原名庭钧，字晓封，号迟园 。自幼喜绘画，1918 年入保定直隶高等师范附设手工图画科，毕业后到小学执教。 1922 年考入北平艺术专科学校西画系，后转读国画系，受教于陈师曾、萧谦中、汤定之、王梦白等诸位前辈，尤受王梦白影响最大。1924年拜齐白石为师，奉师命改名雪涛。1926年毕业后留校任助教、讲师。抗日战争期间，北平沦陷，辞去教职，专事绘画创作，卖画为生。同时，潜心师传统，上追徐渭、陈淳，又得名师指点，画艺大进。1954年任中国画研究会常务理事，被聘为中央美术学院民族美术研究所副研究员。1955年参加筹备北京中国画院工作，1957年任该院画师、院务委员会委员，1978年任北京画院院长。中国美术家协会理事，美协北京分会副主席，北京市第七届人大代表，北京市第五届政协常委，中国农工民主党中央联络委员会委员及北京市委委员 。
上主张“师法造化而抒己之情，物我一体，学先人为我所用，不断创新”。画法上工写结合，虚实结合。他善于描绘花鸟世界的丰富多彩和活泼生气，又精于表现画家的心灵感受和动人想象。他注重写生，尤善于描绘大自然中的小生命，如蝴蝶、螳螂、蝈蝈、天牛、青蛙、蜻蜓、马蜂等，栩栩如生，引人喜爱。他还善用灵巧多变的笔墨，色墨结合，以色助墨、以墨显色，在传统固有色中融入西洋画法讲求的色彩规律，以求整体色彩对比协调，为画面增添韵律。他能准确地把握动态中的花鸟，并且能在情景交融中体现出转瞬即逝的情趣。因此他的花鸟虫鱼，刻画细致入微，鲜活多姿，生动可爱，情趣盎然。摆脱了明清花鸟画的僵化程式，创造了清新灵妙，雅俗共赏的鲜明风格。二十世纪五、六十年代其花鸟画已达到一个艺术高峰，至今无人出其右。上世纪 80 年代初，中央新闻纪录制片厂拍摄的纪录片《中国花鸟画》，别具一格的花鸟技法被重点收录其中。
在现代写意花鸟画家中，王雪涛以其 60 余年不倦的艺术探索，形成了健康灵动、
题材多样的一派新风，赢得了广大观众的热爱，其在画艺图变和画理研求中亦颇有独到之心得。“学而不厌，诲人不倦”，师承者众多，画风影响颇为广泛。他的艺术成就已形成一代风范。1987 年，他的夫人徐佩蕸先生毅然将家藏的二百余件作品，捐献给济南市人民政府，同年10 月，《王雪涛纪念馆》在趵突泉公园的沧园落成。二十年来为无数观众所欣赏，为学者提供借鉴。
雪涛先生因其酷爱绘画及大自然之生灵， 16 岁时便辞家赴保定求学于直隶省高等师范手工图画专修科。这座学校是上世纪初在北方培育绘画人才上，颇具声名的师范之一。他在刻苦攻习绘画时，天就的资质与秉赋已初露端倪，毕业后，在同好资助下只身赴京，于 1922 年考入北京国立艺术专科学校。其时，北京画坛正面临泥古危机和力图变革的复杂时代，而他是最早接受现代艺术教育的画家之一。
习。艺专系科设置及教学方法均采其长。林风眠出任校长之前后，各名家如陈师曾、萧谦中、汤定之、萧厔泉、凌文渊、王梦白、陈半丁、黄宾虹等均在校执教。而林风眠又特聘齐白石及法籍教员柯罗多（ Andre Claudot ）。学生虽分入各科系，但随师听课、习课各采其长，倍加努力。雪涛恰得机遇求教于诸大家，心追手摹，广学所长，尤为王梦白、齐白石、陈半丁大师之喜爱，其与未来之妻徐兰贞仰慕闻一多，并从学于闻一多教授之美术史；亦受柯罗多之偏爱。这种广采、广学亦非只博取于众师长，尤应提及的是，求学时在艺专学友中还曾成立过颇具影响的《九友画会》，其成员擅画西画、国画者兼而有之，彼此切磋、砥砺互有补益。
