吴昌硕

吴昌硕(1844.8.1—1927.11.29),初名俊,又名俊卿,字昌硕,又署仓石、苍石,多别号,常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村(今湖州市安吉县)人。晚清民国时期著名国画家、书法家、篆刻家,“后海派”代表,杭州西泠印社首任社长,与任伯年、蒲华、虚谷合称为“清末海派四大家”。他集“诗、书、画、印”为一身,融金石书画为一炉,被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物,在诗文、金石等方面均有很高的造诣。

  • 中文名吴昌硕
  • 别名俊卿、缶庐、苦铁、老缶、缶道人等
  • 性别
  • 国籍中国
  • 民族汉族
  • 祖籍浙江安吉
  • 出生地浙江省孝丰县鄣吴村
  • 出生日期1927年11月29日
  • 职业画家、书法家、篆刻家
  • 主要成就清末“海派四大家”之一
  • 代表作品《吴昌硕画集》;《吴昌硕作品集》;《苦铁碎金》;《缶庐近墨》;《吴苍石印谱》;《缶庐印存》;《缶庐集》等。
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吴昌硕石刻诗文领衔 上海国拍力推“平价”书画

中国美术网 09-05 浏览

刻诗板(石板) 作者:吴昌硕。 张亨伟 摄  吴昌硕、程十发、刘海粟、贺天健、李石壶、杨善深等书画名家的作品7月18日至20日将集中亮相上海国拍中国当代艺术家书...
生平简介

吴昌硕,清道光二十四年(1844)8月1日生于浙江省孝丰县鄣吴村一个读书人家。幼时随父读书,后就学于邻村私塾。10余岁时喜刻印章,其父加以指点,初入门径。
咸丰十年(1860年)太平军与清军战于浙西,全家避乱于荒山野谷中,弟妹先后死于饥馑。后又与家人失散,替人做短工、打杂度日,先后在湖北、安徽等地流亡数年,21岁时回到家乡务农。耕作之余,苦读不辍。同时钻研篆刻书法。
同治四年(1865)吴昌硕中秀才,曾任江苏省安东县(今涟水县)知县,仅一月即去,自刻“一月安东令”印记之。
同治十一年(1872),他在安吉城内与吴兴施酒(季仙)结婚,浙江归安县(今属吴兴县)菱湖镇人。结婚后不久,为了谋生,也为了寻师访友,求艺术上的深造,他时常远离乡井经年不归。
光绪八年(1882),他才把家眷接到苏州定居,后来又移居上海。31岁以后,移居苏州,来往于江浙之间,阅历代大量金石碑版、玺印、字画,眼界大开。后定居上海,广收博取,诗、书、画、印并进;晚年风格突出,篆刻、书法、绘画三艺精绝,声名大振,公推艺坛泰斗,成为“后海派”艺术的开山代表、近代中国艺坛承前启后的一代巨匠。
二十二年被举为安东(今江苏省连水县)县令,到任一个月便辞官南归。
三十年夏季,与篆刻家叶为铭、丁仁、吴金培、王等人聚于杭州西湖人倚楼,探讨篆刻治印艺术,1913杭州西泠印社正式成立,吴昌硕被推为首任社长,艺名益扬,有《缶卢集》、《缶卢诗存》、《缶卢印存》及书画集多种刊行。
七十岁后又署大聋。中国近代杰出的艺术家,是当时公认的上海画坛、印坛领袖,名满天下。
1927年11月6日,吴昌硕突患中风,在沪寓谢世,享年84岁。
1933年11月,迁葬于浙江余杭县塘栖附近超山报慈寺西侧山麓,墓地坐落于宋梅亭畔。墓门石柱上刻有沈淇泉(卫)所撰联语:"其人为金石家,沉酣到三代鼎彝,两京碑碣。此地傍玉潜故宅,环抱有几重山色,十里梅花。"吴昌硕的绘画、书法、篆刻作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等,诗有《缶庐集》。吴昌硕有三子一女,次子吴涵、三子吴东迈均善篆刻书画。
 

