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李海峰

 李海峰,字柏霖,文博斋艺术馆馆长,文博堂主人,生于1963年,湖北省武汉市人,祖籍枝江市。

  • 中文名李海峰
  • 别名字柏霖
  • 性别
  • 国籍中国
  • 民族汉族
  • 出生地湖北省武汉市
  • 出生日期1963年
  • 职业书法家
  • 主要成就国家一级美术师
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李海峰:艺术品投资者需要普及大量鉴别知识

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由中国日报知识产权周刊、中国知识产权杂志联合主办的中国当代书画艺术知识产权论坛,暨中国当代书画知识产权保护展于2011年12月13日举行。北京电视台著名主持人李...
简介

 李海峰,字柏霖,文博斋艺术馆馆长,文博堂主人,生于1963年,湖北省武汉市人,祖籍枝江市。博士,著名书法家。中国书法家协会考级专家指导会委员、考官,国家一级美术师,中国国务院国礼评审委员会委员,湖北省书法考级中心主任,中国文化走出去促进中心副主任,中国扇子学会副会长,湖北省文化产业协会执行会长,湖北省工艺美术协会副秘书长,中央国家机关书法家协会理事,全国名人书画艺术界联合会主任委员,中国楹联学会会员,中国楹联学会书法艺术委员会委员,湖北省书画家联谊会主席,湖北省书法考级中心书法研究院院长,中国书画家联谊会理事,中国王铎书画院名誉院长,北京谭柘紫石艺术书画院名誉院长,中国书画艺术研究院理事,国家级职业艺术品鉴定家,中国国务院国礼特供艺术家。

人物经历

 1979年9月入伍,受到军旅文化的熏陶和多位书法名家指导,研习书法。多年来广泛涉猎历代碑帖,尤喜二王、米、苏之书风。近年来,在王羲之米芾启功等诸多书法大家的经典作品中汲取营养,悉心探研、取舍,其书法从理论到技法上都有了飞跃的突破,融各家精髓于一体,形成了自己的风格。擅长行书、草书。其书法作品飘逸中不失苍劲,大气中透出秀美。运笔流畅,法度严谨,动静相依,错落有致。多次获得全国各类书画比赛奖项,并得到业内专家及社会书画收藏人士的好评。

2008年8月,其多幅书法作品被收录于中国书画出版社出版的《当代中国书画骄子—书法篇》。

2008年9月在人民美术出版社发行李海峰书法集。

2008年10月,被中国书画家联谊会批准在湖北设立中国书画家联谊会湖北书画院,并担任院长。

2008年被世界文化艺术研究中心、世界华人交流协会、美国海外艺术家协会和国际经济文化中心等机构共同收录到《世界人物辞海—中华卷》。

2008年12月,其多幅书法作品被当代翰墨名家大典收录,并被推荐为最具收藏价值的书法名家之一。

2009年由人民美术出版社发行李海峰书法集。

2009年1月,应邀出席第11届世界华人艺术大会香港大型艺术展,其书法作品获得第十一届“世界华人艺术大会”国际金奖,并被大会组委会收藏。同年,其多幅作品收录于中国知名书画家大典。

在建国60周年之际,作为当代取得杰出成就的书法名家之一,其书法作品被中国集邮总公司收录,并为其发行了“当代中华文化名家专题邮票”及纪念封。

在举世瞩目的上海世博会开幕之际,2010年3月由中国当代中华文化名家专题邮票工程办公室入编,入编了创作风格独特、新颖的10余幅书法作品,与一代艺术泰斗吴冠中大师、一代书画艺术大师范曾的书画作品一道,荣登由中宣部、文化部·中国书协·中国美协、国会《中华艺术大家》文献专集家邮政总局审定,原文化部部长高占祥题写书名的上海世博。

