王华祥

 王华祥是一个多栖动物，创作涉及素描、木刻、油画、雕塑、装置、行为艺术、建筑环境设计，艺术评论和杂文写作。二十六岁创作了木版画《贵州人系列》获第七届全国美展金奖，《贵州人》无主版的方法体现了技术的难度、思维能力和想象能力的结合。对于当时“唯技术论”和“去技术论”都是一次警醒。同时也打破了人们对版画简单、门槛低的“业余说”的认识，使版画可以骄傲地与其他画种共存；二十八岁创作了《近距离系列》导致了艺术潮流的转向，是“新生代”代表人物；三十一岁出版了《将错就错》，自上世纪九十年代以来，影响并改变了很多人的素描观念和造型方法，被中央美院评为改革开放三十年的标志性成果之一；三十四岁创立“一幅肖像的32种刻法”从木刻黑白语言、刀触语言生成转换的规律出发，去探索绘画形式语言创造的思维方法，破译了艺术语言尤其是现代主义艺术的思维密码。该方法已被全国的许多院校广为使用，同时也成为中央美院木刻教学的主干课程；四十一岁创立《反向教学系统——王氏素描、色彩五步法》改变了传统教学模式的经验主义传统，补充了中国高等艺术教育中缺失的现代主义教学环节，搅动了僵化保守的学院教学体系，推动了高等美术教育教学的进步。他还创立了飞地艺术坊，帮助艺术青年实践艺术理想，帮助成熟画家实现突破获得“重生”。 曾担任全军美术“总教头”影响了全军美术的创作水平。

2015年由高等教育出版社出版的《素描·王华祥反向教学系统》，被列为高等院校的专用教材。

2016年策划发起成立“国际学院版画联盟”，在北京太庙成功举办由二十八国参与的世界版画盛会，被选为首任“国际学院版画联盟”主席。这是迄今为止全球最大最高的国际性版画平台。他把油画与波普结合，雕塑与装置重组，扩大了艺术的语义，直指艺术与现实存在的弊端，实现他的艺术普世价值的理想。他的每一次“发声”与“行动”都对中国艺术及艺术教育产生“搅动”与“震荡”。

 中国美术馆、上海美术馆、德国路德维希博物馆、英国木版艺术基金会、广东美术馆、中央美术学院美术馆、北京今日美术馆、美国玛勃洛画廊、美国布法罗大学美术学院、韩国库艺术中心、华谊兄弟传媒集团、天图资本、中华慈善总会、香港schoeni画廊、南京一山美术馆、北京灿艺术中心、玖画·廊、北京可儿幼儿教育、贵州商会、爱慕集团、搜猎人艺术品交易平台

 曾获“全国第七届美术作品展金奖”、“北京——台北版画展杰出奖”、“作品入选全国十大美术馆精品”、“巨匠——中国当代艺术的十个案例”、当代最具影响力艺术家和最具影响力教育家等多个具有影响力的奖项。

 Wang Huaxiang was born in 1962 in Yachihe, Xindian District, Qingzhen County, Guizhou Province. He graduated from the printmaking department of the Central Academy of Fine Arts in 1988 and is currently a professor of the Central Academy of Fine Arts, chairman of the printmaking department of the Central Academy of Fine Arts, visiting professor of the Xi'an Academy of Fine Arts, director of the Enclave Art Museum, honorary president of the Jiangsu Academy of Printing, honorary president of the Enclave Art Workshop, editor-in-chief of the magazine, director of the website of the Non-Art Alliance, and Vice-President of

Wang Huaxiang is a multi-habitat animal. His creations include sketch, woodcut, oil painting, sculpture, installation, behavioral art, architectural environment design, artistic criticism and essay writing. The woodcut "Guizhou People Series" was created at the age of 26 and won the Gold Prize of the 7th National Art Exhibition. The method of no main edition of Guizhou People embodies the combination of technical difficulty, thinking ability and imagination ability. It was a wake-up call to the "technocracy" and "de-technocracy" at that time. At the same time, it also broke people's understanding of the "amateur theory" of simple printmaking, making printmaking proud to coexist with other kinds of paintings; the creation of "Close Range Series" at the age of 28 led to the shift of artistic trend and was a representative figure of the "new generation"; the publication of "Wrong or Wrong" at the age of 31, which has influenced and changed many people's sketches since the 1990s. Concepts and modeling methods have been appraised by the Central Academy of Fine Arts as one of the symbolic achievements of the reform and opening up in the past 30 years. At the age of 34, the "32 methods of carving a portrait" was founded. Starting from the rules of the generation and transformation of black-and-white woodcut language and knife-touch language, it explores the thinking methods of the creation of painting formal language, and deciphers the thinking codes of art language, especially of modernist art. This method has been widely used in many colleges and universities all over the country, and has also become the main course of woodcut teaching in CAFA. The establishment of the "Reverse Teaching System-Wang's Sketch and Color Five-Step Method" at the age of 41 has changed the empiricist tradition of traditional teaching mode, supplemented the missing modernist teaching links in Higher Art Education in China, and stirred up the rigid and conservative college teaching body. The Department has promoted the progress of higher art education and teaching. He also founded the Enclave Art Workshop to help young artists practice their artistic ideals and help mature painters achieve breakthroughs and achieve "rebirth". He once served as the "general instructor" of the army's fine arts, which affected the level of the army's fine arts creation.

Sketch Wang Huaxiang's Reverse Teaching System, published by Higher Education Press in 2015, has been listed as a special textbook for colleges and universities.

In 2016, the International Academy Printing Alliance was planned and launched. It successfully hosted a world printmaking festival in Taimiao, Beijing, with the participation of 28 countries. It was elected as the chairman of the International Academy Printing Alliance. This is by far the largest and highest international printmaking platform in the world. He combines oil painting with Pop, reconstructs sculpture and installation, enlarges the meaning of art, points directly to the drawbacks of art and reality, and realizes his ideal of universal value of art. Every time his "voice" and "action" produced "agitation" and "shock" to Chinese art and art education.