江衡，现任教于广东工业大学艺术设计学院。为「中国·卡通一代」重要艺术家代表之一。

1997年至1999年作品及个人介绍分别被选入《中国现代艺术史》系列丛书、《中国现代艺术史展览史》、《中国今日先锋艺术》、《艳俗文化与当代艺术》、《世界现代美术史》、《艺术界》、《艺术家》、《美术界》、《都市人格与当代艺术》等专业杂志与报刊。

江衡油画作品

1972年 生于广东暜宁

1994年 《中国高等艺术院校色彩研讨会》中国杭州

1996年 毕业于华南师大美术系获文学学士学位

1998年 结业于华南师大美术研究所 研究生班

1998年 接受中央电视台"美术星空"《走进广东》专栏采访

2000年 接受中央电视台"美术星空"《70 年代艺术家新锐的目光》专栏采访

 江衡是中国“卡通一代”重要艺术家代表之一，他不再思考画面的所谓深度，在绘画语言上直接消解了油画语言的纯粹性和学院特征，故意以画广告、画卡通的视觉叙述切入社会生活。

江衡作品 新偶像时代-我漂亮所以我快乐

江衡主要是以青年人生活的“梦想” 和期待来切入时尚风潮。假如说，在大众传媒，在流行风潮，在都市时尚没有走进人们的家庭之时，人们的知识、信仰大多是和深度文化，是和英雄人物的坚苦卓绝之类的壮举相联系。而当大众传媒把消闲商业化，把趣味企业化，把人们的感觉享乐以最为科学和艺术的手法“挖掘”成为商业资源之时，人们的梦想便发生了实质性的变化：即他们崇拜的偶像便是流行时尚的“弄潮儿”，个人生活及至理想生活开始“卡通化”。这正是江衡作品所关注的焦点。