历年由人民美术出版社发行的中国当代百名书画家,李海峰书法集,主编发行的书法教材近十万字,曾赴多国举办个人作品展,多幅作品获国内外美术馆及藏家收藏。同年,获得了首届中华名家世博艺术杰出成就奖;入选中国传统文化杰出贡献人物,并出任中国传统文化交流协会常务副会长。入选了中国国学院编著的《中国国学专家人物志》,以及为建党90周年献礼的大型文献《中国领导管理艺术文库》2010年6月份应日本文化省邀请,在日本东京美术馆成功举办了个人书法作品展,其展出部分优秀作品由美术馆收藏,另有佳作一幅由前日本首相村田富士个人收藏,在展出期间得到日本文化界和收藏界人士的一致好评!从2011年至今,担任主编并发行湖北省义务教育教科书《书法》;湖北省普通高中教科书《书法》(湖北少年儿童出版社出版发行);《书法等级考试辅导系列教材》(湖北科技出版社)。

主要成就

 在建国60周年之际,作为当代取得杰出成就的书法名家之一,其书法作品被中国集邮总公司收录,并为其发行了“当代中华文化名家专题邮票”及纪念封。

在举世瞩目的上海世博会开幕之际,2010年3月由中国当代中华文化名家专题邮票工程办公室入编,入编了创作风格独特、新颖的10余幅书法作品,与一代艺术泰斗吴冠中大师、一代书画艺术大师范曾的书画作品一道,荣登由中宣部、文化部·中国书协·中国美协、国会《中华艺术大家》文献专集家邮政总局审定,原文化部部长高占祥题写书名的上海世博。历年由人民美术出版社发行的中国当代百名书画家,李海峰书法集,主编发行的书法教材近十万字,曾赴多国举办个人作品展,多幅作品获国内外美术馆及藏家收藏。

同年,获得了首届中华名家世博艺术杰出成就奖;入选中国传统文化杰出贡献人物,并出任中国传统文化交流协会常务副会长。入选了中国国学院编著的《中国国学专家人物志》,以及为建党90周年献礼的大型文献《中国领导管理艺术文库》

  2010年6月份应日本文化省邀请,在日本东京美术馆成功举办了个人书法作品展,其展出部分优秀作品由美术馆收藏,另有佳作一幅由前日本首相村田富士个人收藏,在展出期间得到日本文化界和收藏界人士的一致好评!

2011年任湖北省义务教育教科书《书法》(1-9),湖北省普通高中教科书《书法》主编,由湖北少年儿童出版社出版发行。

评论文章

 不久前,中国著名书法家李海峰先生为湖北希望工程第三界慈善晚宴专门创作的书法作品《黄鹤楼送孟浩然之广陵》,一举拍出71.8万元,创下了湖北省当代书法作品拍卖的最高记录。该作品四尺整张,可谓蕴气藏精,字字珠玑,“二王”风骨凛凛再现。整幅作品,线条清婉,清远萧散,结体严谨,用笔舒缓疾弛有度,是近年来书法艺术界里众多书法作品中难得一见的佳作。

这幅作品的艺术美,一览无余地流露出创作者的人格魅力,这使我再一次对李海峰先生萌生了强烈的敬仰之情。

宛若游龙,惊若飞鸿

常言道“心正则笔直”、“书如其人”。李海峰先生的书作,起落缜密、技艺精妙、枯瘦有致,有着他对中国书法艺术独有的阐释和演绎,内含一种特有的气度和精神。书法艺术的最高境界是意在笔先,李海峰先生的书作,是在豪放中释放一种空灵。

不难看出,李海峰先生的书法作品是具深厚的艺术功底的。其作品在表现形式上,雅俗共赏,能为大众所接受。在艺术风格上,具有正大气象,自然中透着刚健、朴素中溢出清新。

更难能可贵的是,李海峰先生的书法,博采众家之长,成功地完成了从书法奴隶到书法主人的转变。从其书作我们可以看到,作为一名书家,李海峰先生着墨浓淡相宜,枯瘦与圆润交相辉映,行草相间,布局错落有致,完全进入了一种空灵的境界。仔细品味其书作,一股富有质感的艺术清新之美袭面而来,可谓是宛若游龙,惊若飞鸿。

在他的艺术世界里漫游,仿佛置身于一片斑斓的梦幻之境,绚烂之极,奇妙之极,经典之极。掩卷吟咏,生无限感慨,令人如痴如醉、欲歌欲舞!

