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刘文西

( 中国美术家协会副主席 )

刘文西,1933年生于浙江省嵊州市长乐镇水竹村,当代画家。
1950年在上海进入陶行知先生创办的“育才学校”学习美术,1953年入浙江美术学院,受潘天寿等先生教导,1958年毕业后到西安美院工作至今。
曾任全国文联委员、原中国美术家协会副主席、中国画艺委会委员,全国首批百位名师称号获得者。
现任黄土画派艺术研究院院长、中国当代画派联谊会主席、陕西省美术家协会名誉主席、西安美术学院名誉院长、教授、博士研究生导师,第五套人民币毛泽东画像创作者、陕西省文艺界联合会顾问、全国有突出贡献的专家。  主要作品有《毛主席和牧羊人》、《陕北人》、《东方》、《解放区的天》和巨幅系列长卷《黄土人》等近百幅。

刘文西先生于今天下午一点五十分逝世(2019年7月7日),享年86岁。

  • 中文名刘文西
  • 性别
  • 国籍中国
  • 民族汉族
  • 祖籍浙江省嵊州市
  • 出生地嵊州市
  • 居住地西安
  • 出生日期1933年10月17日
  • 逝世日期2019年7月7日下午1点50分
  • 职业画家
  • 协会中国美术家协会
  • 毕业院校浙江美术学院
  • 代表作品《祖孙四代》、《知心话》、《毛主席身边拉家常》百米长卷等
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坚持深入生活 创作优秀作品 (李宪忠根据刘文西先生讲话录音整理)

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编者按:刘文西先生,原西安美术学院院长,中国美术家协会副主席,黄土画派创始人。近年来,刘先生多次来潍坊与书画界同仁交流,留下了不少珍贵的墨宝和高深的美术理论见解。新世纪之春,根据刘...
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人物介绍
《经典》之刘文西(共两集)

刘文西,1933年生于浙江省嵊州市长乐镇水竹村,1950年在上海进入陶行知先生创办的“育才学校”学习美术,1953年入浙江美术学院,受潘天寿等先生教导
,1958年毕业后到西安美院工作至今。第七届、第八届全国人大代表,全国有突出贡献专家。
第六届全国文联委员,全国第四、第五、第六、第七次文代会代表,全国美协第一届中国画艺委会委员、历届全国美展评委会委员。
中国美术家协会顾问,原中国美术家协会副主席,黄土画派艺术研究院院长,
中国当代画派联谊会主席,陕西省美术家协会名誉主席,西安美术学院名誉院长,教授、博士研究生导师,获国家第一批名师称号,第五套人民币毛泽东画像创作者,  《中国才子》画报艺术顾问;陕西国画院名誉院长,延安市副市长,北京唐风美术馆高级艺术顾问等职。享受政府特殊津贴。
数十年来发表作品千余幅,出版个人作品集十余本,获国家级奖七次。中国美术馆收藏有《祖孙四代》、《知心话》、《毛主席身边啦家常》等二十五件作品。不断的艰辛创作,李瑞环同志鼓励他说:“你在三十余年美术生涯中,希望继续朝着自己选择的艺术道路走下去,为人民创造出更多的好作品。”他以大量动人的作品、独创的面貌和风采以西安美院为主体的有实力的画家,在中国画坛上创立了“黄土画派”。数年来,他在国内外发表作品数千幅,出版画册十余件,中国美术馆收藏作品25件,获国家级奖9件。教学工作、社会活动、深入生活、创作实践,构成了刘文西全部生活的紧张节奏。