当时，京城书肆、画铺众多。 1925 年又值故宫开放，文华殿常陈列宫廷藏画，饱览、借观、借临古人画作机会颇多，得以悉心研求前人真迹或珂罗版之精良印刷品是师之二也。
他深得诸师长厚爱，兹举故实一则或可想见当初。 1923 年至 1924 年间，他与《九友画会》同好徐兰贞相恋，同拜齐白石为师，白石翁即为王庭钧更名雪涛，为徐兰贞更名佩蕸。 1928 年 3 月，王、徐成婚，由图案系主任黄怀英主婚，婚宴在藕香榭举行，并特约闻一多及柯罗多先生赴宴。三日后，柯罗多又在私寓回请王、徐。半丁先生为其作画祝贺，而白石翁因藕香榭而为雪涛赐题斋馆名为藕华楼，并治印相赠
王雪涛自身画风形成的因素是多方面的，早期受王云影响尽人皆知，兹不具述。今仅从白石老人为其画作的部分题识中亦可见其端绪。 30 年代初的白石喜作荷塘，雪涛亦画荷塘；白石喜画不倒翁（自称“打不倒的好汉”），雪涛亦追随其作，笔法几可乱真。
1933 年白石翁为雪涛书画合璧册上题道：“雪涛仁弟近画大似白阳、复堂流辈，因题一绝句……吾贤下笔如人意，羡汝成名鬓未丝”。其评价寄托了多少期望！其题识显然与前大不相同。 1935 年，白石又在雪涛摹白阳山人卷上书跋：“前朝白阳山人长于花草，一时名振后人，师之者众，皆能栩栩自许。得其笔姿秀雅者，惟吾贤”。 1934 年他在雪涛杂画册上题曰：“蓝已青矣”。足见雪涛在技法上，不落前人窠臼自成一家的迅速成长过程，同时亦可看出齐白石对王雪涛脱胎于自己画技、别图新径的喜悦与鼓舞。白石老人寄厚望于后学，不愧为大家。齐白石毕生都十分喜爱和器重王雪涛的人品和才分。从不断为雪涛作画、题画、治印、大量书信往来，以及 50 年代白石画过不少草虫册页均指明由雪涛补景的桩桩交往中都是显而易见的。但从 30 年代以后雪涛似乎已全然脱离了白石“画风”
王雪涛博学多识、才思敏捷而又虚怀若谷，特别是 50 年代至 60 年代初，在广取传统画法之长的同时，也不带偏见的汲取西方绘画的理论和实践之长，在运用于中国画画理、画论的探求中总结出独到的论点。他将中国画结构的基本规律概括为“主线、辅线、破线”相辅相生的关系，并加以引伸。在一幅墨笔牡丹画稿上曾题曰：“破墨法”，并注“泼误破”。以其 多年的绘画实践，简捷地将千年以来为人所难于辩清的古人“泼墨”一派做了肯定的释解。中国画特重气脉、韵致，气脉之开合、流转关乎整幅作品之成败。众多前人各有体验和阐发。而王雪涛则将其中国画的基本法则中章法、布局概括为“引、伸、堵、泄、回”；这看似简单的“五字决”，却都是源自中国画的基本立意之“气”而生成。他不但将五点运用于自身的创作同时也以这五点评述大多数古人、近人和今人之作，甚至西洋画家作品。他在教学方面有着丰富的经验，从不以虚饰之词和故弄玄虚的语言教育学生。他总是以平易，浅近的口语将深邃的画理平平白白地表述，简洁易懂。而要深究其理，则又变化万千。古今中外画理相通之处颇多，深加理喻，幻化为个人之长，画法则变化无穷，画风自成矣。他的这种讲论风格并不一定关系着“民间意识”，但却能使学养深浅不一的学子均能得到启迪，而初入学门、学识尚浅薄者，切勿将其视为掌握技法之捷径而滥作阐发。
Wang Xuetao, Chinese modern famous small freehand flower and bird painter. Born in December 31, 1903, died November 24, 1982, Hebei Anren into.
