王迎春，1942年3月生于山西太原。画家。中国美术家协会会员。先后毕业于西安美术学院、中央美术学院。擅长人物画，兼及油画、版画、花鸟、山水、书法。1957年入西安美术学院附属中学，1961年继入该院国画系，1966年毕业后在山西从事印刷装潢设计和油画、中国画、版画创作。1978年入中央美术学院国画系人物画研究班，1980年毕业，参加中国画研究院的筹建工作，并进行国画创新探索与学术研究工作。现为中国画研究院业务处长，中国白洋淀诗书画院艺术顾问，中国美术家协会会员，全国青联五、六届委员。擅长人物画，兼及花鸟、山水、书法。自1959年始与丈夫杨力舟合作，中国画《黄河在咆哮》获叶浅予奖学金；《太行铁壁》获第六届全国美展金质奖；连环画《小二黑结婚》获全国第三届连环画创作评奖二等奖；个人作品中国画《金色的梦》获第七届全国美展铜质奖。作品在十余个国家展出。《太行铁壁》等被中国美术馆等处收藏。
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1973年，王迎春回到哺育自己成长的黄土高原。王迎春沿着黄河跋涉着，以旺盛的精力画着一张又一张的速写，一个个朴实的黄河人的形象跃然纸上。王迎春每见到山庄的孩子时，总是深情地看着，在黄河的对岸，两个孩子在盼王迎春。由于母亲身体情况欠佳，孩子们早已整托在幼儿园。母亲在信中讲：外孙们每当看到小朋友的爸爸、妈妈接自己的孩子回家时，总是眼泪汪汪的。读到这里，信纸已被泪水打湿了。王迎春完成了创作的准备工作，花大气力，反复推敲人物与船，船与水的关系，回忆生活中对黄河的感受，借鉴元代马远《水图》中表现的意境和笔墨。最后采用了俯视，置船于波浪起伏，漩涡奔涌的激流中，往前呈放射状直冲而下。突出了一往无前的气势。在笔墨上运用阔大、自然的笔势，勾出水的结构和动势，泼色渲染，以呈质感。中景上清晰地勾出船行的运动水线，远景的河水从画外飞流直下，浪如山叠，以增加气势。经过呕心沥血的创作，《黄河在咆哮》诞生了。画中黄河水天上来，浊浪拍空，奔腾咆哮的激流中，一叶满载弹药的扁舟。十几名船工奋力挥浆，同心协力与随时要吞没王迎春的巨浪博斗着，激昂的呐喊盖过了黄河的咆哮。“咆哮”取得了可喜的成功，不但获得“叶浅予奖学金”而且在美术界引起强烈反响，报刊纷纷印刷发表。展览厅内，观众们站在这幅画前久久不动。延安时代的美术家蔡若虹感叹其为“力量的美，征服自然的美”。
岩，背靠坚石，人即山石，山石即人，太行山与抗日英雄浑然一体，组成一面不可逾越的铜墙铁壁。站在这幅画前，崇敬感、庄严感油然而生，使人感到一种人民不可战胜，中华民族坚不可摧的力量。画家在这里采用异质同构的构思，雕塑群像式、象征性手法。是多么新奇、独到。令人抚掌叫绝。这令人感到，这是继石鲁《转战陕北》之后，对“人物与自然交融”表现手法的又一次实践。堪称典范。作品开拓了人物画的领域，丰富了写意画(人物、山水)题材。作品以撼人心魄的艺术魅力及艺术创新的成果得到美术界内外的好评。《太行铁壁》在第六届全国美术展览中获得优秀作品金质奖并获北京市建国35周年文艺作品荣誉奖，中国人民解放军第二届文艺评奖活动的大奖。
自《太行铁壁》之后，春舟进行了十余年的艺术探索。厚积薄发，王迎春已步入了金秋时节。
1959年 与杨力舟首次合作工笔四条屏四女图，并发表。
1961年 西安美术学院附中毕业，考入该大学部，入国画系学习。
1966年 西安美术学院毕业。
1968年 山西省太原印刷厂从事印刷设计。
1970年 合作油画《平型关大捷》（320x180cm）。
1972年 调进山西省美术创作组专事油画,国画创作。
1972年 油画《文武之道一张一弛》全国美展展出。
1973年 国画《挖山不止》全国美展展出，联合国展出。
1974年 油画《向毛主席汇报》全国美术展览展出。
1977年 国画《太行浩气传千古》全军建军五十周年展出中国美术馆收藏。
1978年 考入中央美术学院国画系人物画研究班深造。加入中国美术家协会。 被评为第五、六届中华全国青年联合会委员。
1980年 中央美术学院国画系研究班毕业，合作水墨三联画《黄河在咆哮》获该院叶浅予奖学金。分配到文化部中国画创作组工作，参加筹建中国画研究院筹建。
1982年 在河南开封举办《杨力舟王迎春国画展》。
1983年 参加日本东京《中国现代绘画展》。
1984年 合作国画《太行铁壁》，连环画《小二黑结婚》，参加全国第六届美术作品展览，前者获优秀作品金质奖，北京市建国三十五周年文艺作品荣誉奖。还获中国人民解放军第二届文艺评奖大奖。后者获全国第三届连环画二等奖。赴日本、美国纽约、南美等国考察。
1985年 参加香港、莫斯科、明斯克、新德里《中国当代绘画展览》。参加东方美术交流学会画展，赴香港、日本、澳大利亚等地展览。
1987年 在内蒙古呼和浩特举办《杨力舟王迎春国画新作展》。
1988年 赴法国巴黎参加联合国教科文举办的《现代中国画展》开幕式并考察。
1989年 国画《金色的梦》（200x200cm）获第七届全国美展优秀作品展铜奖。
1990年 出版《中国当代艺术家》丛书，《王迎春杨力舟画集》。
1991年 在台北举办个人展览。
1993年 《喜迎门》全国中国画展出，赴巴西展出。
1994年 《圆梦》全国第八届美术展览展出。
1999年 《肖像系列》全国肖像展出。
2001年 《回娘家》、《农乐手》、《桑巴舞》赴巴西展出。
2002年 《慰安妇》组画全国美术馆《开放的年代》展出。
1978年，中央美术学院研究生班将在全国招生了。这一消息使他们十分兴奋。这是一个多么好的学习深造的机会啊。可冷静下来一想，他们又犹豫起来。到千里之外求学总不能带着孩子啊。如果放在家中，他们实在年幼。女孩5岁，男孩仅两岁。再说，自他们出生以来，吃的苦还少吗?每想起这些往事，迎春的眼圈就红起来。
1975年，晋南地区文化局慕名前来请春舟夫妇辅导该地区的美术创作。那时他们的儿子出生未过百日。迎春为难极了，�约翰笫中槿酰ざ痔 Ｓ朗跫业脑鹑胃惺顾鹩α讼吕础�
他们这对儿女所得到父母的慈爱的确太少了。实在不忍心让他们再吃苦了。
画什么呢?当时的艺术领域，思想解放，题材突破的思潮尤为活跃。当他们准备画他们所熟悉的黄土高原的人民时，一些好心的朋友劝阻，指出，这是吃力不讨好的。
这次毕业作品的创作，谁不愿意获得好的成绩呢?正在这时，一些美术界老前辈为他们指明了方向。叶浅予先生指出，要反映自己熟悉的生活，不要轻视自己熟悉的东西。华君武老师则鼓励他们，要甘于走寂寞的路。老师们的教诲坚定了他们画劳动人民的决心。宁肯毕不了业，也绝不赶潮流。就具体内容来说，他们认为，我们的国家还很贫穷落后，要改变这种面貌，就需要发扬战争年代团结一致，顽强战斗的精神。因此，他们决定再现这一斗争场面，激励青年为现代化建设而奋斗。
