陆小曼（1903年－1965年），江苏常州人，近代女画家。师从刘海粟、陈半丁、贺天健等名家，晚年被吸收为上海中国画院专业画师。曾参加新中国第一次和第二次全国画展。陆小曼擅长戏剧，曾与徐志摩合作创作五幕话剧《卞昆冈》。她还谙昆曲，也能演皮黄，写得一手好文章，有深厚的古文功底和扎实的文字修饰能力。因与徐志摩的婚恋而成为著名近代人物。1965年4月3日于上海华东医院逝世，享年63岁。

1903年11月7日，出生于上海市孔家弄。
1909年，随母亲赴北京依父度日。
1910年，就读于北京女子师范大学附属小学。
1918年，入北京圣心学堂读书。同年，陆定专门为她请了一位英国女教师教授英文。
1920年，被北洋政府外交总长顾维钧聘用兼职担任外交翻译，逐渐名闻北京社交界。
1922年，离开圣心学堂，与王赓结婚。
1924年，出演《春香闹学》，结识徐志摩，并与之恋爱；年底翻译意大利戏剧《海市蜃楼》。
1925年，年初与徐志摩进入热恋。8月拜刘海粟为师学画。年底与王赓离婚。离婚时陆小曼年仅23岁。
1926年8月14日，与徐志摩订婚；10月与徐志摩结婚。
1926年10月（农历九月九日），新婚后的陆小曼依公公之命随徐志摩离开北京南下。
1927年，徐志摩夫妇从北京回到上海不久，就与翁瑞午相识。
1928年，7月与徐志摩合著的《卞昆冈》发行。同年夏，与徐志摩、叶恭绰共游西湖。
1929年，参与中国女子书画会的成立筹备工作；5月接待泰戈尔；6月与翁瑞午等人游“西湖博览会”。
1931年11月19日，丈夫徐志摩因飞机失事罹难去世。12月，陆小曼应邵洵美相邀，为徐志摩遗作《云游》作序。
1933年，整理徐志摩写的《眉轩琐语》，在《时代画报》第三卷第六期上发表，后来《眉轩琐语》收在陆小曼1947年所编的《志摩日记》里。
1934年，在第38期《论语》刊上初次对《爱眉小扎》作序。
1936年，经良友图书公司出版图书《爱眉小扎》。同年，加入中国女子书画会。
1941年，在上海大新公司开个人画展。
1943年2月，在桂林良友复兴图书公司出版再次为《爱眉小扎》作序。
1947年3月，由晨光图书出版公司出版陆小曼后整理的徐志摩1918年的《西湖记》，1926年至1927年《眉轩琐语》，以及同志摩亲笔题名的《一本没有颜色的书》，和已出的《爱眉小扎》和《小曼日记》，共五个部分，总题为《志摩日记》。
1956年，4月受到陈毅市长的关怀，被安排为上海文史馆馆员。同年，入农工民主党，担任上海徐汇区支部委员。
1958年，成为上海中国画院专业画师，并参加上海美术家协会。
1959年，任上海市人民政府参事室参事。同年，被全国美协评为“三八红旗手”。
1965年，4月3日在上海华东医院逝世。