艺术生涯

篆刻生涯
少年时他因受其父熏陶,即喜作书,印刻。他的楷书,始学颜鲁公,继学钟元常;隶书学汉石刻;篆学石鼓文,用笔之法初受邓石如赵之谦等人影响,以后在临写《石鼓》中融汇变通。沙孟海评:吴先生极力避免“侧媚取势”,“捧心龋齿”的状态,把三种钟鼎陶器文字的体势,杂糅其间,所以比赵之谦高明的多。吴昌硕的行书,得黄庭坚王铎笔势之欹侧,黄道周之章法,个中又受北碑书风及篆籀用笔之影响,大起大落,遒润峻险。
他的篆刻是从“浙派”入手,后专攻汉印,也受邓石如、吴让之、赵之谦等人的影响。成为一代宗师。他的画起大落,善于留白,或对角欹斜,气象峥嵘,构图块面体积感极强。他的篆书个性极强,印中的字饶有笔意,刀融于笔。所以他的篆刻常常表现出雄而媚、拙而朴、丑而美、古而今、变而正的特点。篆刻方面吴昌硕上取鼎彝,下挹秦汉,创造性地以“出锋钝角”的刻刀,将钱松、吴攘之切、冲两种刀法相结合治印。所以他的篆刻作品,能在秀丽处显苍劲,流畅处见厚朴,往往在不经意中见功力。
篆刻作品
《寿山老坑巧色雕狮钮》、《作了天下事》、《读遍千古书》、《好学为福》、《黑青田》、《一月安东令》、《湖州安吉县》、《泰山残石楼》、《湖州安吉县》、《泰山残石楼》、《园丁生于梅洞长于竹洞》、《暴书---》、《千寻竹斋》、《千寻竹斋》3刻、《吴俊卿信印日利长寿》、《安吉吴俊章》、《雷浚》、《鲜鲜霜中菊》、《归仁里民》
书法生涯
吴昌硕的楷书,开始学习唐代(公元618--公元907年)颜鲁公,隶书学习汉代石刻,篆书学习石鼓文,吴昌硕的行书,学习黄庭坚王铎风格。 吴昌硕最擅长画写意花卉,受徐渭和八大影响最大,由于他书法篆刻功底深厚,他把书法、篆刻的运刀和章法融入绘石梅画,形成了有金石书法味道的独特画风,他常常用篆书用笔方法写梅兰,狂草画葡萄,笔力浑厚老辣,气势雄强,布局新颖。在构图方面,喜欢用"之"和"女"型的构图格局。在用色方面很像赵之谦,喜欢用浓丽的颜色,尤喜爱用西洋红,色泽强烈鲜艳。吴昌硕的篆刻,今天学习的人很多。日本篆刻家河井荃庐从1898年开始就向吴昌硕请教,并向日本篆刻界介绍,产生极大的影响。
吴昌硕的书法创作中,无疑以篆书、行草为主,但吴昌硕学习隶书的时间并不短,在青年时期便曾临习汉碑,如“张迁碑”、“嵩山石刻”、“张公方碑”、等,同时又受到邓石如、吴让之、杨见山等人的影响,笔法近似杨见山,他在三十五岁时书的一幅隶书还是“张迁”的风格,结体方正,用笔尚拘谨、小心。吴昌硕晚年所书隶书,结体已变长,取纵势,如这幅“奉爵称寿,雅歌吹笙”,用笔雄浑、饱满,从一些线条看,具有篆书的痕迹,可以说这时吴昌硕早已将篆、隶溶为一体了,形成了自己的独特面目。
吴昌硕的楷书遍临《汉祀三公山碑》《张迁碑》《嵩山石刻》《石门颂》等汉碑。中年以后,博览众多金石原件及拓本,选择石鼓文为主要临摹对象。数十年间,反复钻研,并不以刻意模仿徒求形似为满足,参以秦权铭款、琅琊台刻石、泰山刻石等文字的体势笔意,故所作石鼓文凝练遒劲,自出新意,风格独特。60岁后所书尤精,圆熟精悍,刚柔并济。喜将石鼓文字集语书写对联。晚年以篆隶笔法作草书,笔势奔腾,苍劲雄浑,不拘成法。
绘画生涯
吴昌硕最擅长写意花卉,受徐渭和八大山人影响最大,由于他书法、篆刻功底深厚,他把书法、篆刻的行笔、运刀及章法、体势融入绘画,形成了富有金石味的独特画风,他自己说:“我平生得力之处在于能以作书之法作画。”他常常用篆笔写梅兰,狂草作葡萄。所作花卉木石,笔力老辣,力透纸背,纵横恣肆,气势雄强,布局新颖,构图也近书印的章法布白,喜取“之”字和“女”的格局,或作对角斜势,虚实相生,主体突出。用色上似赵之谦,喜用浓丽对比的颜色,尤善用西洋红,色泽强烈鲜艳。名重当时的画家任伯年吴昌硕以石鼓文的篆法入画拍案叫绝,并预言其必将成为画坛的中流砥柱。吴昌硕作画用“草篆书”以书法入画;线条功力异常深厚。虽然从状物绘形的角度看其线条的质感似乎不够丰富、切实,但恰恰是舍弃了形的羁绊,吴昌硕的绘画才步入了“意”的厅堂,从而形成了影响近现代中国画坛的直抒胸襟,酣畅淋漓的“大写意”表现形式。
吴昌硕绘画的题材以花卉为主,学画较晚,40岁以后方将画示人。前期得到任颐指点,后又参用赵之谦的画法,服膺于徐渭朱耷扬州八怪诸画家的画艺,从中受惠甚多。他酷爱梅花,常以梅花入画,用写大篆和草书的笔法为之,墨梅、红梅兼有,画红梅水分及色彩调和恰到好处,红紫相间,笔墨酣畅,富有情趣,曾有“苦铁道人梅知己”的诗句,借梅花抒发愤世疾俗的心情。又喜作兰花,为突出兰花洁净孤高的性格,作画时喜以或浓或淡的墨色和用篆书笔法画成,显得刚劲有力。画竹竿以淡墨轻抹,叶以浓墨点出,疏密相间,富有变化,或伴以松、梅、石等,成为“双清”或“三友”,以寄托感情。菊花也是他经常入画的题材。他画菊花或伴以岩石,或插以高而瘦的古瓶,与菊花情状相映成趣。菊花多作黄色,亦或作墨菊和红菊。墨菊以焦墨画出,菊叶以大笔泼洒,浓淡相间,层次分明。晚年较多画牡丹,花开烂漫,以鲜艳的胭脂红设色,含有较多水分,再以茂密的枝叶相衬,显得生气蓬勃。荷花、水仙、松柏也是经常入画的题材。菜蔬果品如竹笋、青菜、葫芦、南瓜、桃子、枇杷、石榴等也一一入画,极富生活气息。作品色墨并用,浑厚苍劲,再配以画上所题写的真趣盎然的诗文和洒脱不凡的书法,并加盖上古朴的印章,使诗书画印熔为一炉,对于近世花鸟画有很大的影响。

