时卫平,江苏常熟人。擅长油画。1982年毕业于南京师范大学美系。历任苏州师范专科学校教师、南京师范大学美术系教师。组画《百合花》获第二届全国青年美展三等奖,《知识——打开理想大门的钥匙》获全国宣传画展二等奖。
时卫平,江苏常熟人。擅长油画。1982年毕业于南京师范大学美系。历任苏州师范专科学校教师、南京师范大学美术系教师。组画《百合花》获第二届全国青年美展三等奖,《知识——打开理想大门的钥匙》获全国宣传画展二等奖。
1978年2月就读于南京师范大学美术学院绘画专业。现为南京师范大学设计系主任,硕士生导师。中国美术家协会会员,南京博物院特聘画家。
作品曾参加第二届全国青年美展,第六、第七、第八届全国美展,并获二等奖和优秀奖等奖项。代表作中国画《贵妃醉酒》1998年由南京博物院收藏。近年所创小景画作品,题材大多为蕉竹湖石,寄景写情,草草逸笔构成了石静竹动、雨中听蕉的水墨意境,有着明显的中国江南园林文化特征。其风格自然飘逸、潇洒灵动,折射出中国传统文人高雅孤傲、感物吟志的主观心理,凸现了中国画“笔墨”语言的审美趋向和内在表现力。
Jiangsu Changshu person. Be good at canvas. Was graduated from beauty of Nanjing Normal University 1982 is. Having successively held the posts of art of Normal University of teacher of schools of Suzhou normal school, Nanjing is a teacher. Group picture " liliaceous " obtain beauty of youth of the 2nd whole nation to exhibit third class award, " knowledge -- the key that opens ideal entrance door " obtain countrywide poster to exhibit second-class award.
Read in Feburary 1978 at major of brushwork of academy of fine arts of Nanjing Normal University. Fasten a director for design of Nanjing Normal University now, the Master lays a teacher. Chinese artist academician, nanjing museum hires an artist especially.
Work ever attended beauty of youth of the 2nd whole nation to exhibit, the 6th, the 7th, beauty of the 8th whole nation is exhibited, win the award such as second-class award and outstanding award. The traditional Chinese painting in masterpiece " drunk wine of high-ranked imperial concubine " collected by Nanjing museum 1998. What achieve Xiaojing to draw work in recent years, subject matter is stone of lake of broadleaf plant bamboo mostly, send scene keep passion, carelessly ease pen formed Shi Jingzhu to move, the artistic conception of water Chinese ink of broadleaf plant of pluvial pleasant to the ear, having feature of apparent culture of gardens of Chinese Changjiang Delta. Its style nature is cheesy and elegant, clever, reflection gives Chinese traditional bookman the subjective psychology of annals of chant of content of decorous aloof and proud, feeling, protruding showed China to draw " writing " the aesthetic incline to of the language and underlying performance strength.
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