徐渭（1521—1593），汉族，绍兴府山阴（今浙江绍兴）人。初字文清，后改字文长，号青藤老人、青藤道士、天池生、天池山人、天池渔隐、金垒、 金回山人、山阴布衣、白鹇山人、鹅鼻山侬、田丹水、田水月，明代著名文学家、书画家、戏曲家、军事家。被中国抽象绘画之父和民间思想家朱明誉为：“真正的奇才”、“千古书画，当有徐渭是也”。 徐渭出生在浙江绍兴的一个官绅家庭，徐渭出生百日，父亲去世，由母亲抚养成人。 明万历二十一年(1593年)，72岁的徐渭在自己破旧的小屋中，离开人世，身下是杂乱无章的稻草。门外，是那副流传千古的对联：“几间东倒西歪屋，一个南腔北调人。”
Xu Wei (1521~1593), is the Ming Dynasty outstanding calligrapher, writer, Shanyin (now Zhejiang Shaoxing) people. At the beginning of the word Wen Qing, change the word text length, number of Tianchi hermit, or the Department of Tian moon, the elderly, ivy, ivy, ivy, lay hidden, Tianchi fishing gold base, gold back to the hermit, hermit, Sanin commoner and white pheasant goose nose Hill Lennon alias etc.. Chinese Ming Dynasty writers, painters and painters, strategists. The folk also spread his stories about how clever when he was young, then how to tease other officials.
Xu Wei was clever, agile evans. And ambition. In Jiajing along the southeast coast of the Anti Japanese struggle and against such Yansong, life is very rough, can be described as "lonely world". Last seven or eight years in prison. After his release, to sell the poem, plagued by poverty and ill health, life, painting, and life. He inherited the middle-aged painting, Liang Kai and Lin Liang, Shen Zhou cut pen freehand flower painting, so good at painting flowers, indulge a pen, painting Mutilator failure load, ink dripping, simple and elegant, do not have the wind. Painting landscapes, and Shengmo, painting is vivid, the more lively, concise style, dry wet pen, pen, pen and broken, fresh style, style, form deep ocean, "Ivy League school". His own particular calligraphy self-respect. My first book, claiming to be "two poems, four paintings, three". Yuan Hongdao praised his "unrestrained brushwork calligraphy", "spring", vigorous in deportment "in Wang Yayi, Wen Zheng Zhong. He painted the "yellow" Jiatu Qiaoba, very fresh, vivid performance of the crab crawling, autumn lotus withered autumn atmosphere. Works spread so far more. A: "four apes", "Nan CI Xu Lu", "Xu Wenchang" lost manuscript of Xu Wenchang's "etc.. Ancient famous works "ink grape map" axis, "landscape" Book Bird characters (both hidden the Imperial Palace Museum), "Peony" banana stone axes, and later the "nine flowers" ink volume (now in the possession of the Imperial Palace Museum).
Yu Mingwu Zong Zhengde sixteen years (March 12, 1521 February 4th) was born in Shanyin Guan Qiao Mahayana Andong (now Zhejiang Shaoxing) a declining trend of big family. Father Xu Zong, former Sichuan Kuizhou (now Chongqing City Tongzhi treatment). Xu Zong's wife Tong's birth, Xu Huai, Xu Lu two sons; after the seedlings did not marry's family. Xu Zong later concubinage Xu Wei being born, Xu Wei was born in the hundred days after Xu Zong died. Then by Tim Xu Wei to fourteen year old lady raised seedlings.
Although born in the bureaucratic family, but Xu Wei's early life is not happy. As two concubines, illegitimate brother is twenty or thirty years older than him, so Xu Wei at home is not what position. In his ten years old, his mother was lady out of the door of the house. Childhood capture mother, Xu Wei is a great stimulus. Although the age of twenty-nine he was able to put the mother back to her home, but he still cannot forget until in old age, this thing.
Miao's death, Xu Wei with the eldest brother Xu Huai life. He did not take the exam when young scholar, said in a letter to the inspector officials asked: "no retest results, then do not believe in father. "Flesh Jianbi, skip beans burning phase, day and night Xuan Gu, but the body and shadow!" Very indignant. At the age of twenty-one, Xu Wei married into the pan, certainly not comfortable life. An alert sensitive person, grow in such a rough situation, easy to develop stubborn and extreme personality.
