Pan Gongkai, born in Ninghai, Zhejiang Province on January 24, 1947, is the second son of Pan Tianshou, a master of traditional Chinese painting. He was president of China Academy of Fine Arts in 1996 and President of the Central Academy of fine arts since June 2001. Now he is vice chairman of China Artists Association, columnist and expert of China net in the Information Office of the State Council.
Professor in office: Dean of China Academy of fine arts and Central Academy of fine arts, as well as doctoral supervisor.
Since 1979, he has been teaching Chinese painting creation and art history theory. From May 1992 to January 1994, he visited Berkeley University in the United States. Honorary doctor of San Francisco Academy of fine arts. In the past 20 years, he has published a large number of academic papers in important domestic journals. He has published the collection of papers "limitation and expansion", monographs "Pan Tianshou's commentary", "Pan Tianshou's painting technique analysis", edited "Pan Tianshou's painting collection" (won the National Book Award), "modern design series", and compiled "the history of Chinese painting".
Professor Pan Gongkai's achievements in art are also admirable. He has held many large-scale individual art exhibitions in New York, San Francisco, Hong Kong, Paris, UNESCO headquarters and other places, enjoying a high reputation at home and abroad. It is precisely because of his remarkable achievements in the above aspects that Professor Pan Gongkai took the post of member of the CPPCC National Committee and vice chairman of China Artists Association. In October 1991, he was rated as an intellectual with special contribution.
Born in Ninghai, Zhejiang Province on January 24, 1947,
In 1964, he was admitted to the Affiliated High School of Zhejiang Academy of fine arts. Wu Guoting, a master of traditional Chinese painting in the Department of head teacher, was a famous painter;
He graduated from the Affiliated High School of Zhejiang Academy of Fine Arts in 1968, and was persecuted by the "Cultural Revolution", so he was transferred to the countryside;
From 1968 to 1979, he was engaged in rural cultural work and art creation in the poor mountainous areas of southern Zhejiang;
In 1978, he studied in the Department of traditional Chinese painting, Zhejiang Academy of fine arts,
1979-1986, assistant professor, Department of Chinese painting, Zhejiang Academy of fine arts;
1986-1987: Director and lecturer of Editorial Department of Journal of Zhejiang Academy of fine arts;
1987-1992, chairman and associate professor of the Department of Chinese painting, Zhejiang Academy of fine arts;
1992-1994, visiting scholar to East Asia Institute of Berkeley University;
1994-1996: Director, professor and master's supervisor of the research department of the Central Academy of fine arts; vice chairman of Zhejiang Art Association;
1996-2001: Dean, professor and doctoral supervisor of China Academy of fine arts;
He also served as vice chairman of Zhejiang Federation of literary and art circles and vice chairman of Zhejiang Art Association;
In 2001, he served as a member of the CPPCC National Committee, vice chairman of China Artists Association, President of the Central Academy of fine arts
Professor of Central Academy of fine arts, doctoral supervisor of Central Academy of Fine Arts
The first large-scale individual painting exhibition in China in 2006
2011 "still water and deep current -- pan Gongkai's Works Exhibition" opened in Macau's return ceremony Museum on the 13th
On June 18, 2010, I watched pan Gongkai's solo exhibition "transformation of misconstruction: crossing Duchamp"
On March 9, 2013, the large-scale exhibition "pan Gongkai - diffusion and generation" opened in Beijing Today Art Museum.
In September 2014, he resigned as president of the Central Academy of fine arts.