个人影响

在近现代中国书画史上,一代宗师吴昌硕的光芒无疑是最为耀眼的,他的艺术影响到他以后的二、三代人,众多现代绘画大师或出自他的门下,或受他的艺术影响,如近代海派诸家、北京画派的陈师曾齐白石等,现代最具实力的几大家傅抱石李可染黄宾虹等无不源自于吴昌硕吴昌硕是晚清最有成就的著名画家,书法家、篆刻家,为“后海派”中的代表。吴昌硕的艺术贵于创造,他以书法入画,艺术上别辟蹊径,甚至齐白石曾说:“我欲九原为走狗,三家(指徐渭朱耷吴昌硕)门下转轮来(有时还写“青藤老缶门下转”)。”
吴昌硕的艺术不仅使中国艺术大师获益不浅,而且也让东洋日本艺术家顶礼膜拜。日本著名篆刻家河井荃庐曾向吴昌硕请教多年,并向日本篆刻界介绍,产生极大的影响。日本人称赞吴昌硕为唐代之后的第一人,他30岁时求教于名重当时的画家任伯年,以石鼓文的篆法入画,任伯年拍案叫绝,并预言吴昌硕必将成为画坛的中流砥柱。日本书画界对吴昌硕极为推崇,专门铸造吴昌硕半身铜像,赠西泠印社陈列。
艺术大师吴昌硕诞辰160周年上海、杭州、苏州等地举办了一系列文化活动,以纪念这位大师的不朽功绩,缅怀吴昌硕等前辈艺术家“励精图治,艺弘中华”的精神,如吴昌硕纪念馆、西泠印社等都举办大型活动,中央电视台摄制的电视片《艺术大师吴昌硕》也在9月初播出过。浙江安吉县和杭州市举办纪念吴昌硕诞辰160周年活动。