江衡油画作品

 个展

2001年《江衡油画展》中国广东美术馆

《江衡油画艺术展》上海史丹妮艺术空间

《青年艺术家个人邀请展》香港艺术公社

联展

1994年《中国高等美术院校色彩研讨会及作品展览》中国杭州

1996年《中国卡通一代联展》广州华南师大美术系展厅

1998年《中国卡通一代第三次展》广州华南师大美术系展厅

1999年《中国当代艺术家学术邀请展》CHINA46上海、墨尔本、台北（台北霍会馆）

1999年《九十年代流行图像》中国上海国际艺术汇展中心

2000年参加《后生代与新世纪广东展》并为此次展览的组委会委员中国广东美术馆

2000年《"看，今天"--2000中国艺术新景观图片展》广州华南师大美术系展厅

2000年《中德艺术家交流展》中国广东美术馆笔组艺廊

2000年《艺术中的个人与社会---中国十一位青年艺术家作品展》中国广东美术馆

2000年《2000年帕多瓦·中国当代绘画展》意大利帕多瓦美术馆

2000年《2000广东油画艺术大展》中国广东美术馆

2001年《江衡孙晓枫油画艺术展》中国广东美术馆

2001年《过渡中的年轻人---中德英艺术家交流展》中国何香凝美术馆

2001年《一百张脸孔--观念摄影展》中国南京、上海

2001年《"对话"冲突与包容---中国当现代艺术展》意大利曼多瓦青年美术博物馆巴里美术馆

2001年《第一届成都双年展》成都现代艺术馆

2001年《中国当代艺术第六届文献方案展》中国上海、北京

2001年《新一代摄影图片展》广州艺术博物院

2002年《中国当代艺术图书文献展》中华世纪坛

2002年《中国当代绘画展》河北石家庄

2002年《“桥”---长春当代艺术年度展》长春远东美术馆

2002年《第十七届亚洲国际艺术展》韩国大田美术馆

2002年《新都市主义》广东美术馆

2002年《SMALLPANELSSHOWBY14AVANT-GARDEARTISTS》北京Schoeni画廊

2003年《2003年广东油画艺术展》广州艺术博物院

2003年《携手新世纪---中国第三届油画展》中国美术馆

2003年《“关于转向”---当代美术家邀请展》四川美术学院美术馆

2003年《第十八届亚洲国际艺术展》香港艺术博物馆

2003年《人与人---广东美术馆馆藏作品展》湖南长沙博物馆中国广东美术馆

2003年《图象中的图像---中国当代油画艺术邀请展》中国深圳美术馆

2003--2004年《“虚幻”--中、德、日艺术家当代艺术交流展》香港艺术公社广东美术馆

2004年《没大没小》当代艺术展杨之光美术馆

2004年《情调》北京四分之三画廊

2004年为《开放的姿态----广东新青年艺术大展》的特邀参展艺术家广东美术馆

2005年《广东当代艺术生态文献展及报告会》何香凝美术馆

2005年《建国五十周年广东省美展》广东美术馆

2005年《2005中国平遥国际摄影大展》》山西平遥

2005年《第二届广州三年展---3号线绘画艺术展》广州信义国际会馆

2005年《”翻手为云,覆手为雨:当代艺术展》北京TS1(宋庄壹号)当代艺术中心

2006年《首届中国当代艺术年鉴展》北京中华世纪坛

2006年《南京四方当代美术馆收藏展》南京四方当代美术馆

2006年 《“超越的维度” — 中国新绘画》·南京四方当代美术馆

2006年 《“首届5X7照片双年展”---2006中国平遥国际摄影大展》·山西平遥

2006年 《“广州风景”---2006中国平遥国际摄影大展》·山西平遥

2006年 《中、日、韩艺术家交流展》·日本福冈美术馆

2006年 《“变异的图象” — 中国当代油画邀请展》·上海美术馆

2006年 《广东美术家协会中青年美术家提名展》·广东南星阁

2006年 《都市状态·中国当代艺术邀请展》· 爱沙尼亚塔林美术馆

2006年 《2006中国当代艺术文献展》·北京 中华世纪坛

2007年 《沉溺》 ·广州如意画廊

2007年 《向前----第2届广东新青年艺术大展》·广东美术馆

2007年 《第 22 届亚洲国际艺术展》 ·印度尼西亚

2007年 《中、日、韩艺术家交流展》·韩国大邱文化中心，韩国MORTER画廊

2007年 《茉莉－ 15 位中国当代艺术家瑞士季节首展》 · 瑞士季节画廊

2011年《中国艺术》艺术家微博展 中国风现代美术馆

江衡油画作品

相关评价一

江衡的作品一直受到艺术界的关注，他的油画以描绘都市中国少女为题材。因为画的活脱，轻松，富有当今都市女孩的前卫性和时尚感，所以他的作品曾经参加国内外重要的艺术展览。这里展出的是他的新作品《美女·鱼》系列。画面干净利索。人物表现出充满锐气的酷感，显示出在物质消费社会中成长起来的一代所特有的气质和精神特征。在多元化的都会世界中，一种由年轻女孩所代表的新都市情调正在被呈现出来。

除了那一头长发，江衡没有通常前卫画家所特有的突兀与怪戾。他是一个很温情脉脉文质彬彬的男人，而苍白而颇细致的脸倒有些男生女相、走起路来长发飘飘。这是不是江衡天生女人缘的缘故？

相关评价二

江衡是广东潮汕人，那是出美女的地方，而这些美女温良俭让、融传统美德于一炉。因为爸妈工作忙，江衡从小就是姐姐带大的，姐姐比他大8岁，初更世事的他就与女性接触比较多，在女性的喜怒哀乐的情怀中耳濡目染。他对女性美有一种由衷的尊敬，以至在学画时对古代仕女画达到了相当痴迷的程度。他自言早期创作的仕女画对女性过于理想化，有一种超然物外的色彩。

