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孙其峰

( 中国美术家协会理事 )

孙其峰,男,汉族,1920年生,山东招远人,国立北平艺专毕业。天津美术学院终身教授,文化部中国画研究院院部委员,中国美术家协会理事,中国书法家协会理事,西泠印社理事,享受国务院特殊贡献津贴专家,天津当代美术教育(高等美术教育和社会美术教育)的重要奠基人。曾任天津美术学院副院长。代表作《春江水暖》《俏不争春》《秋江》等多次在国内外展出并在报刊上发表。著有《中国画技法(第一辑)》《孙其峰画集》《孙其峰书画选集》《花鸟画谱》《孙其峰教学手稿》等。2013年1月29日,获第二届“中国美术奖·终身成就奖”。

  • 中文名孙其峰
  • 别名琪峰
  • 性别
  • 国籍中国
  • 民族汉族
  • 祖籍山东招远
  • 出生地山东招远
  • 出生日期1920年1月
  • 职业艺术家
  • 协会中国美术家协会
  • 毕业院校国立北平艺术专科学校
  • 主要成就天津美术学院副院长、中国美术家协会理事、中国书法家协会理事
  • 代表作品《花鸟画谱》;《孙其峰画辑》
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著名书画家孙其峰谈艺术与收藏

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爱好收藏书画作品的朋友都会感叹现在的艺术品行情一路走高,在市场中觅得一幅佳作是越来越难了。其实对一个艺术品的收藏者来讲,怎样才能在令人眼花缭乱的艺术品市场中找到真正有价值的艺术品,...
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人物介绍
走进名家孙其峰-教你画麻雀3

孙其峰,男,汉族,原名奇峰,曾用名琪峰,别署双槐楼主、求异存同斋主。1920年1月生于山东省招远县。1947年毕业于国立北平艺术专科学校中国画科。曾先后从师于徐悲鸿黄宾虹李苦禅、王友石、汪慎生、溥松窗、秦仲文等名家。擅山水、花鸟、书法、篆刻,兼通画史、画论,曾任天津美术学院副院长、绘画系与工艺系主任、天津市书法家协会副主席、中国美术家协会理事、中国书法家协会理事等职。现为天津美术学院终身教授,西泠印社理事,天津市美术家协会名誉主席,天津市海河印社社长,北京中国画研究院院委等职。享受国务院政府特殊津贴。其书画作品多次参加国内一些大型展览,并在日本、美国、西德、法国、新加坡、香港等国家和地区展出。在北京、南京、天津、大原、济南等地举行个人画展或书画展。是当代著名大画家及美术教育家。
自幼酷爱书画,诗文、戏曲等传统艺术,并随舅父王友石习画,1943年在山东龙江等地举办个人画展。1944年入北京国立艺专,师从徐悲鸿黄宾虹、汪慎生、李苦禅习花鸟、山水,并师从罗戡,寿石工、金禹民学书法、篆刻。1947年与刘蔚在北京中心公园举办画展,与王友石在天津举办国画联展,1949年后入天津河北师范学院美术系(美术系独立建院后遂为天津美术学院)担任艺术概论,中国美术史,中国山水画、中国花鸟画,书法课程的教学工作,1983年3月作为中国美术家代表团副团长出访日本,参加国际艺术交流活动。1956年以来在北京、天津、南京、沈阳、济南等地多次举办个人展或联展,1982年与霍春阳合作的《山花烂漫》入选法国巴黎沙龙画展,并被印为该画展海报和介绍书的封面,代表作《春江水暧》《俏不争春》《秋江》《好鸟鸣春》《雪鹰图》《雪垂银梢》《蜀江泊舟》等多次在国内外展出并在报刊上发表。绘画、书法、篆刻均能活用传统,参酌造化,融会白家,自成一格。且精研理法,长于着述,有《孙其峰画辑》《孙其峰画集》《花鸟画谱》《孔雀画谱》《中国画技法》《花鸟画构图手稿》等多种画册、着作行世。曾任天津美术学院副院长,天津市文联常务理事等职,现为天津美术学院顾问、教授、文化部中国画研究院院部委,中国美术协会理事,中国书法家协会理事,天津美术家协会副主席,天津中国画研究会会长。
所着文章曾发表于《中国画》《美术》《中国画研究》《艺术研究》等刊物,着有《中国画技法》(第一辑)、《孙其峰画集》《孙其峰书画选集》《花鸟画谱》《孔雀画谱》《花鸟画构图小稿》《花鸟画技法》《孙其峰教学手稿》等书;另着《画花鸟》已由台湾图书艺术公司印制发行。
2013年1月29日,孙其峰获第二届“中国美术奖·终身成就奖”。

