马啸天

 著名国画家、文化学者马啸天先生,名骧(亦作襄),字啸天,别属澄怀堂主,专业上常年得到吴悦石、梁黄胄、黄永玉、黄苗子等前辈的教诲和影响。2007年出任荣宝斋顾问。现为中华文化促进会会员,中国画研究会会员、中广书画院特聘院士、中国职工画院院士、文化部艺术品资产管理规划师、荣宝斋推荐画家。

  • 中文名马啸天
  • 外文名Ma xiao tian
  • 别名澄怀堂主
  • 性别
  • 国籍中国
  • 民族
  • 祖籍北京
  • 出生地北京
  • 出生日期1962年
  • 职业艺术家,思想家
  • 座右铭探哲理虚怀若谷,看世界观道澄怀
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高古雅思之名士豪情,布衣画人——马啸天

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马啸天,名骧(亦作襄),字啸天,别属澄怀堂主;北京人,1962年出生,16岁开始从事传统中国绘画的学习。19岁参加全国性美术、书法、摄影大展并获奖。而立后常年从事传统中国书画艺术的研究和探...
个人介绍

 马啸天,名骧(亦作襄),字啸天,别属澄怀堂主;北京人,1962年出生,16岁开始从事传统中国绘画的学习。19岁参加全国性美术、书法、摄影大展并获奖。而立后常年从事传统中国书画艺术的研究和探讨,作品多次被全国性媒体刊用发表。专业上常年得到吴悦石、梁黄胄黄永玉、黄苗子等前辈的教诲和影响。2007年出任荣宝斋顾问,近年画风深受张大千先生影响。现为中华文化促进会会员,中国画研究会会员、中广书画院特聘院士、中国职工画院院士、文化部艺术品资产管理规划师、荣宝斋推荐画家。

狂者进取 解衣盘礴

  《论语•子路》:子曰:“不得中行而与之,必也狂狷乎。狂者进取,狷者有所不为也”。 古人以“狂”而进取,若进取遇阻,则以“狷”守。狂狷乃中庸之道,一张一弛实为文武之道所行。

《庄子•田子方》载:“宋元君将画图,众史皆至,受揖而立,舐笔和墨,在外者半。有一史后至者,儃儃然不趋,受揖不立,因之舍。公使人视之,则解衣盘礴,裸袖握管。君曰:“可矣,是真画者也。”

画史传唐人吴道子“每欲挥毫,必须酣饮”,酒酣之后作画迅疾。明皇命其画嘉陵江山三百里,竟一日而就,道子记忆超群,才思敏捷,作画时旁若无人、笔飞墨舞。

宋人范宽作画浑洒自如,笔墨如有神助,游刃有余,作画亦做“解衣盘礴”态,并追求笔下以至“天地间无遗物矣”得创作心态。

石涛上人诗言:“漫将一砚梨花雨,泼湿黄山几段云”。由此可鉴上人作画亦求“解衣盘礴”之气概,唯将天性与心性融通其身心,俱化合一。

傅抱石先生作画,先举杯狂饮,后闭门展纸蘸墨,落笔如风旋水泻一般,挥扫之后小心收拾,画毕再钤“往往醉后”朱文闲章;大气蓬勃中足见真率天性,作画时也同样追求气势磅礴更致广大的境界,抱石先生真乃庄子所言之“真画者也”。

潘天寿先生作画,点石三笔五笔,画树勾花,下笔果断毫不迟疑。所谓“当其下手风雨快,笔所未到气已吞”正如其人,潘翁作画笔墨雄浑刚健霸悍,技艺纯熟勃发天机,常将胸藏万物落于纸上,尽显心性……。

蜀人张爰大千先生绘事,毕生感人颇深。而立上溯宋元,下至明清。不惑则雄踞民国画坛第一人。天命后移居海外,独以一己之力搏西方画坛,花甲间荣登“世界第一画人”榜首。古稀后眼疾加重,目视字距近贴眉宇,虽遭眼疾之害,仍将中华丹青绝技与西方绘艺浑然一体。更有将德意志石版画技与泼彩泼墨运筹帷幄于天地万象。正如爰翁语录大意所言:“画者即为造物主,天地万物任由其笔性所致……”。爰翁耄耋年迈后,为绘《庐山图》巨制,耗时三年之久,竟在画作题款时累发心病,送医不久与世长辞……,该等情形确如悲鸿先生所誉“五百年来第一人”赞许有嘉。

余自弱冠进阶绘学启蒙,初以二王入书,后以明清诸家传统入画。甲子年幸遇悦石先生并从其问学师范,时常感受先生慷慨呵护,授业友之……。今悦石先生虽年逾古稀,禅心儒韵,高古通神,师古人更师造化。文雅心性风流高致,物我两忘平淡所为,丹青法度了然心中;先生作画喜据德依仁,沉着豁达并把握怀情,发心力,现天机,穷笔墨微妙与造化融通,痛快淋漓间跃然纸上,尽呈璀璨无穷万象之功。近闻先生以十张丈二接拼巨纸,所绘山水巨制将天地万物与人品才学附和其中,堪为当今绘史之楷模,与其为师问学,实乃后学三生之幸。