甘于淡泊、心境清虚

书法不是简简单单地写个字,而是一个人文化修养的体现,一个人的人品、素养都能通过书法表现出来,如果一个人只会写字,那只能说他是一个写字匠。书法不仅仅是“技”,是“艺”,更是“道”,尺幅天地,构建的是书写者的精神家园。

古代的众多书家在书法艺术领域构建了一座后人永远也无法逾越的高山,而他们多是淡泊名利,更有甚者遁入空门。现代社会浮躁泛滥,德艺双馨造诣的书法大家少之又少。只有甘于淡泊、心境清虚的人,才能在学习书法的过程中不受名利的诱惑,从而静下心来刻苦钻研,进而获得更高的书法成就。李海峰先生算是一位。

先生乐善好施,经常将自己的作品慷慨赠人,不同于现下那些铜臭萦身的书家。他还经常参加一些慈善活动,真可谓是“大爱无疆,大道无垠”。

清代书法家刘熙载有名言曰:“书者,如也;如其学,如其才,如其志,总之曰如其人而已。”书法艺术反映的是一个人完整的内心世界,是其学识、才情和志向的综合反映,这就决定了书法创作不可能通过某种单一的活动去实现,而要求书法家把全部心灵都投入到自己的作品之中。也正是由于书法家对创作的全身心投入,使得书法艺术与其他艺术相比,更能充分透彻地表现书法家的人格。

  “书为心画”,“意在笔先”,书法作品是书家人格及修养的具体呈现。书家文化素养的深浅,往往决定了其书法品位的高低。中国书法史,是一个重视文化、重视品味的历史。历代的书法大家,均不是以“书”立身,而是以他们的学识、修养、文才、著作而论。人们总把人品、书品与文品结合起来评论书家。俗话说:心正则笔正,心刚则气雄。李海峰先生在中国书法美学、书法理论上良好的学养,成就了他凝重笃实、儒雅潇洒的书风,构成了他书法艺术的灵魂和生命。从他的书法作品中,不难觅到那种淡泊、清虚、无为、坐忘之境界;可以品出无限壮阔、无限雄浑、无限空灵的意蕴。

师出名门,不断超越

一个真正的书家应该对技法勤学苦练、朝夕钻研,是应具有独到的欣赏能力及敏锐鉴别能力的。扎实的书法基础要经过长时间的临帖和研习才能斩获。先生不到十岁就表现出了对书画艺术的浓烈兴趣,并开始勤奋临习。他于1979年9月入伍,受到军旅文化的熏陶和多位书法名家指导,研习书法。多年来广泛涉猎历代碑帖,尤喜二王、米、苏之书风。近年来,在王羲之米芾启功等诸多书法大家的经典作品中汲取营养,悉心钻研,因而其书法从理论到技法上都有了飞跃的突破,融各家精髓于一体,形成了自己的风格。先生尤其擅长行书、草书,行、草书作品运笔流畅,法度严谨,动静相依,错落有致,真可谓是飘逸中不失苍劲,大气中透出秀美。

后来先生进入清华大学学习,并取得艺术博士学位。这个阶段的学习对其成功是有决定性作用的。在恩师启功欧阳中石李毅华的悉心指导下,他形成了章法娴熟、技艺独到、力透纸背、隽永流畅、笔墨浑厚的书法风格。也因此,李海峰先生被书法界誉为“行书王子”。

艺术无止境。对于书法艺术大家来说,他像夸父逐日一样,在不断追求完美。总在夜阑人静之时,他独自审视自己的作品,并自己为自己挑刺。他的每一次进步都是在对自己作品的一次次自我否定上,突破自我并走向更高的艺术境界的。

正是这份痴情和执着,成就了他如今这番令人敬重的艺术造诣和境界。

我们坚信,一个能把艺术视为生命一部分而永恒追求的人,是一定能创造奇迹、进入艺术最高殿堂的!

