叶浅予（1907.3.31-1995.5.8）浙江桐庐人，从事国画教育，以舞蹈、戏剧人物为主的国画创作，中国漫画和生活速写的奠基人。曾任中国美协副主席，中国文联委员，中国画研究院副院长，中央美院教授。擅人物、花鸟、插图、速写等。曾为茅盾小说《子夜》、老舍剧本《茶馆》等书插图，出版个人画集多种。 创作长篇漫画《王先生》、《小陈留京外史》、组画《天堂记》等，著有《画馀记画》和《十年恶梦录》 。
Ye Qianyu (1907.3.1 1995.5.8), formerly known as Ye Guanqi, pseudonym of early adorable, etc.. Tonglu Zhejiang people.
Engaged in painting teaching and dance, drama based Chinese painting creation. Good at figures, flowers and birds, illustrations, sketches etc.. Ink duncuo freely, bold and frank, vivid, unique style, remarkable achievements. When the middle school study painting. 1926 in Shanghai when the counter guy, painting ads, textbook illustrations, and engaged in fashion design, stage art scene. 1928 Shanghai comic book editor, began comic creation. 1929 began writing comics, after the integration of "Mr. Wang" and "Chen Jing biography waishi".
Ye Qianyu middle school study painting.
1926 in Shanghai when the counter guy, painting ads, textbook illustrations, and fashion design, stage art scene.
1929 began writing comics, after the integration of "Mr. Wang" and "Chen Jing biography waishi".
In 1936 published "travel" sketch "," shallow to sketch, and combined with the National Cartoonists held the first national cartoon exhibition, the establishment of the Chinese national salvation comics industry, as the one responsible person.
After the outbreak of war in Shanghai, cartoon propaganda team, team captain Guo Moruo is responsible for and participate in the Political Department of the office of the third, to join the Anti Japanese propaganda work. 1939 in Hongkong "today" Chinese handling, the following year back to Chongqing, as a "wartime Chongqing" series and "escape from Hongkong" Wen narrative painting. 1942 in Guizhou Miao area sketch, began to shift to Chinese figure painting creation. 1943 visit to India, held after the tour printed exhibition.
After the victory of the war of resistance to the United States held an exhibition. 1947 to Beiping art school to teach.
In 1954 he was appointed director and professor of Chinese Painting Department of China Central Academy of Fine Arts.
1980 will be deducted reissue of the "Cultural Revolution" in the wage of thirty thousand yuan donation Chinese Department of the Central Academy of Fine Arts Scholarship for painting.
1981, deputy director of the Institute of Chinese painting.
1982 held a solo exhibition at the China Art museum.
Chinese painting "Uighurs" won the Sixth National Art Exhibition award. Other works include "the China painting dance", "Changan" series and meditate on the novel "Midnight" illustrations. The publication of "Ye Qianyu", "selected works of Ye Qianyu painting dance" etc..
Ye Qianyu's artistic achievements are manifold. His painting on the attainments embodied in the first sketches. Can be said that both his sketch became the basis of cartoon art and Chinese painting master, and become fully independent, outstanding works of art. In the face of vivid and rich social life and reality, through his keen tracking, capture, extraction, selection, in his heart, hand and eye coordination the unique skill, portrayed many both spirit and form of artistic image, showing extraordinary artistic attainments. Because of his long-term accumulation in the sketches, forming a unique style of the characters, when he turned to China painting, then look into a handy, zhuo. As Mr. Xu Beihong in the "painting" of Qianyu in the paper
Ye Qianyu in his old age
Ye Qianyu in his old age
Said: "the Chinese painting to a character sketch as shallow, equally skilled; there are no difficulties on the merits of the two form, to the capture, capture, without any taboo, so the master in Chinese painting, in five hundred years, only two people, all with Wu Youru only, so shallow to success in the arts of Cheng is no trivial matter."
