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纪连彬

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 纪连彬,1960年11月2日生于哈尔滨市。1978年考入鲁迅美术学院中国画系,1982年毕业。1989年在中央美术学院结业。曾任黑龙江省画院副院长、黑龙江省美术家协会副主席、黑龙江省人大常委。现为中国国家画院副院长、中国国家画院专职画家、一级美术师、中国美术家协会会员、全国青联委员,国务院特殊津贴专家。

  • 中文名纪连彬
  • 性别
  • 国籍中国
  • 民族汉族
  • 出生地哈尔滨
  • 出生日期1960.11.2
  • 职业画家
  • 协会中国美术家协会
  • 毕业院校鲁迅美术学院,中央美术学院
  • 主要成就中国国家画院著名人物画家
  • 代表作品《祥云》《岁月深处的队列》《融》
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纪连彬人物国画作品 清新素雅内蕴十足

中国美术网 09-17 浏览

中国国画是独居中国的特色的绘画艺术,注重于笔墨的渲染和意境氛围的营造,博宝宝珍商城里展示有许多精美的国画作品,国画的创作题材广泛,包罗万象,其中的人物国画更是常见的主题,千百年来经...
人物简介
纪连彬谈艺术风格的诞生

 1960年11月02日生于哈尔滨。1978年考入鲁迅美术学院中国画系,1982年毕业。作品曾获“全国庆祝建军60周年美展”金奖、“中国首届工笔山水画展”金叉奖、“全国首届山水画展”铜奖、“第八届全国美展”、“第十届全国美展”优秀作品奖。1997年被中国文联评为“中国画坛百杰”,曾获“徐悲鸿美术奖”。“黄宾虹奖”。2004年被评为“黑龙江省德艺双馨艺术家”。曾举办6次个人画展,出版17本个人画集。

 

个人职务

 曾任黑龙江省画院副院长、黑龙江省美术家协会副主席,黑龙江省人大常委。现为中国国家画院副院长、中国国家画院研究员、国家一级美术师、《中国国家美术》执行主编、院艺术委员会委员、文化部高级职称评委、中国美术家协会会员、全国青联委员、国务院特殊精贴专家、上海中国画院特聘画师、中国画学会理事。

荣誉记录

 作品曾获“全国庆祝建军60周年美展”金奖(获奖作品《岁月深处的队列》),“中国首届工笔山水画展”金奖(获奖作品《融》),“全国首届山水画展”铜奖,“全国纪念九、一八60周年中国画展”银奖,“第八界全国美展”优秀作品奖,“中国佛教文化艺术大展”优秀作品奖。“当代水墨新人奖”优秀作品奖。1997年被中国文联评为“中国画坛百杰”,1999年被评为“中国百杰画家”称号。“东北三省国画展”获金奖。“黑龙江省文艺创作大奖”荣誉奖,“黑龙江省八届美展”金奖,“黑龙江省庆祝建党75 周年美展”金奖,“94年黑龙江省文艺创作大奖”提名奖。“万岁中华——黑龙江省美术系列大展” 金奖,“黑龙江省文艺创作精品工程”一等奖等。作品曾参加第七届(入选作品《古河道》)、八届、九届全国美展、“第四界亚洲美展”、“全国首届中国美展”、“全国第二界新人新作展”、“全国第三界工笔画大展”、“中国扇面艺术大展”、“纪念反法西斯胜利50周年中国画展”、“中国现代优秀美术作品展”(马来西亚)、“当代中国画展”(德国)、“全国中国画学术邀请展”、“水墨延伸——96国际艺苑水墨人物画邀请展”、“中国当代著名国画家作品展”、“当代中国画百杰作品展”。在北京、深圳、汕头、烟台举办个人画展,出版《纪连彬画集》,《世纪之交中国画著名画家——纪连彬选集》、《纪连彬画选》、《心境幻象·纪连彬画集》等,有作品被中国美术馆等收藏。作品在香港、台湾、日本、新加坡、泰国、美国、德国、英国、法国、加拿大、俄罗斯、孟加拉、马来西亚、韩国等国家和地区展出,山东翰墨缘画廊推荐画家纪连彬个人传记被收录在多部画家传记、名人录等辞书中,中央电视台、中央人民广播电台给以介绍,黑龙江电视台拍摄专题片。

 

相关评价

 纪连彬是伴随着中国改革开放成长起来的一代中国人物画家。他1982年毕业于鲁迅美术学院中国画系,一直在黑龙江省画院从事专业创作,至今整整二十年。在这二十年里,中国画坛发生了巨大的变化,中国入物画从现实主义的主题性绘画发展形成多样化的创作格局。纪连彬水墨人物画风格,正是在这样一个大背景下形成的,他从最初对现实生活的直接撷取,到表达意念心象,完成了一个质的飞跃。他的创作取向正与高扬主体意识,表现入格精神这一时代审美需求相契合。

观赏纪连彬的作品,第一个显著特征即是精神的自由和对现实的超越。画家通过对入与自然的描绘,制造幻化的意象情境,抒发对生活的深层感受,寄予人文关怀,重建人与自然的诗意化联合,作品具有丰富的精神内涵。

