黄君璧美术作品

黄君璧，中国著名国画家。本名韫之，别名允瑄，号君翁、君璧，室名白云堂。祖籍广东省南海县。家境富裕，家中古董字画收藏丰盛。因其父黄仰荀喜爱画画，自幼受父薰陶，见纸即画，颇喜观赏收藏字画。
1898年11月12日生于广东省广州市。6岁入画塾读四书五经，不忘书画，10岁入意养轩。
1912年14岁入书塾，并在家庭师习英文、数学。
1914年入广东公学，1919年毕业。幸遇艺术界颇有成就的李瑶屏在公学执教，黄得其薰陶与指教。
1922年入楚庭美术院研究西画。广东省举行第一届美术展览，黄君璧提供作品参展，竟一举获得金牌奖。遂与张大千在广州相识，结为知己。
1923年任培正中学教师，在广州举办第一次个人画展。与黄般若、罗卓吾等组织癸亥合作画社（后改为国画研究会）。
1926年至上海，结识黄宾虹，神州国光社为他出版仿古人物花鸟集。
1927年任广州市立美术专科学校教师兼教务主任，与徐悲鸿订交。不久兼任广东省立女师及江村师范美术教师。
1934年被广州市政府派赴日本考察艺术教育。
1936年游华中、华北等地并写生，被南京中山文化馆聘为研究员。
1937年任国立中央大学艺术系教授，完成了《嘉陵八景》名画。并与徐悲鸿、张大千、张书旗、庞薰琴、谢稚柳、傅抱石等画家交往更密。
1941年兼任国立艺术专科学校教授及国画组主任，并被教育部聘为美术教育委员会委员，全国美术展览会国画组审查委员。
1949年去台湾，任台湾师范大学艺术系教授兼系主任；台北故宫博物院点查委员。
1955年赴日本作文化访问，获第一届中华文艺奖金美术部门首奖。
1957年访美国。翌年赴西欧及东南亚考察美术。1960年巴西国家美术院授以院士衔。
1967年，因70寿辰和致力于中国画50年，受赠“画坛宗师”匾。
1968年再度访美，获纽约圣若望大学金质奖章；翌年赴南非、巴西等国看瀑布，回台后举行瀑布狮子特展。
黄君璧-秋林1971年获南朝鲜庆熙大学最高荣誉大学奖章。
1971～1978年，访南朝鲜、新加坡、美国，并在香港举行80岁画展。
1979年香港举办『中国现代画坛三杰作品展览』。展出了张大千、溥心畲、黄君璧三位当代最有影响力的传统中国画大师的作品。大陆收藏界称其三人为中国画坛『渡海三杰』。
1991年9月28日～11月5日在台北的历史博物馆展出了『黄君璧九五回顾展』，展出95幅各时期的画作，完整地展现了他长年的创作历程。可惜画展尚未闭幕，黄君璧却于10月29日因肺炎不幸逝世了。
1992年2月25日到4月30日，台湾的故宫博物院为了纪念黄君璧举办了『黄君璧先生纪念展——捐赠文物暨其作品展』，展出了他于1985年捐赠的古代书画及文物。
1998年『台湾国画宗师黄君璧个人画展』在北京中国历史博物馆举行，此次展出的100件画作，是近半个世纪以来，黄君璧先生作品在大陆的首次展出。
黄君璧为山水画大家。早年喜爱渐江，中年仰慕夏圭，曾临摹古代名画数百件，对传统绘画下了很深的功夫。作品长于飞瀑流泉、风帆、霜林。笔墨氤氲，水意蒸融，苍劲有力，气势雄壮。代表作品有《老树隐水湾》、《瀑落云中》、《风正一帆悬》等。亦能作工笔仕女和花鸟，清新秀逸。张大千非常推重黄君璧，曾说（山水画）“云瀑空灵，吾仰黄君璧”。今黄君璧的作品被海内外人士和博物馆珍藏。出版有《黄君璧画集》、《黄君璧作品选》、《黄君璧书画集》等。
黄君璧的国画造诣极深，蜚声中外。作为传统派的艺术家，他“与古为徒”、宗于传统，同时又勇于借鉴西画，并善于将传统的山水黄君璧-苍翠云岩情趣与西画风景写生的意趣相结合。他的画既是那么传统和古穆，又是那样富有现代的写实感。他“以天为宗”，穷造化之幽微，并参以西画的透视方法。以明暗塑造形体，求真求实地表现山水的神韵，特别是云之气象，水之质感，云水之动感，更是其作品独具之特色。被西方艺术界称为“中国新古典派”。黄君璧一生刻苦勤奋，其艺术已达到了极高境界，与徐悲鸿、溥心畲、张大千等艺术家齐名。同时，在美术教育上也树起了丰碑，桃李满天下。
黄君璧的义行善举更让世人称道。在越南为西贡华侨公立中正医院，捐画筹募济贫医疗经费；在新加坡曾以南非写生巨制一帧，捐赠给李光前文物馆；他又代征现代名画精品20帧捐赠，另外又捐画展收入40%为文物馆的发展基金，令新加坡侨界感佩不已。1987年他做了一项“爱心计划”筹募基金，以艺术为孤老贫弱做热情捐助，此时他已89岁高龄。
黄君璧一生热爱祖国，向往叶落归根。在他逝世后，家人遵照他生前的愿望，将骨灰运回广州家乡安葬。

