百双虎，1955年5月生于河南偃师武屯。八岁入村学，逢年节父亲常为街邻书对联，受其影响十岁学书，初习刘体，继之习画，临毛主席像及各种画谱，初中时能绘制漫画和宣传画。十四岁就读偃师六中，深受李金彩、王明选先生指教。李先生擅诗文书法，在其卧室另置书案供我学习之用。其间阅读大量美术杂志及达芬奇画论等理论书籍，受益匪浅，粗知绘事。始素描写生，课余即到田间村头速写，废寝忘食，一发不可收，多次徒步往返达六十里到洛阳龙门煤矿作泥塑写生，有大长进。
后入县文化馆美术班学习。1975年参加由文化馆组织，由省出版社李自强 李伯安等先生指导的美术创作班。1976年入村学任教，后入洛阳师院艺术系，受到恩师金忠厚先生器重和悉心指导。毕业后入偃师县城关新新学校任教。后调洛阳地区印刷厂任美术设计。1985年入郑州轻工业学院美术班，受教于郝石林，张森，姜波诸先生。临习颜真卿、陆柬之、陆机文赋泰山金刚经等。临摹张择端《清明上河图》。
好静，喜阅读。尝作小诗以自慰。读四著、《三言二拍》、托尔斯泰、果戈理、高尔基时深受触动，便有为作者写真之意。阅读开阔眼界，启迪心智，丰富想象。为日后绘画创作奠定基础。与新乡禹尔力为密友，尔力画白派山水，天资灵性，待人真诚。和淮上温成勋为挚友，成勋工山水画鸟。
国画立意在先，功夫在画外，是画家学养、功力、品格、志趣共同作用的结晶。故意为画之灵魂，笔墨次之。每日作画心无旁骛，当整幅画在脑中酝酿成熟方立于案前，面对素纸，凝视至看见所画之物才动笔，一气呵成，草图完成后即作局部素描准备，继之进入创作。绘画之谓艺术绝非自然对象的罗列堆砌，而是画家心里的独特世界。是对表现对象重新加工整理，排列组合，再创造的构成过程。所以创作是复杂甚至是难以用语言或文字表述的，更是极严肃的事。达芬奇说过：“截至目前为止，一切形式的劳动都是为了取得报酬”，但《蒙娜丽莎》他画了四年。不为五斗米折要，甘守清贫而不媚俗这正是中国文人的高贵气节。习画凡数十年，常记古训，追弼先贤，未敢稍怠。
关于绘画无疑在追求简约内敛的情愫，中国写意画的写意二字古人理解精辟准确，这是所用材料决定的。突出一个写字，那就是行笔轻重缓急，必保持一定速度才可能出现那种引导观者渐入佳境的神秘笔线，也才可能出现干裂秋风、润如春雨的效果，只有在疾风骤雨的点画之中，浓淡干湿，虚实向背，聚散开合，疏密穿插等不经意间的或然效果将不期而至。更讲究一个意字，现在所能看到的艺术精品多是立意高古，极尽巧思，耐人寻味之作。不管是李白、杜甫、王维，还是马远、石涛、八大，他们无一不是用自己卓越的眼光为我们呈现一个别样的世界。绘画是视错觉艺术，不但艺术创作有其规律，艺术鉴赏也有其规律，画家是在平面载体上创造物象，最多是给观者提供一点开启想象的端绪，鉴赏过程是观者发挥想象和画家共同完成的。观者的精力有限，情绪兴奋是短暂的，复归抑制是审美的必然，故写意画必须简约，它不同于西画，更有别于摄影。使作品既简洁又富足，这是很伤脑筋的事，也是展现画家功力之处。绘画是表现艺术，其实是画理解，是用个性化的语言表达对世间事物的态度，成熟的画家都有一套自己表情达意的语汇，否则就无法操作。这种语汇还要匹配特定的表现形式和主题，才有可能创作出理想合目的艺术作品。创作过程充满冲动和希望，但随着作品接近完成，失望便随之而来，因为最终的效果和之前的期望相去甚远。这也是为什么一直在画的原因。通常认为声乐是遗憾艺术，实际上绘画亦然，败笔和不足会暴露画家的笨拙，好像每件作品都有这种遗憾。或许正是遗憾的存在才使自命不凡的画家们锲而不舍。或许正是这种遗憾的存在才使绘画艺术放射出神秘炫目的光芒。一件好艺术品的诞生是要经历阵痛方得圆满，其艰辛不言而喻。所谓字如其人，画如其人，正是艺术家自我品格的集中体现。一种特立独行有内涵有张力风格的形成如十月怀胎一朝分娩，是自然而然的事，绝非虚张声势搞怪唬人之作可比。[2]生活十分简单，布衣素食、清茶一杯。
作品大致分为五个部分：
在人类文化发展史上中国有着数千年无与伦比灿烂辉煌的古代文明，如四书五经、诸子百家、《史记》、《资治通鉴》、魏晋风骨、唐诗宋词。随着科技网络时代的飞速发展，这些历经岁月沧桑积淀下来的宝贵遗产会越来越被边缘化，或摆上书架装点门面，或成为博物馆里的古董，如果是这样那将是民族的悲哀，更是民族的灾难，因为这是一个民族赖以生存和发展的命脉之所系。传承乃至将其发扬光大是我们的责任和使命。文化巨子们付出的艰辛和努力不能遗忘。这是创作的初衷。
中国的汉唐盛世是这个民族常引以自豪的，近一百多年来的积弱积贫屈辱挨打的历史也当警钟常鸣。为民族复兴的孙中山、毛泽东等革命家带领民众百折不回、浴血抗争。在那前无古人开天辟地的革命中，毛泽东是最杰出的代表。他是一座丰碑，是传奇，是革命从胜利走向胜利的标志，他心里始终装着劳苦大众，是大慈大悲的化身，是永远的人民领袖！创作就是基于这种最朴素的情感出发，以一个平民画家的视觉去审视那个渐去渐远如火如荼的时代，去感知巨人那颗驰骋寰宇跳动不息的伟大心灵和赤子情怀。

