王福庵书法作品

早岁以其精擅之算术及测绘技术服务於铁路。一九二二年曾漫游湘楚鄂渚。後应邀赴北京任印铸局技正，共事者有唐醉石、冯康侯诸公，皆并世俊彦，时全国官印，悉由印铸局篆铸。又兼故宫博物院古物陈列所监定委员，《金薤留珍》之辑，与有力焉。

—九三○年南归，定居上海，鬻艺自给，於四明村置屋一所，日夕钻研是间，所诣益进。

好蓄青田旧石，所藏极富，自称印佣。得未刻之石，暇则奏刀以自存。海内外求印者门限为穿，生平刻印，数以万计。  

父同柏，精究金石，有《石鼓文集联》、《塘栖士心》、《武林丛话》等书传世。

福庵先生幼承家学，於文字训诂、诗文，皆富修养。十余岁即以工书法篆刻闻於时。

年二十五，与叶铭、丁仁、吴隐、厉良玉等创设“西泠印社”於西湖孤山，共相擘划，以底於成。

 其印初宗浙派，後又益以皖派之长，复上究周秦两汉古印，自成体貌；整饬之中，兼具苍老浑厚之致；偶拟明人印格，亦时有会心。

尤精於细朱文多字印，同道罕与匹敌者。於近代印人中，允称翘楚。

沈禹钟《印人杂咏》有诗咏之：“法度精严老福庵，古文奇字最能谙。并时吴赵能相下，鼎足会分天下三。”并注云：“王福庵，名褆，杭州人。

印法端谨，尤精熟六体，叩之随笔举示，不假思索。

与吴昌硕、赵叔孺 同时各名一家。”词人姚景之曾有《百字令》一首题其印稿：“穷年□□，守高曾，直欲嬴刘凌越。心事千秋惟我在，此席伊谁能夺？凿白利朱，周规折矩，脱手锋铓发。

勒铭才调，镜涯催老华发。 堪叹力尽雕龙，一编矜重，抵摇签琼牒。

料得斯文天未丧，真宰潜通臣颉。兵象同论，硅符合契，异代渊源接。

清风据几，冲襟长葆贞洁。”盖道其绝艺也。

四十六岁时，因手拨电风扇开关触电伤脑，曾卧病两年，愈後每伏案稍久，即感头晕目眩。

此後，刻印必仰卧於藤榻之上，右手执刀，左手握石以外，小指上悬以小镜，两手擎空*作，边刻边以小镜照示，习以为常，作边款亦复如此。胸间石屑遍陈，不之顾也。

因印面向下，刀锋取势较难，於笔力不无影响。喜吸烟，凡刻印写字，唇间必含—烟斗，烟之熄灭与否在所不计，以为如此可助文思，否则便感若有所失。

书工数体，金文、小篆，均匀整而劲健；晚年从汉洗文字悟得天趣，参以缪篆排叠之法以作篆隶，朴厚古拙，尤独出冠时；隶楷亦自出机杼，别树一帜。平居和易，乐於扶掖後辈。不独悉心传艺，即对生活上困难者，亦竭力相助。

弟子中若韩登安、顿立夫、吴朴堂、徐家植、江成之等，皆深受其沾惠。余一九五九年夏游沪，以张鲁盫之介而得蒙款接，福老知余曾从学康侯先生，乃执康翁曩时所书青绿山水纸扇相见，意至殷渥。後并赠余“师承魏冢传心得；功自兰亭换骨来”篆联，及《颂鼎》临本。

是时手已颤甚，惟晨起短暂时间可作书，若摹《颂鼎》，非数日不能毕。拜领之余，余感愧交并者再。

福老晚年，被聘为浙江省文史研究馆馆员及上海中国画院画师，并任中国金石篆刻研究社筹委会主任。以摄护腺肿胀开刀未能愈合，寻复转化为肺炎，不治逝世。

王福庵篆刻作品

著有《说文部属检异》—卷、《麋砚斋作篆通假》十卷；藏印曾编成《福庵藏印》十六卷；自刻印有《罗刹江民印稿》八卷、《麋砚斋印存》二十卷（有一九三六年辑本、一九三八年续辑本、一九四七年宣和印社辑本）。三四十年代，福老为友好所集古印及名家印谱撰序至多，不下数十篇，文字双美，生辉谱录，时有精湛见解，汇辑成编，亦—印学佳著。福老逝世前—年，已将毕生刻印精品三百余方献诸上海博物馆。逝世後，其夫人遵照遗志，将家藏三百余印，及书画碑版四百余种捐赠西泠印社，以裨後学士思至善也。

学习篆书应当从小篆入手，至于以哪本帖为范本，前人总结出不少 成功的经验，无论是先秦刻石，还是清季诸家之帖，均对习篆者产生过 很大影响。近代著名书法篆刻家王福庵《说文部首》一经行世，习篆者 多作为临摹范本，并受到广泛的赞誉。

王福庵的《说文部首》是他的典型代表作之一，其用笔纯净单一，提按、起止、转折都达到了圆润浑厚的立体效果，结体均衡准确又饶有韵 致，篆法规矩又不失灵动，反映了他在小篆把握上的成熟和表现上的极 致。下面我们以此为蓝本，择字进行具体的技法分析指导，以期对小篆 有一个初步的了解。初学者从偏旁部首入手，不仅能掌握小篆的结体、用 笔，而且在识篆上，也会打下扎实的基础。

 Wang Fuan (1880 - 1960), a modern calligraphy seal carver, was one of the founders of Xiling Printing Society. Formerly known as Yu, Shouqi, Ziweiji, Fuan, Yinnu, Yinmai, Quhu, Luosha Jiangmin, after 70 years old, they are called the silent elderly, and the name of Zhai is Yiyanzhai. Hangzhou, Zhejiang Province, lived in Shanghai for fifty years. Fine seal carving, yes. Calligraphic seal and official script. Encouraged by Wu Changshuo, he created new paths, specializing in small seals and bronze inscriptions. The small seal books are neat and standard, beautiful and vigorous. The inscription "Shuowen Head" and "Shuowen Makes Seals Through False Seals" affirmed to the experts and became the model of seal learning.