书艺介绍

元人赵孟頫有一首很著名的《自题秀石疏林图》诗:“石如飞白木如籀,写竹还应八法通,若也有人能会此,须知书画本来同。”这首诗形象具体地道出了书画密不可分的血缘关系。明人董其昌也说过:“古人如大令(王献之),今人如米元章(芾)、赵子昂(孟頫),善书必能善画,善画必能善书,其实一事耳。”又说:“素师(怀素)书本画法,类僧巨然巨然为北苑(董源)流亚,素师则张长史(旭)后一人也。”这也是对书画同源的极好论说。自唐人张彦远倡导“书画同源”之说以后,书画兼精的艺术家,可以说是代不乏人,孙其峰先生就是一位书画都很擅长的艺术家,当我们观赏他的书与画时,便能感受到两者之间的交融和相辅相成。
孙其峰先生原名奇峰,亦署琪峰,号求是楼主。1920年出生于山东省招远县。他是当代著名的画家和美术教育家,艺术修养全面,绘事之外,书画篆刻也功力精深,为全国书法界所共誉。
孙其峰幼嗜书艺,盖得自庭训。他的祖父和父亲都能写一手好字而名闻乡里,故深受薰染。孙其峰上小学后,临习颜、赵楷法,为老师郝果轩先生所称许,郝先生擅写何绍基体的行草书,曾给孙先生不小的影响,使他对书法产生了更为浓厚的兴趣。上中学时,孙其峰仍潜心翰墨,已小有名气,曾为乡人书写楹联。
四十年代,孙其峰为了谋生,去北京当了店员。做为全国文化中心的北京,不少商店的牌匾,出自名家所书,孙其峰对此悉心浏览观摩。那时北京举办的一些书画展览会上,也常常出现孙先生的身影。书画名家荟萃的北京,成为孙先生学习艺术的大课堂,在这里他不仅汲取了很多营养,也开阔了视野。工作余暇,孙先生临池联辍,这是已初涉汉代隶书,开始临写《史晨碑》。
1944年孙其峰考入了北平国立艺专国画科,这既是他人生的重大转折,也是艺术生涯的新里程。在学校曾先后受教于徐悲鸿黄宾虹李苦禅、秦仲文、王友石、汪慎生等先生,他们都是书画兼精的大家。孙其峰更得益于寿石工、罗复戡、金禹民等先生,他们以书画篆刻而着称。这一时期,孙其峰除了学习汉隶,又开始学习行草书,学的是二王(羲之、献之父子)和孙过庭的《书谱》。
孙其峰从五十年代开始从事美术教育工作,一度也担任行政工作,尽管他的业务繁忙,但因教学的关系,仍未废临池,除汉隶、行草外、又旁及篆书、魏碑。孙其峰的书法,取精用宏,锐意创新,形成了独具一格的书风,在七十年代以后成为中国书坛上一位成就斐然的书法家,曾为画名所掩的书名,终于脱颖而出,为世人所瞩目。
孙其峰艺术修养全面,绘画以花卉、翎毛、山水着称,书法于金文、小篆、隶书、草书、行书各体所无不擅,其中以草书、隶书、造诣最高,师古而不泥古,能领略古法而行新奇。
孙其峰的行草书虽脱胎于二王和孙孙过庭,但并不是亦步亦趋地模仿前人,被古人所缚束。孙其峰曾说过“或有作书者,融会众妙,有二王,有孙过庭,乃至欧、柳、颜、赵、苏、黄、米、蔡,但就是没有自己,在这里不能‘忘我’,要‘有我’”。孙其峰很好的把握了书法的继承与革新之间的辨证关系,他的行草书是在前人传统的基础上,按着时代的需要及艺术本身的规律力图创造自己的风貌。所以孙其峰的行草书既有二王的典雅纵逸,又有孙过庭的谨严流畅,既不失前人的法度,又洋溢着新的气息。尤其是他的草书雄劲豪放,跌宕奔突,决不以狂怪谲诡为能事。
孙其峰的隶书最有特色,遒练的用笔和苍劲洒脱的韵味,在当今众多写隶书的书法家中,独具一格,受到人们的好评。清代的隶书取得了很高的成就,是继汉隶之后的又一个高峰,清人写隶书可谓是人才济济,卓然名家的不在少数。启功先生评论隶书时曾说过这样的话:“清代写隶书的像邓石如伊秉绶何绍基,不能不说是大家,是巨擘,在他们之后写隶书,不难在精工,而难在脱俗。”孙其峰的隶书可贵之处就在于“脱俗”,从四十年代他就在汗隶上下力颇多,曾临写过《张迁》,《史晨》、《曹全》、《华山》等著名的汉代碑刻,已达到了“精工”的地步。