Original court Jun, word Xiao seal, no.. I love painting, in 1918 into the Baoding Zhili higher normal with manual drawing, after graduating from primary school to teach. 1922 admitted to the Beijing College of Art Painting Department, after reading the Chinese painting department, taught by Chen Shiceng, Xiao Qianzhong, Wang Mengbai, Tang Dingzhi all predecessors, especially the greatest impact by Wang Mengbai. In 1924 Qi Baishi worship as a teacher, in life renamed xuetao. In 1926, after graduating from school as a teaching assistant, lecturer. During the Anti Japanese War, the fall of Peiping, resigned from the job, specializing in painting, selling paintings. At the same time, concentrate on traditional teachers, chasing Xu Wei, Chen Chun, and teacher guidance, painting art into. 1954 any Chinese Painting Research Council executive director, was hired as deputy director of the National Institute of fine arts, China Central Academy of Fine Arts. 1955 to participate in the preparations for the Beijing Chinese academy, 1957, director of the Institute of painters, the members of the committee, in 1978 the Beijing painting academy. Director of Chinese Artists Association, vice chairman of the Beijing branch of Beijing Artists Association, the Seventh National People's Congress, Fifth Session of Beijing municipal CPPCC Standing Committee, member of the Central Committee and the Democratic League of China contact Beijing municipal committee.
Wang Xuetao is a modern China successful painting master, made outstanding contributions to China's small freehand painting. He inherited the excellent traditional song and Yuan Dynasties, learn from each other. Made in a wide range, sophisticated ideas, like God Qiao, fresh and beautiful, full of ink fun. A literary creation
He advocated "learning from nature and express their feelings, I one, the first man I used to learn, innovation". Combination of painting and writing. He is good at depicting the bird world rich and colorful and lively angry, and specializes in the performance of the artist's feelings and soul touching imagination. He focused on painting, especially good at depicting the nature of life, such as butterflies, praying mantis, grasshopper, beetles, frogs, dragonflies, wasp, true to life of affection. He also use smart changeable ink, color ink combination to help ink color, ink color, color into the law of Western painting emphasizes in the traditional color, compared to the overall color coordination, rhythm added to the screen. He can accurately grasp the dynamics of the bird, and can reflect the fleeting interest in the scene in. So his flower and bird painting, portray nuanced, vigorous and colorful, lively and lovely, interesting. Get rid of the rigid program painting of the Ming and Qing Dynasties, creating a fresh and ethereal, distinctive style tastes. Twentieth Century five, in 60s its flower and bird painting has reached an art peak, so far no one out of its right. The last century at the beginning of 80s, the Central News record studio documentary "China painting", have a unique style and technique is one of focus included.
In the modern flower and bird painter, Wang Xuetao in the 60 years of tireless exploration of art, the formation of a healthy living,
Various themes a fresh air, won the love of the majority of the audience, the painting and research also have quite experience in painting art map. "Teacher, have an insatiable desire to learn, tireless in teaching others" is numerous, style is quite extensive influence. His artistic achievements have formed a generation style. In 1987, his wife, Mr. Xu Peixia decided to work at 200 reservoir, donated to the Ji'nan Municipal People's government, in October of the same year, the "Wang Xuetao Memorial" in Baotu Spring Park Cang Park completed. Twenty years for countless viewers appreciate, for scholars to provide reference.
Because of the love life of Mr. Xuetao painting and nature, 16 years old when he quit home went to Baoding studying in Zhili Province higher normal hand drawing academy. This school is one of the teachers who have a reputation for cultivating painting talents in the north at the beginning of the last century. He is working hard in school to study painting, and it has the qualification day endowment horizon, after graduation, in good support to Beijing alone, in 1922 admitted to the Beijing national art college. At that time, Beijing is facing a complex era of painting from the crisis and try to reform, and he was one of the first to accept the education of modern art painter.