Nature is extremely intelligent. He was six years old at the age of nine can read, writing, at the age of more than and 10 after Yang Xiong "as" soothing "release" destroy the sensation of the city. The local gentry said he was a child prodigy, than Liu Yan, Yang xiu. At the age of more than and 20, Xu Wei and the famous scholar Chen Haiqiao, Shen Lian et al to intersect, as one of the "the ten". Shen Lian once praised him, said: "close the Shing Mun, only this one." It is said that at a banquet, the owner to give his seat, pointing to a small thing to ask him to Fu, but secretly they life with Zhang Yu Long scroll. Xu Wei conduct the pen, write as much as a full person, dumbfound.
There is a little story about Xu Wei, also can highlight his intelligence. When he was very young, still in school, the teacher will test him be clever and sensible, he took him two buckets to water, to spend a single plank bridge, Xu Weishang was small, the strength is not enough, since it is difficult, but the teacher saw Xu Wei pleased to carry water back, said he was pleased to method. Said: the bucket water naturally easier! When there is no buoyancy Monday, Xu Wei smart, let the teacher praised.
He said the village to masterpiece of Xu Wei, has always been quite self pride, full of longing for Fame career, however in the imperial examination on the road but frustrated. At the age of twenty, he was admitted to the scholar, then participated in the examination, until the age of forty-one, I took the test eight times, has also failed to give. During the twenty-six year old when his wife, from pan Jiaqian, to teach life, until Hu Zongxian should be invited by the age of thirty-seven, in charge of instrument shogunate. Xu Wei repeatedly failed in the imperial examination, not accidental. As for his years "since the abnormal spectrum", specially written and read the six year old admission "and" his secretary Jia zaochao verse: "cock camwood dawn cold", showing the infinite feelings.
Just act to prison
Jiajing, the southeast coast of the Japanese suffered frequent harassment, because for relaxation, official incompetence, bring heavy losses to people's lives and property. Xu Wei, on the one hand, this sharp criticism of poetry, on the one hand full of enthusiasm into the Anti Japanese war. Although he had no job, but a couple of times for a short, adventure with troops to the front lines, observe the situation, then record the war through the analysis of the reasons for success or failure, put forward the strategy to defeat the enemy officials. These articles are written more effectively, is different from the general student talk.
Jiajing thirty-six years (1557), Xu Wei was named governor of the southeast military affairs Hu Zongxian, into the shogunate in charge of instrument. The scene at the beginning of his "White Hart table" for Hu Zongxian, by Ming Shizong appreciated Zhu Houcong. Since then, Hu Zongxian is more dependent on him, for his laissez faire character, more tolerant. Tao Wangling said: "Xu Wenchang" records often Xu Wei and friends in the street drinking, the governor in a hurry to find him, then open the door to wait for the night. Someone reported to Hu Zongxian, said Xu Xiucai was drunk and shouting aloud, but praised Hu Zongxian. Hu Zongxian was the weight of dignity, when officials see the military did not look up, and he wore a shabby black turban, wearing a white cloth, before entry, on the world, self-assured or supercilious.
However, in the shogunate, there are also many unpleasant things. At that time, Hu Zongxian for a variety of reasons, and the right of Chen Yan Song from very close, but Xu Wei is detested Yan Song, his closest friend Shen Lian for impeachment Yansong was killed, but Xu Wei had Hu Zongxian wrote some touted Yan Song text.
Jiajing forty-one years (1562), Yan Song was dismissed as Prime Minister Xu order. In order of the Xu instigated by Hu Zongxian, impeach, and the following year was arrested to Beijing (later by Japanese active, only by the removal of sanctions), Xu Wei also left the office of governor.
Jiajing forty-two years (1563), he went to the capital, Li Chunfang served as chief of staff. The following year, and Li Chunfang not to return home, speech.
Jiajing forty-four years (1565), Hu Zongxian once again caught in prison, and died in prison, his former aides also implicated several people. He was this some extreme, not because of the successive years of examination, and mentally very unhappy, he was framed for Hu Zongxian to die was deeply distressed, more worried about the persecution of life so completely disappointed, even mad. He wrote a "howls" since for epitaph ", and then pull the nails under the wall column hammer in the body, such as blood spurt, cure months to heal. Then hit the vertebral renal capsule, also did not die. So repeated attacks, repeated suicide nine times.
Jiajing forty-five years (1566), Xu Wei once again in the crazy attack, after the wife Zhang suspicion of infidelity, kill them, so he was put into prison. Xu Wei completed the "Zhouyi cantongqi" notes in prison, figure painting and calligraphy art. Xu Wei in prison for seven years, of which only in Longqing two years (1568) the mother died when a short prison, for the funeral.