1922年，19岁的陆小曼离开学校，奉父母之命与王庚结婚。[6]但在这桩婚事她完全是被动的。当蜜月的激动渐趋平静后，她渐渐发觉自己并不快乐，结婚第三年，王赓被任命哈尔滨警察局局长，王赓要小曼随同前往，陆小曼就到哈尔滨住了一段时间。但是陆小曼在哈尔滨住不习惯，不多时，与王赓两地分居，因此与丈夫在感情上更加淡漠了。
由于王赓专注于工作和前途，陆小曼想去玩时，他就说：“我没空，叫志摩陪你玩吧。””王赓根本就不会想到这样处理会产生婚姻危机。就这样，徐志摩与陆小曼在王赓首肯的大好形势下一起玩耍。朝夕相处，日久生情。王赓调任哈尔滨警察局长后，徐志摩与小曼接触机会更多，使他们感情越陷越深。可是，我们相识在不该相识的时候。”陆小曼陷入无限的伤感。
不久，陆小曼和王赓又发生了一次大的争执。陆小曼在众人面前，受到王赓的辱骂，声称今后再不回王家，陆定听后此事也非常气愤，表示支持女儿的行动。最终1925年与王赓离婚。1926年与徐志摩结婚。
然而她和徐志摩的再婚遭受到两方面的强大压力。一是陆小曼母亲的反对。二是与王赓签离婚协议。事后吴曼华十分生气。当时要办成这两件事都有相当的难度，但胡适最终都办妥了。徐志摩的父亲徐申如是浙江省海宁县硖石镇的一个富绅，他认为儿子离婚已是大逆不道，再娶一个有夫之妇更是有辱门风。过后不久，徐志摩只得亲自南下，跟父亲商量自己的第二次婚姻大事。
徐申如说，徐志摩要再婚，必须征得张幼仪的同意。然而妻子张幼仪答应之后，其父徐申如还是不肯痛快地答应，经胡适、刘海粟等人出面周旋，徐申如最后勉强答应，徐志摩也同时应允父亲三个条件。
婚礼上证婚人是梁启超，梁启超对徐、陆二人进行了训斥。梁启超的“证婚词”虽然有名，也在一定程度上体现了对徐志摩这个学生的关心和爱护。但很明显，梁启超是带有私心的，对徐、陆也不公平。梁启超在婚礼上大骂新人，至少对这对新人是不吉利的，赵清阁就在文章中表达了强烈的不满：为了争取有力的支持，他们请了维新派名流梁启超老夫子作他们的证婚人。原想借助着块盾牌抗衡一下封建势力，不期梁启超夫子也是一个以封建反封建的权威人物，他假惺惺同情徐志摩陆小曼的结缡，而又在大喜之日当众批评了他们的反封建行经，使得两位新人一时啼笑皆非，只好委屈地承受了批评。
与徐志摩
徐志摩遇难之后，陆小曼此时究竟悲伤到什么程度，
连郁达夫都觉得难以描写，陆小曼清醒后，便坚持要去山东党家庄接志摩的遗体，被朋友们和家里人死命劝住了。最后决定派徐志摩的儿子徐积锴（张幼仪所生）去山东接回。
徐志摩的遗体从济南运回上海后，陆小曼见到了现场唯一的一件遗物———一幅山水画长卷。这幅画是陆小曼于1931年春创作的，堪称陆小曼早期的代表作，更为珍贵的是它的题跋，徐志摩把这张手卷随带在身，是准备到北京再请人加题，只因手卷放在铁箧中，故物未殉人。陆小曼看着这张画卷，想到徐志摩的种种好处，自此，她一直珍藏着这幅画。
徐志摩死后，陆小曼不再出去交际。她默默忍受着外界对她的批评和指责。正如她在致志摩挽联中说；“多少前尘成噩梦，五载哀欢，匆匆永诀，天道复奚论，欲死未能因母老；万千别恨向谁言，一身愁病，渺渺离魂，人间应不久，遗文编就答君心。”她怀念志摩，致力于整理出版徐志摩的遗作，用了几十年的时间，其中的苦辣酸甜一言难尽。徐志摩与陆小曼的婚姻是冲破封建束缚的自由结合，其间虽也曾彼此伤害，但也深深相爱。
与翁瑞午
据陈定山《春申旧闻》载：“陆小曼体弱，连唱两天戏便旧病复发，得了昏厥症。翁瑞午有一手推拿绝技，是丁凤山的嫡传，他为陆小曼推拿，真是手到病除。于是，翁和陆之间常有罗襦半解、妙手抚摩的机会。”陆小曼在翁瑞午给她推拿治病的时候曾问他：“瑞午，你给我按摩确实有效，但你总不能时时刻刻在我身边啊，你不在的时候万一我发病的话，有什么办法呢？”翁瑞午想了一下，对陆小曼说：“有是有办法的，但这个办法是没有办法的办法，不到万不得已是不好采用的。”陆小曼连问是什么办法，翁瑞午就说：“吸鸦片。”陆小曼一听是这个馊主意，就大骂瑞午害人。但是，后来看到翁瑞午一直在吸，而且很有味道，自己又老是犯病，一时控制不住，慢慢地吸上了。她自己也知道这是一个坏习惯，可一旦上瘾，就无法控制自己了。她和翁瑞午两人，常常一起在客厅里的烟榻上隔灯并枕，吞云吐雾。
尽管陆小曼对徐志摩的感情是深厚的，但她仍旧离不开翁瑞午，离不开阿芙蓉。徐志摩死后，她为了麻醉自己，更难以摆脱鸦片的习好，为此，她还坐过一夜班房。
陆小曼在徐志摩死后，与翁瑞午同居是事实。在上海中国画院保存着陆小曼刚进院时写的一份“履历”，里面有这样的词句：我廿九岁时志摩飞机遇害，我就一直生病。到1938年卅五岁时与翁瑞午同居。翁瑞午在1955年犯了错误，生严重的肺病，一直到现在还是要吐血，医药费是很高的，还多了一个小孩子的开支。我又时常多病，所以我们的经济一直困难。翁瑞午虽有女儿给他一点钱，也不是经常的。我在1956年之前一直没有出去做过事情，在家看书，也不出门，直到进了文史馆。这样一来，时间和事实都已很明确，陆小曼因此受到外界的强烈指责。翁瑞午对她仍是一往情深，只要小曼开心，他什么都能替她办。
尽管陆小曼说她对翁瑞午“只有感情，没有爱情”，但她对待感情，也是认真而坚强的，决不三心二意。当时许多朋友不赞成她和翁瑞午的这种关系，要她与翁断交。胡适便是其中最主要的一个。他向陆小曼提出，只要她与翁瑞午断交，以后一切由他负全责。陆小曼委婉地拒绝了他的要求，她当时对人说：“瑞午虽贫困已极，但始终照顾得无微不至，廿多年了，吾何能把他逐走呢？”陆小曼与翁瑞午一起“生活”了二十多年，有一些感情，但也有烦恼。因为翁瑞午没有抛弃发妻，就得两头照顾。