纪连彬的作品不是对自然现实的客观反映,它是画家久居浮躁喧嚣都市情境下精神释放的产物,是向往回归自然心绪的真实流露。一切艺术创造都是现实生活感受的反馈,时代的进程给每个人带来一种无形的深刻的精神变异。物质文明的提升并不意味着心灵的自由,在世界进入新的世纪之际,现代科技的发展,电子时代的到来,改变了人们的生存状态和行为方式,城市高楼林立如水泥丛林,市俗对物欲的追求,打破了以往平和的心境。激烈的竞争,加快了生活的节奏,造成身心的焦虑。纪连彬在享受现代物质文明和都市生活的种种便利的同时,也深深的感到精神的压抑和无奈。他在一篇文章中写道:‘在日渐矫饰的城市里,欲望的膨胀,机械的胜利带来了精神的扭曲和异化,压抑、孤寂、冷漠是城市的影子,在轰隆隆的机器喧闹的噪声中,都市已经没有了诗意....。.都市物质制造幸福的假象。自然的歌声逐渐离我们远去....。.逃避城市回归自然的绿色梦想正是都市群落的精神渴望和心灵的慰藉’。看了这段心灵的读白,对纪连彬选择西藏这块远离都市的地域作为自己的创作题材便不难理解了。他以西藏为题材意不在表现西藏的现实生活。实际他是借用这一具有原始风貌的民族表达他的一贯主题,这就是入与自然的关系衍化的生命意蕴。这片神奇的土地,正适合演绎他心象的幻化。

个人荣誉

现任内蒙古自治区人大常委会副主任,内蒙古成吉思汗书画院(乌兰浩特)名誉院长。

胡先生自幼喜书画,曾师从著名国画家白铭先生、任德超先生。

著有《城市国有资本运营探索》、《实践与思考》,诗集《不尽情思》等。

Introduction in English

 Ji Lianbin was born in Harbin on November 2, 1960. He was admitted to the Department of Chinese Painting of Lu Xun Academy of Fine Arts in 1978 and graduated in 1982. He graduated from the Central Academy of Fine Arts in 1989. He was Vice President of Heilongjiang Painting Academy, Vice President of Heilongjiang Artists Association and Standing Committee of Heilongjiang People's Congress. He is now vice president of the National Academy of Painting, full-time painter of the National Academy of Painting, first-class artist, member of the Chinese Artists Association, member of the National Youth Federation, and expert on special allowances of the State Council.

 

Brief Introduction to Characters

 

Born in Harbin on November 02, 1960. He was admitted to the Department of Chinese Painting of Lu Xun Academy of Fine Arts in 1978 and graduated in 1982. His works have won the Golden Prize of "National Art Exhibition Celebrating the 60th Anniversary of the founding of the Army", "China's First Fine Brushwork Landscape Painting Exhibition" Golden Fork Prize, "China's First Landscape Painting Exhibition" Bronze Prize, "Eighth National Art Exhibition" and "Tenth National Art Exhibition" for outstanding works. In 1997, he was awarded the "Baijie of Chinese Painting" by the Chinese Federation of Literature and was awarded the "Xu Beihong Prize for Fine Arts". Huang Binhong Award. In 2004, he was awarded the title of "Heilongjiang Artist of Deyi and Shuangxin". Six solo exhibitions were held and 17 solo albums were published.

 

Personal position

 

He was Vice President of Heilongjiang Painting Academy, Vice President of Heilongjiang Artists Association and Standing Committee of Heilongjiang People's Congress. Now he is Vice President of the Chinese National Academy of Painting, researcher of the Chinese National Academy of Painting, national first-class artist, executive editor-in-chief of the National Art of China, member of the Academy's Art Committee, senior title judge of the Ministry of Culture, member of the Chinese Artists Association, member of the National Youth Federation, special fine art expert of the State Council, and special artist of the Shanghai Academy of Chinese Painting. Director of Chinese Painting Society.

 

Honorary Records

 