毕业于洛阳师院艺术系。受业于恩师金忠厚先生；冯霞笙、吴银铎诸先生。1985年入郑州轻工业学院美术研修班学习。其间受教于李伯安先生。发表作品：1975年河南人民出版社出版工笔人物及八十年代洛神杂志文学作品插图等。现为洛阳画院特邀画师，洛阳市美术家协会会员，中国美术家协会河南分会会员。

Bai Shuanghu was born in Wutun, Yanshi, Henan Province in May 1955. At the age of eight, he joined the village school. His father often worked as a couplet of books on the street. Under his influence, he studied books at the age of ten. He studied Liu Ti at the beginning, followed by painting, Chairman Mao's portrait and various paintings. He was able to draw comics and posters in junior high school. At the age of 14, he studied in No. 6 Middle School of Yanshi and was deeply instructed by Mr. Li Jincai and Mr. Wang Mingxuan. Mr. Li is good at poetry and calligraphy. He has another book case in his bedroom for my study. During this period, I read a large number of art magazines, Leonardo da Vinci's painting theory and other theoretical books, which benefited me a lot and I knew about painting. After class, I went to the village head of the field to sketch. I forgot to eat and sleep. I couldn't receive a hair. I traveled 60 miles to Longmen Coal Mine in Luoyang for many times on foot to sketch clay sculptures. I made great progress.

After entering the County Museum of culture art class. In 1975, he participated in an art creation class organized by the cultural museum and directed by Li Ziqiang, Li Boan, etc. of provincial publishing house. In 1976, he joined the Art Department of Luoyang Teachers College and taught in the village school, and was valued and carefully guided by his mentor, Mr. Jin Zhonghou. After graduation, he joined Chengguan new school in Yanshi county to teach. Post printing Luoyang area printing factory as art design. In 1985, he joined the art class of Zhengzhou Institute of light industry and was taught by Hao Shilin, Zhang Sen and Jiang Bozhu. Lin Xi Yan Zhenqing, Lu Cambodian, Lu Ji Wen Fu Taishan Diamond Sutra, etc. Copy Zhang Zeduan's picture of the Qingming River.

