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Wang Yingchun was born in Taiyuan, Shanxi Province in March 1942. Painter. Member of China Artists Association. Graduated from Xi'an Academy of Fine Arts and Central Academy of Fine Arts. Good at figure painting, and oil painting, printmaking, flowers and birds, landscapes, calligraphy. In 1957, he joined the High School Affiliated to Xi'an Academy of Fine Arts. In 1961, he joined the Department of Traditional Chinese Painting of the Academy. After graduation in 1966, he was engaged in printing decoration design and oil painting, Chinese painting and printmaking creation in Shanxi Province. In 1978, he joined the research class of figure painting in the Department of Traditional Chinese Painting of the Central Academy of Fine Arts, and graduated in 1980. He participated in the preparatory work of the Academy of Traditional Chinese Painting and carried out innovative exploration and academic research on traditional Chinese painting. He is currently the Director of the Business Department of the Chinese Academy of Painting, the Art Consultant of the Baiyangdian Academy of Poetry, Calligraphy and Painting, a member of the Chinese Artists Association, and a member of the 5th and 6th National Youth Federation. He is good at figure painting, flower and bird, landscape and calligraphy. Since 1959, he has cooperated with his husband Yang Lizhou, and won Ye Shaoyu's scholarship for the Chinese painting "The Yellow River is roaring"; Taihang Iron Wall was awarded the gold medal in the 6th National Art Exhibition; the comic strip "Little Erhei Marriage" was awarded the second prize in the 3rd National Comic Creation Award; and the personal painting "Golden Dream" was awarded the bronze quality in the 7th National Art Exhibition. Awards. The works are exhibited in more than ten countries. Taihang Iron Wall is collected by China Art Museum and other places.
In 1973, Wang Yingchun returned to the Loess Plateau, where he nurtured himself. Wang Yingchun trudged along the Yellow River, drawing sketches one by one with exuberant energy, and the images of simple Yellow River people jumped onto the paper. When Wang Yingchun saw the children of the Heights, he always looked at them affectionately. On the other side of the Yellow River, two children were looking forward to Wang Yingchun. Because of their mother's poor health, the children were already in kindergarten. Mother said in the letter: grandchildren always cry when they see their children's father and mother take their children home. At this point, the letter paper was wet with tears. Wang Yingchun completed the preparatory work for his creation, spent great efforts, repeatedly deliberating on the relationship between characters and boats, boats and water, recalling his feelings about the Yellow River in life, and drawing on the artistic conception and ink expressed in Ma Yuan's Water Map in the Yuan Dynasty. At last, we adopt the overlooking method to set the boat in the turbulent and swirling torrent, and rush forward in a straight radial direction. It highlights the unprecedented momentum. In the pen and ink, the use of broad, natural strokes, outline the structure and momentum of water, splash color rendering, in order to present a texture. The middle view clearly delineates the boat's line of motion, and the river in the foreground flows down from the outside of the picture, waves like mountains, to increase momentum. After painstaking creation, "The Yellow River is Roaring" was born. In the picture, the water of the Yellow River rises in the sky, the cloudy waves break into the air, and a boat full of ammunition is seen in the roaring torrent. More than a dozen boatmen struggled with the huge waves that would engulf Wang Yingchun at any time, and the roar of the Yellow River was overwhelmed by fierce shouts. "Roar" has achieved gratifying success, not only won the "Ye Shaoyu Scholarship" but also caused strong repercussions in the art circle, newspapers and periodicals have been printed and published. In the exhibition hall, the audience stood still for a long time. Cai Ruohong, an artist in the Yan'an era, lamented that it was "the beauty of power, the beauty of conquering nature".
Rock, backed by hard stone, man is mountain stone, mountain stone is man, Taihang Mountain and anti-Japanese heroes are integrated, forming an insurmountable copper wall iron wall. Standing in front of this painting, a sense of reverence and solemnity arises spontaneously, which makes people feel an invincible force of the people and the Chinese nation. Painters here use heterogeneous isomorphic ideas, sculpture group, symbolic techniques. What a novelty and originality. It's amazing. This makes people feel that this is another practice of the expression of "the blending of characters and nature" after Shilu's "Transfer to Northern Shaanxi". It is a model. The works have opened up the field of figure painting and enriched the subject matter of freehand brushwork (figures, landscapes). The work has won praise from both inside and outside the art circle for its inspiring artistic charm and achievements of artistic innovation. Taihang Iron Wall won the Golden Prize for Excellent Works in the 6th National Art Exhibition and the Honorary Prize for Literary and Art Works on the 35th anniversary of the founding of the People's Liberation Army.