At an early age, he is skilled in arithmetic and mapping technology and serves on railways. He roamed Hunan, Chu and Ezhu in 1922. Later, he was invited to Beijing to serve as a technical officer of the Bureau of Printing and Casting. He worked with Tang Yaoshi and Feng Kanghou, all of whom were in the same generation as Junyan. At that time, the official seal of the whole country was made by the Bureau of Printing and Casting. He is also a member of the Palace Museum Antiquities Display Office, and the collection of "Jinxie Liuzhen" is powerful.

In 1930, he returned to South China and settled in Shanghai. He was self-sufficient in Guyi. He built a house in Siming Village. He studied every day and made great progress.

Good storage of Qingtian Old Stone, very rich, self-proclaimed printer. Uncarved stone, leisure knife to survive. At home and abroad, the threshold is to wear, engrave in life, tens of thousands of people.

Father Tongbai, exquisite Jinshi, there are "Stone Drum Literature Collection", "Tang Qishi Xin", "Wulin Series Tales" and other books handed down.

Mr. Fuan is a young scholar who is well-educated in exegesis and poems. When I was over ten years old, I heard of it in calligraphy and seal carving.

In the twenty-fifth year, the Xiling Printing Society was established in Gushan, Xihu, with Ye Ming, Ding Ren, Wu Yin and Li Liangyu.

The School of Zhejia in the early period of its printing and the school of Anhui in the later period, duplicated the ancient seals of Zhou, Qin and Han dynasties, and formed its own appearance; in the process of rectification, it was both old and thick; occasionally it imitated the personality of a person, but also sometimes it was thoughtful.

Especially skilled in fine Zhuwen multi-character printing, with few rivals. Among the modern Indians, they were praised as the best.

Shen Yuzhong's "Indonesian Chant" has a poem chanting: "Lao Fu'an, with strict legal system, can best understand ancient Chinese and Qi characters. At the same time, Wu and Zhao can meet each other, and the tripod will be divided into three parts of the world." And note cloud: "Wang Fuan, famous, Hangzhou people.

The printing method is meticulous, especially proficient in the six-body, and it is not unreasonable to think about it.

And Wu Changshuo, Zhao Shuru at the same time a family. Yao Jingzhi, a poet, once had a title of "Bai Zi Ling" and his manuscript: "In poor years, he kept high and wanted to win Liu Lingyue. I'm the only one who can win the game. Chisel Bailizhu, bend the rules, shake off the edge of the handcuffs.

Le Ming-cai, Jingya to promote the old Chinese hair. It's amazing to carve dragons with all one's strength, but a series of them are heavy, so they can win the lottery.

It is expected that Wentian is not lost, Zhenzai Qiantong minister Jie. Silicon coincides with the same theory of military image, and has different origins.

According to the breeze, keep chastity. Gai Dao's art is also excellent.

When he was 46 years old, he had been lying sick for two years because of electric shock on the hand-operated fan switch. After that, he felt dizzy for a little while every time he was lying on the desk.

Thereafter, the engraving will lie on the vine couch, with a knife in his right hand and a stone in his left hand. A small mirror will hang over his little finger, and his hands will be empty. Chest stone debris everywhere, regardless of it.

Because the printing face down, the blade is difficult to get momentum, which has an impact on the brushwork. Like smoking, all engraved writing, lips must contain - pipe, smoke extinguishing or not, think so can help Wen think, otherwise it will feel lost.

Calligraphic figures, Jinwen, Xiaozhuan, uniform and vigorous; in his later years, he learned from the Chinese wash script to be interesting, and used the method of arranging and overlapping seal scripts to make seal scripts, simple and simple, especially when he stood out as the crown; Li Kai script also came out of the original machine and made a school of its own. Living in peace and ease, willing to support the younger generation. Not only do they devote themselves to the arts, but they also do their utmost to help those who have difficulties in life.

Disciples such as Han Dengan, Dun Lifu, Wu Putang, Xu Jiazhi and Jiang Chengzhi all benefited greatly from them. Yu traveled to Shanghai in the summer of 1959 and was accepted by Zhang Luxue. Fu Lao Zhiyu once learned from Mr. Kang Hou, who met with the green landscape paper fan written by Kang Wengfan when he was in charge of Kang Wengfan. Later, Yu was presented with the seal couplet of "Shicheng Weizhong Chuan, Changgu Lanting" and the Linben of "Songding".

It was time that the hand was trembling, but the book could be written in a short time in the morning. If we imitate Songding, we could not finish it in a few days. I feel ashamed and sorry when I pay tribute to you.

In his later years, Fu Lao was employed as a librarian of Zhejiang Provincial Literature and History Research Museum and a painter of Shanghai Chinese Painting Academy. He was also the director of the Preparatory Committee of China Jinshi Seal Carving Research Society. Surgery with swollen prostate failed to heal, recovered into pneumonia, and died.