江衡把这种执著伸展至今，就有了如今创作的《美女》系列。《美女．鱼》可以看到古典美的痕迹－－鱼是中国古代比喻女性的特定符号，也是吉祥如意的象徵，让它们游弋在一个性感妖冶的女郎周围，含蓄与张扬相映照，很好地烘托出两种不同时代对美女迥然有异的审美观。时代不同了，江衡对现代的美女现象作出新的观照和解构。他对现代美女现象抱着一种怀疑与批判的态度。

相关评价三

《美女·枪》则把江衡的想法表现得较为直接：这些美女无论是作呐喊状、还是扮「酷」、抑或是恬静态，无一例外都拿着一支枪，一支玩具枪。把具有严肃性的「枪」如此把玩手中，如此卡通、岂不滑稽？据江衡解释，枪也是男性的象徵，美女们的起止让人感受到一种开放的两性关系。即使她们手里拿着的是一瓶香水（《美女．香水瓶》、）照样是那样的咄咄逼人。

相关评价四

与传统的美女相比，江衡笔下的美女不再是樱桃小嘴，不再是轻语浅笑，而是一个个很Hi且颇多作态，充满了商业性的笑容，若明若晦之间，以一种神秘、暖昧和逼人的性感而叫人心旌荡漾，但清醒的江衡却对此作了有力的嘲讽－－所有有关快乐、刺激、新鲜的嬉玩之中，美丽仅仅是一种可以去猎奇、炫耀和挥霍的本钱。因为在江衡的价值评判中，这些美女都成了享乐主义的俘虏。比如，她们出入的士高、咖啡厅、酒吧，泡在摇晃的灯光与音响中，浮动着妖冶的身影；她们对感情没有负债感，不在乎天长地久，可以同时有几个男朋友；她们追求流行的东西，即使那只是昙花一现。有点酷、有点张狂、有点轻浮、有点坏，混合在一起就拼贴成这些城市尤物的大致轮廓。

相关评价五

江衡这些感受也许有所偏执，但的确是内心「最真实的声音」，他骨子里对女性的赞美是：待人真诚，做事踏实，不会做表面功夫，不会去迎合别人。这里有母亲的影子，也有对谈了4年恋爱，在大学当老师的女友的认知。由此产生的审美判断正是他创作《美女》系列的泉源，他从中得到快感。当他把作品给一些与画中人物有着同样背景的美女看时，她们会惊叹道：真靓！没有谁能看到其中的意蕴。江衡没有失望，因为失望是预料之中的。她们问的是去了哪里玩花了多少钱看了哪部连续剧，江衡强打精神，但面前的粉脸明眸也变得空洞苍白。

相关评价六

真的没有找到那种震撼人心的美女吗？江衡说，很少。即使有，也不是20岁左右这个年龄。江衡觉得与新新人类已经有了代沟。这是一个后塑料年代，一切物品都闪烁着迷人的色彩与光泽，而不管它的功能与质地如何。美女们也不例外，露视装、超短裙、小背心等包装下的身体令性感泛滥在我们眼廉中，魅惑与挑逗在压迫着我们的神经。看来我们的江衡同志是经受住了考验，以艺术家所特有的批判眼光审视着美女这个永恒的现象，并作出文化的定位。不管美女们是懵然不知还是反对抑或抗议，我们都会被那些塑料般的色块和勾人的形象所吸引，在不同寻常的视觉中引起思考－－思考美女以及相关的新新人类文化。

 《中国现代艺术史》系列丛书、《新中国美术史》、《中国现代艺术展览史》、《中国今日先锋艺术》、《艳俗文化与当代艺术》、《艺术界》、《艺术家》、《美术界》、《都市人格与当代艺术》、《美术观察》、《画廊》、《艺术中的个人与社会--中国十一位青年艺术家作品展》、《中国当代艺术思想史》、《成都双年展》、《广东当代油画》、《中国当代油画》、《 首届中国当代艺术年鉴展 》、《中国当代油画》、《中国先锋艺术1979--2004》、《中国油画史1900--2000》、《3号线》、 《首届中国当代艺术年鉴展》、《艺术与社会 — 26位批评家谈中国当代艺术的转向》、《中国艺术》、《北方美术》、《中国当代油画1979 — 2005年》、《中国美术年鉴》、《艺术当代》 、《知音》、《香港风情》、《花溪》、人民日报、羊城晚报、南方都市报、香港大公报、城市画报、周末画报、粤港信息报、广州日报、南方日报、中国日报、英文早报、上海英文报、FLASH ART等专业杂志与报刊。