It's very quiet and likes reading. Try to make poems to console yourself. When reading four works, three words and two claps, Tolstoy, Gogol and Gorky, they were deeply touched, so they meant to portray the truth for the author. Reading broadens the horizon, enlightens the mind and enriches the imagination. Lay the foundation for future painting creation. He is a close friend of yuerli, Xinxiang. Erli paints white mountains and rivers. He is talented and sincere. And Huaishang Wen Chengxun as a close friend, Chengxun landscape painting birds.

Chinese painting is the result of the painter's learning, ability, character and interest. Deliberately for the soul of painting, painting and ink second. Every day, when the whole painting is mature in the brain, it will stand before the case, face plain paper, gaze until you see the painting, and then start to write in one go. After the completion of the sketch, make local sketch preparation, and then enter the creation. Painting is not the arrangement of natural objects, but the unique world in the painter's heart. It is a process of reprocessing, arranging, combining and re creating performance objects. Therefore, the creation is complex and even difficult to express in language or words, which is a very serious matter. Leonardo da Vinci said: "up to now, all forms of labor are to get paid", but he painted Mona Lisa for four years. It is the noble integrity of Chinese literati to be willing to keep the poor and not obsequious. For decades, when I studied painting, I often remembered the ancient precepts and chased after my ancestors without any hesitation.

There is no doubt about the pursuit of simplicity and introverted feelings in painting. The ancient Chinese people understood the two characters of freehand brushwork incisively and accurately, which is determined by the materials used. Highlight a writing, that is, the priority of writing. Only by maintaining a certain speed can the mysterious line of writing lead the viewer to get better, and the effect of dry autumn wind and moist spring rain can appear. Only in the light and rainy stippling, the possible effect of inadvertent will come unexpectedly, such as thick and thin, dry and wet, virtual and solid back, gathering and opening and closing, dense and interspersed. We pay more attention to a word of meaning. Most of the fine arts we can see now are works with high intention, ingenious thinking and intriguing. Whether it's Li Bai, Du Fu, Wang Wei, Ma Yuan, Shi Tao or the 8th National Congress of CPC, they all present a different world for us with their outstanding vision. Painting is a visual illusion art, not only art creation has its own rules, but also art appreciation has its own rules. Painters create images on the plane carrier, and at most provide the viewer with a little clue to open imagination. The appreciation process is jointly completed by the viewer and the painter. The viewer's energy is limited, the emotional excitement is short, the reversion inhibition is the aesthetic necessity, so freehand painting must be simple, it is different from western painting, and more different from photography. To make the works simple and rich is a very vexing thing, and also a place to show the artist's ability. Painting is the art of expression, in fact, it is the understanding of painting, it is to express the attitude to the world with personalized language. Mature painters have a set of expressions to express their ideas, otherwise they cannot operate. This kind of vocabulary needs to match the specific form and theme of expression, so it is possible to create an ideal work of art. The creative process is full of impulse and hope, but as the work nears completion, disappointment will follow, because the final effect is far from the previous expectation. That's why I've been painting. Generally speaking, vocal music is the art of regret, and in fact, painting is the same. Failure and inadequacy will expose the clumsiness of painters, as if every work has such regret. Perhaps it is the existence of regret that makes the pretentious painters persevere. Perhaps it is the existence of this regret that makes the painting art radiate mysterious and dazzling light. The birth of a good work of art is to experience pain to achieve success, and its hardships are self-evident. The so-called words are like people, and the paintings are like people, which is the concentrated embodiment of the artist's self character. The formation of a unique style with connotation and tension, such as the birth of a baby in October, is a natural thing. It's not a work of bluffing and bluffing. [2] life is very simple, cloth clothes vegetarian, a cup of tea.