Before this, China academic circles has been affected by the influence of Western learning, the beginning of the century, Cai Yuanpei advocated aesthetic education, and promote the art of the old opposition to follow an old routine
Xi. The art department setting and teaching methods of their. Lin Fengmian served as president of the famous, such as Chen Shiceng, Xiao Qianzhong, Tang Dingzhi, Xiao Zhiquan, Ling Wenyuan, Chen Banding, Huang Binhong, Wang Mengbai was teaching at the school. Lin Fengmian and Qi Baishi and the French teacher Korodo distinguished (Andre Claudot). The student is divided into departments, but with the teacher lectures, learning course for all their efforts, more. Just have to turn to the opportunity Xuetao you, heart chasing hand man, Guangzhou school director, Wang Mengbai, Qi Baishi, Chen Banding love is the master, and his future wife Xu Lanzhen admired Wen Yiduo, and from the study of art history professor Wen Yiduo; also by Keluoduo of preference. This study is not widely adopted, only to win all the teachers, especially should mention is that when studying in the college alumni has also founded the influential "nine friends" painting, Western painting, Chinese painting painted its members have both at the same time, explore each other, mutual benefit temper.
At that time, Beijing Shusi, drawing many. In 1925 the value of the Imperial Palace open, often display palace Wenhua paintings, enjoy the view, borrow and borrow many opportunities to the ancient paintings, meticulous sophisticated research or the previous collotype printing work is a division of the two.
He was the teacher of love, we give it a or to see the original. From 1923 to 1924, he and nine friends of "painting" with Xu Lanzhen fell in love with the worship Qi Baishi as a teacher, Whitehead Weng is renamed Wang Tingjun Xu Lanzhen Pei Xuetao, renamed the lily pad. In March 1928, King Xu Chenghun, by the pattern of department director Huang Huaiying, the wedding held in the lotus Pavilion, and special Wen Yiduo and Mr. Korodo to a dinner party. Three days later, Korodo and Wang, Xu in the apartment. Half of Mr. Ding for its painting and congratulations, Whitehead Weng for lotus Pavilion for the inscription Museum of the lotus Xuetao Zhai Hua building, and making distinctions
Wang Xuetao her favorite painting by Wang Mengbai effect and longer than by teachers (or the dictation), he will write with pen at the end of expertise and skill, so
The sketch sketch really is "sketch". In addition to a large number of flowers and trees from each shape and distinct characteristics, and is good at capturing the transient moment in the form, whether swift flight of the Qu the magpies, step by step smart Rooster or Silver Pheasant, or show arm insect catching mantis, can seize the material spirit all have smart life. Xuetao under the pen of feathers, flowers, insects, insect scales, accurate modeling, distinctive features, seems to be a living representation. Besides a deep skill but appeared consciously and unconsciously, but also affected the western realistic painting of the undoubted.
He had seriously talked about the relationship between painting, painting and painting in the creation of artistic conception. He thought that emotion and interest were the painter's feelings. "China focus on traditional painting freehand, like Peking opera art, whether in mechanical reproduction of the object, but also to grasp the object of spirit, focused on creating artistic conception to infect the viewer". "A picture of the content is good, but always have fun to impress people. To draw cited life sentiment, the painter should first automatic feeling." This understanding has been painting, painting interest to aesthetic category, "superb move spirit", borrow objects and edge writing heart, will be the main spiritual image on the brush and pen, to express the artist infinite emotion, and to give the viewer a sense of the beauty of art.