八十年代以后,孙其峰的隶书字形横展,波势飞动,已独具面貌,但他不以此为满足,又融入汉代简牍的笔法。简牍为汉代人的墨迹,历来也虽有发现,但从未被书家所注重,自本世纪初以来,屡有出土,而且数量之多为前所未有。简牍上的书法风格多样,因系墨迹笔法清晰可辨,又有纯任自然,天真烂漫的情趣,不少书法家都对其产生浓厚的兴趣,从中取法,以资借鉴。孙其峰喜爱居延、武威、甘谷等地的西陲木简,曾对极有特点的简书笔画,进行过认真的摹写和解析,故对汉简书法有着深邃的理解,汉简的书写者多出自下层士吏、军伍和民间书手,汉简的可贵之处是使人们清楚认识到汉代隶书的真实血肉面目,不再面对碑刻剥蚀漫漶的点画而感到困惑。但也必须意识到简书中也有过于粗率之作,不善学简书者,过分夸张一些点画,形成习气,或强调奇趣而流于狂怪。孙其峰认为“简书非书法家所为,良莠不齐,学时不可不分精芜,须挑肥捡瘦,去粗取精。”孙其峰对汉简采取了既有借鉴,也有取舍,不徒袭其貌,而是得其神髓,进而把汉简和碑刻熔铸于一炉。所以孙其峰的隶书古朴、洒脱,很有魅力。
孙其峰在从事篆刻的同时,就开始了对篆书的研习。篆书在完成了它的文字功能的历史使命之后,仍以巨大的艺术声明力吸引着一代又一代的书法家潜心学习和创造,自秦代至清代,历代写篆书者大都未出李斯、李阳冰的小篆风范,不少人未能逾越二李的门墙。明清的一些篆书家片面追求小篆的工整匀适,逐渐形成僵化,导致了篆书的衰微。孙其峰论述篆书时曾说“从甲骨文、金文到小篆,再到李阳冰,是从不规矩到规矩,到了清朝邓如石、赵之谦何绍基和近代的金息候等,则又从规矩到‘不规矩’,看来‘物极必反’是有一定道理的。”孙其峰
写篆书摒弃了中规入矩的路子,而是追求篆书的写意特征。他取法金文、甲骨文、秦诏版权量文、古陶文、汉代碑额、瓦当文等古代篆书,也从邓石如等清代篆书大家得到不少的启迪。所以孙其峰的篆书古朴雄浑,笔酣墨活,一扫过去有些书家写篆书那种字形板滞无灵和缺乏韵味的写法。
孙其峰的篆刻受教于寿石工、金禹民二位先生,又寝馈于战国古鉥和秦汉印章,也取鉴皖派。他从事篆刻虽不如在书画方面下力之多,并时有间断,但如他所说“动刀不多,用脑不少”,无论何时总是不能忘情于篆刻艺术。孙其峰的篆刻令人称道的是不囿于师承和不落于前人窠臼的精神,力求形成自己的家数。他的篆刻植根于古鉥、又止于酷肖、乱真,他说“我经常探求些不规则又富有变化的周秦风格的章法,从中体会贯通花鸟画的构图原理。在我眼目中,画与印,微观上有明显区别,在宏观上它们又是相通一致的”。孙其峰还喜欢用汉简、《爨宝子碑》和魏碑字体入印古趣盎然。他所刻的肖形印,造型生动,绘画的学养渗透其中,也不同凡响。孙其峰在篆刻创作上的态度非常严肃,每治一印,反复构思、推敲,起印稿多至数十次,甚至上百次,不到满意时,决不草率奏刀。他曾设计了很多印稿,有的并未治成印,孙其峰说:“我喜欢把一方印文,写好多遍,来找寻最佳的章法,同时也在寻找自己。”孙其峰七十岁后,在书画作品上所钤盖的印章,全是自己所刻,这也使得他的书画印更有机的结合起来,而相得益彰。
孙其峰在艺术实践上给后辈的启示是:以继承优秀传统为己任。在传统的延续中,求得自身的发展。孙其峰所取得的书法成就也向人们提示出:只有淡薄名利,甘于寂寞,在艺术园地里勤奋地播种和耕耘,才能结出丰硕之果。