His works have won the Gold Prize of "National Art Exhibition Celebrating the 60th Anniversary of the Founding of the Army" (Award-winning work "Queue in the Depth of Time"), the Golden Prize of "China's First Fine Brushwork Landscape Painting Exhibition" (Award-winning work "Rong"), the bronze prize of "National First Landscape Painting Exhibition", "National Chinese Painting Exhibition Commemorating the 9th and 1860th Anniversaries" and the Silver pri ” Excellent Works Award, "Chinese Buddhist Culture and Art Exhibition" Excellent Works Award. "Contemporary Ink and Wash Novels Award" Award for Excellent Works. In 1997, he was awarded the title of "Chinese Baijie Painter" by the Chinese Federation of Literature, and in 1999 he was awarded the title of "Chinese Baijie Painter". "Northeast Three Provinces Traditional Chinese Painting Exhibition" won the gold medal. "Heilongjiang Province Literary and Art Creation Award" honorary award, "Heilongjiang Province Eighth Art Exhibition" gold award, "Heilongjiang Province celebrating the 75th anniversary of the founding of the Party" gold award, "Heilongjiang Province Literary and Art Creation Award 1994" nomination award. "Long live China - Heilongjiang Fine Arts Series Exhibition" Gold Prize, "Heilongjiang Literature and Art Creation Project" First Prize, etc. His works have participated in the 7th (Selected Works of the Ancient River), 8th and 9th National Art Exhibition, the 4th Asian Art Exhibition, the 1st National Art Exhibition, the 2nd National New Artists Exhibition, the 3rd National Fine Brushwork Exhibition, the Chinese Fan Art Exhibition, and the 50th Anniversary of the Victory of Antifascism. Chinese Painting Exhibition, Chinese Modern Excellent Art Works Exhibition (Malaysia), Contemporary Chinese Painting Exhibition (Germany), National Chinese Painting Academic Invitation Exhibition, Invitation Exhibition of Ink and Wash Extension - 96 International Art Garden Invitation Exhibition of Ink and Wash Painting, Exhibition of Works of Famous Chinese Contemporary Painters, Exhibition of Baijie Works of Contemporary Chinese Painting " In Beijing, Shenzhen, Shantou and Yantai, individual exhibitions were held, Ji Lianbin Painting Collection was published, Ji Lianbin Selection, Ji Lianbin Painting Selection, Ji Lianbin Illusion, Ji Lianbin Painting Collection, etc. At the turn of the century, some works were collected by the Chinese Art Museum. His works are exhibited in Hong Kong, Taiwan, Japan, Singapore, Thailand, the United States, Germany, Britain, France, Canada, Russia, Bangladesh, Malaysia, South Korea and other countries and regions. Ji Lianbin's personal biography recommended by Hanmuyuan Gallery in Shandong Province is included in many painter's biographies, celebrity directories and other dictionaries. The TV station and the Central People's Broadcasting Station gave an introduction. Heilongjiang Television Station made special films.

Relevant evaluation

 

Ji Lianbin is a Chinese figure painter who grew up with China's reform and opening up. He graduated from the Department of Chinese Painting of Lu Xun Academy of Fine Arts in 1982 and has been engaged in professional creation in Heilongjiang Academy of Fine Arts for 20 years. In the past 20 years, great changes have taken place in the field of Chinese painting. The development of Chinese object-oriented paintings from realistic thematic paintings has formed a diversified creative pattern. Ji Lianbin's ink and wash figure painting style was formed under such a big background. He completed a qualitative leap from the first direct extraction of real life to the expression of ideas and images. His creative orientation is in line with the aesthetic needs of the era of subjectivity and qualified spirit.

 

To appreciate Ji Lianbin's works, the first distinctive feature is spiritual freedom and Transcendence of reality. By describing nature, the painter creates illusory imagery situations, expresses his deep feelings of life, expresses his humanistic concern, and reconstructs the poetic combination of man and nature. His works have rich spiritual connotations.

 

Ji Lianbin's works are not an objective reflection of natural reality, but a product of spiritual release of painters living in the impetuous and noisy urban environment for a long time, and a true expression of their yearning for returning to nature. All artistic creation is the feedback of real life experience, and the process of the times brings an invisible and profound spiritual variation to everyone. The promotion of material civilization does not mean the freedom of mind. In the new century, the development of modern science and technology and the arrival of the electronic age have changed people's living conditions and behavior. Urban high-rise buildings stand like cement jungle, and the pursuit of material desire by the common people has broken the peaceful mood of the past. Intense competition has accelerated the pace of life and caused physical and mental anxiety. While enjoying the conveniences of modern material civilization and urban life, Ji Lianbin also deeply felt the spiritual depression and helplessness. He wrote in an article: "In the increasingly decorated city, the expansion of desire, mechanical victory has brought spiritual distortion and alienation, depression, loneliness, indifference is the shadow of the city, in the roaring noise of machinery, the city has lost its poetic flavor...". Urban material creates the illusion of happiness. The song of nature is fading away from us. The green dream of escaping the city and returning to nature is the spiritual desire and spiritual consolation of the urban community. After reading this passage of mind, it is not difficult to understand Ji Lianbin's choice of Tibet, a region far from the city, as his creative theme. His theme of Tibet is not to show the real life of Tibet. In fact, he borrowed this primitive national style to express his consistent theme, which is the life implication derived from the relationship between entry and nature. This magical land is suitable for the illusion of his mind.

 

personal honor

 

He is currently Deputy Director of the Standing Committee of the National People's Congress of Inner Mongolia Autonomous Region and honorary president of Genghis Khan Academy of Calligraphy and Painting (Ulanhot).

 

Mr. Hu was fond of painting and calligraphy from his childhood. He was taught by famous Chinese painters, Mr. Bai Ming and Mr. Ren Dechao.

 

His works include Exploration of the Operation of State-owned Capital in Cities, Practice and Thoughts, and Poetry Collection Untouching Thoughts.

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