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王云山

王云山,姬子,号云山姬子,原名王云山,1942年出生,河北宣化人。专攻中国山水画,山水作品分为三类:笔墨山水、冰雪山水、墨道山水。最早十年学习古典传统与现代传统;十年探索形成自己风格的笔墨山水;又十年以自己风格的笔墨山水作为进一步再实践的起点,探索出了个人风格的冰雪山水,创造了雪麻皴、雪劈皴、雪蜂窝皴、雪髅皴等技法。

  • 中文名王云山
  • 性别
  • 国籍中国
  • 民族汉族
  • 祖籍河北宣化
  • 居住地北京
  • 出生日期1942
  • 逝世日期2015-07-08
  • 职业美术家
  • 擅长山水
艺术家王云山简介

王云山,姬子,号云山姬子,原名王云山,1942年出生,河北宣化人。专攻中国山水画,山水作品分为三类:笔墨山水、冰雪山水、墨道山水。最早十年学习古典传统与现代传统;十年探索形成自己风格的笔墨山水;又十年以自己风格的笔墨山水作为进一步再实践的起点,探索出了个人风格的冰雪山水,创造了雪麻皴、雪劈皴、雪蜂窝皴、雪髅皴等技法。
作品气势恢宏,境界开阔;构图大开大合,既具经典绘画的内涵,又有现代视觉图像构成;风格、笔势豪放,特别是潜心几十年磨练的独创笔法意蕴深远。观之,如登三山五岳,揽之,若四海云飞;凝视良久,又觉天地感应、澄怀观道,既有远古的悠扬,又有现代的融合。天人合一、超然物外的中国经典哲学思想尽显无遗,独特地表现了现代人审美的大自然世界,提倡“墨道山水”的创作精神,将文化的追求涌入到艺术中。
个展:
2013年“无界追求”姬子作品展,上海外滩二十二号艺术中心
2012年“高山景行”,泛空间,北京
2012年“天问——姬子水墨个展”,在3画廊,北京
2010年姬子水墨个展——当代水墨空间,宋庄,北京
2009年“墨道法相”——姬子个展,798艺术区,北京
联展:
2014年“未来的回归——来自中国的当代艺术展”,美国布罗德美术馆,密执根州
2014年“水墨:禅或革命展”,美国明尼苏达大学夸特斯美术馆,明尼阿波利斯
2014年新疆第二届国际艺术双年展,新疆昌吉文博馆
2014年“精神如山——中国当代艺术展”,香港艺术门(Pearl Lam)画廊
2013年“自在与自然——九人艺术展”,上海明圆美术馆
2012年“自然——首届意中当代艺术双年展”,米兰,意大利
2012年“卢浮宫归来——中国水墨北京巡回展”,环铁时代美术馆,北京
2012年“中国水墨百年”法国卢浮宫卡鲁塞尔邀请展,巴黎
2010年“作为生命的艺术——乐山当代艺术邀请展”,四川
2009年“墨道法相”——姬子个展,798艺术区,北京
2009年第一届中国水墨双年展,上海多伦美术馆
2009年中华人民共和国60周年当代艺术展,北京
2009年同行——德中当代艺术展,武汉美术馆
2009年新中国成立60周年书画艺术成果展,北京
2009年水墨记事,伊德艺术空间,酒厂国际艺术区,北京
2009年“笔意”——中韩绘画交流展,北京
2008年符号学水墨第一回展,玛斯比德艺术中心,北京
2008年釜山2008国际现代水墨画展,韩国
2006年上苑第三届工作室开放展等,北京

2002年上苑第二届工作室开放展,北京
1999年河北美术精品展,石家庄
1996年第四届中国艺术博览会,北京
1992年海外中国书画研究会展,加拿大
1991年百米长卷民族之魂创作与展览,北京
1984年全国职工美术书法摄影展(获优秀奖),太原、北京
1982年河北山水画展,石家庄
1972年代河北海河美展、河北中堂画展、河北书法展等,石家庄
主要作品
《河北文艺》(1972年第二期,石家庄)、《安详》杂志(2期、5期,台湾)、《当代中国画杰出人才作品集》,2002,北京、《荣宝斋》(2001.8,北京)、《东方艺术》(2002年,北京)、《中国当代艺术家·北京找北卷》(四川美术,2006,北京)、《中国画艺术年鉴》(2007,北京)、《中国书画交流年鉴》(2007,北京)、《艺术时代》(2009年第4期)、《中国文化报》(2009年4月16日)、《艺术地图》(2009年第7期,北京)、《艺术与投资》(2009年第7期)、《缪斯艺术》(2009年第3期)、《东方艺术·大家》(2009年第4期)、《新视觉》(2009年第10期)等。

Introduction to the artist

Wang Yunshan, Jizi, Jizi, formerly known as Wang Yunshan, was born in 1942 in Xuanhua, Hebei Province. Specializing in Chinese landscape painting, landscape works are divided into three categories: brush and ink landscape, ice and snow landscape, ink and Tao landscape. In the first ten years, we studied classical and modern traditions; in the last ten years, we explored the brush and ink landscapes of our own style; in the second ten years, we explored the ice and snow landscapes of our own style as the starting point for further practice, and created the techniques of snowflake, snow splitting, snow honeycomb, snow skull and so on.