人物评价

孙其峰是中国当代一位成就卓越的美术教育家、画家。他谦和好学、淡泊名利,从不为物所累,惟独对参与扶持教育、资助弱势群体等社会善事乐而不倦。他为我国美术教育事业默默地勤奋耕耘了60个春秋,如今已经桃李满天下。虽年逾九旬,他仍天天于案头做学问、传技艺,是当代书画界一位难得的令人敬仰的老教授。
说到孙其峰的书法,好像没有绘画的影响大。其实,他在繁忙的教务工作和传授国画技艺的同时,从没丢弃过对书法、篆刻艺术的研究,用他自己的话说,是“一分钟都没耽误过”。能篆、能隶、能草,又能刻,凡熟悉孙其峰书法的人都会有这种感受。
看到孙其峰的隶书作品,你会发现,字里行间透出的不仅仅是古朴,而且还有时代之韵,汉人的高古率直、清人高士的淡雅恬静及他本人的文化积淀、社会阅历都一一跃然纸上,令人百看不厌。
孙其峰的篆书更具特色。他师秦而又出之心源,以绘画的美学思想介入对篆书的研究,
写出了既古老又新奇、既拙美又灵巧的文人篆。
再观赏孙其峰的草书,更使人过目难忘。他的草书法二王、承旭素、继允明,集历代宗师家法于一身,使转灵活而不飘浮,点画飞动而又沉稳。整幅作品在律动的美中潜存着淡静,没有一点儿火气。这也充分反映出人们常称颂孙其峰为人谦和的一面。
篆刻是方寸之地容纳万象的艺术形式。孙其峰在教书作画之余不时奏刀于案前,秦砖汉瓦、帝王玉玺及简书等风格特征都能在其作品中反馈出来。
简而言之,从孙其峰的作品中能品到的不仅是书写汉字的法度,更重要的是他那种颇具时代气息的意境营求。可以说,他的作品是极富个性的古法传承。

English Introduction

Sun Qifeng, male, Han nationality, formerly known as Qi Qi Feng, formerly, not the Department of double Huai, differences exist with the landlord zhaizhu. January 1920 born in Zhaoyuan Shandong. 1947 graduated from the national Beiping art school China painting. Has he learned from Xu Beihong, Huang Binhong, Li Kuchan, Wang Youshi, Wang Shensheng, Pu Song, Qin Zhongwen and other famous window. Good at landscapes, flowers and birds, calligraphy, carving, and painting, painting, served as vice president, director of the Tianjin Academy of Fine Arts, Department of painting and technology department and vice chairman of the Tianjin Calligraphers Association Chinese Artists Association, Chinese Calligraphers Association and other staff. Now the Tianjin Academy of Fine Arts Professor, director of Xiling Seal-Engravers'Society, honorary chairman of Tianjin Artists Association, Tianjin Haihe River Indian agency, Beijing Academy of Sciences Committee and other staff China painting. Enjoy State Council special allowance. Its calligraphy and painting works participated in several large-scale exhibitions in China, and exhibited in Japan, the United States, West Germany, France, Singapore, Hongkong and other countries and regions. Held personal exhibitions or book exhibitions in Beijing, Nanjing, Tianjin, Ji'nan and other places, taiyuan. Is a famous contemporary painter and art educator.
His childhood love of painting and calligraphy, poetry, drama and other traditional arts, and with uncle Wang Youshi painting, 1943 held a personal exhibition in Longjiang, Shandong. The Beijing National Art College in 1944, with Xu Beihong, Huang Binhong, Wang Shensheng, Li Kuchan, Xi flowers, landscape, and under the tutelage of Luo Kan Shou, masonry, gold Yumin calligraphy and seal cutting. In 1947 Liu Yu and Exhibition Center in Beijing Park, and Wang Youshi painting exhibition held in Tianjin, 1949 in Tianjin Hebei Normal University Department of Fine Arts (Art Department of Tianjin Academy of Fine Arts was built after independence) as an introduction to art, art history China, Chinese landscape painting, Chinese painting, calligraphy teaching work, as of March 1983 Chinese artists deputy head of the delegation's visit to Japan, to participate in the international art exchange activities. Since 1956 in Beijing, Tianjin, Nanjing, Shenyang, Ji'nan, held a number of solo exhibition or exhibition, 1982 in cooperation with Huo Chunyang "brilliant Yamahana" part of the French Paris salon, and was printed for the exhibition of posters and introduction of the cover of the book, "" masterpiece "spring water heating Qiao indisputable" Akie "spring" "good song" spring "snow Eagle" shoot "silver" snow vertical "Shu River Bozhou" so many times at home and abroad are exhibited and published in the newspapers. Painting, calligraphy, seal carving can use traditional light, nature, where the White House, Sui generis. And the research methods are longer than writing "Sun Qifeng" painting series "Sun Qifeng album" "bird" "Peacock" Huapu painting "China" painting "painting composition manuscript" and other pictures, as the world bank. Former vice president of Tianjin Academy of Fine Arts, Tianjin City Federation of the Standing Committee of the Tianjin Academy of Fine Arts, Professor, advisor, Ministry of culture China painting research institute director of ministries, Chinese Art Association, director of China Calligraphers Association, vice chairman of Tianjin Artists Association, President of the Tianjin China Painting Research association.
The article has been published in the "Chinese painting", "art" and "art" China painting research "research" and other publications, the "China techniques of painting" (First Edition), "Sun Qifeng" on the album "Sun Qifeng anthology" and "bird" Peacock "" Huapu "Huapu painting composition" painting "small draft" Sun Qifeng teaching techniques "Manuscript" and other books; the other was "painting bird" printed by the Taiwan book arts company has issued.
January 29, 2013, Sun Qifeng won the second China Art Award lifetime achievement award".