Lu Xiaoman (1903-1965), born in Changzhou, Jiangsu Province, is a modern female painter. Learning from Liu Haisu, Chen banding, he Tianjian and other famous artists, he was absorbed as a professional painter of Shanghai Chinese Academy of painting in his later years. He participated in the first and second national painting exhibitions of new China. Lu Xiaoman is good at drama. He once worked with Xu Zhimo to create a five act drama Bian Kungang. She is also familiar with Kunqu Opera, can also play the role of PI Huang, write a good article, and has a deep knowledge of ancient Chinese and solid ability of character modification. Because of his love and marriage with Xu Zhimo, he became a famous modern figure. He died on April 3, 1965, at the age of 63, at East China Hospital in Shanghai.

Born in kongjianong, Shanghai on November 7, 1903.

In 1909, he went to Beijing with his mother to live by his father.

In 1910, she studied in primary school affiliated to Beijing Women's normal university.

In 1918, he entered Beijing Shengxin school. In the same year, Lu Ding hired a British female teacher to teach her English.

In 1920, Gu Weijun, the foreign minister of the Beiyang government, hired him as a part-time diplomatic translator, and gradually became famous in Beijing.

In 1922, he left Shengxin school and married Wang Geng.

In 1924, he starred in "love in spring", met Xu Zhimo and fell in love with him. At the end of the year, he translated the Italian drama mirage.

In 1925, he fell in love with Xu Zhimo at the beginning of the year. In August, I learned painting from Liu Haisu. Divorce Wang Geng at the end of the year. Lu Xiaoman was only 23 at the time of divorce.

On August 14, 1926, he was engaged to Xu Zhimo; in October, he was married to Xu Zhimo.

In October 1926 (September 9 of the lunar calendar), Lu Xiaoman left Beijing with Xu Zhimo on the order of his father-in-law.

In 1927, Xu Zhimo and his wife met Weng ruiwu shortly after returning to Shanghai from Beijing.

