle Louis as godparents, and in later life became a devout Catholic. His father,  (1798 to 1886),  Shengzhasha Liye (VAR) who is a bank company (BANQUE Cezanne Cabassol) in the artist's life is co-founder of prosperity, to get his financial security which is not available for most of his contemporaries, and eventually lead to a fortune.
His mother, Anne Elizabeth Honor Obel (1814 to 1897),  was "lively romantic, but swift to take offense".  it was from her that Cezanne got his ideas and visions of life.  he also has two sisters, Marie and rose, and he goes to a primary school every day.
At the age of ten, Cezanne entered the AIKE, St. Joseph's school.  in 1852, Cezanne entered the University of Bourbon (University has Mignet), where he became friends with Zola, who is in a less advanced class, three friends   and Baptistin Baille who came to known as "Les Sanhe cannot do without" (three cannot do without).  he stayed there for six years, although in the past two years, he learned every day.  in 1857, he began painting in free public schools in AIKE, under the tutelage of Joseph Gilbert, a Spanish monk.  from 1858 to 1861, in line with his father's wishes, Cezanne attended the law school AIKE University, but also to learn from.
Contrary to the opposition of his banker father, he was committed to the pursuit of his artistic development, and in 1861 he left AIKE Paris to be strongly encouraged to make the decision of Zola, who had lived in the capital at that time. Ultimately, his father was not reconciled with Cezanne and supported his career choice. Cezanne later received 400 thousand francs from his father, getting rid of all the economic worries he had.
In Paris, Cezanne met with Impressionist Pissarro. The initial formation of Pissarro and Cezanne's mid 1860s friendship is the formative influence of masters and disciples, in which a young artist was exerted by the artist in which the influence of the influence of the artist on the formation of the friendship between the master and the disciples of the age of the year of the year of the founding of the Republic of China was in the middle of the period of the. In the next ten years, their landscape paintings tour together in Louveciennes and Pon Tu Vaz, resulting in an equal and cooperative working relationship.
Cezanne's early works tended to focus on the landscape map, which included a large number of paintings in the landscape of large and heavy character groups, painting imagination. Later in his career, he became more interested in working from direct observation, and gradually formed a light, airy painting style. Nevertheless, in Cezanne's mature works have the solidification of painting, the development of almost architectural style. Throughout his life, he struggled to paint, he could find it to represent the most accurate way to develop the world to see a real observation. To this end, he ordered the structure regardless of his perceived simplicity of form and color of the aircraft. His speech "I want to make something solid and lasting as the Impressionist Art Museum",  and his argument, he was "natural" after Poussin again stressed his desire to unite, observation and nature of the composition of the enduring classic.
Cezanne is interested in the naturally occurring form, simplifying the geometric Essentials: he wanted to "treat nature, by the cylinder cone sphere," (the trunk may be conceived as a cylinder, an apple or an orange ball, for example). In addition, capture the perception of Cezanne's desire to explore the truth makes him the binocular visual graphics, render the same phenomenon is slightly different, but also provide visual experience, from different depths of those early ideal aesthetic experience of the audience's point of view, especially in single point perspective. Cezanne's innovation has prompted critics to think of such a different explanation for the sick retina,  pure vision,  and the impact of the steam train. 
Cezanne's paintings in the first exhibition to show the Salon des declined in 1863, which shows that the salon was not accepted by the jury of the official Paris salon. Sharon rejected Cezanne's comments every year, from 1864 to 1869, he continued to submit the work of Sharon until the year of 1882. In this year, through the intervention of Guillemet Antoine fellow artist, portrait he exhibited to work on, probably a portrait of Louis August Cescon, the artist's father, read "L'e v e nement" 1866 (National Gallery of art, Washington DC),  his first and last successful submission to the salon.  
Prior to 1895, with Cezanne (the first Impressionist exhibition in 1874 and the third impressionist painting exhibition in 1877), the Impressionists exhibited a factor of two. Several individual paintings in the next few years show that until 1895 at various venues, when the Paris dealer Bruce wollard to Ann watts, the first solo artist. Despite increased public recognition and financial success, Cezanne chose to increase the beauty of the isolation, usually in the southern French painting, working in his beloved Provence, away from Paris.
He concentrated on a few subjects and in every genre equally proficient in: still life, portraits, landscapes and swimming research. In the past, Cezanne was forced from his imagination to design, due to the lack of available nude models. Like the landscape, his portrait was drawn from the familiar, so that not only his wife and son, but local farmers, children and his art dealers served as the theme of the drawing. His painting is in a decorative design, coated with a thick, flat surface, but reminiscent of the weight of Courbet. The "props" in his works are still found as he left them in his studio (Studio), in the modern AIKE suburb.