后世纪念

吴昌硕纪念馆
吴昌硕纪念馆,1995年9月12日建成开馆。坐落于上海浦东川沙镇附近华夏文化公园,占地6亩,按原上海山西北路吉庆里12号吴昌硕故居式样建造,为二层石库门建筑,辟有“艺术生平”、“作品陈列”、“卧室”、“画室”、“海上画派”5个厅室。建馆后,经常轮换陈列吴昌硕书画篆刻作品和有关生平活动史料,以及吴昌硕的艺术创作用品、生活用具等,为研究者提供了丰富的资料。还多次举办中、日、韩三国书画篆刻交流活动。
浙江吴昌硕故居
吴昌硕故居,地处浙江省湖州市安吉县鄣吴镇鄣吴村上街。故居是座四合院式的深宅大院,原有主楼、东、西侧厅、倒厅和“状元桥”、半月池等建筑,总占地约2500平米。吴昌硕在此度过了二十二个春秋。
吴昌硕
吴昌硕墓,位于杭州市余杭区超山大明堂外西侧200米山坡上,1989年被列为省级文物保护单位。墓高2米、直径3米。墓碑刻“安吉吴昌硕先生墓”八字。高1.4米,宽0.65米。系诸乐三补书。墓右前侧亭内立墓表一通,记述其生平事迹。,墓台下左前方塑吴昌硕全身立像一躯。

English Introduction

Wu Changshuo, the Qing Dynasty twenty-four years (1844) Wu Cun was born in August 1st in Zhejiang Province, Fengxian County filial piety a reading people. When young father reading, after studying at the village school. More than 10 years old hi carved seal to be pointing his father, entering the way.
Xianfeng ten years (1860) the Taiping Army and the war in Western Zhejiang, the whole family avoid chaos in the wild Valley, brothers and sisters have died of starvation. After they separated from their families, by doing odd jobs, odd jobs to survive, successively in Hubei, Anhui and other places of exile for several years, at the age of 21 to return home farming. In addition to farming, studying buchuo. At the same time studying carving calligraphy.
Tongzhi four years (1865) Wu Changshuo scholar, former Anton County of Jiangsu province (now Lianshui county) county magistrate, only in January that, since the moment "in January to mark Anton".
Tongzhi eleven years (1872), he was in Anji city and Wu Xingshi wine (Ji Xian) married, Zhejiang county (now Wu Xingxian) Ling town. Soon after marriage, in order to make a living, but also to find teachers and friends, seeking artistic studies, he is often away from home not return year after year.
Eight years Guangxu (1882), he only received family settled in Suzhou, and later moved to Shanghai. After the age of 31, moved to Suzhou, and from Jiangsu and Zhejiang, through generation of the massive golden tablet, seal, calligraphy and painting, he said. After settling in Shanghai, broadlyreceives seeks, poetry, books, paintings, India advancetogether; old age style prominent, carving, calligraphy and painting art three Jingjue, Barghouti, Dean of public art, as the "Houhai school" of art, modern art Chinese mountains represent a link generation master.
Twenty-two years have been cited as Anton (now in Jiangsu Province even the county magistrate), arrived a month would resign south.
In the summer of thirty, and Ye Weiming, Ding Ren, Wu Jinpei seal, Wang et al in Hangzhou poly West Lake yilou, explore the Yuan Dynasty art, 1913 Hangzhou Xiling Seal-Engravers'Society formally established, Wu Changshuo was elected as the first president, a "stage name Yiyang, fou Lu Ji", "Lu", "Shicun fou fou Lu Yincun" painting and calligraphy and set a variety of publication.
Seventy years old and deaf. Chinese outstanding modern artists, was recognized as the Shanghai art world, India altar leaders, renowned.
In November 6, 1927, Wu Changshuo suffered a stroke in Shanghai Yu died at the age of 84.
In November 1933, another in the vicinity of the Tangqi Zhejiang Yuhang County mountain at the west side of the temple's super cemetery is located in the foothills of Song Meiting river. The door pillars inscribed with Shen Qiquan (the guardian) written by the language: "artificial stone home, sleep to the three generation of Yi Ding and two Beijing stele. Here near the residence surrounded by a few hidden jade, heavy shanse, ten plum. "Wu Changshuo's painting, calligraphy and seal cutting works with" Wu Changshuo album "" Wu Changshuo works "" bitter iron pieces of gold "" ink "" Wu Cangshi fou Lu yinpu "" deposit "India fou hut, the poem" fou hut ". Wu Changshuo has three sons and a daughter, the second son of Wu Han, three son of Wu Dongmai are good at carving calligraphy and painting