Xu Wei was imprisoned, friends have to help. The aid of the most powerful, the first is the Dashou Shilang, after Zhang Yuanbian Hanlin editing (i.e. the famous essayist Zhang Dai's great grandfather), they are Xu Wei's friends, and is a prestigious scholar born. In the rescue of these friends, Xu Wei finally by Ming Shenzong Zhu Yijun ascended the throne of Amnesty released. This is the first year of Wanli (1573). At this time, Xu Wei is fifty-three years old.
Wanli three years (1575), Xu Wei attended the Zhang Yuanbian presided over the "hueiji county" editing work.
Poor old age
Through so much suffering, Xu Wei no longer has any political ambitions, but his attention to state affairs is old and not bad. After his release, he first traveled in Jiangsu and Zhejiang and with many scale the summit and face the water, and friends. Wanli four years (1576) summer, Xu Wei young friends, now take the northern frontier task of Wu Duiyao on his way north, he would gladly go. Xu Wei in Xuanhua Mufu time less than a year, but left many described North scenery, folk customs and military life poetry. In the preface to many officials, he love discuss the conduct of public affairs, especially on the frontier strategy. At that time, Zhang Juzheng presided over the national government, adopted the policy of stroking and Mongolia, Xu Wei expressed appreciation. During and after the Xuanhua government to pass to Qi Jiguang to Liaodong to seek cloud Wen Li Chengliang, the son of Professor Lee Kay Tzu, met the head of Mongolia Altan lady lady three. He respected Wu Dui in there, but the body is not good, but in the spring of the following year after Beijing returned to his hometown in Shaoxing, Guo Pu "Zangshu" comment.
Xu Wei sixty years old, should be the move to Beijing, but soon the relationship between the two on the deterioration of the. According to Zhang Dai's narrative, Zhang Yuanbian is a tough character, rubricity man, but Xu Wei was reluctant to abandon, bound by traditional etiquette. Zhang Yuanbian used to limit the feudal ethics of Xu Wei, which makes Xu Wei furious. He once said to Zhang Yuanbian: "I kill when dead, but also on the neck of a knife, you have to cut me into the meat now!" With old friends and contacts against each other, and bureaucrats have unequal treatment, Xu Wei was full of easy relapse, Beijing three years after return to hometown. Since then, Xu Wei never left the roller coaster.
In the country of the day, more and more rich and his aversion to etiquette, the friends are old friends and follow his students. Often in famine wandering alone, "said a visitor, close the gate and shut out visitors, Xu Wei did not want to see, then hand shouted:" Xu Wei is not on the gate!" In addition to  at the time of Zhang Yuanbian's death to Zhang condolences, almost died of his life keep close at home, industry, money readily cleared, then had to live by selling paintings. But the hand slightly off, he would never be. It is a class of students and younger friends, or cheat or steal, often get his masterpiece. Xu Wei seems especially crab, many poems written by friends live for him after the crabs. In the last few years, Xu Wei suffered from many diseases, and he could not do so often. "Xu Wenchang anthology" in "selling", "selling out" mink, "painting", "sell sell book" the poem shows Xu Wei bleak late exit.
Wanli twenty-one years (1593), Xu Wei died in poverty, aged seventy-three, was buried in the south of Shaoxing mountain city. Before he died, Xu Wei wrote a "abnormal spectrum", describing his own life experiences. At that time, his side only a dog with a bed, a mat is not.
Xu Wei's literary creation involves a wide range of areas, but their common characteristic is: art never rely on others, like the original style, with a strong personality, bold style and ease, and often show interest to the folk literature.
The Ming Dynasty poetry, due to the promotion of the former seven and seven after, there was a wave of archaist. Although they have undeniable achievements, but the study atmosphere, apparently due to the development of the art of poetry. Xu Wei has deep dissatisfaction, and made a sharp criticism. He said: "the bird of learning to speak or write poetry, nature of birds; if a previous simulation, learn like again, but is also a bird of learning to speak only, no real value." His own poetry creation, pay attention to personal expression of real feelings of social life, style slightly near Li He, asked to learn Tang, and take out the Southern Dynasties, song and Yuan Dynasty, and eventually losing its self. Inherited this tendency for later claiming to express the soul of public security, and has important significance to change the style of the late Ming dynasty. On behalf of the public school of characters in Yuan Hongdao Xu Wei's poetry has a wonderful comment: "this is not successful in our, but then turn song tiller hither landscape... The mountain Ben haili. As a widow night of tears, kept people cold. When the Italy, pingchou Trinidad; occasionally enjoy its ghost language, autumn anger." Xu Wei's prose, the "self epitaph" one of the most outstanding. In addition, many letters are very distinctive, and witty, playful humor style, far and Jin Shengtan class, but in general, not poetry achievement.
