金宝军，蒙古族，生于内蒙古科左后旗。2007年7月毕业于内蒙古师范大学美术学院版画专业硕士研究生。中国美术家协会会员。2007.8-2012.3内蒙古民族大学美术学院版画教研室教学（教师）。2012.4-2013.1首届全国少数民族青年美术家创作高级研修班学习。现任职内蒙古民族大学美术学院，基础教研室与版画教研室主任，从事教学工作。2014年6月荣获第七届全国高校美育成果展优秀组织、指导教师奖。
参展及获奖：
2006年作品《过河》入选《新世纪中国首届黑白木刻展》，该作品被中国美术馆收藏
2007年作品《正午无声》获庆祝内蒙古自治区成立60周年，内蒙古美术作品展优秀奖
2007年作品《瞬间的凝固Ⅰ》入选首届观澜国际版画双年展，同时该作品还入选当年12月的《第十八届全国版画作品展》
2009年作品《追逝》在“中华人民共和国成立60周年”.内蒙古美术作品展上获优秀奖
2011年作品《敢问路在何方》入选《第十九届全国版画作品展》并被浙江美术馆收藏。同年该作品在《第二届内蒙古自治区青年美展》获一等奖。
2012年作品《乌珠穆沁的八月》、《午休1》在《浩瀚草原》全国美术作品展中展出
2012年作品《乌珠穆沁的八月》在内蒙古成立65周年内蒙古美术作品展上获一等奖
2013年作品《斜阳》参加“今日草原”全区青年美展获二等奖。
2013年作品《这一天，那一月》《岁月》参加意大利孔子学院联合举办的2013帕多瓦中华书画文化展上展出
2014年作品《过河》、《这片草原》参加版画“中国.当代民族国际巡回展——2014蒙古国”作品邀请展
2014年作品参加第七届美术报艺术节“留痕—国际版画邀请展”
2014年作品《塞外秋色》参加内蒙古第四届写生展或二等奖
2015年作品《天堂科尔沁》入选第二十一届全国版画展
金宝军的版画作品充满哲学的思辨与理性的考量，版画语言刚健丰富，画家在主题的表述之中注重技法控制与艺术细节的兼顾，人物造型看似夸张荒诞却未失严谨，线条简劲冷峻，画面明锐淳厚，尤其是他的铜版画，在黑白灰的并置与交错之中，画家将自己的主观思考化为一种视觉阐释，作品针对当下人与环境的异化，刻画出了传统蒙古族牧人对现下生活方式欲迎还拒的迷茫姿态，正如卡夫卡所说：“生活的纽带把我们带向哪里？”整体画面于反讽与隐喻中浸透着艺术家的悲悯与忧虑，在现实世界的嘈杂与机器的轰鸣中，画家尝试运用那些冰冷的光泽来诠释时代对人的囿限，却依然未能减弱线条中蕴含的赤诚，这种对生活炽热的情感在作品中处处显现，其间交织着画家浪漫温暖的人文情怀与犹如孩童般的想象。观看他的作品，感觉在这些凝固的画面中时不时幻化出几缕热气，冒上来润湿着双眼。

Jin Baojun, the Monggol nationality, lay the flag after Yuneimengguke is left. Was graduated from graduate student of Master of major of woodcut of academy of fine arts of Inner Mongolia Normal University in July 2007. Chinese artist academician. Education of staff room of woodcut of academy of fine arts of university of nation of 2007.8-2012.3 Inner Mongolia (teacher) . Artist of youth of minority of first whole nation creates 2012.4-2013.1 advanced grind the study that repair a class. Currently hold the post ofacademy of fine arts of university of nation of duty Inner Mongolia, fundamental staff room and director of woodcut staff room, pursue teaching job. Had the honor to win achievement of aesthetic education of college of the 7th whole nation to exhibit award of outstanding organization, tutor in June 2014.
Ginseng exhibit reach bear the palm:
2006 work " cross a river " selected " first black and white woodcarving of new century China is exhibited " , this work is collected by Chinese art gallery
2007 work " noonday and breathed " obtain congratulatory Nei Monggol Autonomous Region to hold water 60 years, work of Inner Mongolia art exhibits outstanding award
2007 work " caky Ⅰ of the instant " selected woodcut of first international that watch billows double year exhibit, this work is selected still at the same time in those days December " work of woodcut of the 18th whole nation is exhibited "
2009 work " chase after die " in " People's Republic of China holds water 60 years " . Work of Inner Mongolia art is exhibited on win outstanding award
2011 work " dare ask the way is in He Fang " selected " work of woodcut of the 19th whole nation is exhibited " be collected by Zhejiang art gallery. This work is in of the same age " beauty of youth of the 2nd Nei Monggol Autonomous Region is exhibited " win first prize.
2012 work " of Wu Zhumu ooze in August " , " noon break 1 " in " vast prairie " countrywide art work is exhibited in showpiece
2012 work " of Wu Zhumu ooze in August " work of Inner Mongolia art holds water 65 years to exhibit in Inner Mongolia on win first prize
2013 work " setting sun " attend " now prairie " beauty of whole area youth is exhibited win second-class award.
2013 work " this day, that in January " " years " culture of painting and calligraphy of much more made of baked clay China exhibits the 2013 handkerchief that attend Italian Confucius institute to be held jointly on showpiece
2014 work " cross a river " , " this prairie " attend woodcut " China. Itinerate of contemporary nation international is exhibited -- 2014 Mongolia country " work invites exhibit
Work attended the 7th art to sign up for artistic moral integrity 2014 " leave mark, international woodcut invites exhibit "
2014 work " autumn scenery of north of the Great Wall " attend Inner Mongolia the 4th paint from life is exhibited or second-class award
2015 work " ooze of heaven division Er " selected art exhibition of edition of the 21st whole nation
Woodcut work of Jin Baojun is full of philosophy consider differentiate and reason think, woodcut language energetic is rich, the painter is in of the theme state in the give attention to two or morethings that pays attention to ability law control and artistic detail, character modelling looks be like hyperbole fantastic to was not broken however rigorous, cold high of line Jian Jin, picture Ming Ruichun is thick, especially his etching, in the apposition of black and white ash and crisscross, painter him general subjective ponder over melt into illuminate of a kind of vision, work is aimed at the dissimilation of instantly person and environment, depict gave traditional the Monggol nationality pastoral be about to welcome the confused attitude that returns refus to now lifestyle, what Kafuka says no less than: "To where does the ligament of the life take us? " the Bei pity that integral picture is soaking an artist in irony and metaphor and worry, those who be in real world is noisy with the machine plangent in, the burnish that the painter tries to apply those iciness will explain a times to be restricted to the person's animal farm, still fail however in abate line accumulate contained absolute sincerity, this kind of blazing to the life affection is shown everywhere in work, meantime is interweaving the humanitarian feelings with painter warm romance and be just as the imagination like child child. View his work, the feeling is in these caky pictures from time to time unreal turns an a few detailed heat, risk come up embellish is wet double eye.