黄君璧美术作品

Huang Junbi, a famous Chinese painter. Its original name is Yun, and its alias is Yun. It is named Jun Weng and Jun Bi. Its room name is Bai Yuntang. His ancestral home is Nanhai County, Guangdong Province. The family is rich and the collection of antique calligraphy and paintings is rich. Huang Yangxun, his father, loved painting. He was influenced by his father since he was a child. When he saw paper, he drew. He liked to watch the collection of calligraphy and painting.

Born on November 12, 1898, in Guangzhou, Guangdong Province. When I was 6 years old, I went to the painting school to read four books and five classics. I never forgot painting and calligraphy. When I was 10 years old, I went to yiyangxuan.

In 1912, he joined the school at the age of 14 and studied English and mathematics in a tutor.

He joined Guangdong public school in 1914 and graduated in 1919. Fortunately, Li Yaoping, an accomplished artist in the art circle, taught in the public school, and Huang got his edification and instruction.

In 1922, he entered chuting Academy of fine arts to study western painting. The first art exhibition was held in Guangdong Province. Huang Junbi provided works to participate in the exhibition and won the gold medal at one stroke. So I met Zhang Daqian in Guangzhou and became a confidant.

In 1923, he was appointed as a teacher of Peizheng middle school and held the first individual painting exhibition in Guangzhou. With Huang banruo, Luo zhuowu and other organizations, Guihai cooperative Painting Society (later changed to Chinese Painting Research Association).

In 1926, he went to Shanghai to meet Huang Binhong, who was published by China National Light society.

In 1927, he served as the teacher and Dean of Guangzhou Municipal Art College, and made an engagement with Xu Beihong. Soon, she was also a female teacher in Guangdong Province and an art teacher in Jiangcun normal school.

In 1934, he was sent to Japan by Guangzhou municipal government to investigate art education.

In 1936, he traveled to central and North China and sketched, and was employed as a researcher by Zhongshan cultural center in Nanjing.

In 1937, he served as a professor in the Department of art of National Central University and completed the famous painting eight scenes of Jialing. And with Xu Beihong, Zhang Daqian, Zhang Shuqi, Pang Xunqin, Xie zhiliu, Fu Baoshi and other painters contact more closely.

In 1941, he also served as a professor and director of the traditional Chinese painting group of the National Academy of Arts, and was appointed as a member of the Art Education Committee and the examination committee of the traditional Chinese painting group of the national art exhibition by the Ministry of education.

In 1949, he went to Taiwan and served as a professor and Dean of the Art Department of Taiwan Normal University, and a visiting member of the Taipei Palace Museum.

