隋易夫美术作品

隋易夫，1923年3月出生，原名隋述先，山东海阳人。擅长中国画。自学绘画。他早年参加革命，当过新华社随军记者、文学刊物的主编，青岛市文联副主席和青岛画院首任院长、山东美协常务理事等职。他的革命经历、丰富的文学素养和厚重的艺术底蕴在经过半个多世纪潜心修炼后，融入他的笔墨之中，使他达到澄明、浑厚、大气的境界。特别是在步入晚年之后，他好像告别了旧的时空隧道，心态返老还童，艺术青春焕发。
于南京、武汉、济南、中国美术馆举办个人花鸟画展。作品《墨荷白鹭》由中国国家图书馆收藏入“善本特藏库”；《白鹭清风》、《春光好》中国画研究院收藏；《春光曲》、《红莲翠鸟》中国美术馆收藏。人民美术出版社于1984年、1995年分别出版《隋易夫画集》、《隋易夫画辑》，2004年出版《中国近现代名家画集·隋易夫》。作品《莲动下渔舟》入选《中国当代美术·中国画上卷》。1993年应邀赴中央美院讲学。
2005年初，隋易夫先生的作品与徐悲鸿、齐白石、李可染、潘天寿等大师的作品一起被收入由人民美术出版社出版的大型系列画册，成为山东省美术界的光荣。此次出版的《中国近现代名家画集———隋易夫》，是人民美术出版社继1984年出版《隋易夫画辑》、1995年出版《隋易夫画集》之后又为隋易夫推出的一册大型画集，成为中国画坛佳话。
1991年，著名画家、艺术评论家周韶华曾这样评价隋易夫先生的国画：“在意象造型上得之于心，应之于手，落笔形随意，笔随情感转，把心灵通向大宇宙，追求气质、风骨、神韵，都是现代意识与传统文化的连接，是其学识素养所然，是其超越旧的时空而敢于创新的现代观念所然。”2001年，周韶华先生看了隋易夫先生的作品，认为其创作特征更加鲜明而个性化，评价说他的艺术心态始终保持一种鲜活机制和与时俱进的状态。这是一种新生，一种自己独有的艺术语汇诞生了。
中央美术学院教授、中国美术家协会理事邵大箴所言，隋易夫先生在中国花鸟画领域的杰出贡献，在于他的创新精神和对绘画语言的突破。

隋易夫美术作品

Sui Yifu, born in March 1923, was originally named Sui Shuxian, born in Haiyang, Shandong Province. Good at Chinese painting. Self study painting. In his early years, he took part in the revolution, worked as a journalist with Xinhua news agency, editor in chief of literary publications, vice chairman of Qingdao Federation of literary and art, the first president of Qingdao academy of painting, and executive director of Shandong Art Association. After more than half a century of concentrated cultivation, his revolutionary experience, rich literary literacy and profound artistic heritage have been integrated into his writing, making him reach a clear, thick and atmospheric state. Especially in his later years, he seems to say goodbye to the old tunnel of time and space, with a rejuvenated mind and a youthful art.

In Nanjing, Wuhan, Jinan, China Art Museum held individual flower and bird exhibition. The works "Mohe egret" are collected by the National Library of China into the "special collection of Shanben"; the works "Egret breeze", "good spring light" are collected by the Chinese Painting Research Institute; the works "spring light music", "red lotus and Kingfisher" are collected by the Chinese art Museum. In 1984 and 1995, people's Fine Arts Publishing House published Sui Yifu's painting collection and Sui Yifu's painting collection respectively, and in 2004, Sui Yifu's painting collection, a famous modern Chinese artist, was published. His work "fishing boat under the lotus" was selected into the first volume of Chinese contemporary art and Chinese painting. In 1993, he was invited to lecture at the Central Academy of fine arts.

At the beginning of 2005, Mr. Sui Yifu's works, together with the works of Xu Beihong, Qi Baishi, Li Keran, Pan Tianshou and other masters, were included in a large series of picture books published by the people's fine arts publishing house, which became the glory of the art circle of Shandong Province. Sui Yifu, a collection of paintings by famous Chinese artists in modern times, was published by the people's Fine Arts Publishing House in 1984 and 1995. It became a great story in the field of Chinese painting.

In 1991, Zhou Shaohua, a famous painter and art critic, commented on Mr. Sui Yifu's traditional Chinese painting as follows: "in the image modeling, you can get it from the heart, you can get it from the hand, you can write it at will, the pen changes with the emotion, leads the heart to the universe, pursues the temperament, style and charm, which are the connection between modern consciousness and traditional culture, is the result of his intellectual quality, and he dares to innovate beyond the old time and space. As the modern concept of. In 2001, Mr. Zhou Shaohua saw Mr. Sui Yifu's works and thought that his creative features were more distinctive and personalized. His artistic mentality was always kept a fresh mechanism and kept pace with the times. This is a new life, a unique art vocabulary of its own was born.

According to Shao Dazhen, Professor of the Central Academy of fine arts and director of China Artists Association, Sui Yifu's outstanding contribution in the field of Chinese flower and bird painting lies in his innovative spirit and breakthrough in the painting language.