Xu Wei's drama creation has miscellaneous drama "four apes", including "crazy drum history", "jade master", "female Mulan", "female champion" of the four independent play. "Crazy" is also called "the history of the drum Yin scold Cao", is inspired by Yan Song Shen Lianzhi killed things of creation, show the spirit of revolt against. After the two scenes were written Nvbannanzhuang meritorious story reflects his views on women, has a certain anti feudalism. These works are breaking the Zaju fixed format for the development of the diverse forms of drama Jin door.
In the aspect of drama theory, Xu Wei advocated "nature", that is the language of drama should conform to the identity of people, should use oral English and sayings, in order to ensure the authenticity of the characters, as opposed to elegant dual language, excessive modification, these views are insightful.
In addition, Xu Wei also made a "Nan CI Xu Lu", this is the first book on China Nanxi theory monographs, has important significance in the history of drama. "The Song Dynasty", "Yun Xiao generation novel Heqi" (i.e. "longitudinal heroes biography"), is also said to his work.
Xu Wei of the early Ming Dynasty calligraphy and calligraphy dull atmosphere contrast is particularly prominent, his best of great momentum cursive, but it is generally difficult to understand, a mess, he is very love of his calligraphy, since that "the first second poems, calligraphy, painting paper third, fourth".
Xu Wei beyond the times, opened and led the late Ming "Shang state" Book wind, the Ming Dynasty calligraphy led to a new peak. Tao Wangling once said, "the calligraphy called jijue, that there is a person". Yuan Hongdao said: "I cannot book, and that the Changshu Samuel Wang Yayi, the SEC will sign on, no matter in the calligraphy book God, Mr Cheng of eight San San, the knight Yi Zi lin!" 
The appearance of Xu Wei's calligraphy and calligraphy is consistent with the great changes of thought, culture and aesthetics in the middle and late Ming Dynasty. Wei Shu Wu calligraphy is from the book advocates the Tang law of rebellion, and then absorb the positive factors along the Northern Song Su, Huang, the pursuit of personalized art in meters. Xu Wei in the book "hidden copy Lanting Pavilion" Jizi micro said "always has exposed  with" aesthetic spirit. He said: "the non word, for the world, where a direct mail copy rather than the baht, Xing ear, and I really would inch, face? Copy the "Lanting Pavilion" of the many do, but always with the dew has said before, master. To read our, although not know why people still see the dew has Italy, will also master. You Meng like Sun Shuao, and the man is like the trunk? Take the spirit just carry on."
If Xu Wei's script has been used "have meaning" realization of the traditional style change, so, the biggest change is that the high head axis of the nave cursive. "Dong Qichang said before the destruction of the ink method" in this is to say "Xu Wei destroyed the strokes". Xu Wei in calligraphy from the volume of mail room to play with hall show aesthetic transformation, achieve the transformation of the calligraphy works. "Generation should be" and "Yong sword cursive axis generation should chant ink cursive axis" is his masterpiece. This reference to Xu Wei stipple method of painting, is the creative destruction of Jin and Tang style. The change of art tendency of calligraphy.
In the Ming Dynasty, art was in the special stage of studying the collision between the ancients and the two kinds of consciousness of innovation. The rapid development of Chinese painting, with Xu Wei as the representative of the ink freehandpainting is very popular, a lot of artists, techniques are constantly updated, Xu Wei with their own unique talents, became the most accomplished master of freehand painting. His freehand ink painting style, and bold, not to stick at trifles, concise pen, ink for ink, little coloring, hierarchy, virtual and real, ink dripping, very lively. He fusion Jinjian brushwork in paintings, books and paintings complement each other, give a person with rich imagination.