Wang Yingchun was born in Taiyuan, Shanxi Province in March 1942. Painter. Member of China Artists Association. Graduated from Xi'an Academy of Fine Arts and Central Academy of Fine Arts. Good at figure painting, and oil painting, printmaking, flowers and birds, landscapes, calligraphy. In 1957, he joined the High School Affiliated to Xi'an Academy of Fine Arts. In 1961, he joined the Department of Traditional Chinese Painting of the Academy. After graduation in 1966, he was engaged in printing decoration design and oil painting, Chinese painting and printmaking creation in Shanxi Province. In 1978, he joined the research class of figure painting in the Department of Traditional Chinese Painting of the Central Academy of Fine Arts, and graduated in 1980. He participated in the preparatory work of the Academy of Traditional Chinese Painting and carried out innovative exploration and academic research on traditional Chinese painting. He is currently the Director of the Business Department of the Chinese Academy of Painting, the Art Consultant of the Baiyangdian Academy of Poetry, Calligraphy and Painting, a member of the Chinese Artists Association, and a member of the 5th and 6th National Youth Federation. He is good at figure painting, flower and bird, landscape and calligraphy. Since 1959, he has cooperated with his husband Yang Lizhou, and won Ye Shaoyu's scholarship for the Chinese painting "The Yellow River is roaring"; Taihang Iron Wall was awarded the gold medal in the 6th National Art Exhibition; the comic strip "Little Erhei Marriage" was awarded the second prize in the 3rd National Comic Creation Award; and the personal painting "Golden Dream" was awarded the bronze quality in the 7th National Art Exhibition. Awards. The works are exhibited in more than ten countries. Taihang Iron Wall is collected by China Art Museum and other places.
In 1973, Wang Yingchun returned to the Loess Plateau, where he nurtured himself. Wang Yingchun trudged along the Yellow River, drawing sketches one by one with exuberant energy, and the images of simple Yellow River people jumped onto the paper. When Wang Yingchun saw the children of the Heights, he always looked at them affectionately. On the other side of the Yellow River, two children were looking forward to Wang Yingchun. Because of their mother's poor health, the children were already in kindergarten. Mother said in the letter: grandchildren always cry when they see their children's father and mother take their children home. At this point, the letter paper was wet with tears. Wang Yingchun completed the preparatory work for his