 中国广东美术馆 中国何香凝美术馆意大利曼多瓦青年博物馆

深圳美术馆   中国风现代美术馆

当代美术家杂志

美术文献

南京四方当代美术馆

 Jiang Heng, born in 1972 in Puning, Guangdong Province, graduated from the Department of Fine Arts of South China Normal University with a Bachelor of Arts degree in 1996. He currently teaches in the College of Art and Design of Guangdong University of Technology. He is one of the representatives of the important artists of "China Cartoon Generation".

Brief Introduction to Characters

Jiang Heng is currently teaching at the College of Art and Design, Guangdong University of Technology. He is one of the representative artists of "China Cartoon Generation".

From 1997 to 1999, his works and personal introductions were selected into the series of History of Modern Chinese Art, History of Exhibition of Modern Chinese Art History, Pioneer Art of China Today, Popular Culture and Contemporary Art, History of Modern World Art, Art Circle, Artist, Art Circle and Urbanite respectively. Professional magazines and newspapers such as Ge and Contemporary Art.

Personal resume

Born in 1972 in Huaining, Guangdong Province

1994 Symposium on Colour of Chinese Art Institutions of Higher Learning Hangzhou, China

Graduated from the Department of Fine Arts of South China Normal University in 1996 with a Bachelor of Arts degree

Graduated from Graduate School of Fine Arts, South China Normal University in 1998

In 1998, he was interviewed by CCTV's "Art Star" column "Entering Guangdong"

In 2000, he was interviewed by CCTV's "Art Star" column "The New Eyes of Artists in the 1970s"

Creative Style

Jiang Heng is one of the representatives of the important artists of the "cartoon generation" in China. He no longer thinks about the so-called depth of the picture, but directly dispels the purity and academic characteristics of the oil painting language in the painting language. He intentionally cuts into social life with the visual narration of painting advertisements and cartoons.

New Idol Age of Jiang Heng's Works - I am beautiful, so I am happy.

Jiang Heng mainly breaks into the fashion trend with the "dream" and expectation of young people's life. If we say that in the mass media, in the popular trend, when urban fashion has not entered people's families, people's knowledge and beliefs are mostly related to deep culture, and are related to Heroes'feats such as perseverance and excellence. When the mass media commercializes leisure, commercializes interest, and "digs" people's sense of pleasure into commercial resources by the most scientific and artistic means, people's dreams have changed substantially: their idols are fashionable "tidegoers", their personal life and their ideal life. Start cartooning. This is the focus of Jiang Heng's works.

Work Evaluation

Relevant Evaluation I

Jiang Heng's works have always attracted the attention of the art circles. His paintings focus on depicting urban Chinese girls. Because the painting is lively, relaxed and full of the avant-garde and fashion sense of today's urban girls, his works have participated in important art exhibitions at home and abroad. Here is his new work "Beauty Fish" series. The picture is clean and sharp. Characters show a keen sense of cruelty, showing the unique temperament and spiritual characteristics of a generation growing up in the material consumption society. In the diversified metropolitan world, a new urban atmosphere represented by young girls is emerging.

Apart from that long hair, Jiang Heng does not have the abruptness and curiosity typical of avant-garde painters. He is a very tender and gentle man, and his pale and meticulous face is full of boys and girls, who walk with long hair floating. Is this the reason why Jiang Heng was born a woman?