艺术人生

1946年,刘文西在阳山中学读书,虽然学校条件极差,但学风端正,教学严格,师生关系融洽。他第一次听到美术老师讲到世界有个大画家叫“达芬奇”,当时译文是“达文西”。刘文西便想:我们都是“文西”,他能成为大画家,我为什么不行呢?从此,文西更加发奋了。阳山中学同时也十分重视劳动教育,注意全面培养人才,经常带学生参加劳动,注意培养学生热爱劳动、热爱劳动人民的品德,这一切,都一一灌输到刘文西的脑海中,影响着他的一生。
1948年,刘文西的二舅钱孝衡(曾任上海科技大学副校长)陪文西看画家商敬诚的花鸟画、人物画,文西得到了很大的启发和教育,他一直把商敬诚看作是画画的启蒙老师。
1949年,家乡解放了,全县第一次庆祝开国大典,主席台上悬挂的毛主席和朱总司令像是文西画的。虽然他自己认为画得还不成熟,但却令他终生难忘,并受到莫大的鼓舞,为日后绘一万多幅毛主席的画开了很好的头。那年,他又转学到嵊县中学读书。
1950年,刘文西进入陶行知先生创办的育才学校(即行知艺术学校)正式学习美术。学校提倡教学与生活结合、与社会结合,提倡创作为社会服务。给文西印象最深的是王琦老师给学生讲毛主席《在延安文艺座谈会上的讲话》,刘文西开始懂得为什么要画画以及画画与革命与人民的关系。在学校,刘文西刻苦学习的精神一直是同学们学习的榜样。他参加过皖北土改镇反工作,参加抗美援朝活动,并担任学生会工作,向报刊投稿的稿费还解决了自己的部分读书费用。
1953年,刘文西以优异的成绩考取中国美术学院华东分院五年制国画系。美院基础教学正规、扎实,教学秩序规范,院长莫朴先生经常到课堂看学生的作业,副院长潘天寿先生经常亲自上书法和花鸟课。1956年4月22日,中国新民主主义青年团浙江省委员会授奖给刘文西“优秀的‘三好’积极分子” 。 受延安革命历史和古元等老一辈艺术家的影响,毕业实习时,刘文西第一次奔赴延安。从此他非常热爱陕北这块土地,热爱延安和那里的人民。毕业后,刘文西被刘蒙天院长选调分配去西安美术学院工作,同去的还有陈光健画家。
1960年,《人民日报》发表了刘文西的作品《毛主席与牧羊人》,毛主席看了说:“文西画我很像,他是一位青年画家。”伟大领袖的赞扬极大地增强了刘文西创作的积极性。
1984年,刘文西加入中国共产党,成为无产阶级的先锋战士。
1992年12月1日,刘文西专程回家乡参加长乐中学五十周年校庆
1993年3月第八届全国人大第一次会议在北京召开,江泽民同志接见了刘文西。
1993年5月21日至31日,刘文西画展在北京举行,作为主办单位之一、代表故乡县委、县政府前去参加的有方浩泉、邢力策等同志,本人也参加此次画展并参加筹备工作,并参加了刘文西的画展学术研讨会。
1997年,作为全国八届人大代表的刘文西在北京开会,当时中国人民银行正忙于设计第五套人民币。
2004年7月31日,刘文西从台州抵达嵊州,回乡参观考察。

