新艺术风格，1890年至1914年，探索在欧洲和北美在十九世纪末开发的视觉艺术和建筑的新风格。展览分为三个部分：第一部分集中于1900年世界博览会在巴黎，新艺术运动被确立为二十世纪的第一个新的装饰风格; 第二部分研究影响风格的来源; 第三个看它的发展和成果，在欧洲和北美的主要城市。

在它的高度整整一百年前，新艺术风格是一致的尝试创建一个基于装修的国际风格。它是由一个辉煌和充满活力的一代艺术家和设计师，谁试图塑造适合于一种艺术形式的发展摩登时代。在这个非凡的时间，我们现在的城市生活理解它成立。古老的习俗，习惯和艺术风格与新的，结合了广泛的矛盾的图像和想法。许多艺术家，设计师和建筑师都对新技术和生活方式感到兴奋，而其他人则退缩到过去，拥抱精神世界，幻想和神话。

新艺术在许多方面是对工业革命的反应。一些艺术家欢迎技术进步，并拥抱新材料，如铸铁的美学可能性。其他人对大批量生产的机械制品的兴趣感到遗憾，并且旨在通过将最高标准的工艺和设计应用于日常物品，将装饰艺术提升到美术水平。新艺术风格的设计师也相信所有的艺术应该和谐地创造一个“全部艺术作品”或Gesamtkunstwerk：建筑，家具，纺织品，衣服和首饰都符合新艺术的原则。

The new art style, from 1890 to 1914, explores the new style of visual art and architecture developed in Europe and North America in the late nineteenth Century. The exhibition is divided into three parts: the first part focuses on the 1900 World Expo in Paris, the new art movement was established as the first new decorative style in twentieth Century; the second part studies the influence of the style of the source; third to see its development and achievements, the main city in Europe and North america.
At its height one hundred years ago, the new art style was consistent with the attempt to create an international style based on decoration. It is composed of a brilliant and dynamic generation of artists and designers, who try to shape the modern era for the development of an art form. At this extraordinary time, we are now living in the city to understand it. The old customs, habits and artistic styles are combined with the new, a wide range of contradictory images and ideas. Many artists, designers and architects are excited about new technologies and lifestyles, while others retreat to the past, embracing the spirit world, fantasy and myth.
New art is in many ways a response to the industrial revolution. Some artists welcome technological advances and embrace the aesthetic possibilities of new materials such as cast iron. Others are interested in the interest in the mass production of mechanical products, and aim to enhance the art of decoration to the level of art by applying the highest standards of technology and design to everyday objects. The designers of the new art style also believe that all the art should be in harmony with the creation of a "all art" or Gesamtkunstwerk: architecture, furniture, textiles, clothing and jewelry are in line with the principles of new art.