A family of teachers in Jiangsu was born in 1910 in Nantong, the name, number, age McCain Taofeng autograph blunt man. The 5 year old began to draw with uncle Gu Huantuo, the autumn of 1929 was admitted to the Shanghai School of fine arts Chinese painting department, because the good foundation, in the second grade, Huang Binhong, Zheng Wuchang and Zhu Shi Qinshou, the following year joined the bees ". In the same year to follow Mr. Huang Binhong, transferred to the Chinese Academy of Arts (renamed the Chinese Academy of literature and Art), in 1931 Xia no song
Especially no song album
Graduation back to Nantong, immersed in research and repair of Chinese painting skills. The 1938 general maritime businessman, large collector Mr. Yan Huiyu. In 1939 by Mr. Yan recommend, Mr. Chen Banding went to Beijing to worship as a teacher, and the main landscape, flowers, carving, Beijing three years of stagnation, to enjoy authentic paintings, and the famous French tour, day. The winter of 1941 exhibition held in Beijing, the old Bai Shi wrote a famous book remunerations, JINGWAH. From 1942 to 1952 in Shanghai for 10 years, the times Mr. Yan Huiyu hid paintings authentic. During the meeting, Qin Manqing of the old Dingzhi soup, with Liu Bonian and Pan Jun Connaught learn painting, known as "from the three floor off". 1952 back to hometown, painstaking exploration of new situation of China painting. After more than and 90 years of landscape painting Chinese One principle runs through it all. learning, research, exploration, creation, China has inherited the traditional painting art, contemporary artists become traditional skill most China master painter, the traditional painting art a. Since 1979, three in Mount Huangshan, and in the heart of nature outside, to realize the importance of "water", a style, a unique ink landscape, sprinkle after painting, strengthen the water use, draw the myriads of changes "seizes the heavenly creatures really soul" new "ink painting" landscape. In the creation of theory, a "ink water thaw", expand the art performance space for the new millennium landscape painting development China after 2000, the Chinese landscape painting entered a new era of ink,. "". 2001 held in Nanjing, Jiangsu Chinese painting museum art exhibition, held an academic seminar. After 2000, many domestic news media and professional art publications reported, introduced and published a large number of works, causing great concern and affirmation in China's art circles. It is considered as another important discovery of Chinese art circles after Huang Qiuyuan and Chen Zizhuang. The development and trend of Chinese painting in the new century can not be underestimated. In 2005, the Imperial Palace museum should be invited to the Imperial Palace Museum donated boutique landscape painting "Akiyama map", the the Imperial Palace Museum, which become the China landscape painting art in the long chain an important part, and the former after CO Hui Yan, chiaki. In the same year, China National Museum collection of its fine Chinese painting "double pine map". October, CCTV "characters" column play large documentary "ink master -- especially no song". In November, rongbaozhai publishing "rongbaozhai" 180th series "Huapu painting landscapes" part especially non starter. In December, the work "dream Mount Huangshan" selected China 100 Jinling exhibition.
Pen ink melt my art view
From the five year old painting has over ninety years, I have not put down in the hand brush, draw more and more feel Chinese paintings draw more and more broad, can experience the ink change and wonderful pleasure. I think Chinese painting is the peak of the world art, Chinese painting has not reached the peak, he needs and can continue to develop.
The development of art always with the imprint of the times and the characteristics of China painting development the pessimistic understanding just this kind of view holders are not very clear Chinese painting development blood, have rich and mysterious and truly understand the taste China painting can express language. While the social turmoil and change, the generations of excellent traditional cultural knowledge of the fault, understanding of the superficial, quick effect and impatience the ethos of the times, also brought to the traditional painting Chinese denied. Therefore, the future development of Chinese painting pessimism, stop the argument, inaction argument is not correct.
As far as the overall pattern of world art is concerned, the status of Chinese painting is far from reaching its due level, and the long-term and unremitting efforts of Chinese artists are needed. Chinese painting in the coming years, with the strength of the strong, social culture and the improvement of the ecological environment, and the world of culture, understand the painting China China strengthened, will bring about a new development period for Chinese painting. But no matter how the future development of Chinese painting changes, there are two points can not be less, one pen and ink, the humanities is the spirit of the two.
Chinese ink painting is the fundamental, humanistic spirit is the soul of Chinese painting. So pay attention to pen and ink and humanistic spirit is the eternal subject of Chinese painting. I was painting the landscape painting, I think painting is an art practice through the painter's spiritual grasp of natural spirituality, reached a considerable level in art to a painter, he must first create their own soul, this is the China artist must first is a knowledge rich literati's sake but the traditional, high level Chinese painter must have emotion, indifferent connotation, its essence is to coincide with the natural way, because the natural formation of heavenly creatures is a long and gradual process, not a crash, a master of the China painter, there must be a long process of practice, through long-term practice of from the law, that has set the public good, and make good fortune with the blending of natural cardiac fit, so as to achieve the harmony between man and nature realm.
Limited space, I told the painting three points.
1, the book for the painting of the. As the foundation of calligraphy painting, calligraphy skill depth directly influences the ultimate success of the painter.
2, ink and water. Water is the origin of life, nature of all things in Chengdu rely on water to nourish, and water and ink to achieve real harmony, can and Tao Miao, excelling his true soul, water is the source of life China painting.
3, numerous and transparent, empty and thick, painting the true realm.