艺术技巧

刘文西的艺术宗旨是:“熟悉人、严造型、讲笔墨、求创作”,希望画家提高创作拿出精品,以优秀作品鼓舞人。
刘文西是当代中国画坛开宗立派的人物,他的绘画,代表着中国画写实风格的发展方向,他的艺术精神,就是中华民族自强不息的精神,他是中国现代美术史上的一颗璀璨明珠。
刘文西是以画陕北而成为大家的,可以说是陕北成就了他,他也塑造了陕北。人们不会忘记,上世纪60年代初他创作的《祖孙四代》带给人们的震撼。在这幅永载史册的作品中,刘文西以“主题思想的深刻性、人物塑造的生动性和笔墨技巧的开拓性”而确立了自己在中国美术史上的地位。他以高瞻远瞩的胸襟,以高屋建瓴的智慧,以“语不惊人死不休”的精神,创作出一幅幅关注社会、关注人类、关注生命的陕北系列作品。从《毛主席和牧羊人》至《同欢共乐》,从《支书和老贫农》到《沟里人》,他的每幅作品的诞生都会带来一片赞叹之声。
刘文西的艺术不仅靠形式、语言、技巧取胜,更是他作品中塑造形象的独特性、生动性、真实性占据统领一切的地位。他的心连着陕北人民,他的情系着黄土高坡,当今画坛有哪位画家能像他那样,足迹遍步陕北的乡乡镇镇,画了几千个农民肖像和上万张速写?基于此,他一腔真情实感,才能呼之欲出,跃然纸上。形式的探索是重要的,他是通过形式、语言、技巧等手段的表现,达到不断强化形象内在意味的表现力和感染力。刘文西应该是当代中国画坛的一面旗帜。
在当代频繁兴起的各种艺术潮流中,刘文西以其大家风范,表现出一种岿然不动的气度。他把自己的艺术生命仍然寄托在陕北的那片黄土地上,赞颂那里的人民是他作品的灵魂。他坚信那些深深感动过他的美一定会感动别人。
近年来,他不顾自己年事已高,又以极大的热情沿着黄河故道,开始了他的黄河系列创作,其中2004年创作的《黄河子孙》、《黄河汉子》已相继问世。画中人物真真切切、朴朴素素、实实在在、自自然然,在朴拙亲切中揭示了中国农民的人性美,不失为具有思想含量、艺术质量和历史价值的经典之作。
其创作方法和艺术风格与他以前是一致的。他在不断探索创新,在历史生活和现实生活中寻找感动自己的题材,进行典型化的思考与提炼,并最大限度地用自己的绘画创作能力去刻画人物和处理作品诸要素的协调整合,力求达到思想深度和艺术高度的完美统一。在当今时代,刘文西的这种创作精品力作的方法和规律,尤其显得可贵。
刘文西并非固守传统而不化。他主张“创新”,并认为“创新要从深入生活开始,从观念的扩展开始,用自己的思维、自己的视觉、自己的感受,用自己的脑子和眼睛去观察认识生活,要有区别于历史、区别于他人的独到之处”。
检索刘文西自上世纪60年代初以来创作的精品,充分展现了他的“独到之处”。其中有画家表现领袖、歌颂人民的作品,也有青藏高原、黄土高坡的人物写生,还有出访欧洲的景色描写,表现手段和语言都是丰富多彩的,画家突破了中国画已有的审美程式,创造性地吸纳西方现代艺术的成就,在东西方艺术大交流中开拓中国水墨画的新领域。
纵观当今中国画坛,不少名家高手往往为格套所缚,或取材于古人,或取意于古人,或拜倒在西方传统的脚下,或因袭现代流派的手法,不是重复前人,就是重复他人。刘文西却不是这样,他曾“一手伸向传统”,也曾“一手伸向生活”,半个多世纪的金戈铁马,数十载的变幻风云,在滋养着刘文西,也在冶炼着刘文西。刘文西没有因此而罢休,当世界浓缩为一个地球村的时候,他则为自己所创立的“黄土画派”制定了一个更高的艺术生命目标,这就是还必须“一手伸向世界”。他要用有限的生命去实践他艺术的更大超越。
今日世界的丰富性和画家个性的丰富性,正在人物形象的丰富性之中。刘文西走的是一条突破传统之路,他使传统的中国画别开生面而重新绽放出青春的光华。

人物影响

在中国当代美术画派中我们不能不提刘文西和“黄土画派”,以刘文西为代表的西部艺术家群体,组成了实力强大的“黄土画派”艺术家创作阵容。在20世纪中国的美术史上,刘文西和他的“黄土画派”是有一定历史位置的,他的画风影响着西北地区人物画创作,同时也对中国人物画创作有一定的影响。
他的作品所展示的是一种西部画家粗犷语言的缜密风格如《黄土情》、《老百姓》、 《沟里人》 、《话丰年》、《祖孙四代》等,与传统文人画中表现失意落魄的封建文人与官僚士大夫消极、颓靡、乏味无聊的生活,形成了鲜明的对照。
以表现黄土地人传统文化精神风骨为主题,他作品中的“黄土地文化”已经被彻底“中华民族精神化”了。由于他的艺术创造,使得黄土地成为中国人物画中一个永恒的艺术图腾,它不仅深深影响了20世纪下半叶的一批批画家,而且也深刻地影响着21世纪初的中国画坛。毋庸置疑,它还会继续影响未来的中国美术发展。刘文西工作室在中国当今画室林立的状况下有着特殊的历史意义。
在这五十年间,刘文西先后九十余次到延安创作,始终将笔墨集中在塑造普通百姓与人民领袖上,并开创了现代中国画坛“黄土画派”之滥觞。在他的引领下,一大批有影响的画家认同、接受、追随刘文西的画风,以黄土地的普通人物、景物为审美取向,在现代中国画坛形成了重要的、具有鲜明独特画风的“黄土画派”。半个世纪以来,“黄土画派”的创立者刘文西孜孜不倦,画之所及始终以黄土风情背景下的人民大众与领袖伟人形象为范畴,形成了塑造人民形象的淳朴遒劲风格,在当代中国画中具有特殊地位,他笔下的人物画成为中国画坛一绝。