In 1955, he went to Japan for a composition visit and won the first prize of the Art Department of the first Chinese literature and art prize.

He visited the United States in 1957. Next year, he went to Western Europe and Southeast Asia to study art. In 1960, the National Academy of fine arts of Brazil awarded the title of academician.

In 1967, he was awarded the plaque of "master of painting" for his 70th birthday and 50 years' commitment to Chinese painting.

In 1968, he visited the United States again and won the gold medal of St. John's University in New York. The next year, he went to South Africa, Brazil and other countries to see waterfalls and held a special exhibition of waterfall lions after returning to Taiwan.

Huang Junbi - Qiulin was awarded the University Medal of highest honor by Kyunghee University of South Korea in 1971.

From 1971 to 1978, he visited South Korea, Singapore and the United States, and held an 80 year old painting exhibition in Hong Kong.

In 1979, Hong Kong held the exhibition of three outstanding works of modern Chinese painting. The works of Zhang Daqian, Pu Xinyu and Huang Junbi, three of the most influential contemporary traditional Chinese painting masters, are exhibited. The mainland collectors call them "three masters crossing the sea" in Chinese painting.

From September 28 to November 5, 1991, Huang Junbi's retrospective exhibition of the Ninth Five Year Plan period was exhibited in the History Museum of Taipei. 95 paintings of different periods were exhibited, which fully demonstrated his long-term creative process. It's a pity that the exhibition is not closed yet, but Huang Junbi died of pneumonia on October 29.

From February 25 to April 30, 1992, in order to commemorate Huang Junbi, Taiwan's Palace Museum held a "Mr. Huang Junbi Memorial Exhibition - donated cultural relics and their works exhibition", displaying the ancient calligraphy, paintings and cultural relics he donated in 1985.

In 1998, Huang Junbi, the master of Taiwan's traditional Chinese painting, held the exhibition at the Chinese History Museum in Beijing. The exhibition of 100 paintings is the first exhibition of Mr. Huang Junbi's works in the mainland in nearly half a century.

Huang Junbi is a famous landscape painter. He loved Jianjiang in his early years and admired xiagui in his middle age. He copied hundreds of ancient famous paintings and made great efforts in traditional painting. His works are good at waterfall, spring, sail and frost forest. The ink is dense, the water is steaming and melting, vigorous and powerful, and the momentum is majestic. The representative works are "old tree hidden water bay", "waterfall falling in the clouds", "wind is a sail hanging", etc. It can also be a fine brushwork lady and a flower and bird, fresh and elegant. Zhang Daqian paid great attention to Huang Junbi. He once said (landscape painting) "the cloud waterfall is empty. I admire Huang Junbi.". The works of Huang Junbi are collected by people and museums at home and abroad. He has published Huang Junbi's collection of paintings, Huang Junbi's selection of works, Huang Junbi's collection of calligraphy and paintings, etc.

Huang Junbi's Chinese painting is well-known both at home and abroad. As a traditional artist, he is "an apprentice with the ancients" and adheres to the tradition. At the same time, he has the courage to learn from western paintings, and is good at combining the traditional landscape huangjunbi - verdant Yunyan interest with the interest of Western landscape painting. His paintings are not only so traditional and ancient, but also so rich in modern realism. He "took heaven as his religion", and he was poor and refined, and participated in the perspective of Western painting. Shape the body with light and shade, and show the charm of mountains and rivers realistically, especially the weather of clouds, the texture of water, and the movement of clouds and water, which are the unique features of his works. It is called "Chinese neoclassicism" by Western art circles. Huang Junbi worked hard all his life, and his art has reached a very high level. He is as famous as Xu Beihong, Pu Xinyu, Zhang Daqian and other artists. At the same time, a monument has been built in the art education.

Huang Junbi's righteous deeds and good deeds are more praised by the world. In Vietnam, he donated paintings to the Saigon overseas Chinese Public Central Hospital to raise medical funds for poverty relief; in Singapore, he donated one frame of South African sketch system to Li Guangqian Museum of cultural relics; he also collected modern medicine