creation, spent great efforts, repeatedly deliberating on the relationship between characters and boats, boats and water, recalling his feelings about the Yellow River in life, and drawing on the artistic conception and ink expressed in Ma Yuan's Water Map in the Yuan Dynasty. At last, we adopt the overlooking method to set the boat in the turbulent and swirling torrent, and rush forward in a straight radial direction. It highlights the unprecedented momentum. In the pen and ink, the use of broad, natural strokes, outline the structure and momentum of water, splash color rendering, in order to present a texture. The middle view clearly delineates the boat's line of motion, and the river in the foreground flows down from the outside of the picture, waves like mountains, to increase momentum. After painstaking creation, "The Yellow River is Roaring" was born. In the picture, the water of the Yellow River rises in the sky, the cloudy waves break into the air, and a boat full of ammunition is seen in the roaring torrent. More than a dozen boatmen struggled with the huge waves that would engulf Wang Yingchun at any time, and the roar of the Yellow River was overwhelmed by fierce shouts. "Roar" has achieved gratifying success, not only won the "Ye Shaoyu Scholarship" but also caused strong repercussions in the art circle, newspapers and periodicals have been printed and published. In the exhibition hall, the audience stood still for a long time. Cai Ruohong, an artist in the Yan'an era, lamented that it was "the beauty of power, the beauty of conquering nature".
Rock, backed by hard stone, man is mountain stone, mountain stone is man, Taihang Mountain and anti-Japanese heroes are integrated, forming an insurmountable copper wall iron wall. Standing in front of this painting, a sense of reverence and solemnity arises spontaneously, which makes people feel an invincible force of the people and the Chinese nation. Painters here use heterogeneous isomorphic ideas, sculpture group, symbolic techniques. What a novelty and originality. It's amazing. This makes people feel that this is another practice of the expression of "the blending of characters and nature" after Shilu's "Transfer to Northern Shaanxi". It is a model. The works have opened up the field of figure painting and enriched the subject matter of freehand brushwork (figures, landscapes). The work has won praise from both inside and outside the art circle for its inspiring artistic charm and achievements of artistic innovation. Taihang Iron Wall won the Golden Prize for Excellent Works in the 6th National Art Exhibition and the Honorary Prize for Literary and Art Works on the 35th anniversary of the founding of the People's Liberation Army.