余亦曾与当代宗师何瀛海霞、梁黄胄、黄苗子、黄永玉等诸老忘年为友,借近身问学之际,乞获些小雕虫把戏,沾沾自喜于绘事与虎谋皮。天命间才沉梦初醒,为再证六法而传移模写诸家师范。因长从绘事所托,潜心毕至,穷及传统,力倡颐养书卷心性, 自我主张复兴“六法”,借其准则而放浪形骸,畅抒己怀。自诩“澄怀堂主”,纂铭座右:“探哲理虚怀若谷,看世界观道澄怀”。因崇尚魏晋风度而抱节守志,更以“狂者进取之心”操“借师还魂”之术。

正如黄公苗子为永玉先生作诗所云:“老子胸中渣滓尽,山之半居看浮云”。若无“解衣盘礴”之势,难除胸中渣滓之俗,世俗腐气不去,书卷之雅亦曾何来。即为后学,理当精研绘史典籍及前辈模范,泥古且不拘古。为画者应有洒脱率真之天性,勿拘门第宗派之别,博采众长抒写胸中烂漫,若能修成画艺超群之时,方可登堂入室,步入大道之行也。

丙申初夏 啸天马襄并识于澄怀堂晴窗

人物评价

 中华文化促进会王石主席短评

啸天你好,画与信都收到,都喜欢。士别三日倘须刮目,三年三十年又作何论?虽少联络,但你我交情不薄,起码足够写点什么!终于想要告罪的原因,绝不是因为你的画作欠佳,而是因为我对于绘画,实在没有什么值得形之为文的见解。先前说过别人的画,也是勉为其难,说过之后心虚得很。总是怕人笑话。相识以今,我只觉得你于书画,似乎从未改变过热爱,改变过关注,恐怕私下里也从未放弃过习作,见识既广,积累也厚,出手自不庸,览读之下,竟有一种说不清的大家之气!作为老友,真是深以为羡!除了这,实在不知还能说些什么。

祝一切好!

王 石

2016年6月19日

吴悦石为马啸天画集作序

 

啸天聪颖好学,曾优游于京城诸老间,得闻无上妙法。一九八四年问学于我,乃精研笔墨,疏证六法,一时为京中俊彦。其后浮身商海,虽不忘丹青,亦疏阔久矣。今重拾笔翰,再证风骚,岁月历练补益尤多,识见之富已非昔日。近年精研髯翁妙笔,可谓极虑专精,余韵绵长。啸天结集刊行,故简序之。

吴悦石 乙未寒露节

 

师法的感悟—我所认识的马啸天

作者简介:田玉武,历任中学教师、盘山人民广播电台记者、盘山电视台广告部主任、电视台副台长、盘山县广播电视局副局长。1988年起在报刊上发表诗歌、散文。

京城画家马啸天,谈不上是那种有“组织”有“背景”的画家,他不但无证上岗,也没有参加过任何县、乡、村等机构所组织的小展,更别提什么省展、国展了,亦没得过任何奖牌,可他也不是什么大棚里培育的苗子,他是正在旷野中自然成长的一棵大树!既然如此,我便趁此良机给这棵大树浇上几瓢清水吧!

 

与啸天相识已有些年头了,还在我们未曾谋面的时候,我己在京城众多书画界朋友们家的玉壁之上,被他的书法作品所打动。后来,我们有幸相识,见面后才知道他不但书法写得好,画也画的十分了得。 啸天性格开朗,与当代诸多艺术大家广有交流,可谓眼高艺不俗。尤其是对艺术理论有自己独到的见解。並形成了自己独特的艺术观点。

Introduction in English

 Mr. Ma Xiaotian, a well-known Chinese painter and cultural scholar, is also known as Xiangtian. He is the master of Chenghuai Tang. He has been taught and influenced by Wu Yueshi, Liang Huanghuang, Huang Yongyu, Huang Miaozi and other predecessors all the year round. In 2007, he served as Rong Baozhai's consultant. Now he is a member of the Chinese Culture Promotion Association, a member of the Chinese Painting Research Association, a specially appointed academician of the Zhongguang Academy of Calligraphy and Painting, an academician of the Chinese Workers'Academy of Painting, an asset management planner of the Ministry of Culture, and a recommended painter by Rong Baozhai.