He attaches great importance to pen and ink skills, Xu Qingteng, Chen Baiyang, and the eight of the eight serious and meticulous study of the study, and the eight, and the eight, the study of the serious, meticulous, and so on, such as the study of the skills of ink and ink, and so on, with a serious and meticulous. A lot of ink from his album that was visible in the creation of a lapping way. But he believes that with the knowledge and skills should be the ink painting of the growth years, natural hair, do not advocate simple for ink and practice, but not in favor of selling
Make pen and ink. Therefore, although he was commander Shi Ceng, chase dream white, white stone, half Ding also worked in various skills, dozens of years of continuous ink written on the previous, but not limited to law. He advocated the "shizaohua, ancient division, division, to digest the cardiac energy. His personal temperament and talent, has significant impact on the formation of style. Xuetao colorful natural born extremely beloved, he said: every tree and bush flowers birds, fish and insects are "spiritual" and "non-human is also unique". This belief is not in his career for decades diminished, even to the point of obsession with love. This is a sincere belief in the artist's sentiment really is the embodiment of aesthetic charm, and the very people who can appreciate. It can be said that he developed more, "a chief customs intelligence" the feelings of the soul. Such a sincere love, streaming brush, natural metamorphosis of angry art scene in the United States and the. Although his brushes hair vent personal feelings, but also always forget to draw the interest of the audience in the heart of the enlightenment, which had never been concerned about the interest of the machine. Each see his paintings, always make people strongly aware of the artist and the viewer seems to be in a wordless dialogue, exchange of mutual understanding. The artistic features of Wang Xuetao's very sharp, his paintings were very extensive, even spiders, lizards, turtles, snakes of the genera can be picturesque,
The random Mingbi, and wonderful life with nature, the first is closely related with this belief. When he was eight years old, suffering from disease ridden occasion still have childish passion, seems to be between him and the nourishing nature really reached a tacit understanding.
Wang Xuetao's style is the formation of factors in many aspects, the early impact by Wang Yun is not known to all, with the. This is only from the old Bai Shi painting the part that knowledge may be found in the beginning. At the beginning of the 30s, Shiraishi Kiku also painted lotus, white lotus Xuetao; Shixi painting Budaoweng (self proclaimed "beat the hero"), also follow the Xuetao, writing a few spurious.
In 1931 the white stone painting lotus on the title Xuetao said: "painting can only be granted the law, no delegate to his hand. Today this is like white stone hand, when I also grant?" Praise the Lord? Exile?
1933 Whitehead Weng for painting and calligraphy book Hebi Xuetao Title: "my dear friend in painting like Xuetao Bai Yang, Tang Contemporary, because of the problem of a rhyme...... I envy you Xian pen and famous temples without wire". Its evaluation pinned much expectations! Its problem is obviously different from the previous. In 1935, Bai Shi and Bai Yang Da volume book Xuetao g sequence: "former White Yang Da longer than flowers, a vibration in later generations, division of the public, all can come for. The pen posture fair, but Wu xian". In 1934 he Xuetao said: "the album title complex has blue green". This Xuetao in technique, the rapid growth of the pattern of predecessors does not fall completely, but also see Qi Baishi Wang Xuetao born out of their painting, don't figure new path of joy and inspiration. Old Bai Shi high hopes for his, is worthy of you. The life of Qi Baishi are very popular and valued Wang Xuetao's personality and talent. From the time for painting, painting, carving Xuetao, a large number of letters, and in 50s, Bai Shi painted many insects are indicated by the album Xuetao complement King contacts are obviously the pile. But since 30s Xuetao seems to have been completely detached from the white stone "style"
That is, the deep Xuetao painting theory, self seeking way to climb, and the friendship is no gap.
Wang Xuetao engaged in small freehand creation, is widespread, especially good at painting insects. In modern times, such as saying "no one" is not too much praise. Feathers, birds also clever Xuetao painting has caused, which not only benefited from Wang Yun, Huaxin Luo, which are more rooted in the deep understanding of the nature of the image, under the pen can be the personification of tenderness and love. The often call it as "tastes". He color bright, elegant and beautiful facial image, although non vulgar and not indulge in self-admiration, although Qiao mei. He did not like his long step from God, spiritlike orientation of the traditional, but for its likeness in shape, or be like and do not like for like. This point shows that he will body self spiritual sustenance in the pen image to convey to the audience, especially he not only emphasis on self-expression, but have a common feeling and many viewers resonate through the screen. Painting is too good, or win more and Fang ordinary audience as well, I think his chest own decision. When he always forget to express his life can always convey their own aesthetic taste, and thus win more audience favorite.