Since Taihang Iron Wall, Chunzhou has made more than ten years of artistic exploration. Wang Yingchun has entered the golden autumn season.
In 1959, he first collaborated with Yang Lizhou in writing four pictures of four women on screen and published them.
In 1961, he graduated from the secondary school attached to Xi'an Academy of Fine Arts and was admitted to the University Department and studied in the Department of Traditional Chinese Painting.
Graduated from Xi'an Academy of Fine Arts in 1966.
In 1968, Shanxi Taiyuan Printing Factory was engaged in printing design.
In 1970, he Co-painted "Flat Guandajie" (320x180cm).
In 1972, he was transferred to Shanxi Art Creation Group to specialize in oil painting and traditional Chinese painting.
In 1972, the oil painting The Way of Literature and Martial Arts was exhibited at the National Art Exhibition.
In 1973, the National Art Exhibition of Chinese Painting "More than Digging Mountains" was exhibited at the United Nations.
In 1974, the oil painting "Report to Chairman Mao" was exhibited at the National Art Exhibition.
In 1977, the traditional Chinese painting "Taihang Hao Qi Zhuan Qian Jiu" was exhibited in the Chinese Art Museum on the fiftieth anniversary of the founding of the army.
In 1978, he was admitted to the Research Class of Figure Painting in the Department of Traditional Chinese Painting, Central Academy of Fine Arts. Join the Chinese Artists Association. He was elected member of the Fifth and Sixth National Youth Federation of China.
In 1980, he graduated from the research class of the Department of Traditional Chinese Painting of the Central Academy of Fine Arts and won a scholarship from Ye Shaoyu of the Academy of Fine Arts for his cooperation in the Chinese ink-wash Trilogy "The Yellow River is roaring". He was assigned to the Chinese Painting Creation Group of the Ministry of Culture and participated in the preparations for the establishment of the Academy of Chinese Painting.
In 1982, the exhibition of Yang Lizhou Wang Yingchun Chinese Painting was held in Kaifeng, Henan Province.
In 1983, he participated in the Modern Chinese Painting Exhibition in Tokyo, Japan.
In 1984, he cooperated with Chinese painting Taihang Iron Wall and comic book Little Erhei Marriage, and participated in the 6th National Art Exhibition. The former won the Golden Prize for Excellent Works and the Honorary Prize for Literary and Art Works on the 35th anniversary of the founding of the People's Republic of China in Beijing. He was also awarded the Second Literature and Art Award of the Chinese People's Liberation Army. The latter won the second prize of the third national comic book. Visits to Japan, New York, South America, etc.
In 1985, he participated in the Contemporary Chinese Painting Exhibition in Hong Kong, Moscow, Minsk and New Delhi. He participated in the Eastern Art Exchange Society Painting Exhibition and went to Hong Kong, Japan, Australia and other places to exhibit.
In 1987, a new exhibition of Yang Lizhou Wang's Welcoming Spring Chinese Paintings was held in Hohhot, Inner Mongolia.
In 1988, he went to Paris to attend the opening ceremony of Modern Chinese Painting Exhibition held by UNESCO and inspected it.
In 1989, the Chinese painting "Golden Dream" (200x200cm) won the bronze prize at the 7th National Art Exhibition for Excellent Works.
In 1990, he published a series of Chinese Contemporary Artists, Wang Yingchun and Yang Lizhou Paintings.
In 1991, a personal exhibition was held in Taipei.
In 1993, "Welcome to the Gate" was exhibited nationwide in Chinese painting and went to Brazil for exhibition.
The Eighth National Art Exhibition of "A Dream" was held in 1994.
1999 Portrait Series National Portrait
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