宫大中(1939.2—)笔名河阳，河南孟州人，美术史论家。1966年毕业于中央美术学院美术史系，长期在古都洛阳、郑州从事龙门石窟艺术、中原美术考古研究与美术评论、美术教育工作。中国美术家协会会员、中国博物馆学会会员、河南省文史研究馆馆员。
历任洛阳古代艺术馆馆长，龙门石窟研究所名誉所长，洛阳都城博物馆馆长、研究馆员，中国古都学会理事，洛阳河洛文化研究院院长，河南省书法家协会理论委员会主任，河南省美术家协会理论委员会副主任，郑州大学美术系教授、硕士研究生导师。现任郑州大学西亚斯国际学院美术系主任。
出版专著有《龙门石窟艺术》、《洛都美术史迹》，图录《龙门石窟》、《奉先寺》，发表论文《洛阳魏碑综述》、《洛阳美术文物的鉴赏与辨伪》等，评论《造化锺神秀，卵石也通灵——读李留海石头画有感》、《在传统模式上的艺术超越——<王威扇画选>序》、《用乡土亲情勾勒的点和线——<董旭画集>序》等。
主要评论
《丈夫气·书卷气·乡土气——女画家李艾娴与她的写意牡丹》发表于《文化月刊》1997年第12期，《造化钟神秀，卵石也通灵——读李留海石头画有感》发表于《美术观察》1998年第8期。
学术近况
①专著《龙门石窟艺术》增订本，人民美术出版社2002年出版；
②主编《中国书法全集》隋唐五代墓志卷，荣宝斋出版社，2002年出版；
③主编河南省“五个一工程”重点图书——大学生文化素质美术书系：绘画（两册）、雕塑、书法、工艺美术、艺术设计6个分册，郑州大学出版社2006年5—10月出版；
④执行主编《翰墨石影——河南文史研究馆馆藏拓片精选》（两函8卷线装书），扬州广陵书社2003年出版；
⑤参编《中国美术大辞典》，上海辞书出版社2002年出版；
⑥专著《中原贞石墨影》（上、下卷），张海主编当代中州书坛学人丛书之一，河南美术出版社2004年出版；
⑦主编《中国书法全集》魏晋南北朝造像卷（两册），2008年出版；
⑧参编《中原文化大典》文学艺术典书法卷。

Gong Dazhong (1939.2 -) pen name Heyang, born in Mengzhou, Henan Province, art historian. Graduated from the Art History Department of the Central Academy of Fine Arts in 1966, he has been engaged in Longmen Grottoes art, Central Plains art archaeology research, art review and art education in Luoyang and Zhengzhou, the ancient capitals. He is a member of China Artists Association, China Museum Society and member of Henan literature and history research Museum.

He has successively served as the curator of Luoyang Ancient Art Museum, honorary director of Longmen Grottoes Research Institute, curator and research librarian of Luoyang Capital Museum, director of China ancient capital society, President of Luoyang Heluo Culture Research Institute, director of theoretical Committee of Henan Calligrapher Association, deputy director of theoretical Committee of Henan Artists Association, professor and postgraduate supervisor of Art Department of Zhengzhou University. At present, he is the director of the Department of fine arts of SIAS International College of Zhengzhou University.

He has published monographs such as Longmen Grottoes art, Luodu art history, illustrated Longmen Grottoes and Fengxian Temple, published papers such as summary of Weibei stele in Luoyang, appreciation and identification of Luoyang Art relics, and commented on the creation of Zhongshen show, the pebbles are also channeled -- Reading Li Liuhai's sense of stone painting, and artistic transcendence in traditional mode "Points and lines sketched by local kinship" < collection of Dong Xu's paintings > preface ", etc.

Main comments

Husband, book and local style: female painter Li Aixian and her freehand peony were published in the 12th issue of the cultural monthly in 1997, and the creation of bell, the beauty of pebbles, the sense of Reading Li Liuhai's stone paintings was published in the 8th issue of art observation in 1998.

Recent academic situation

(1) the new edition of Longmen Grottoes art, published by the people's Fine Arts Publishing House in 2002;

(2) edited the complete works of Chinese calligraphy, epitaph volume of Sui, Tang and Five Dynasties, rongbaozhai press, 2002;

(3) edited the key books of "five one projects" in Henan Province - College Students' cultural quality art books: six volumes of painting (two volumes), sculpture, calligraphy, arts and crafts, and art design, published by Zhengzhou University Press from May to October 2006;

(4) calligraphy and stone shadow, selected rubbings in Henan literature and history research Museum (two letters and eight volumes of thread bound books), published by Yangzhou Guangling book company in 2003;

(5) participated in the compilation of China Fine Arts dictionary, published by Shanghai dictionary press in 2002;

(6) Zhongyuan Zhen graphite shadow (Volume I and Volume II), one of the series of contemporary Zhongzhou scholars edited by Zhang Hai, published by Henan fine arts publishing house in 2004;

(7) edited the complete works of Chinese calligraphy (two volumes) in the Wei, Jin and southern and Northern Dynasties, published in 2008;

⑧ participated in the compilation of calligraphy volume of literature and art code of Central Plains culture.