Wang Xuetao erudite, quick witted and very modest, especially from 50s to early 60s, in the traditional painting long wide at the same time, also without prejudice to learn the theory and practice of Western painting in the use of long, summed up the unique argument, to explore Chinese painting in painting. He will rule Chinese painting structure summarized as "the main line, however, the relationship between the broken line" complement each other, and to be extended. In an ink painting on peony has title said: "porno method", and "throwing error break". In the practice of painting for many years, and the thousand years were difficult to distinguish the "splash ink" faction in the affirmative explanation. China Qimai, painting special charm, Qimai opening success of the whole works of circulation. Many predecessors have experience and analysis. Wang Xuetao will be one of basic principles of Chinese painting in the art layout, summed up as "guiding, extension, blocking, relief, return"; this seemingly simple "five characters", are derived from the basic conception China painting of "Qi" generated. He will not only five points for their work but also to the five points on most of the ancients, people and people make, and even western painters. He has rich experience in teaching, never to ostentation words and language education students kick up a cloud of dust. He is always in plain, plain spoken profound painting flat white express, concise and easy to understand. To get to the bottom of its science, is changing. There are a lot of similarities between the theory of painting at all times and in all countries, the deep reason that turned into individual long, self style painting rules with countless changes,. This style is not necessarily about his relationship with "folk consciousness", but it can make the students can get knowledge in shades of inspiration, and at the beginning of the school gate, knowledge is shallow, do not use it as a shortcut for grasping the skill and abuse analysis.
Basic skills training should be solid, flower and bird painting is to describe the flowers, birds to show the vitality of nature, embodies thriving angry, so as to give people a healthy art. It describes the nature of the object, so the cultivation of the vitality of nature, training the sharpness of observation is the main. Many predecessors also do so. The legend of a painter, in order to experience the various forms, often observed lying in the grass, and the dew wet clothes, visible observation seriously. I live in the countryside for a hour, feeling the nature of the scene is very preference, childhood observation and sketching habits, I have great influence on. To carefully understand the images of the structure, characteristics, habits and patterns of life. To be hand painting. Special mention should be made of, some people have some misunderstanding of "freehand brushwork", thought of "freehand", do not need to have the shape, only practice ink, this is the observation of the reality, refine, generalization and not living habits and structure characteristics of the research object confused. The result is the vivid and diverse, rich nature, not painted stereotyped, is neither an ass nor a horse. There are some pictures from do not pay attention to the person, is an eye can see, this is not a good portrait painting. The source of flower and bird painting is vivid nature, not other people's pen and ink, refining and generalization also from the observation of nature. The observation of nature is the basic training of the mind.
Do not pay attention to the object painting, can not grasp the characteristics of object shape, lost the ability to reproduce art. Painting is not painting birds and insects were not only to be able to accurately characterize the image, but with particular emphasis on general dynamic capabilities and capture object moments, my sketch is always in such a request. The eye is quick sketch to solve the problem, the vivid picture, cannot do without the exercise of sketch.
Dictation is more important than the sketch, I speak dictation, memorization is practical. Look with your eyes and mind. Sketch again soon, is usually limited to one, but after careful observation in the brain image is more complete and vivid, until use natural hair in his writings. My teacher Wang Mengbai is a modern painters pay great attention to the sketch, the main method is to write. He likes to look at the animal description of the film, one time to see a movie, see the monkeys into a string of down to drink water, he was very excited, constantly pinch my hand, let me pay attention to observe. His monkey is very good, can grasp the air, life atmosphere. Today's art development, has been far from any era in the past can be compared, many young painters had modeling ability and color sketch, and other aspects of the exercise; if the sketching skills and dictation, memorization combined, to grasp the characteristics of the object and the living environment will be one step further. Dictation ability to improve, also helps to capture the instant dynamic sketch object. See the great benefits, but also more difficult to.