Relevant evaluation II

Jiang Heng is a native of Chaoshan, Guangdong Province. That is where beautiful women come from. These beautiful women are gentle, frugal and blend traditional virtues in one furnace. Because his parents are busy with their work, Jiang Heng was brought up by his sister since childhood. His sister is 8 years older than him. He has more contact with women at the beginning of his life, and is deeply influenced by women's feelings of joy, anger and joy. He had a kind of sincere respect for the beauty of women, so that he became quite obsessed with ancient paintings of ladies. He said that his early paintings of ladies were too idealistic for women and had a detached color.

Jiang Heng has extended this persistence to the present, and now has created the series of "Beauty". "Beauty. Fish" can see the traces of classical beauty - fish is a specific symbol of Chinese ancient metaphor for women, but also a symbol of good luck, so that they wander around a sexy and enchanting girl, implicit and publicized contrast, a good contrast of two different times on the beauty of different aesthetic views. The times are different. Jiang Heng takes a new look at and deconstructs the modern beauty phenomenon. He has a skeptical and critical attitude towards the phenomenon of modern beauty.

Relevant Evaluation III

"Beauty Gun" expresses Jiang Heng's idea more directly: these beauties are holding a gun and a toy gun, no matter they are shouting, or pretending to be "cool" or tranquil. Wouldn't it be funny to have a serious gun in such a cartoon? According to Jiang Heng, guns are also a symbol of men, and the beginning and end of beautiful women make people feel an open relationship between men and women. Even if they are holding a bottle of perfume (Beauty perfume bottle), they are so aggressive.

Relevant Evaluation IV

Compared with the traditional beauty, the beauty in Jiang Heng's works is no longer a cherry mouth, no longer a light laugh, but a very Hi and quite a lot of posture, full of commercial smiles. If it is clear and obscure, it makes people ripple with mystery, warmth and compelling sexy, but the sober Jiang Heng makes a powerful irony at it. Among all the fun, excitement and freshness, beauty is only a kind of money that can be used to seek novelty, show off and squander. Because in Jiang Heng's value judgment, these beautiful women have become captives of hedonism. For example, their discos, cafes and bars, soaked in shaking lights and sound, floated Witchy figures; they did not feel indebted to emotions, did not care about the long-term, can have several boyfriends at the same time; they pursued popular things, even if it was just a flash in the pan. A little cool, a little wild, a little frivolous, a little bad, mixed together and collaged into the rough outline of these city objects.

Relevant Evaluation V

Jiang Heng's feelings may be paranoid, but they are really "the most real voice" in his heart. His praise for women in his heart is that he treats people sincerely, does things steadfastly, does not do superficial work, and does not cater to others. Here is the shadow of the mother, there is also the recognition of the girlfriend who has been in love for four years and who is a teacher in the university. The resulting aesthetic judgment is the source of his creation of Beauty series, from which he gets pleasure. When he shows his works to some beautiful women with the same background as the characters in the painting, they will exclaim: How beautiful! No one can see the implication. Jiang Heng was not disappointed because disappointment was expected. They asked where they went to play and how much money they spent watching a series. Jiang Hengqiang was energetic, but the pink face in front of them became empty and pale.

Relevant Evaluation VI

Really did not find that kind of shocking beauty? Jiang Heng said, very few. Even if there is, it is not about 20 years old. Jiang Heng feels that there is a generation gap with the new and new human beings. It's a post-plastic age, and everything is sparkling with fascinating color and luster, regardless of its function and texture. Beautiful women are no exception. The body packaged in outdoor clothes, miniskirts and waistcoats makes sexy in our eyes. Enchantment and provocation oppress our nerves. It seems that Comrade Jiang Heng has withstood the test. He examines the eternal phenomenon of beautiful women with the artist's unique critical vision and makes a cultural orientation. Whether beautiful women are ignorant or opposed or protesting, we will be attracted by those plastic color blocks and attractive images, which arouse thinking in unusual vision - thinking about beautiful women and related new human culture.