 

His works are magnificent in momentum and broad in realm; his compositions are open and close, with both the connotation of classical painting and the composition of modern visual images; his style and style are bold and unconstrained, especially his original brushwork, which has been honed for decades, has far-reaching implications. Looking at it, if you climb three mountains and five mountains, take it, if you fly all over the sea; gaze for a long time, and feel the heaven and earth induction, clear view of Tao, both ancient melodious, and modern integration. The Chinese classical philosophical thought of harmony between man and nature and detachment from things is all-pervasive, which uniquely represents the natural world of modern people's aesthetics, advocates the creative spirit of "Modao Landscape" and pours the pursuit of culture into art.

 

Solo exhibition:

 

2013 "Unbounded Pursuit" Jizi Works Exhibition, No. 22 Art Center, Bund, Shanghai

 

Alpine Scenic Tour, Pan-space, Beijing, 2012

 

"Tianwen - Jizi Ink and Wash Solo Exhibition" in 2012, in 3 Galleries, Beijing

 

2010 Jizi Ink and Wash Solo Exhibition-Contemporary Ink and Wash Space, Songzhuang, Beijing

 

2009 "Modao Phrases" - Jizi Solo Exhibition, 798 Art District, Beijing

 

Joint exhibition:

 

2014 "Future Return - Contemporary Art Exhibition from China", Broder Museum of Art, Michigan, USA

 

2014 "Ink and wash: Zen or Revolution Exhibition", University of Minnesota Quarters Gallery, Minneapolis, USA

 

2014 Xinjiang Second International Art Biennale, Changji Cultural Museum, Xinjiang

 

2014 "Spiritual Mountain - Contemporary Chinese Art Exhibition", Pearl Lam Gallery, Hong Kong

 

"Freedom and Nature - Nine People Art Exhibition" in 2013, Shanghai Mingyuan Art Museum

 

2012 "Nature - First Italian-Chinese Contemporary Art Biennale". Milan, Italy

 

Return of the Louvre in 2012 - China Ink and Wash Tour Exhibition in Beijing, Huantie Times Art Museum, Beijing

 

Invitational Exhibition of Carrousel, Louvre, France, 2012 "Centennial of Chinese Ink and Wash", Paris

 

2010 "Art as Life - Leshan Contemporary Art Invitation Exhibition", Sichuan

 

2009 "Modao Phrases" - Jizi Solo Exhibition, 798 Art District, Beijing

 

The First Chinese Ink Biennale 2009, Shanghai Duolun Museum of Art

 

Contemporary Art Exhibition on the 60th Anniversary of the People's Republic of China, Beijing, 2009

 

2009 Peer-Dezhong Contemporary Art Exhibition, Wuhan Art Museum

 

Art Achievements Exhibition of Calligraphy and Painting on the 60th Anniversary of the Founding of New China, Beijing, 2009

 

Ink and wash chronicles, Ed Art Space, Winery International Art Zone, Beijing, 2009

 

2009 "Brushwork" - China-Korea Painting Exchange Exhibition, Beijing

 

2008 First Semiotic Ink and Wash Exhibition, Masbede Art Center, Beijing

 

2008 Busan International Contemporary Ink Painting Exhibition, Korea

 

The 3rd Open Workshop Exhibition of Shangyuan in 2006, Beijing

 

 

 

The Second Open Workshop Exhibition of Shangyuan, 2002, Beijing

 

1999 Hebei Fine Arts Exhibition, Shijiazhuang

 

The Fourth China Art Expo, 1996, Beijing

 

Overseas Chinese Calligraphy and Painting Research Exhibition, 1992, Canada

 

Creation and Exhibition of the Spirit of the Ethnic Minority in 1991, Beijing

 

1984 National Workers Fine Arts Calligraphy Photography Exhibition (Award for Excellence), Taiyuan, Beijing

 

1982 Hebei Landscape Painting Exhibition, Shijiazhuang

 

Hebei Haihe Art Exhibition, Hebei Zhongtang Painting Exhibition and Hebei Calligraphy Exhibition in 1972, Shijiazhuang

 

Major works

 

Hebei Literature and Art (No. 2, Shijiazhuang, 1972), "Tranquility" Magazine (No. 2, No. 5, Taiwan), "Collection of Excellent Talents in Contemporary Chinese Painting", 2002, Beijing, Rongbaozhai (2001.8, Beijing), Oriental Art (2002, Beijing), Contemporary Chinese Artist Beijing Find the North Volume (Sichuan Fine Arts, 2006, Beijing), and "Yearbook of Chinese Painting Art" (2007, Beijing), Chinese Calligraphy and Painting Exchange Yearbook (2007, Beijing), Art Age (No. 4, 2009), Chinese Culture Daily (April 16, 2009), Art Map (No. 7, Beijing, 2009), Art and Investment (No. 7, 2009), Muse Art (No. 3, 2009), Oriental Art Masters (No. 4, 2009), (No. 4, 2009)《 New Vision (No. 10, 2009), etc.

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