Introduction in English

 Li Haifeng, Zi Bailin, curator of Wenbozhai Art Museum and owner of Wenbotang, was born in 1963 in Wuhan, Hubei Province, and his ancestral home is Zhijiang City. Doctor, a famous calligrapher. Chinese Calligrapher Association Examination Expert Steering Committee Member, Examiner, National First-Class Artist, Member of the State Ritual Review Committee of the State Council of China, Director of Hubei Calligraphy Examination Center, Vice-Director of Chinese Culture Outgoing Promotion Center, Vice-Chairman of Chinese Fan Society, Executive Chairman of Hubei Cultural Industry Association, and Craft of Hubei Province Deputy Secretary-General of Art Association, Director of Calligrapher Association of Central State Organs, Director of National Association of Celebrity Calligraphy and Painting Art, Member of Chinese Association of Couplets, Member of Calligraphy Art Committee of Chinese Association of Couplets, Chairman of Hubei Association of Calligraphers and Painters, President of Calligraphy Academy of Hubei Calligraphy Grading Examination Center, and Chinese Calligrapher and Painter Director of Friendship Association, Honorary Dean of Wang Duo Academy of Calligraphy and Painting, Honorary Dean of Beijing Tan Zhe Zishi Academy of Calligraphy and Painting, Director of China Academy of Calligraphy and Painting Art, National Professional Art Specialist, National Gift of the State Council for Artists.

Personal Experience

He joined the army in September 1979 and was influenced by military culture and guided by many famous calligraphers to study calligraphy. Over the years, he has been extensively involved in inscriptions on tablets of successive dynasties, especially in the style of calligraphy of Erwang, Mi and Su. In recent years, Wang Xizhi, Mifu, Qigong and many other calligraphy masters have absorbed nutrition in their classical works, carefully studied and chosen, and their calligraphy has made great breakthroughs in theory and technology, integrating the essence of each family into one, forming their own style. He is good at running and cursive scripts. His calligraphy works are vigorous in elegance and beautiful in atmosphere. The pen is fluent, the law is rigorous, dynamic and static depend on each other, and there are some errors. He has won many awards in various national calligraphy and painting competitions, and has been praised by experts in the industry and collectors of social calligraphy and painting.

In August 2008, many of his calligraphy works were included in the "Pride of Contemporary Chinese Calligraphy and Painting - Calligraphy Chapter" published by China Calligraphy and Painting Publishing House.

In September 2008, Li Haifeng's Calligraphy Collection was published in People's Fine Arts Publishing House.

In October 2008, it was approved by the Chinese Calligrapher and Painter Association to set up the Hubei Academy of Calligrapher and Painter Association in Hubei Province, and served as the president of the Academy.

In 2008, it was jointly included in Cihai - China Volume by the World Cultural and Art Research Center, the World Association of Chinese Exchanges, the American Association of Overseas Artists and the International Economic and Cultural Center.

In December 2008, many of his calligraphy works were included in the Dadian of contemporary calligraphers and were recommended as one of the most valuable calligraphers.

In 2009, Li Haifeng's Calligraphy Collection was published by People's Fine Arts Publishing House.

In January 2009, he was invited to attend the 11th World Chinese Art Congress Hong Kong Art Exhibition. His calligraphy works won the 11th World Chinese Art Congress International Gold Prize and were collected by the Organizing Committee of the Congress. In the same year, many of his works were collected in Dadian, a well-known Chinese painter and calligrapher.

On the occasion of the 60th anniversary of the founding of the People's Republic of China, as one of the outstanding calligraphers in the contemporary era, his calligraphy works were collected by China Philatelic Corporation, and a special stamp and commemorative seal for them were issued.

On the occasion of the opening of the world-renowned Shanghai World Expo, in March 2010, the Office of Special Stamp Engineering, a famous contemporary Chinese cultural expert, compiled more than 10 calligraphy works with unique and novel creative style, and joined the works of Wu Guanzhong, a great master of art, and a great teacher of calligraphy and painting art, who was awarded the Title of Zhongxuan. Ministry of Culture, Chinese Book Association, Chinese Art Association and General Administration of Posts, a document collector of the National Congress "Master of Chinese Art", were approved. Gao Zhanxiang, former Minister of Culture, wrote the title of the book for the Shanghai World Expo.