Copying is important, as early as six Sheikh was listed as one of the "six methods" and attention. But the painting was copying many young people ignore. They also studied painting, is not temporary, but the importance of the more descriptive, but did not seriously study the ethos of the work. Copying is mainly to understand the theory of painting, both faithful to the original, can also change its disadvantages. Lin Liang's "double Yan", pen succinct, full and full of tricks, it was increased by one point by one pen is not suitable. I was copying, drawing requirements naturally in an effort to feel loyal to the original artist's heart. On the contrary examples, such as Wang Yiqing's "double eagle", also very good, just two of the eagle's head points to the sides and scattered the picture, when I face painting, Bibi on the pro, but an eagle head reversed, such changes seem to make the picture more concentrated. To solve the problem of copying must be clear, the harvest is more.
Pen and ink skills to their natural, ink is for the performance of the object of service, to naturally form. The Ming Dynasty people speak words, speak with the center, but its effect, as Huang Binhong said, more solitary line is too short, bald, dry. When painting, what tip is common, as long as the good performance of the object can be, his style of painting for many, many years to come, it will naturally remember; blindly pursuit of ink in the initial stage. The natural expression of relaxation to natural objects. Pen and ink grasp the order is pen, ink, water. In fact, water dripping paint is easily, and dry pen really need skill at. Pen and ink performance, painting mood has a great impact. Xu Wei's paintings have good side, but not very superb. He is good at using gel ink painting, such as "crab", he also used this method. Glue method than to master the water easily, to compare the effect of moist, the disadvantage is monotone color. Compared with Wang Mengbai's "pomegranate" and Xu Wei's "pomegranate", the former is vivid, a little Polish gas, to reach the acme of perfection situation, visible ink performance is important.
Explore the use of Chinese painting color characteristics do not understand people often think that Chinese ink pen desirable, and color is not stress, in fact, not entirely. The color of Chinese painting is traditional and characteristic. Thousands of years ago, art pottery, still can give people a sense of beauty, not only because of the perfect combination of patterns and shapes, but also because of the surface color of red and black pottery draw smooth lines firing after coordination, the formation of a unified color, pattern and shape. Then, from the Warring States period, the Qin and Han Dynasties lacquerware, Han Dynasty Murals can be seen, the national characteristics of color in art creation has been formed. Sheikh summed up the "different kinds of colour that thousands of years ago the color problem has been raised to theoretical problems and attention.
Do not emphasize the visual perception of a specific time and environment, the use of highly generalized art processing methods to show, is the use of color characteristics of Chinese painting. The method is a combination of ink and color ink, or to a generation of color; color is the object. Ink painting is the color on the performance of the concise summary, the so-called colored ink, the use of good, a lot of time can be to use color up to the artistic effect. A lot of black and white photos of strong performance, can make accurate color color photos inferior by comparison. No one thought that Chaplin's film became silent because of silence. Here, black and white and silence become a means of artistic appeal. To summarize the color of nature is Chinese ink painting color performance is a major feature. Similarly, the combination of ink and color, often can also get rich expressiveness and better performance of specific emotions. To help ink color, ink color, has always been attached importance to.
Qi Baishi painted next to the edges of cabbage, tied for two with Heidy red peppers, color is very bright. He painted black and white candlestick, plug the red candle has the same effect. The two color have artistic appeal, the ancient people are very familiar with, such as bottle painting Chinese lacquer, greece. It has a sharp contrast, but full of solemn. I have some feelings myself. Peony is a favorite flower varieties, the Tang Dynasty peony appreciation has become a major fashion in Changan, Luoyang. A lot of scholars on this topic, writing poetry and painting art. However, the feudal literati described it as a symbol of wealth, today's people love it, feel completely different. I tried to draw off the red ink leaves, flower heads, safflower leaves must break through to help the format, except the Roumei rich gas. Although the color is reduced, but the overall effect is prominent and solemn; good use, color sense may not be monotonous, but also better to play the effect of ink on the branches and leaves.