English Introduction

Liu Wenxi, Changle Shengzhou City, Zhejiang Province town of bamboo village was born in 1933, 1950 into Mr. Tao Xingzhi founded in Shanghai Yucai School of fine arts, Academy of Fine Arts in Zhejiang in 1953, by Mr. Pan Tianshou taught
In 1958, after graduating from the Xi'an Academy of fine arts to work so far. Seventh, the Eighth National People's Congress, the country has outstanding contributions experts.
The sixth session of the National Federation of literary and art circles, the fourth, fifth, sixth, seventh Wendaihui representatives, National Artists Association first China Painting Committee members, the national art exhibition jury.
Consultant China Artists Association, former vice chairman of Chinese Artists Association, President of the school art research institute,
Chinese Contemporary Painting Association chairman, honorary chairman of Shaanxi Artists Association, honorary president of the Xi'an Academy of Fine Arts, Professor, doctoral tutor, won the first national title of teacher, the fifth set of RMB [1] "portrait of Mao Zedong creator, China wit" pictorial art consultant; Honorary President of Shaanxi painting academy, vice mayor of Yanan City, Beijing Tang Art Museum of art senior consultant. Enjoy special government allowances.
For decades published more than a thousand pieces, set personal publishing works of more than ten, awarded the National Prize for seven times. Chinese Art Museum has a collection of "four generations", "mind", "Chairman Mao" home side twenty-five works. Constant hard creation, comrade Li Ruihuan encouraged him, said: you in more than thirty years of art career, I hope to continue to choose their own art road go down, for the people to create more good works." He works with a large number of beautiful, unique appearance and style to the Xi'an Academy of fine arts as the main strength of the painter in the painting, Chinese created the "loess school". Over the years, he published thousands of works at home and abroad, published more than 10 pieces of art, Chinese Art Museum collection of 25 pieces, won the national award of 9 pieces. Teaching work, social activities, in-depth life, creative practice, constitute the tense rhythm of all Liu Wenxi life.