Yuan Zhao Mengtiao has a very famous "from the title superstone woodland map" poem: "the stone such as feibai wood such as Zhou, write eight bamboo should also act, if others will notice this, and had the same." This poem image specifically out of the inseparable relationship between calligraphy and painting. Ming Dong Qichang also said: "the ancients such as order (Wang Xianzhi) today, such as Mi Yuanzhang, Zhao Ziang (small) (letter Mengfu), good books can be good at painting, painting will be good books, in fact a ear." Said: "Su teacher (Huai Su) book painting, class monk Ju ran, Ju ran North Court (Dong Yuan) flow ya, vegetarian division is a (Xu) after a person also." This is an excellent idea of the calligraphy and painting. Since the Tang Dynasty Zhang Yanyuan advocated "calligraphy and painting", calligraphy and fine artists, can be said to be on behalf of many people, Mr. Sun Qifeng is a very good at painting and calligraphy artist, when we watch his books and paintings, we can feel the communion between the two and the complementary.
Mr. Sun Qifeng was also the Department of Qi, Qi Feng, the landlord is no.. 1920 born in Shandong, Zhaoyuan. He is a famous contemporary painter and art educator, besides artistic aplishmentsprehensive, painting, calligraphy and also skill intensive, the calligraphy is known.
Sun Qifeng young from art, self built training. His grandfather and father are able to write a good hand and famous village, so by the xunran. Sun Qifeng primary school, Lin Xi Yan, Zhao Kaifa, approved by teacher Mr. Hao Guoxuan, Mr. Hao is good at writing what Shaoxing matrix cursive, had no small influence to Mr. Sun, so he had more interest in calligraphy. In high school, Sun Qifeng continued his calligraphy, has been a minor celebrity, who helped to write couplets.
40s, Sun Qifeng in order to make a living, went to Beijing when the clerk. As the national cultural center of Beijing, many shop signs, from the famous book, Sun Qifeng was careful to observe the browse. At that time, some of the exhibitions held in Beijing, Mr. Sun often appeared. Painting masters gathered in Beijing, Mr. Sun became a big classroom art learning, where he not only learned a lot of nutrition, but also broaden the horizons. Post work, Mr. Sun Lian Lin Chi stop, this is already a beginning of the Han Dynasty, written on "Shi Chen monument".
In 1944, admitted to the Beijing National Art College of Chinese painting, this is a major turning point in his life, the new mileage is also an art career. The school has taught by Xu Beihong, Huang Binhong, Li Kuchan, Qin Zhongwen, Wang Youshi, Wang Shensheng, sir, they are painting and fine people. Thanks to Sun Qifeng Luo Fukan and Jin Yumin Shou masonry, sir, with their calligraphy and known. During this period, Sun Qifeng began to study in addition to the study of the Han Lishu, cursive script, the two kings (Xi Zhi & Sons, Xian) and sun Guoting's "book".
Sun Qifeng began to engage in art education from 50s, once served as the administrative work, although his business is busy, but because of the teaching relationship, not waste pond, in addition to outside, and the Han Li, cursive script, style. Sun Qifeng's calligraphy, absorb the quintessence, innovation, forming a unique style of book style, become a successful China calligraphy calligrapher in 70s, was painted the cover of the title, finally talent shows itself attracted the attention of the world.
Sun Qifeng artistic aplishmentsprehensive, painting with flowers, feathers, landscape known, calligraphy inscriptions, Xiaozhuan, official script, cursive script, the body is good, the official script, cursive, the highest attainments, division of ancient and not imitation, can enjoy the ancient and new.
Sun Qifeng was born and cursive Erwang sun sun Guoting, but did not slavishly imitate predecessors, is tied to the ancients. Sun Qifeng once said, "or as a book, where all the wonderful, there are two kings, and even Europe, sun Guoting, Liu, Yan, Zhao, Su, Huang, m, Cai, but that is not their own, not" Ecstasy "here," I have to. "". Sun Qifeng is very good grasp of the dialectical relationship between inheritance and innovation of calligraphy, his cursive book is based on previous traditions, according to their needs and the era of art itself the rule to create their own style. So Sun Qifeng's cursive book is two elegant and unconventional, sun Guoting's careful and smooth, as well as the previous program, and with a new atmosphere. Especially his cursive is bold, unconstrained bentu, never to blame for can describe.
Sun Qifeng calligraphy practice the most distinctive, Dubai and pen and vigorous charm, unique in many written script calligrapher, praised by the people. The Qing Dynasty official script and achieved a very high achievement, is another peak in Han Dynasty after the Qing Dynasty official script writing is a galaxy of talents of a few famous, zoran. Mr. Qi Gong to comment on when the script once said: "the Qing Dynasty wrote the script like Deng Shiru, He Shaoji, Yi bingshou, is not you, is a giant, write script after them, not in precision, but difficult in refined." Sun Qifeng calligraphy valuable lies in "refined", from 40s he was under the force on the sweat a lot, once wrote "Zhang Lin", "Shi Chen", "Cao Quan", "Huashan" and other famous Han Dynasty inscriptions, has reached the point of "Seiko".