Carving career
When he was young his father by influence, or as a book, engraved. His regular script, starting subject, following the Zhong Yuanchang script; learn Chinese stone; the stone of fragrance, pen of the law by the beginning of Deng Shiru, Zhao Zhiqian et al, after "Shigu" written on both modifications. Sha Menghai: Mr. Wu tried to avoid "pro side potential", "hold the heart of dental caries", the three tripod pottery text's body, which mix more clever than Zhao Zhiqian, so. Wu Changshuo, Huang Tingjian, Wang Duo. Because of the tilt, Huang Daozhou tricks, but also affected by the wind and seal his book, Tangbei pen of the Dubai run risk change radically.
His seal is from the "Zhejiang School" after the start, studies the Chinese India, is influenced by Deng Shiru, Wu Rangzhi, Zhao Zhiqian et al. As a master. His painting has a big drop, good at white, or diagonally skewed, meteorological towering, composition block surface volume feeling strong. Seal his strong personality, India's character with Italy, the knife into the pen. So his carving often show male and fawn, clumsy and plain, ugly and beautiful, ancient, and the characteristics are now. Wu Changshuo took the seal under Yi Ding, Yi Qin and Han Dynasties, creatively to "out of the front of the knife, the obtuse" money back, cut loose, Wu rushed two knife combined with india. So his carving works, in the beautiful place was vigorous, smooth see magnolia, often inadvertently see this.
Carving works
"Shoushan old pit chocolate carved lion button", "the world", "read", "eternal book learning", "Fu", "black Qingtian", "Huzhou January Antoine Anji county", "Taishan", "Huzhou remnant Shilou County of Anji", "Taishan remnant" Yuan Dingsheng, "Shi Lou Mei", "bamboo hole hole is longer than the storm", "book", "Chihiro Zhu Zhai Zhu Zhai" Chihiro 3 moment, "Wu Junqing," Yinrili letter longevity "Anji Wu Junzhang", "Lei Jun", "fresh cream," Chrysanthemum "Gueiren. People"
Calligraphy career
Wu Changshuo began to study the Tang Dynasty (AD script, 618-- ad 907) subject of learning, Li Han Dynasty stone, seal stone Wu Changshuo learning, learning style, Wang Duo Huang Tingjian. Wu Changshuo is very good at painting flowers, by Xu Wei and eight greatest impact, because of his calligraphy profound knowledge, he put the knife into the art of calligraphy and seal cutting and painting Shi Mei painting, forming a unique style of calligraphy taste, he often write with pen method Melanie seal script, cursive strokes and sophistication, painting grapes. The strong momentum, the layout of the novel. In composition, like to use "and" female type composition pattern. Like Zhao Zhiqian in color, with gorgeous color of love, especially love with western red color, strong bright. Wu Changshuo's seal, today a lot of people learning. The Japanese seal River wells began to ask Wu Changshuo Quan Lu from 1898, and to the Japanese carving circles, have a great impact.
The calligraphy of Wu Changshuo, no doubt to the script, cursive script, but Wu Changshuo is not a short period of time, in the period of youth has clinical learning Hanbei, such as "Zhang Qian tablet", "Songshan stone", "Zhang Gongfang monument", etc., and is affected by Deng Shiru, from Mr Ng, Yang see the mountains. Yang, writing a script similar to see the mountains, he was thirty-five years old when the book was "Zhang Qian" style, Jieti founder, is cautious, careful pen. Wu Changshuo's book has become the official script, Jieti, take longitudinal potential, like this piece of "Feng Shou Jue said, blowing Song Sheng", a powerful, full, from some of the lines, with seal marks, then Wu Changshuo can be said to have a fragrance, as one solution, formed its own unique special features.
Wu Changshuo's script "three times Lin Han sacrifice contributed to" "" "stone stele of Zhang Qian Songshan" "Shimen song" Hanbei etc.. After middle age, many of the original and the Expo stone rubbings, choose the stone as the main object of imitation. For decades, repeatedly studied, not to deliberately imitate acts for the shape to meet, with Qin Quanming, Langya Taiwan, Taishan stone stele text body styles, so that the stone from the new, concise and elegant, unique style. 60 years after the book especially fine, mellow and lean, firmness and flexibility. Writing the couplet in Shigu. In his later years to zhuanli cursive strokes as a gesture, Pentium, vigorous and strong, informal method.
Painting career