In 1946, Liu Wenxi read in Yangshan middle school, although the school condition is very poor, but the correct style of study, rigorous teaching, harmonious relationship between teachers and students. For the first time, he heard the art teacher say that there was a big painter named Da Vinci in the world. At that time, the translation was "Da Vince". Liu Wenxi thought: we are all "Wen Xi", he can become a big painter, why can't I? From then on, the more vigorous the west. Yangshan middle school but also attaches great importance to labor education, pay attention to the comprehensive training, often take students to participate in the work, pay attention to cultivate the students' love of work, love of labor people's character, all of this are instilled into Liu Wenxi's mind, affecting his life.
In 1948 two, Liu Wenxi's uncle Qian Xiaoheng (former vice president of Shanghai University of science and Technology) with the west to see the artist's Keswick flower and bird painting, figure painting, the West has great inspiration and education, he kept taking Keswick as painting teacher.
In 1949, the county's hometown liberated, first celebrated the founding ceremony, hanging on the podium of Chairman Mao and Zhu commander is like the western painting. Although he believes that painting is not mature, but it made him unforgettable, and was encouraging, for more than 10 thousand days after the draw picture of Chairman Mao's paintings open good head. That year, he was transferred to the county middle school.
In 1950, Liu Wenxi entered Mr. Tao Xingzhi founded the Yucai School (School of art is known) formal learning art. The school advocates the combination of teaching and living, combining with society, advocating the creation of social services. The most impressed to Wen Xi was Wang Qi's speech to the students about Chairman Mao's speech at the Yanan Forum on literature and art. Liu Wenxi began to understand why painting and painting and the relationship between revolution and the people. In school, Liu Wenxi hard study spirit has been the example of students to learn. He took part in the northern town land reform work, participated in the Korean War, and served as the student work, to contribute money also to solve their own part of the cost of reading.
In 1953, Liu Wenxi with honors admitted to East Branch of The China Academy of Art for five years, the Department of traditional Chinese painting. The Academy of fine arts foundation teaching regular, solid teaching order specification, Dean of Mr. Mo Pu often to the classroom to the students' homework, vice president Mr. Pan Tianshou often personally on the calligraphy and the flower class. In April 22, 1956, the New Democratic Youth League Committee of Zhejiang province China award to Liu Wenxi "outstanding" Miyoshi "activists". By the impact of Yanan revolutionary history and ancient yuan and other older artists, graduation internship, Liu Wenxi first went to Yanan. From then on, he loved the land of Northern Shaanxi and loved Yanan and the people there. After graduation, Liu Wenxi was appointed dean Liu Mengtian assigned to the Xi'an Academy of Fine Arts, along with artist Chen Guangjian.
In 1960, the "people's Daily" published the works of Liu Wenxi shepherd "and" Chairman Mao, Chairman Mao said: "I like the western painting, he is a young painter." The praise of the great leader greatly enhanced Liu Wenxi's creative enthusiasm.
In 1984, Liu Wenxi joined the Communist Party of China, became the vanguard of the proletariat.
In December 1, 1992, Liu Wenxi came back home to attend the fifty anniversary of the Changle middle school
March 1993 the first session of the Eighth National People's Congress held in Beijing, comrade Jiang Zemin met with Liu Wenxi.
May 21, 1993 to 31, the Liu Wenxi exhibition held in Beijing, as one of the organizers, on behalf of the county Party committee and government to participate in the hometown of Fang Haoquan, Xing Lice and other comrades, I also participated in the exhibition and participate in the preparatory work, and attended the Liu Wenxi exhibition seminar.
1997, as the eight National People's Congress Liu Wenxi met in Beijing, when the people's Bank of China is busy designing a set of RMB fifth.
In July 31, 2004, Liu Wenxi arrived in Taizhou from Shengzhou to visit.