Over the years, a hundred contemporary Chinese calligraphers and painters, Li Haifeng's Calligraphy Collection, published by People's Art Publishing House, have edited and published nearly 100,000 words of calligraphy textbooks. They have held individual works exhibitions in many countries, and many works have been collected by domestic and foreign art galleries and collectors. In the same year, he won the First World Expo of Chinese Famous Artists Award for Outstanding Achievement in Art, was selected as an outstanding contributor to Chinese traditional culture, and served as the executive vice president of the Chinese Traditional Cultural Exchange Association. In June 2010, at the invitation of the Ministry of Culture of Japan, an exhibition of personal calligraphy was successfully held at the Tokyo Museum of Art in Japan. Some of its outstanding works were collected by the Museum of Art. Another masterpiece, collected by former Japanese Prime Minister Fuji Murata, received unanimous praise from Japanese cultural circles and collectors during the exhibition period. From 2011 till now, he has been the editor-in-chief of the compulsory education textbook "Calligraphy" in Hubei Province, the senior high school textbook "Calligraphy" in Hubei Province (published by Hubei Children's Publishing House), and the "Calligraphy Grade Examination Counseling Series Textbook" (Hubei Science and Technology Publishing House).

Major Achievements

 

On the occasion of the 60th anniversary of the founding of the People's Republic of China, as one of the outstanding calligraphers in the contemporary era, his calligraphy works were collected by China Philatelic Corporation, and a special stamp and commemorative seal for them were issued.

On the occasion of the opening of the world-renowned Shanghai World Expo, in March 2010, the Office of Special Stamp Engineering, a famous contemporary Chinese cultural expert, compiled more than 10 calligraphy works with unique and novel creative style, and joined the works of Wu Guanzhong, a great master of art, and a great teacher of calligraphy and painting art, who was awarded the Title of Zhongxuan. Ministry of Culture, Chinese Book Association, Chinese Art Association and General Administration of Posts, a document collector of the National Congress "Master of Chinese Art", were approved. Gao Zhanxiang, former Minister of Culture, wrote the title of the book for the Shanghai World Expo. Over the years, a hundred contemporary Chinese calligraphers and painters, Li Haifeng's Calligraphy Collection, published by People's Art Publishing House, have edited and published nearly 100,000 words of calligraphy textbooks. They have held individual works exhibitions in many countries, and many works have been collected by domestic and foreign art galleries and collectors.

In the same year, he won the First World Expo of Chinese Famous Artists Award for Outstanding Achievement in Art, was selected as an outstanding contributor to Chinese traditional culture, and served as the executive vice president of the Chinese Traditional Cultural Exchange Association. He was selected into the Records of Chinese Experts in Science compiled by China National College and a large-scale document entitled Art Library of Chinese Leadership and Management, which was dedicated to the 90th anniversary of the founding of the Party.

In June 2010, at the invitation of the Ministry of Culture of Japan, a personal calligraphy exhibition was successfully held at the Tokyo Museum of Art in Japan. Some of the outstanding works on display were collected by the Museum of Art, and another one was collected by Fuji Murata, the former Prime Minister of Japan. During the exhibition, it received unanimous praise from the Japanese cultural circles and collectors.

In 2011, he was the editor-in-chief of Hubei Compulsory Education Textbook Calligraphy (1-9) and Hubei Ordinary High School Textbook Calligraphy, which was published by Hubei Children's Publishing House.

Commentary articles

Not long ago, Mr. Li Haifeng, a famous Chinese calligrapher, dedicated his calligraphy work "Yellow Crane Tower Sends Meng Haoran's Guangling to the Third Philanthropic Dinner of the Hope Project in Hubei Province". He snapped 718,000 yuan in one fell swoop, setting the highest record for the auction of contemporary calligraphy works in Hubei Province. The whole work is four feet long. It can be said to contain the essence of gas. The word "two kings" is an awesome reappearance. The whole work, with clear lines, clear distances, precise structure, ease and relaxation with a pen, is a rare masterpiece in the field of calligraphy in recent years.