 

Ma Xiaotian, also known as Xiangtian, is the owner of Chenghuai Tang. Beijing native, born in 1962, began to study traditional Chinese painting at the age of 16. At the age of 19, he participated in national art, calligraphy and photography exhibitions and won prizes. Since then, he has been engaged in the research and discussion of traditional Chinese painting and calligraphy art for many years, and his works have been published by the national media for many times. Professionally, he has been taught and influenced by Wu Yueshi, Liang Huanghuang, Huang Yongyu, Huang Miaozi and other predecessors all the year round. In 2007, he served as a consultant of Rong Baozhai. In recent years, his painting style has been deeply influenced by Mr. Zhang Daqian. Now he is a member of the Chinese Culture Promotion Association, a member of the Chinese Painting Research Association, a specially appointed academician of the Zhongguang Academy of Calligraphy and Painting, an academician of the Chinese Workers'Academy of Painting, an asset management planner of the Ministry of Culture, and a recommended painter by Rong Baozhai.

 

Yu has also been friends with contemporary masters He Ying Haixia, Liang Huangqi, Huang Miaozi, Huang Yongyu and other old people who have forgotten their age. By virtue of close learning, he has begged for some small carving tricks and is proud of painting and tiger tricks. In order to prove the Six Facts again, the model was transferred and written in Zhujia Teachers'College. As a result of long entrusted by painting, dedication, poverty and tradition, advocate self-reliance, self-advocate the revival of the "Six Ways", with its criteria to wander and express their own feelings freely. Self-praised "Chenghuai Hall Master", compiled the right inscription: "Exploring philosophical theory and looking at the world outlook Chenghuai". Because of advocating Wei and Jin demeanor and keeping one's mind, he also practiced the skill of "borrowing teachers to return one's soul" with "the enterprising heart of the madman".

 

Just as Huang Gong Miaozi wrote poems for Mr. Yongyu: "Lao Tzu's chest is empty of dregs, and half of the mountains are floating clouds." Without the trend of "unloading clothes and trays", it is difficult to get rid of the dregs in the chest, the secular decay, and the elegance of books. That is to say, he should study and draw historical classics and models of his predecessors carefully, sticking to the past and not sticking to the past. For the painter should be free and straightforward nature, do not stick to the different sects, learn from all the long-standing expression of the thorax, if you can cultivate excellent painting skills, you can enter the hall and enter the road.

Bingshen early summer whistling day Ma Xiang and know in the clear window of Chenghuaitang

 

A Brief Comment on Chairman Wang Shi of the Society for the Promotion of Chinese Culture

Hello, Xiaotian. Paintings and letters have been received. They all like it. What about three or thirty years of scholarly farewell? Although few contacts, but you and I are not weak friendship, at least enough to write something! The reason why I finally wanted to plead guilty was not that your paintings were not good, but that I had no idea about painting. Previously, I said that other people's paintings are also reluctant to make it difficult. After that, I feel very guilty. Always afraid of jokes. Acquaintance with today, I only think that you in painting and calligraphy, it seems that you have never changed love, attention, I am afraid in private never give up the exercise, knowledge is broad, accumulated and thick, from extraordinary, read, there is a kind of ambiguous atmosphere of everyone! As an old friend, I really envy you! I really don't know what else to say besides this.

 

Good luck!

 

Wang Shi

 

19 June 2016

 

Mr. Wu Yueshi Preface to Ma Xiaotian's Paintings

 

Xiaotian is intelligent and eager to learn. He has been a good swimmer among the old ladies in the capital city, and has never heard of any magic tricks. Learning from me in 1984, he studied pen and ink carefully, dredged six methods of evidence, and for a time was Junyan in Beijing. Afterwards, he floated in the sea of commerce, though not forgetting the youth, but also sparse for a long time. Nowadays, when we pick up our pen and prove our style, we have gained more benefits from years of experience, and the wealth of insight is no longer what it used to be. In recent years, intensive study of shaven Weng Miaobi can be said to be extremely specialized, lasting rhyme. Xiaotian collects and publishes, so it's in a brief order.

Wu Yueshi Yiwei Cold Dew Festival

The Sense of Teacher's Method-Ma Xiaotian I Know

Author's brief introduction: Tian Yuwu, a successive middle school teacher, Panshan People's Radio reporter, Director of Advertising Department of Panshan TV Station, Deputy Director of TV Station and Deputy Director of Panshan County Radio and Television Bureau. Since 1988, he has published poetry and prose in newspapers and periodicals.

Ma Xiaotian, a Beijing painter, is not the kind of painter who has "organized" and "background". He has not only worked without a certificate, nor participated in any small exhibitions organized by county, Township and village organizations, let alone provincial and national exhibitions, nor won any medals, but he is not a seedling cultivated in a big shed. He is a big tree growing naturally in the wilderness! In that case, I will take this opportunity to water the tree with a few ladles of water.

I have known Xiaotian for several years, and I was touched by his calligraphy works on the jade wall of many friends in the field of calligraphy and painting in Beijing before we met. Later, we had the pleasure of meeting each other. It was only after we met that he not only wrote well in calligraphy, but also painted very well. Xiaotian has a cheerful personality and has extensive exchanges with many contemporary artists. It is said that he has a good eye for art. Especially, they have their own unique views on art theory. And formed its own unique artistic point of view.

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