Between like and not like
Xu Wei's ink freehand flower and bird painting style, open up a fresh outlook. Its flower and bird painting, while collecting each long and not limited, bold change, highly creative. The painting, whether it is flowers or flowers and birds, all with everything in between like and do not like to, under the pen of four plants, the painter used hook, point, splash, chapped and other ink form, the peony grace, the crape myrtle Junxiu, bamboo and chrysanthemum are cream aloof, plum the very clean charm of the penetrating portrait of, nine feet and five feet respectively stretch of the Indus and banana, straight out, out of sight, and the dense such as a grape, such as Qiu Panlong vines pose a great tension, filled with pictures in the aspect of gas and the bold state is hitherto unknown. His ink grape, upside down a string of fruit branches, fresh water dripping, vivid, lush leaves with large ink point, style of drainage, not for the shape represents Xu Wei's freehand flower style. Ink pen trace rich trajectory and shade, Xu Ji, size, dry and wet, density of different, has all improvisation writing quickly and nonrepeatability, showing the most intense of China Abstract Expressionism painting. This is not a general description of images, but the processing of art, which contains some inner spirit and temperament, the temperament and spirit and make people have a sense of immersive. Xu Wei's pumpkin, chrysanthemum, coherent, flooding ink clouds, the momentum is compelling, and the degree of control the ink to a proper extent, shade density, wet and dry very changes. Not only is ink ink free infiltration, and controlled bias. Although Xu Wei claimed to "play with", but still vivid in freehand to convey the fruits of different nature and rhyme. It's only in ink brushwork figure Indus, painted a small part of it, is reminiscent of tall and upright towering trees. As Weng said: "only a foot tree paper hundred feet, why the Qing Lin lu. If fear is thousands of feet of gas, by Midnight Song Xu xi." Xu Wei is famous for its exquisite brushwork, in between like and do not like, create a world wide appreciation for aesthetic.
There are pictures in the book, there are books in the picture.
Xu Wei is a calligrapher in painting, his calligraphy skills and calligraphy into painting, makes people feel his vigorous calligraphy ink freehand painting is a generous dripping. As Zhang Dai said: "today see the Ivy painting, strange detachment, vigorous in deportment and calligraphy and wonderful spring. The people of the past that I see a poem, Painting-in-poetry, population of painting, more than that of ivy There is poetry in a painting.; books, picture books, picture books in the Ivy League."  his "ink grape map", ink shows the leaf texture, font structure and irregular spacing of the poem, such as the grape vine like extension in the air of freedom, books and paintings. Xu Wei's calligraphy attainments are very high, and subtle changes in its ups and brushwork contributes to the art of painting, painting ink charge, grapes, make snap dash, no deep, calligraphy skill is difficult to do. Xu Wei has a "plum plum map" banana leaf, banana and put together, and wrote on the painting: "the banana with plum, this is Wang Wei painting", shows Xu Wei and Wang Wei in some of the composition of the source relations. Of course, Wang Wei painted snow banana, a more prominent Zen, namely, the poor and the banana snow heart empty picture is composed of religious heritage, and Xu Wei in this picture of a more prominent subject beyond time of liberation. Xu Wei's calligraphy and painting are very skilled, profound knowledge, his inscriptions, such as his ink painting, and his unruly, copious and fluent; ink painting, integration of the mastery of the writing, interesting, full of charm.
Painting like a man
Xu Wei has been living in the wild, not in the power of charming, who came to draw, to Xu Wei when the lack of economic value, then if there is a demand for artists to cast a golden silk, which can be instantly; if he did not catch in the bag of money, then you are giving more, but also a rare painting that is really a sentimentalist. Xu Wei's loneliness can really be summed up with his own "problem grape poem":
LaPO is half Weng, independent den Xiao breeze.
At the end of Pearl pen sell non essential leisure throw throw nofuji.
His life was full of frustrations, frustrations, miserable life, he will own body and shadow comforting each other, anger and feeling underappreciated melts in painting, creating a picture and a picture like ink paintings. Under his pen Mozhu, branches pale leaves thick, leisurely pen, bamboo leaves drooping strong momentum, however, although the bamboo and Gao Jie cool the air does not reduce. This is the painter in the lower level, talent, character Gao Jie, brilliant portrayal of his solitude of personality. His ink peony, rich and elegant features, in any color gorgeous peony, he often painted with ink, intends to change its nature, its purpose is to give a peony elegant and refined style and charm, the so-called "Guose has no decorated Air Pollution Rouge Mei laity."
Li cut athletes
He had a drink in a restaurant, a few soldiers in the downstairs drinking, drunk refused to pay. Xu Wei secretly write a short letter quickly told Hu Zongxian, Hu Zongxian immediately ordered a few people tied into the hall, all beheaded, all very shocked.
