中国当代女子画会

 中国当代女子画会是中国当代艺术联盟旗下的一支女性艺术团体,会长曾红捷女士。目前拥有众多的来自全国各地的以及海外的从事当代艺术研究的女性艺术家。总部设在北京,18个省级分会。画会的宗旨是改变当今社会女性艺术从属的地位,以争取更多的话语权。

人物关系
  • 中文名中国当代女子画会
  • 发起人曾红捷
中国当代女子画会简介

中国当代女子画会成立于2015年8月,拥有上千名来自全国各地和海外的女艺术家,自成立以来曾经多次成功举办国内外高规格的展览和活动,在全国共设立了18个省级分会。会长曾红捷女士,常务副会长米娅女士,副会长夏雨女士、徐洁女士、秘书长靳清钦女士、副秘书长尚林琪女士。中国当代女子画会理事团成员有:刘欣、明丽华、 孙冰、向阳、李文、 赖亚光、林新、 翱紫、王晓蓉、王丽君、洪帆、刘冰、琳华。中国当代女子画会各省级分会会长是:“中国当代女子画会辽宁分会”会长宋群女士、“中国当代女子画会深港澳分会”会长徐洁女士、  “中国当代女子画会天津分会”会长杜薇薇女士、 “中国当代女子画会福建分会”会长陈惠珍女士、 “中国当代女子画会广东分会”会长夏雨女士、“中国当代女子画会广东分会”副会长赵乐琳女士、 “中国当代女子画会黑龙江分会”会长孙志晔女士、“中国当代女子画会河北分会”会长张宏领女士、 “中国当代女子画会内蒙古分会”会长王会丽女士、“中国当代女子画会湖南分会”会长杨斌斌女士、 “中国当代女子画会江西分会”会长矫芙蓉女士“中国当代女子画会江苏分会”会长韦茜女士、“中国当代女子画会山东分会”会长陈俊萍女士、 “中国当代女子画会四川分会”会长文悦女士、“中国当代女子画会上海分会”会长朱泓彦女士、“中国当代女子画会西南分会”会长孟曦女士、“中国当代女子画会山西分会”会长侯淼淼女士。

  画会的宗旨是前瞻性、包容性、引领性,在开放性、学术性、专业性的基础上,力求做到团体有深度、广度和温度。2016年5月4日,总会进驻上上国际美术馆,强强联合,预示着中国当代女子画会将要在更高的起点上展翅飞翔。

 

中国当代女子画会是中国当代艺术联盟旗下的一支女性艺术团体,会长曾红捷女士。目前拥有众多的来自全国各地的以及海外的从事当代艺术研究的女性艺术家。总部设在北京,18个省级分会。画会的宗旨是改变当今社会女性艺术从属的地位,以争取更多的话语权。

毋庸置疑,中国当代女子画会的当代性,是女性艺术家向现代知识分子华丽转型的时代召唤,她像一面旗帜,引领着无数在艺术上特立独行,在观念上崇尚自由的杰出女性走上了随心所向的境界;她像一把“温柔”的利器,击垮了横亘于传统与当代、女性与当代艺术之间的精神壁垒;她更像一个“女儿国”,史无前例地将曾经凝守着寂寞与辛勤、无法随俗而歌的天才女人们聚拢在了一起,并携扶着走向了时代艺术的前端。

长期以来,美术评论家或艺术前辈们,总在强调女性艺术家创作所必须服从的某种共性和传统,并以冷酷的学术表情警告女画家们不能冲破某些清规戒律。而社会的新贵和土豪们,多以猥琐的眼光对女性艺术家的作品妄为撒野,神气活现,试图将她们的艺术沦为恭顺的奴仆,还有一些狐假虎威的权威打手和艺术骗子充当着锤杀思想的行刑者……事实上,美术界在观念上的专制和腐朽,给愿意独立思考的女性艺术家戴上了沉重的精神枷锁。

而出现在中国当代女子画会花名册中的所有女艺术家,她们无一不是沿着心灵指向去探索形而以上生命和自然之美的当代艺术女杰,无一不是与当今画坛人云亦云、随波逐流的风气格格不入的思想者,她们甚至是一批鄙视甜俗媚世、恭颂争宠的革命者,她们不与软骨画家为伍,她们是一个走在时代前端的艺术群体,在与世俗价值体系冲突中她们虽然曾经“遍体鳞伤”,但由于她们的艺术是追随人性本真的去向而动的,所以她们精神境界中弥漫和涌动着的当代艺术的暗香,弥足珍贵,意义深远。