Cezanne's paintings were not well received by the small bourgeois AIKE. In 1903, Henry Rochefort visited once in Zola's possession and in March 1903 published in the 9 paintings auction L'Intransigeant entitled "love the ugly" is one of the key articles. Roche Faure shows the audience how supposedly experience laughing fit, "super Cezanne named Impressionist paintings". In fact, the misconception that Cezanne painting as the representative of the art of "dear Zola" (Rochefort Dreyfusard, he drew SUDI) connection between "Dreyfusard snob", after the French officer who was accused of, but innocent defense plan was sold in Germany and Zola should cherish the artist Cezanne. In the area of Provence angered the public, and for many days, a copy of L'Intransigeant appeared in Cezanne and asked him to leave the town doormat, "he dishonouring news". 
One day, Cezanne was caught in a storm in the field for some time. After  for a downpour in less than two hours of work, he decided to go home; but on the way, he broke down. He was taken home by a passing driver.  his old housekeeper rubbed his arms and legs to restore circulation; as a result, he regained consciousness.  in the next day, he intends to continue to work, but then he fainted; and he was shouting for help model; he was put on the bed, he never left it.  he died a few days later, in October 22, 1906  pneumonia and is buried in San Pierre cemetery in his hometown in Provence, AIKE.
Provence and Paris, 1870 - 1878
At the beginning of 1870 after the Franco Prussian War in July, Cezanne and his mistress, Marie at Fiquet, near Paris, leaving L'OREAL stark Marseille, where he changed the main theme of the landscape. He was declared in January 1871 or next month bill, but the war ended, in February, in January 1872 the couple moved back to Paris in the summer of 1871, their son Paul was born, in Paris, they moved to Auvers near Paris in Valle Deva Azee. Cezanne's mother kept a party, but his father did not because of fear of angry to notify Hortense. Received a monthly allowance of 100 francs from his father. 
Pissarro lives in Pon Tu Vaz. There he was with Cezanne watts painted landscapes. After a long period of time, Cezanne described himself as a student of Pissarro, referred to him as "God Father", and said: "we are from the Pissarro"  under the influence of Pissarro, Cezanne began to abandon the dark color and his canvas is brighter. 
In Marseille, Cezanne, Paris and Provence were left to move between the first (1874) and the third Impressionist Exhibition (1877). In 1875, he attracted the attention of collectors to Victor Chocquet (DE), whose Commission provided some financial assistance. However, Cezanne's painting exhibition attracted hilarity, anger, and irony. Louis Leroy Chocquet's portrait of Cezanne critic said: "this strange change, an old boot may give [color] pregnant women in her womb and shake its fruit in the world before the cause of yellow fever." 
In March 1878, Cezanne's father found Hortense and threatened to cut off the Cezanne economy, however, in September, he relented and decided to give him 400 francs for his family. Cezanne continued to move between Paris and Provence until Louis August had built a studio for him in his home, Castle manor, Bouffan, in early 1880s. It is upstairs and provides an enlarged window that allows light in the north, but breaks the eaves line. Today this feature still exists. Cezanne took up his residence in L'stark. He painted with Renoir appeared in 1882, and visited the Renoir and Monet in 1883 
Mature period, Provence, from 1878 to 1890
In the early 1880s, the family of Cezanne settled in Provence, and they remained there, except for a short stay abroad, since then. The move reflects a new independence from Paris as the center of the southern and southern, Cezanne's local preference. Hortons's brother was in the view of the house Mengtaniesheng Victor in stark. From 1880 to 1883, the paintings of this mountain and other running Gardanne from the year of 1885 to the year of the year of the year of the year of the year of the year of the year of the year to the year of the year, sometimes called "project construction cycle" of the."
1886 is a turning point for the family. Cezanne married hortense. In this year, Cezanne's father died, leaving him in the 1859 purchase of real estate; he was 47.1888 years ago, the family is in the manor, Bouffan, a courtyard and the house and outbuildings, get a new found comfort. The house, most of which is reduced by the reason, is now owned by the city and open to the public on a limited basis.
Also in this year Cezanne lost his friendship with Zola, after which he used, to a great extent, and the foundation for success, and ultimately tragic fiction artist Claude Rante, in the novel L'works. Cezanne thought it was a breach of etiquette, and in childhood friendship began to be irreparable damage.
During the final, Provence, 1890 to 1906
Cezanne was only temporary in the pastoral period of the Bouffan. From 1890 until his death, he was troubled by the events of his further retraction of his paintings, which took a long time as a virtual recluse. His paintings became famous and sought after, and he was the object of a new generation of painters who were respected.
These problems began to develop diabetes in 1890, shaking his personality into another relationship with others. He went to Switzerland with Hortons and his son, perhaps hoping to restore their relationship. Cezanne, however, returned to life in Provence; Hortons and junior, Paris. The economy needs prompt Hortense to return to Provence, but in different quarters. Cezanne moved with his mother and sister. In 1891, he turned to catholicism.
Cezanne alternated between paintings in the Bouffan and in the Paris region, as before. In 1895, he proposed Bib mus quarry germinal access, climb Mengtaniesheng - Victor. The labyrinth of the quarry must be struck, as he rented a cottage in 1897, and drew extensively from it. The shape is considered embryonic inspired "Cubism" style. Also in that year, his mother died, and his wife, this may make the settlement of upsetting events, but one of the. He sold the empty nest in Ya Bouffan and rented Rue Boulegon, he set up the studio where.