Chinese painting color performance and Western painting is completely different, although who understand Chinese painting to show the object of solid colored, the problem lies in how clever use of natural objects solid color to enrich the picture. The color rule summarized in Western painting is helpful to understand this. White Hosta falling on a ladybug, active too elegant colors, contrast also adds to the crystal flower. Students have two colors of the mantis, may be more harmonious was yellow in a painting; another piece of stone, painted green, in contrast may be more prominent. Clever use of color can add music and rhythm to the picture. I painted a picture of "iris", which make up what flies quite a lot of brains, mainly from the color, add the moth can feel satisfied. The painting is the so-called warm colors cooler, more lively and elegant, but not excessive use of contrast, resulting in uniform and pleasing effect. The overall tone is formed by painting in gold on the bottom of the green and purple flowers, and flower heads with red winged flies by contrast. At the same time, red, yellow and green blue gray three colors and color coordination as a whole, feeling more abundant. With the help of foreign color experience, used to enrich the performance of solid colored traditional techniques, I think it is worth studying.
The creation of artistic conception of feeling of life, from the general aspect, Chinese painting tradition is to pay attention to freehand brushwork, as Peking Opera art. In any mechanical reproduction of the object, but also to grasp the object of spirit, focused on creating artistic conception to infect the viewer. Guangdong in the late Qing Dynasty in the nest, the Lingnan insects are sketch work, but the lack of inner spirit, like specimens and will lose the touching artistic conception.
Chinese painting theory of painting, painting, painting fun. A picture of the content is good, but always have fun to impress people. To draw a life feeling, good at reflecting the nature of little attention, or is likely to occur a kind of machine interest, giving people an unexpected feeling and aftertaste room for imagination. Chicken food is a natural phenomenon in biology, Qi Baishi's future is called "into a human emotion, and make people think of the infinite artistic conception. A bite of the grass cage climb outside the katydid, sometimes rather than hiding in the vine in more fun?
To express the nature of the moment of life full of vigour, grasping to show momentum, is an important factor in the creation of artistic conception. Of course there are birds to fly off in different poses and with different expressions, but the moment may make people think of a cable or owned by the couple heard foraging charm. To combine static is also a kind of implicit motive force performance. Sit in the grass chicken dynamic V is very small, but in the back of the neck curve vacant number pen and turning strong elastic, there is power, is not difficult to imagine, in which flexible body may indicate the potential. In short, the moving mood is to explore the feelings of the author to explore.
Layout to the basic form of the layout of the structure determines the whole works. The ancients emphasize the thought of first conception is to master the basic idea is to use what to impress people. The conception of full can always Qimai, even in the face of small paper, also stand to draw an overall view of the situation. Due to the characteristics of Chinese painting tools and paper creation, can not require a careful elaboration of the sketch. In the operation pattern, has its own originality. When I first saw someone cut and paste the way to design composition, I really surprised, talk about mood? Painting requires a plan before painting, but it can only determine the general appearance, important is can to write. Shi Tao said, "a painting" in the painting, the original "a painting" decision style, Bibi go through to stretch, or it can be called "begins with a". This painting Qimai smooth, complete structure. Do not disregard the actual situation after the composition ideas and insist to the original, so that the picture is messy, this is one of the important characteristics different from western painting.
Chinese painting pay attention to lines, composition in order to linear arrangement based, roughly can have Lord, auxiliary, broken line three types. The main line is to determine the dominant type, the main line of the line to strengthen the momentum, and a broken line breaks the monotony of the layout, but also in the way of comparison again highlighting the main line. Insects are small, but not in the flower and bird paintings is the embellishment, a cicada body short, sometimes can be regarded as a necessary ink; and more agile mantis, in composition is often used as a linear bending to the very long tentacles, is low is Yang, to arrange properly. Careful people think is not difficult to understand, as for the density and everything, the movement, strength and so on, only the main effect of the rich. McKinnon Meihua skill. But too loose a piece of art, is a failure. Law should pay attention to summary, but not for law. Only need to in the center of the painting, the ancients called gas nodes, Bibi should consider the permissive Nature Center, Qiba.