Wu Changshuo is very good at freehand flowers, by Xu Wei and Badashanren the greatest impact, because of his calligraphy and seal of profound knowledge, his calligraphy and seal cutting line, the knife and body composition, into the painting, forming a unique style stone rich taste, he said: "I have to force lies in the book painting method." He often write Merlin with seal pen Kuangcao for grape. The flower of wood and stone, called LaoLa, forceful and unrestrained, and strong momentum, layout novel, is also close to the composition book composition of white cloth, like "the" and "female" pattern, or diagonal potential, false and true, the main highlight. The use of color, like Zhao Zhiqian, like everything with contrasting colors, especially the use of western red color, strong bright. The painter at the time were heavy on Wu Changshuo Ren Zhuan method to the picturesque stone and predicted that it will become overwhelmed with admiration for, painting the mainstay. Wu Changshuo used to paint "the grass seal" in calligraphy and painting; line extraordinary skill. Although the line from the angle shaped drawing texture seems to be rich enough, and, but it is abandoned form fetters, Wu Changshuo's painting entered the "Yi" hall, thus forming a modern Chinese painting because of the mind, fully and delightfully "impressionistic" form.
Wu Changshuo's painting themes with flowers, but later, after 40 years old will show pictures. Early to get Ren Yi and Shen guidance, in Zhao Zhiqian's painting, subject to Xu Wei, Zhu Da, Yangzhou eight strange the painter of painting art, benefit from many. He is very fond of plum, often with plum painting, write cursive seal and strokes, ink painting, plum with plum and water color just perfect, red and purple ink, hearty, rich taste, had "bitter railway Mei friend" of the poem, to express the world determined by plum vulgar mood. And like the orchid, orchid to highlight clean aloof character, like to paint or dense or light ink and painted with Zhuanshu technique, is vigorous and effective. To wipe the ink painting of bamboo leaves, to the edges of point, density and white, rich change, or accompanied by pine, plum, stone, a "double" or "friends", to express feelings. He often chrysanthemum is the suitable subject matter. He painted with chrysanthemum or rock, or insert ancient bottles to tall and thin, and chrysanthemum situation contrast. Chrysanthemum more yellow, or as red chrysanthemum and chrysanthemum. To draw ink chrysanthemum, chrysanthemum leaves with big splash, white shades, clear. Later many painted peony flowers in full bloom, with bright coloured thekermes red colors, containing more moisture, with dense foliage contrast, appears vigorous. Lotus, Narcissus, pine and cypress is often a suitable subject matter. Fruit vegetables such as bamboo shoots, green vegetables, pumpkin, pumpkin, peach, loquat and pomegranate have picturesque, very breath of life. Works of ink and color, vigorous vigorous, coupled with the painting inscribed really fun filled the poetry and calligraphy and extraordinary, and stamped with the simplicity of the seal, the poem calligraphy seal is a melting furnace, have a great influence on modern painting.

