徐禹功（公元1141~？）自号辛酉人，南宋画家，工画梅竹，江西人，布衣，爱写梅、竹，以清高自励。画史本无考，唯从赵孟坚在其《雪中梅竹图》卷后的题跋中得知其为扬无咎的及门弟子，得扬无咎潇洒之趣。从他自署“辛酉人禹功作”来看，他应出生于1141年，但卒年不详。在扬无咎“奉敕村梅”的传人中，徐禹功算是比较有成就的一位画家。但由于其留存于世的作品极少，只能从此幅《雪中梅竹图》卷中来窥其艺术风貌。
从书于竹节之名款“辛酉人”考之，当生于南宋绍兴11年（1141）或北宋元丰4年（1081）。宣和年间颇有画名，善画水墨梅竹，师从杨无咎，得其生动之状。传世作品《雪中梅竹图》， 即《雪梅图》。
【雪中梅竹图】绢本 水墨、纵30cm、横122cm 辽宁省博物馆藏。在《雪中梅竹图》中，无论是章法构图，还是技法表现，都明显地体现着他与其师扬无咎的师承关系。遗憾的是他的存世之作仅此一件，使我们不能领略其自身画风之格局。画上有清乾隆帝及董邦达、梁诗正等人的题诗。
《雪中梅竹图》现藏辽宁省博物馆，绢本，墨笔，原名《宋元梅花合卷》。水墨绘修竹三竿，梅枝绽放，绢地染墨，以示雪压枝头。浓墨写枝，细笔勾花，笔势潇洒。在竹节之中书有“辛酉人禹功作”六字单款。对其书画，尚有赵孟坚题跋云：“初不知禹功之能也，今观悟悦愿师所藏徐君禹功之作，盖于诸人之外，最得逃禅之体，惜余前未闻知，后人吟更清，岂可少之”。
此卷后有宋扬无咎行书《柳梢青》十阙，并有元吴瓘（字莹之）《梅枝图》及吴镇（号梅花道人）《梅竹图》，俱为佳构。卷前有乾隆题诗引首，后有明杨循吉、徐守和等跋。曾经明都穆《寓意编》、清卞永誉《式古堂书画汇考》、吴升《大观录》、《石渠宝笈》等书著录。明袁泰、徐守和、清安岐、清内府等递藏。
Xu Yugong (1141 ~?) Xin Youren, painter of Southern Song Dynasty, plum and bamboo painting, Jiangxi people, cloth clothes, love to write plum and bamboo, to inspire themselves with elegance. There is no textual research on the history of painting, but from Zhao Mengjian's inscriptions and postscripts after his volume Mei Zhu Tu in Snow, we know that he is a disciple who is blameless and free of charge, and he has got the interest of being blameless and unrestrained. Judging from his own "Xin Youren Yu Gongfu", he should have been born in 1141, but the year of his death is unknown. Among the descendants of Yang Wugui's "Fengwen Village Mei", Xu Yugong is a relatively successful painter. However, due to the few works that remain in the world, we can only get a glimpse of its artistic style from this volume of Mei Zhu Tu in Snow.
According to the famous money "Xin Youren" written in the bamboo festival, he was born in Shaoxing in the Southern Song Dynasty in 11 years (1141) or Yuanfeng in the Northern Song Dynasty in 4 years (1081). During Xuanhe's reign, he was quite famous for his paintings. He was good at painting plum and bamboo in ink and wash. He learned from Yang Wugui and got his vivid appearance. The handed down work "Mei Zhu Tu in Snow", namely "Xue Mei Tu".
[Meizhutu in Snow] Silk ink, 30cm in length and 122cm in breadth, collected in Liaoning Museum. In Mei Zhu Tu in the Snow, both the composition of the rules and the performance of the techniques clearly reflect the relationship between him and his teachers. It is a pity that his works are the only one that makes us unable to appreciate the pattern of his own painting style. There are poems inscribed by Emperor Qianlong of the Qing Dynasty, Dong Bangda and Liang Shizheng.
"Plum and Bamboo in Snow" is now in the Liaoning Museum, silk, ink, originally known as "Plum Blossom Volume of Song and Yuan Dynasty". Three poles of bamboo were repaired with ink and wash. Plum branches blossomed and ink was dyed on silk to show that snow pressed the branches. Strong ink to write branches, fine sketches, smart style. Among the bamboo festivals, there are six words of "Xin You Ren Yu Gongfu". Zhao Mengjian inscribed Bayun on his paintings and calligraphy: "At first I didn't know the power of Yu Gong, but now I can see that Xu Junyugong's work hidden by Yueyue Master is the best way to escape from Zen. Unfortunately, I didn't know it before, and later generations can sing more clearly.
This volume is followed by Song Yang's blameless travel book "Liuzhao Qing" ten imperfections, and Yuan Wuju (Yingzhi), Meizhi Tu and Wuzhen (Dao Ren of Plum Blossom) Meizhu Tu, which are well-constructed. In front of the volume, there are the prefaces of Qianlong inscription poems, followed by Ming Yang Xunji, Xu Shouhe and other posts. There have been many books in Ming Dynasty, such as Implication Edition, Bian Yongyu's Ancient Style Hall Calligraphy and Painting Collection, Wu Sheng's Daguanlu and Shiqu Baotu. Ming Yuan Tai, Xu Shouhe, Qing An Qi, Qing Nei Fu and so on.
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