In July 1928, Bian Kungang, CO authored with Xu Zhimo, was released. In the summer of the same year, Xu Zhimo and ye gongchuo visited the West Lake together.

In 1929, she participated in the preparatory work for the establishment of the Chinese women's painting and calligraphy fair; in May, she received Tagore; in June, she visited the "West Lake Expo" with Weng ruiwu and others.

On November 19, 1931, Xu Zhimo, her husband, died in a plane crash. In December, Lu Xiaoman, at the invitation of Shao Xunmei, made a preface to Xu Zhimo's last work "travelling in the clouds".

In 1933, I sorted out the meixuansuyu written by Xu Zhimo and published it in the sixth issue of the third volume of time pictorial. Later, meixuansuyu was collected in the diary of Zhimo compiled by Lu Xiaoman in 1947.

In 1934, in the 38th issue of the Analects of Confucius, the preface of "love eyebrow little Zha" was made for the first time.

In 1936, by the good friend book company published the book "love eyebrow small Zha". In the same year, she joined the Chinese women's painting and Calligraphy Association.

In 1941, he held a personal painting exhibition in Shanghai Daxin company.

In February 1943, it was published in Guilin Liangyou Fuxing Book Co., Ltd. to preface "love eyebrow little Zha".

In March 1947, Lu Xiaoman published Xu Zhimo's records of the West Lake in 1918, meixuansuyu from 1926 to 1927, a colorless book by Comrade Mo's own name, and the love of meixiaozha and Xiaoman's diary, which were compiled by Chenguang book publishing company, with the total title of Zhimo's diary.

In April 1956, he was taken care of by Mayor Chen Yi and was appointed as a librarian of Shanghai culture and history museum. In the same year, he joined the Democratic Party of agriculture and industry and served as a member of Xuhui District branch of Shanghai.

In 1958, he became a professional painter of Shanghai Chinese Academy of painting and participated in Shanghai Artists Association.

In 1959, he served as a counselor in the Counselor's office of Shanghai Municipal People's government. In the same year, it was awarded "March 8 red flag bearer" by the National Association of fine arts.

He died on April 3, 1965 at East China Hospital in Shanghai.

In 1922, Lu Xiaoman, 19, left school and married Wang Geng at the order of his parents. [6] but she was completely passive in this marriage. When the excitement of the honeymoon calmed down, she gradually found that she was not happy. In her third year of marriage, Wang Geng was appointed director of Harbin police station. Wang Geng asked Xiaoman to go with her, and Lu Xiaoman lived in Harbin for a while. However, Lu Xiaoman was not used to living in Harbin. Not long ago, he was separated from Wang Geng, so he became more indifferent to his husband emotionally.

Because Wang Geng is focused on his work and future, when Lu Xiaoman wants to play, he says, "I have no time. Let Zhimo play with you." Wang Geng would not have thought that this would lead to marriage crisis. In this way, Xu Zhimo and Lu Xiaoman play together under the favorable situation approved by Wang Geng. Get along with each other day and night. After Wang Geng was transferred to Harbin police chief, Xu Zhimo and Xiaoman had more opportunities to get in touch, which made their feelings deeper and deeper. But we know each other when we should not. " Lu Xiaoman fell into infinite sadness.

Soon, Lu Xiaoman and Wang Geng had another big dispute. Lu Xiaoman was insulted by Wang Geng in front of the crowd, claiming that he would never return to the Wang family in the future. After hearing this, Lu Ding was very angry and expressed support for his daughter's action. Finally, she divorced Wang Geng in 1925. He married Xu Zhimo in 1926.

However, her remarriage with Xu Zhimo was under strong pressure from two aspects. One is the opposition of Lu Xiaoman's mother. The second is to sign a divorce agreement with Wang Geng. After that, Wu Manhua was very angry. At that time, it was quite difficult to accomplish both of these things, but Hu Shi finally did it. Xu Zhimo's father, Xu shenru, is a rich gentry in Xiashi Town, Haining County, Zhejiang Province. He thinks that his son's divorce has been a great treason. It's even more humiliating to marry a married woman. Soon