Exhibition Records

Solo exhibition

Jiangheng Oil Painting Exhibition 2001 Guangdong Museum of Art, China

Jiangheng Oil Painting Art Exhibition Shanghai Stennie Art Space

Individual Invitation Exhibition of Young Artists Hong Kong Art Commune

Colour Symposium and Works Exhibition of Chinese Academies of Fine Arts 1994 Hangzhou, China

1996 "China Cartoon Generation Joint Exhibition" Exhibition Hall, Department of Fine Arts, Guangzhou South China Normal University

1998 "The Third Exhibition of Chinese Cartoon Generation" Exhibition Hall of Department of Fine Arts, Guangzhou South China Normal University

1999 "Chinese Contemporary Artists Academic Invitation Exhibition" CHINA46 Shanghai, Melbourne, Taipei (Taipei Huo Hall)

1999 "Popular Image of the 1990s" Shanghai International Art Exhibition Center, China

In 2000, he participated in the Guangdong Exhibition of the Later Generations and the New Century and was a member of the Organizing Committee of the Exhibition, Guangdong Museum of Art, China.

2000 "Look Today--2000 New Chinese Art Landscape Picture Exhibition" Exhibition Hall of Department of Fine Arts, Guangzhou South China Normal University

2000 Sino-German Artists Exchange Exhibition Pen Group Gallery, Guangdong Museum of Art, China

2000 "Individuals and Society in Art - Exhibition of Eleven Young Artists'Works in China" Guangdong Museum of Art, China

2000 Padua China Contemporary Painting Exhibition 2000 Italian Padua Museum of Art

2000 Guangdong Oil Painting Exhibition, Guangdong Museum of Art, China

2001 Jiangheng Sun Xiaofeng Oil Painting Art Exhibition, Guangdong Museum of Art, China

He Xiangning Art Museum of China, 2001 "Young People in Transition - Exchange Exhibition of Chinese, German and British Artists"

2001 "One Hundred Faces--Conceptual Photography Exhibition" Nanjing, Shanghai, China

2001 "Dialogue" Conflict and Inclusion - Contemporary Chinese Art Exhibition"Barry Art Museum, Mandova Youth Art Museum, Italy

The First Chengdu Biennale 2001 Chengdu Museum of Modern Art

2001 "The Sixth Documentation Exhibition of Contemporary Chinese Art" Shanghai, Beijing, China

2001 New Generation Photography Exhibition Guangzhou Art Museum

2002 Chinese Contemporary Art Books and Documents Exhibition

2002 "Contemporary Chinese Painting Exhibition" Shijiazhuang, Hebei Province

2002 "Bridge" - Changchun Contemporary Art Annual Exhibition"Changchun Far East Art Museum

The Seventeenth Asian International Art Exhibition, 2002, Daejeon Art Museum, Korea

2002 New Urbanism Guangdong Art Museum

2002 "SMALLPANELSSHOWBY14AVANT-GARDEARTISTS" Beijing Schoeni Gallery

Jiang Heng's Works

2003 Guangdong Oil Painting Art Exhibition Guangzhou Art Museum

2003 "Hand in Hand with the New Century--The Third Oil Painting Exhibition of China" China Art Museum

2003 "About Turning" - Invitation Exhibition of Contemporary Artists"Art Museum of Sichuan Academy of Fine Arts

The 18th Asian International Art Exhibition, Hong Kong Museum of Art, 2003

2003 "Man and Man: Works Exhibition of Guangdong Museum of Art". Changsha Museum, Hunan Province, Guangdong Museum of Art, China

2003 "Image in Image - Invitation Exhibition of Contemporary Chinese Oil Painting" Shenzhen Museum of Art, China

2003-2004 "Fantasy" - Contemporary Art Exchange Exhibition of Chinese, German and Japanese Artists"Guangdong Museum of Art, Hong Kong Art Commune