Sun Qifeng is an outstanding art educator and painter in contemporary China. He is diligent, modest fame, is never tired, but to participate in the support of education, finance and other social vulnerable groups without good music. He is the Chinese art education silently diligently for 60 years, has now spanned. Although over nine years old, he is still on the desk every day to do knowledge and skills transfer, is an old professor of contemporary calligraphy and painting a rare admiration.
When it comes to Sun Qifeng's calligraphy, there seems to be no great influence on painting. In fact, he in the busy academic work and teach painting skills at the same time, never discard of calligraphy and seal cutting art, in his own words, "a minute no delay". Can seal, scribe, to grass, and every moment, familiar with the calligraphy, people will have this feeling.
See Sun Qifeng calligraphy works, you will find that not only between the lines with simplicity, but also the era of rhyme, ancient Han Qing, Frank Goldsmith's elegant and tranquil and of his own culture and social experience are all Yueranzhishang, is never tired.
Sun Qifeng Zhuanshu more features. He and the teacher Qin cardiac interventional studies on the seal, the aesthetics of painting,
Write the literati seal both old and new, both a beautiful and clever.
To watch Sun Qifeng's cursive, more memorable. His calligraphy, grass Erwang Cheng Xu, Jiyun Ming, set the master of law in a body, the rotary flexible but not floating, flying and steady point. The whole works kept quiet in the United States hidden rhythm, no anger. It also fully reflects the people often praised Sun Qifeng as a humble person.
The seal is to accommodate the Vientiane art form of ground of heart. Sun Qifeng in the teaching of drawing more than Zoudao from time to time in the case before, Qin Zhuanhan tile, imperial jade and Jane book style features can be feedback in his works.
In short, from the works of Sun Qifeng in the taste is not only the Chinese characters written testimonies, more important is that he has the spirit of the times to artistic conception. It can be said that his works are highly personalized ancient law heritage.

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