The artistic beauty of this work shows the personality charm of the creator at a glance, which makes me once again have a strong admiration for Mr. Li Haifeng.

Like a dragon swimming, like a flying hero

As the saying goes, "Heart is straight and straight", "Book is like its person". Mr. Li Haifeng's calligraphy, with its meticulous rise and fall, exquisite skills and delicate leanness, has his unique interpretation and deduction of Chinese calligraphy art, which contains a unique atmosphere and spirit. The highest realm of calligraphy art is to write first. Mr. Li Haifeng's works are to release an empty spirit in bold and unconstrained.

It is not difficult to see that Mr. Li Haifeng's calligraphy works have a profound artistic foundation. In the form of expression, his works are appreciated by both elegance and vulgarity, and can be accepted by the public. In terms of artistic style, it has a positive atmosphere, which is full of vigor, simplicity and freshness.

What is more valuable is that Mr. Li Haifeng's calligraphy has successfully completed the transformation from a slave to a master of calligraphy. From his works, we can see that as a calligrapher, Mr. Li Haifeng has entered an empty realm with appropriate ink intensity, thin and round, alternating rows and grass, and scattered layout. Carefully savoring his works, a fresh beauty of art with texture attacked us, which is like a dragon swimming and a great surprise.

In his art world, wandering, as if in a colorful dreamland, gorgeous extreme, wonderful extreme, classic extreme. Cover up and chant, live with infinite emotion, make people like drunken, like singing and dancing! 

Be willing to be indifferent and clear-minded

Calligraphy is not simply writing a word, but the embodiment of a person's cultural accomplishment. A person's character and accomplishment can be expressed through calligraphy. If a person can only write, it can only be said that he is a writer. Calligraphy is not only "skill", but also "art", but also "Tao", which is the spiritual home of the writers.

Many ancient calligraphers in the field of calligraphy art have built a mountain that can never be surmounted by future generations. Most of them are indifferent to fame and wealth, and even escape into the empty door. In modern society, impetuosity is rampant, and few calligraphers have achieved both virtue and art. Only those who are willing to be indifferent and have a clear mind can be free from the temptation of fame and fortune in the process of learning calligraphy, so as to calm down and study hard, and then achieve higher achievements in calligraphy. Mr. Li Haifeng is one.

Mr. Hu is kind and generous. He often gives his works to others generously, which is different from the current bronze-smelling calligraphers. He also often participates in charitable activities, which can be described as "boundless love, boundless avenues".

Liu Xizai, a calligrapher in the Qing Dynasty, has a famous saying: "The calligrapher is like this; the scholar is like his talent, his will is like his person in a word." Calligraphy art reflects a person's complete inner world and a comprehensive reflection of his knowledge, talent and ambition, which determines that the creation of calligraphy can not be achieved through a single activity, but requires the calligrapher to put all his heart into his works. It is precisely because of the calligrapher's wholehearted devotion to creation that the calligraphy art can more fully and thoroughly express the personality of the calligrapher than other arts.

"Calligraphy is the heart painting" and "the intention is to write first". Calligraphy works are the specific presentation of the personality and accomplishment of calligraphers. The depth of the calligrapher's cultural accomplishment often determines the level of his calligraphic taste. The history of Chinese calligraphy is a history of attaching importance to culture and taste. Calligraphy masters of past dynasties did not stand on the basis of "books", but on the basis of their knowledge, accomplishment, literary talent and works. People always combine character, books and works to comment on the writer. As the saying goes: the heart is regular and the pen is correct, the heart is strong and vigorous. Mr. Li Haifeng's good academic attainment in Chinese calligraphy aesthetics and theory has achieved his dignified, elegant and unrestrained calligraphy style, which constitutes the soul and life of his calligraphy art. From his calligraphy works, it is not difficult to find the realm of indifference, emptiness, inaction, sitting and forgetting, which can produce the meanings of infinite magnificence, infinite vigor and infinite emptiness.

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