Yang Zhiguang Art Museum, Contemporary Art Exhibition No Big or Small, 2004

Emotion 2004 Beijing 3/4 Gallery

Invited Artist Guangdong Museum of Art for "Open Posture--Guangdong New Youth Art Exhibition" in 2004

He Xiangning Art Museum, Guangdong Contemporary Art Ecology Documentation Exhibition and Reporting Conference, 2005

2005 Guangdong Art Exhibition on the Fiftieth Anniversary of the Founding of the People's Republic

2005 China Pingyao International Photography Exhibition, Pingyao, Shanxi

2005 "The Second Guangzhou Triennial - Line 3 Painting Art Exhibition" Guangzhou Xinyi International Hall

2005 "Turning Hands Over for Clouds, Turning Hands Over for Rain: Contemporary Art Exhibition" Beijing TS1 (Songzhuangyi) Contemporary Art Center

The First Chinese Contemporary Art Yearbook Exhibition in 2006

2006 "Collection Exhibition of Nanjing Sifang Contemporary Art Museum" Nanjing Sifang Contemporary Art Museum

Jiang Heng's Fabric Oil Paint

2006 "Beyond Dimension" - New Chinese Painting". Nanjing Sifang Contemporary Art Museum

2006 "The First 5X7 Photo Biennale" - - 2006 Pingyao International Photography Exhibition, Shanxi Pingyao

2006 "Guangzhou Landscape" - - 2006 Pingyao International Photography Exhibition, Shanxi Pingyao

Art Exchange Exhibition of China, Japan and Korea, Fukuoka Museum of Art, Japan, 2006

2006 "Variant Images" - Invitational Exhibition of Contemporary Chinese Oil Painting". Shanghai Museum of Art

2006 "Nomination Exhibition of Young and Middle-aged Artists of Guangdong Artists Association". Nanxing Pavilion, Guangdong

City State, Invitational Exhibition of Contemporary Chinese Art, Estonia Tallinn Museum of Art, 2006

2006 China Contemporary Art Documentation Exhibition Beijing China Century Altar __________ 2006

2007 "Drowning". Guangzhou Ruyi Gallery

2007 "Forward - the 2nd Guangdong New Youth Art Exhibition". Guangdong Museum of Art

2007 "22nd Asian International Art Exhibition". Indonesia

2007 China, Japan and Korea Artists Exchange Exhibition. Daegu Cultural Center, Korea, MORTER Gallery

2007 "Jasmine-15 Chinese Contemporary Artists Swiss Season First Exhibition". Swiss Season Gallery

2011 Chinese Art Artist Microblog Exhibition China Style Modern Art Museum

Publishing professional journals

History of Modern Chinese Art Series, History of New China Art, History of Modern Chinese Art Exhibition, Pioneer Art Today, Popular Culture and Contemporary Art, Art Circle, Artist, Art Circle, Urban Personality and Contemporary Art, Art Observation and Gallery "Individual and Society in Art--Works of Eleven Young Artists in China", "History of Contemporary Chinese Art Thoughts", "Chengdu Biennale", "Contemporary Oil Painting in Guangdong", "Contemporary Chinese Oil Painting", "First Contemporary Chinese Art Yearbook Exhibition", "Contemporary Chinese Oil Painting", "Chinese Pioneer Art 1979-2004" "History of Chinese Oil Painting 1900-2000", "Line 3", "First China Contemporary Art Yearbook Exhibition", "Art and Society-26 Critics Talking about the Direction of Chinese Contemporary Art", "Chinese Art", "Northern Art", "Chinese Contemporary Oil Painting 1979-2005", "Chinese Art Yearbook" and "Contemporary Art" Professional magazines and newspapers such as Zhiyin, Hong Kong Style, Huaxi, People's Daily, Yangcheng Evening News, Southern Metropolis Daily, Hong Kong Daily, City Pictorial, Weekend Pictorial, Guangdong and Hong Kong Information Daily, Guangzhou Daily, Southern Daily, China Daily, English Morning Post, Shanghai English Daily, FLASH ART, etc.