中国当代女子画会,一个充满人文魅力的女性团体,但这朵盛开的 “女人花”,并非因她的美丽而绽放,而是因为有深邃的艺术思想所注入的令她难以凋谢的生命养分。

在这群女艺术家的作品中,我们一一看到了对艺术抄袭和盗名欺世行为的批判和对旧的文化价值观的反思和针砭。令人欣慰的是,无论她们采用了什么绘画形式和出于怎样的绘画动机,她们所呈现出的生命能量和与自然间的轻重关系,驾轻就熟地揭示了生命本源的艺术审美,所以,她们聚集在了一起,并将无限地拓展属于她们的艺术领地,虽然她们未见得已经意识到她们中的谁会流芳百世,但她们中某些人用心和激情所创作出的当代艺术作品,也许、说不定、有可能或必然会成为艺术界的一朵奇葩而“千古绝唱”。 中国当代女子画会的启示是,艺术家如果磨平了桀傲不驯的性格,没有了自由张扬的精神,失去了肆无忌惮的想像力,其艺术生命将会枯竭!

 

 

Introduction in English

 The Chinese Contemporary Women's Painting Association is a women's art group under the banner of the Chinese Contemporary Art Federation, and its president, Ms. Zeng Hongjie. At present, there are a large number of female artists from all over the country and overseas engaged in contemporary art research. Headquartered in Beijing, there are 18 provincial branches. The purpose of the Art Festival is to change the subordinate status of women's art in today's society, in order to win more voice.

 

Undoubtedly, the contemporary nature of Chinese contemporary women's painting Festival is the call of the era when female artists are transforming into modern intellectuals. Like a banner, she leads countless outstanding women who are independent in art and advocate freedom in concept to the realm of their own will; like a weapon of "gentleness", she strikes at them. It breaks down the spiritual barriers between tradition and contemporary, women and contemporary art; it is more like a "daughter's country", bringing together, unprecedented in history, the gifted women who had been solitary and hard-working and could not sing along with the customs, and leading them to the forefront of the art of the times.

 

For a long time, art critics or artistic predecessors have always emphasized some commonness and tradition that female artists must obey in their creation, and warned them with cold academic expression that they could not break through certain rules and regulations. Novels and local tyrants of the society, with their trivial eyes, tend to wilfully treat the works of female artists with a vivid air, trying to turn their art into a submissive servant, and some authoritative fighters and artistic cheats act as executioners of hammering ideas... In fact, the autocratic and decadent concepts of the art world have placed heavy spiritual shackles on female artists who are willing to think independently.

 

And all the female artists appearing in the roster of contemporary Chinese women's painting festivals are not contemporary art heroines who follow the spiritual direction to explore the beauty of life and nature above the form. They are all thinkers who are incompatible with today's art circles and drift with the tide. They even despise the sweetness and vulgarity. They are not associated with cartilage painters. They are an art group at the forefront of the times. Although they have been "bruised all over the body" in the conflict with the secular value system, because their art follows the true direction of human nature, their spiritual realm is permeated and surging. The subtle fragrance of the moving contemporary art is precious and of far-reaching significance.

 

Contemporary Chinese Women's Painting Fair is a feminine group full of humanistic charm, but this blooming "woman flower" is not blooming because of her beauty, but because of the deep artistic ideas into her life nutrients that make it difficult to wither.

 

In the works of these women artists, we can see the criticism of art plagiarism and deception, and the reflection and criticism of the old cultural values. It is gratifying to note that no matter what form and motive they adopt, their life energy and the relationship between nature reveal the artistic aesthetics of the origin of life. Therefore, they gather together and will expand their artistic territory infinitely. Although they may not have realized who among them will be famous for centuries, some of them have created contemporary works of art with their hearts and passions, which may, or may, or will inevitably become a wonderful work in the art world and "a singer of the ages". The revelation of the Chinese Contemporary Women's Painting Association is that if an artist flattens his arrogant character, loses his spirit of free publicity, and loses his unbridled imagination, his artistic life will be exhausted.

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