Liu Wenxi's artistic purpose is: "familiar with people, strict modeling, speaking and writing, seeking creation", I hope the artist to improve the creation of quality products, inspired by outstanding works.
Liu Wenxi is the character of contemporary painting China Leekpai Kaizong his paintings, which represents the direction Chinese realistic style of painting, his artistic spirit of Chinese nation is the spirit of unremitting self-improvement, he is a bright pearl in the history of modern art Chinese.
Liu Wenxi is to draw Northern Shaanxi and become everyone, it can be said that North Shaanxi achievements of him, he also shaped the northern shaanxi. People will not forget the last century at the beginning of 60s he created the "four generations" bring people shock. In this forever annals, Liu Wenxi established his position in the history of Chinese art with the profundity of the theme, the vividness of the characters and the pioneering of the pen and ink skills. In his mind to look far ahead from a high plane, the wisdom of "dull remarks to sweep down irresistibly from a commanding height, die endlessly" spirit, to create a series of works in a society and concern about human beings and life. From the "Chairman Mao and shepherd" to "enjoy the music", from "and" to "poor old secretary ditch", the birth of each of his paintings will bring a piece of the sound of praise.
Liu Wenxi's art not only by form, language, skills to win, but also in his work to shape the image of the unique, vivid, authenticity occupy the commanding position of all. His heart to his feelings of the people of Northern Shaanxi, the Loess Plateau, the painting is the artist who would like him all over the town in Northern Shaanxi, drew thousands and tens of thousands of farmers portrait sketches? Based on this, he can be vividly portrayed, Yueranzhishang cavity real feelings. Form of exploration is important, he is through the form, language, skills and other means of performance, to continuously strengthen the image of the intrinsic meaning of expression and appeal. Liu Wenxi is a banner of contemporary painting China.
In the prosperous art trends, Liu Wenxi in the show a place of great ingenuity, tolerance. He put his artistic life is still pinned on the Loess Plateau in Northern Shaanxi, praising the people there is the soul of his work. He firmly believes that those deeply touched his beauty will be touched by others.
In recent years, despite his advanced in age, and with great enthusiasm along the old course of the Yellow River, the Yellow River began his series of works, which in 2004 the creation of "the Yellow River", "the Yellow River man" children have been published. The real, simple, real, natural, cordial and sincere in revealing the beauty of human nature is China farmers, ideological content, artistic quality and historical value of the classic.
His creative method and artistic style are consistent with his former. He is in constant exploration and innovation, looking for their own theme in the history of life touched and real life, thinking and refining the typical coordination and integration, and made the most of his painting ability to depict characters and processing work elements, and strive to achieve the perfect unity of depth and height of the art. In today's era, the rules and methods of creation of Liu Wenxi's masterpieces, especially valuable.
Liu Wenxi does not cling to tradition. He advocated the "innovation", and that "innovation should start from the depth of life, starting from the concept of expansion, with their own thinking, your vision, your feelings, to observe life with their brains and eyes are different from history, different from others the original place".
Retrieval of the creation of Liu Wenxi since the last century since the beginning of 60s boutique, fully demonstrated his originality". There are painters performance leaders, praising the people's work, also has the Tibetan Plateau, the Loess Plateau of the figure painting, and visited Europe scenery description, means of expression and language are rich and colorful, the artist beyond the current painting aesthetic China program, absorbing western modern art creative achievements, explore new areas of China ink painting in the eastern and Western art exchange.
In today's Chinese painting, a lot of famous master often set lattice bound by, or derived from the ancients, or from the ancients, or succumb to the traditional Western foot, or follow the modern genre approach, not to repeat the previous, is the repetition of others. Liu Wenxi is not the case, he had "one hand traditional", had "one hand for life", more than half a century of vicissitudes decades a symbol of war in ancient China, nourishes, Liu Wenxi, also in the smelting of Liu Wenxi. Liu Wenxi did not give up, when the world was concentrated to a global village, he set a higher goal for his theory of "loess school", this is also must hand toward the world". He will use limited life to practice the greater transcendence of his art.
Today, the richness of the world and the richness of the painter's personality, is the richness of the characters. Liu Wenxi is taking a break through the traditional way, he made the traditional Chinese paintings open up a fresh outlook and fresh.

In China contemporary art school we can not fail to mention Liu Wenxi and the school, with Liu Wenxi as the representative of the western group of artists, formed a strong lineup of artists of the school. In twentieth Century China the history of art, Liu Wenxi and his "loess school" is a certain historical position, his style influences the figure painting in the northwest, but also have a certain impact on the creation of Chinese figure painting.
His works show a kind of Western painter rough language style such as careful "Loess Sentiment" and "the people", "people", "ditch words," harvest "four generations", and the performance of traditional literati painting down and out feudal scholar bureaucrats with negative and decadent extravagant, boring boring life, contrast.
To show people the spirit of traditional culture of loess style as the theme, he works in the "loess culture" has been completely "the spirit of the Chinese nation". Because of his artistic creation, makes the Loess become a Chinese painting of eternal art totem, it is not only deeply affect the second half of the twentieth Century a group of artists, but also a profound impact on the early twenty-first Century Chinese painting. Needless to say, it will continue to affect the future development of Chinese art. Liu Wenxi studio has a special historical significance in the current situation with China studio.
In the past fifty years, Liu Wenxi has more than 90 times to the creation of Yanan, will always focus on shaping the common people and the leader of the people, and have created a modern Chinese painting "loess school". Under his leadership, a large number of influential artists, following the identification and acceptance of Liu Wenxi's style, to ordinary people, the scenery is loess aesthetic orientation in modern painting, Chinese formed an important and unique style of the school". For half a century, the school's founder Liu Wenxi diligently, painting and has always been to the people under the background of the Loess style and leader image category, form the shape of the people's image of the simple elegant style, has a special status in the contemporary Chinese paintings, his characters painting became a China painting.

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