乾隆八年癸亥九月三十日寅时生，母侧福晋殷氏，殷大成之女；嘉庆十六年辛未五月初八日申时卒，年六十八岁。

乾隆二十八年（公元1763年）封二等镇国将军，乾隆三十九年（公元1774年）晋贝子，乾隆四十三年（公元1778年）因事革退，乾隆四十四年补授正红旗汉军都统。乾隆五十九年（公元1794年）封奉恩将军，嘉庆四年（公元1799年）又革退，嘉庆十四年（公元1809年）复封奉恩将军，嘉庆十六年（公元1811年）卒。

 弘旿嫡妻台楚鲁氏，副都统兆乃之女；妾王氏，王禄之女；妾刘氏，护军校玉奇之女；妾王氏，王俊明之女；妾姜氏，三等护卫玛尔汉之女；妾郑氏，郑世勋之女。

共七子：长子永寿，次子永彝，三子未有名，四子永榴，五子追封固山贝子永松，六子永楠，七子休致给事中永桐。

《云山图》扇页

 观其传世作品，似受董邦达影响为多。此卷笔墨秀润，细皴密擦，林麓滃郁华滋，功力不浅。卷末落“臣”字款，又自称“恭绘”，可见是进御之作。《石渠宝笈》著录弘旿画计有三十多件，内府收藏的估计还有不少。可见弘旿作画之勤，亦可见乾隆对这位同宗兄弟笔墨的赞许。但从目前流传的弘旿作品看，此卷却是其中极为精彩的一幅，且保存完好，值得珍视。

《云山图》扇页，清，弘旿绘，纸本，墨笔，纵16.5cm，横49cm。

扇页有自题：“臣弘旿敬绘。”钤“臣”、“旿”朱文联珠印。

此图是仿宋人米氏云山法绘制的山水小品画，远山、流云、树木没有作具体细致的描绘，只是以苍润的笔墨写其形貌而已。米氏的这种“信笔作之，多以烟云掩映树石，意似便已”的画风，自形成以来，一直受到各阶层画家的喜爱，弘旿作为清皇室画家亦不例外。由自题“臣”、“敬绘”推断，此图当是献给当朝的乾隆皇帝的，由此而知，乾隆皇帝对米氏的这种似草草而成，却天趣横生的画法也是认同的。

 清藏书家、书画家。清宗室，字卓亭，一字仲升，号恕斋，一号醉迂，别号瑶华道人，又号一如居士、闲闲主人。满洲人，乾隆三十九年（1774）封固山贝子。嘉庆间封奉恩将军。能诗词，其《自题山水画册》诗，有疏朗、清越之韵律。工于书画，书兼四体，其山水画作得董邦达之妙谛，花木具有古朴陈香；治石印有元、明篆刻的风格。有《听泉图》、《板桥僧舍图》、《江山拱翠图》、《仿唐寅山水图》等。乾隆五十七年（1792）诏阮元、铁保等人游万寿寺，写《七松图扇》等。家富于藏书，藏书楼名“静寄轩”，但诸史记载不多，北京图书馆善本书目中有其编撰的《寄东轩书目》不分卷，藏书家刘喜海抄本。其卷首有翁同龢题签，该目著录图书2 000余种，其中不乏宋元刊本，多为明清人著作，明清文学作品如词曲和小说等，达200余种。著有《恕斋集》等。

 Aixinjueluo Hongyan (1743-1811), imperial clan and painter of the Qing Dynasty. Zizhuo Pavilion, No. 1 Shuzhai, No. 1 drunk, No. 1 Yaohua Taoist, No. 1 as a resident. Emperor Kangxi loved Xinjueluo Xuanye Sun and Aixinjueluo Xumie's second son. Fighting the shellfish, two retreats, rewarding General Feng En. Poetry, calligraphy and painting are called "three absolute qualities". Hong Yun's paintings were painted by Dong Bangda, a self-appointed Yaohua Taoist, and merged with Xuxi, a Ziqiong Taoist. Critics call it "the essence of landscapes and rivers." Yongzhu seized the Lord and attacked Beizi with his grandson Mianxun. The descendants descended and were inherited by the Prince of Zhengguo.

Hongyan's first wife, Taichulu, was the daughter of Tong Zhao, the deputy capital; concubine Wang, the daughter of Wang Lu; concubine Liu, the daughter of Yuqi in the military academy; concubine Wang, the daughter of Wang Junming; concubine Jiang, the daughter of third-class guard Malhan; concubine Zheng, the daughter of Zheng Shixun.

Seven sons in all: Yongshou the eldest son, Yongyi the second son, three unknown sons, Yonggua the fourth son, Yongsong the fifth son, Yongnan the sixth son, and Yongtong the seventh son.

Looking at his works, Dong Bangda seems to have influenced him a lot. This volume of pen and ink is elegant and graceful with fine and close rubbing. It is full of vigor and strength. At the end of the volume, the words "minister" and the self-proclaimed "respectful painting" can be seen as a masterpiece of the imperial army. There are more than 30 Hongzhi schemes in Shiqu Baozhi, and there are still many estimates of the collection in the inner government. It can be seen that Hong Yan's diligence in painting and Qianlong's approval of his brother's brush and ink can also be seen. However, from the current popular works of Hongyan, this volume is one of the most wonderful, and well-preserved, worthy of cherishing.

Qing Bibliographer, Calligrapher and Painter. Qingzong House, Zhuoting Pavilion, Zhongsheng, Shuzhai, No. 1 Drunken, No. 1 Yaohua Taoist, No. 1 as a resident and idle master. Manchu people, Qianlong 39 years (1774) sealed shellfish. General Feng Feng En in Jiaqing. The poems of Neng Poetry and his "Self-titled Landscape Painting Album" have the rhythm of clear and clear Yue Dynasty. Works in painting and calligraphy, calligraphy and four-body, his landscape paintings have the essence of Dong Bangda, flowers and trees have a primitive, Chen Xiang; stone-cutting style of Yuan and Ming seal carvings. There are "Hearing Spring Map", "Banqiao Monk House Map", "Jiangshan Gongcui Map", "Imitating Tangyin Landscape Map" and so on. In the fifty-seventh year of Qianlong reign (1792), Zhaoruan Yuan and Tiebao visited the Longevity Temple and wrote Qisong Tufan. Family is rich in books, library name "Jing Ji Xuan", but there are few historical records. In the good book catalogue of Beijing Library, there are no volumes of "Ji Dongxuan Bibliography", which is compiled by librarian Liu Xihai. Weng Tonghe inscribed the title of the volume. The catalogue contains more than 2,000 books, including Song and Yuan periodicals, mostly works of Ming and Qing people, and literary works of Ming and Qing Dynasty, such as ci, Qu and novel, amounting to more than 200 kinds. He wrote Shu Zhai Ji and so on.