Ye Qianyu turned to Chinese painting period, when Zhang Daqian, and other people went to Dunhuang West, Dunhuang art style to re show the occasion of the. Mr. shallow has always attached importance to the traditional Chinese painting, he also learned from the Dunhuang painting treasure of artistic accomplishment, and concentrated on the performance of his Chinese painting figure painting. He used the Dunhuang painting color performance dance figure, formed a style of dance figure painting he had strong passion. From the beginning of 40s, in his long dance figure painting of this subject, numerous drawings, boutique scene. He studied dance dynamics character, shaping the rich vitality and beautiful dynamic characters, he will traditional painting line modeling to acme, forming the consummate, vivid ink language, many works can be called "modern classic write to God, to form the image of both". This painting theme in the dancing figures, he sent a note of the aesthetic ideal and philosophy of rich time characteristic of life feelings, so that works to achieve a high degree of unity of new content and new forms of artistic expression, rich connotation and artistic conception China painting figure painting.
In 1947 Mr Xu Beihong personally hired him to teach full-time Beiping art, Qianyu in art education, conscientious post spent more than and 40 years. After the founding of China Central Academy of Fine Arts, he voted to build the Chinese painting department, and served as director of the department. During his tenure, the unity of the China painting department all masters, who learn as teachers, Gansu as teachers "purpose, based on the talents of art teachers, and promote the national tradition of painting, after many years of exploration practice, finally established the basic Chinese painting teaching system to write sketches, and in practice, copying and writing with the creation of" tradition, life and creation of "three combination" three-in-one copying, the sketch creation "of modern Chinese painting teaching system. After 1978, during Mr shallow to graduate class, and summed up the "throughput of ancient and modern, Chinese and foreign, self-study, guiding the supplement, respect for individuality, encourage the original" twenty-four word teaching guidelines, and their artistic works argument was established, published the "draw on painting", "painting Yu Yu" two books on art. For decades, he has cultivated a large number of business ability and can adapt to the social needs of students, many of whom today become the backbone of art work, forged with peach fruits. It has trained out of Liu Dawei, Li Yansheng, fan Zeng, Ma Quan, Hu Bo, Jia Youfu and many other famous disciples in china.
The first category is comic. The end of a long continuous comic "Wang", "Liu Jing waishi" in "heaven", followed by the temple.
This is superficial to artistic hair emperor period. Journal of Shanghai company in the late 30s out of Qi Wang, his small paintings of Chen Man, leaving a life in Shanghai image data, described the town of the people, launched a set of modern officialdom figure.
The second category is the sketch, ye Qianyu sketch in the painting circle, second to none. He since 30s from the sketch book. It is from Mexico cartoonist Ke Department learned the Florida pease. The sketch book to become a painter's image library. Shallow to sketch, the most famous natural figures on the stage. A generation of young people to know shallow art is published in the press from the beginning of his 50s and 60s stage sketch. Most of his sketches, with a pencil line, from the "Swan Lake" began to paint modified with ink, without any reduction can be reduced to the line, called the master stroke minus.
The third category is dance figure painting. In 40s, ye Qianyu left comics, to Chinese painting. The first batch of works is his visit to India returned to the India dance. He used the Dunhuang murals and Buddhist painting style painting Tianzhu dance, color thick, clean lines smooth, a little wall style. For this batch of paintings, Xu Beihong's comment was: "traditional Chinese painting to shallow, such as sketch characters, writing light, move to." Zong Baihua's comments are: "shallow India dance, is the combination of classical beauty and modern beauty." By 60s, his ink liberation, the climax of the painting dance. As the representative of dance and dance and flowers, and draw the characters of Xiahe, graceful and charming, unrestrained, painting is shallow to Xian dwuhua, 60s is the peak. Unfortunately, a political hurricane, knocked out his paintbrush, cut off his golden age of art. In the late 70s, he took the brush and poured all his feelings into his hometown. He in the two years, three drafts, painted over the "new" scroll painting "again after the" 100 Fuchun Huapu figure, old pen Fenpi, see his 30s cartoons when posture Stanford ink. This time, he did not dance to meet with Chinese painting and painting, try to integrate comics, "Changan" is the four title of nostalgia. Banpo lines, maweipo two questions, there are some comic flavor. Huang Miaozi said a bit of Matisse flavor, which is certainly a painter seeking painting form color in a coincidence.