Guess jealous disaster
Feng Menglong "love" records: Xu Wei of Shanyin, word Wen long, high sales. Hu Shaobao was appointed governor of Western constitutional, record room, pet very special. I often travel, a Hangzhou Temple monks not Li Yan, the title of. Overnight prostitute home, stealing a sleeve of the shoe, into the screen, a word in a small security, get a real monk. Less security no longer hold their anger in detail, two or three monks who cut the gate.
I guess people and envy. After the death of his wife remarried, then to abandon. Continue to marry a small woman, have special color. One day, Wei Fang from the outside, and indoor laughter silent, the window to see a handsome monk, strabismus, twenty years, hold for the women in the knee, hold and sit. In anger, to take the knife rod, tend to want to strike, has not seen. Asked the woman, the woman did not know. After ten days, from the outside to see the complex, young monks and women and Zhouwo pillow on the bed. I would be angry, such as the sound of roaring tiger, took the thorns of the lamp, and has died, then sit prison law. After the aid was free. One day suddenly enlightened monk at homes. The woman dead or injured, "said Fu dream poem" the two chapter cloud:
"A shrike kept starting, swallow. I like to dream, did not fly. So pity female, laugh evil companion. Two the late fall outside the smoke, the birds, tears like rain." "Xian and Zhuo, like yesterday, Luo shoes four hook not idle. Tangli flower foot yellow, not to the whereabouts of Qi ge." Never marry again.
Xu Wei and Xie Jin, Yang Shen and said "three wits in the Ming dynasty". Zheng Banqiao very admire Xu Wenchang, has carved a seal, claiming to be "Ivy door dog". Writers and artists Muxin rated it as "true manifestation". He is good at deliberating and judging, almost single handedly make breaking years of Japanese patients, old age to cultivate Li Rusong the famous, established immortal feats. His poetry, Yuan Hongdaozun as "the first in Ming Dynasty", his drama, by Tang Xianzu's highly respected, as for painting, he is one of the most outstanding achievements in the history of Chinese art.
Evaluation of past dynasties
Tang Xianzu: this Youqian of cattle.
Tao Wangling: no edition of his poetry Yiqi, collection at home. To see, "Xu Ji", "Que" series two. Although the long have frustrated to hold, angrily died.
Yuan Hongdao: (Xu Wei calligraphy) with bold as poetry, vigorous in deportment out. I can not book, but the erroneous predicate (Xu) the Changshu must when Wang Yayi (Wang Chong), Wen Zhengzhong (Wen Zhengming). No matter in terms of calligraphy, the book of God: Mr. Cheng, eight of the San San, Zi Lin wonderer. Ancient and modern literati, grumbling hardship, no if mr........ The rise of modern poetry of Mr. Xi, swept away the dirty, BES and under its own conclusion, Hu is not met?
Mei Guozhen: this disease from the people in odd, odd, Shiqi in words, words in the singular, not surprising, but not too strange, No.
As the appearance of Xiuwei Wei, such as sound langin cry, often in the night roar, suddenly of cranes. The wizard also called Cheng month paddy field. Frustrated in everything, die, think nature no Wei, and Wei soldier students. I draw a vivid, the book also Dubai, not full grain shortage. Poetry since the lattice, hi do not pick up more than seven son.
Huang Zongxi: is the price, do not see the authenticity of a hundred years. That is no surprise in the light of the spirits, Zhonglang or fall? ("Ivy song")
Zhang Tingyu: guiyouguang quite out, with Sima, Ouyang himself, force row Li and he and Wang, Li, Wei, Tang Xianzu, Yuan Hongdao, and bell Xingzhi genera, also contend temporarily, so Zong Li, Ho, Wang and Li are a little bad.
Qi Baishi: Ivy (Xu Wei), snow (Badashanren), Di Zi (Shi Tao) of the painting, can cross painted vertical wipe, more than Xinji clothing, hate three hundred years before, for your paper ink. You don't accept, more than from outside the door, hungry and not go, also fast accident.
Shi Tao: Ivy ink world treasure, for decades without it.
Wu Changshuo: Ivy painting calligraphy more than Lu Gong San.
Qian Jibo: Shanyin Weis word text length, word Zhonglang to public security Yuan Hongdao halal medicine raw, without fiber is evil genius Tiao, Jianghu also.
Huang Binhong: Xu Qingteng Shaoxing, pen of health, ink is good, three hundred years, no one can catch up with him.