Since Taihang Iron Wall, Chunzhou has made more than ten years of artistic exploration. Wang Yingchun has entered the golden autumn season.
In 1959, he first collaborated with Yang Lizhou in writing four pictures of four women on screen and published them.
In 1961, he graduated from the secondary school attached to Xi'an Academy of Fine Arts and was admitted to the University Department and studied in the Department of Traditional Chinese Painting.
Graduated from Xi'an Academy of Fine Arts in 1966.
In 1968, Shanxi Taiyuan Printing Factory was engaged in printing design.
In 1970, he Co-painted "Flat Guandajie" (320x180cm).
In 1972, he was transferred to Shanxi Art Creation Group to specialize in oil painting and traditional Chinese painting.
In 1972, the oil painting The Way of Literature and Martial Arts was exhibited at the National Art Exhibition.
In 1973, the National Art Exhibition of Chinese Painting "More than Digging Mountains" was exhibited at the United Nations.
In 1974, the oil painting "Report to Chairman Mao" was exhibited at the National Art Exhibition.
In 1977, the traditional Chinese painting "Taihang Hao Qi Zhuan Qian Jiu" was exhibited in the Chinese Art Museum on the fiftieth anniversary of the founding of the army.
In 1978, he was admitted to the Research Class of Figure Painting in the Department of Traditional Chinese Painting, Central Academy of Fine Arts. Join the Chinese Artists Association. He was elected member of the Fifth and Sixth National Youth Federation of China.
In 1980, he graduated from the research class of the Department of Traditional Chinese Painting of the Central Academy of Fine Arts and won a scholarship from Ye Shaoyu of the Academy of Fine Arts for his cooperation in the Chinese ink-wash Trilogy "The Yellow River is roaring". He was assigned to the Chinese Painting Creation Group of the Ministry of Culture and participated in the preparations for the establishment of the Academy of Chinese Painting.
In 1982, the exhibition of Yang Lizhou Wang Yingchun Chinese Painting was held in Kaifeng, Henan Province.
In 1983, he participated in the Modern Chinese Painting Exhibition in Tokyo, Japan.
In 1984, he cooperated with Chinese painting Taihang Iron Wall and comic book Little Erhei Marriage, and participated in the 6th National Art Exhibition. The former won the Golden Prize for Excellent Works and the Honorary Prize for Literary and Art Works on the 35th anniversary of the founding of the People's Republic of China in Beijing. He was also awarded the Second Literature and Art Award of the Chinese People's Liberation Army. The latter won the second prize of the third national comic book. Visits to Japan, New York, South America, etc.
In 1985, he participated in the Contemporary Chinese Painting Exhibition in Hong Kong, Moscow, Minsk and New Delhi. He participated in the Eastern Art Exchange Society Painting Exhibition and went to Hong Kong, Japan, Australia and other places to exhibit.
In 1987, a new exhibition of Yang Lizhou Wang's Welcoming Spring Chinese Paintings was held in Hohhot, Inner Mongolia.
In 1988, he went to Paris to attend the opening ceremony of Modern Chinese Painting Exhibition held by UNESCO and inspected it.
In 1989, the Chinese painting "Golden Dream" (200x200cm) won the bronze prize at the 7th National Art Exhibition for Excellent Works.
In 1990, he published a series of Chinese Contemporary Artists, Wang Yingchun and Yang Lizhou Paintings.
In 1991, a personal exhibition was held in Taipei.
In 1993, "Welcome to the Gate" was exhibited nationwide in Chinese painting and went to Brazil for exhibition.
The Eighth National Art Exhibition of "A Dream" was held in 1994.
1999 Portrait Series National Portrait
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