In modern Chinese painting history, master Wu Changshuo is undoubtedly the most dazzling light, his art influenced him after two or three generations, many modern masters or from under his door, or by his artistic effects, such as Shanghai, Beijing School of modern scholars, such as Qi Baishi Chen Shiceng, the most powerful Fu Baoshi, Li Keran, Huang Binhong, a few people are derived from Wu Changshuo, Wu Changshuo is the most famous in the late Qing Dynasty painter, calligrapher and seal, as "Houhai school" in the. Wu Changshuo you to create art, calligraphy and painting art to him, not even the provision of paths, Qi Baishi said: "I want to Jiuyuan as stooges, three (Xu Wei, Chu and Wu Changshuo) under the door to the runner (sometimes also wrote" Ivy old fou door ")."
The art of Wu Changshuo not only makes the China Maestro benefited greatly, but also let Oriental Japanese artist worship. The famous Japanese seal River wells had consulted Wu Changshuo Lu Quan for many years, and to the Japanese carving circles, have a great impact. Japanese praised Wu Changshuo for the Tang Dynasty after the first, when he was 30 years old at the time of the turn to the famous painter Ren Bonian, with art stone Ren Bonian Zhuan method, and predicted that Wu Changshuo will become overwhelmed with admiration for, painting the mainstay. Japanese calligraphy and painting of Wu Changshuo highly specialized casting bronze bust of Wu Changshuo, a Xiling Seal-Engravers'Society display.
Master of Arts 160 anniversary of the birth of Wu Changshuo of Shanghai, Hangzhou, Suzhou, organized a series of cultural activities, to commemorate the immortal deeds of the master, in memory of Wu Changshuo and other senior artist "to Chinese arts Philip" spirit, such as the Wu Changshuo memorial hall, Xiling Seal-Engravers'Society have organized large-scale activities, "CCTV TV film art master Wu Changshuo" also aired in early September. Zhejiang and Hangzhou held in commemoration of the 160 anniversary of the birth of Wu Changshuo's activities in Anji.

Wu Cangshuo Memorial Hall
Wu Changshuo memorial hall, built in September 12, 1995 opened. Located in the vicinity of Shanghai Pudong Chuansha town of Huaxia Culture Park, covers an area of 6 acres, built according to the original Shanghai Shanxi Road No. 12 in the former residence of Wu Changshuo auspicious pattern, two layer of Shikumen building, Piyou "art life" and "works exhibition", "bedroom" and "studio", "sea painting school" 5 room. The hall after rotation Wu Changshuo display calligraphy carving works and related activities of life history, and Wu Changshuo's artistic creation activities, life appliances, provides a wealth of information for researchers. Also repeatedly held in Japan and Korea calligraphy and exchange activities.
Former residence of Wu Changshuo in Zhejiang
Wu Changshuo's former residence, located in the village of Anji County of Zhejiang Province, Wu Zhen Zhang, Huzhou city streets. The former residence is a courtyard style courtyard, the original building, East and West Hall, down the hall and the "champion bridge", half pool and other buildings, a total area of about 2500 square meters. Wu Changshuo spent twenty-two years here.
Tomb of Wu Changshuo
The tomb of Wu Changshuo, located in Yuhang District of Hangzhou City, ultra Hill 200 meters west of the hillside outside the Ming Tang, 1989 was listed as the provincial cultural relics protection units. Tomb 2 meters high, diameter of 3 meters. The tombstone engraved with "Anji Mr. Wu Changshuo tomb" eight. 1.4 meters high, width of 0.65 meters. Department of Zhulesan supplement book. The tomb of the tomb of the front right Tingnei legislation through the description of their life stories. The tomb of Taiwan, under the left front plastic Wu Changshuo statue is a human body body.

 

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