萨蒙作品集

萨蒙出生在怀特黑文，坎伯兰，英格兰队在十月或十一月1775罗伯特·所罗门; 他被命名为1775年11月5日怀特黑文。 他的父亲，弗朗西斯所罗门，是一个珠宝商。年轻的萨蒙显然研究了17世纪的意大利画家的荷兰海洋画家的作品Vedute酒店，和工作克劳德·洛兰，但没有其他人知道他的早期训练。他已知最早的作品，两名武装商船怀特黑留港，并在'Estridge“关闭多佛的日期为1800; 他陈列在皇家艺术学院的第一个工作是在1802年。 

萨蒙在利物浦繁忙的海港定居在1806和所罗门改名叫大马哈鱼。他的许多从这个早期的海洋绘画生存，被安置在伦敦的国家海事博物馆。他的船肖像画表示，他曾与帆船和他们是如何工作的一个亲密的知识的了解。这些画像往往遵循他的传统显示相同的画布上至少在两个位置相同的容器的做法。四月，1811他从利物浦地区格里诺克，苏格兰1822年十月移动，然后回到利物浦1826年他回到了格里诺克，然后他离开伦敦于1827年，此后不久，他去了南安普顿，北希尔兹和利物浦。

随着许多年轻的艺术家，萨蒙认为，他的艺术的未来在美国铺设。他于1828年在出发之前，艺术家执行他的唯一现存的肖像，肖像海盗船，约翰·保罗·琼斯，一个工作非常多他那个时代的浪漫精神的一部分。他认为他的保罗·琼斯的“神似”将形成在他未来的家的观众了不解之缘。他可能不知道，有没有到过美国，即美国最大的海军英雄的记忆在公众心目中已经消失有效地完成这幅画前。 

向美国移民和生活在波士顿 

波士顿的码头，1829
1828年，萨蒙离开欧洲，美国对数据包的船，“纽约”，抵达元旦，1829年在海洋铁路码头俯瞰波士顿港一间小屋住，直到1840年生活，繁荣萨蒙作为海洋画家，接受佣金画肖像画船。在波士顿港的在本世纪上半叶的生长，萨蒙涂港300-400之间画在17世纪荷兰风俗画的风格。他被认为是一个古怪，孤僻，脾气暴躁的人。

萨蒙很快成为最突出的波士顿海景画家之一。在随后的几年里，他在威廉·S·彭德尔顿，在那里他遇到的平版印刷工作室分为绘画和工作之间的时间布雷德福和菲茨亨利车道。Lane和三文鱼之间的这种接触是巷高度重视，并在他的海洋景色变得明显。

在他的一生，萨蒙的工作是非常受欢迎的，是由波士顿收集塞缪尔卡伯特，罗伯特·贝内特福布斯和约翰·库欣Newmarch。

晚年
萨蒙于1842年，多年来被认为他的离开那里之后已经去世不久离开波士顿。相反，他回到了欧洲，去了意大利。许多归因于他的意大利的意见生存，最新一期的日期是1845年，他最后的记录工作一年。他死亡的实际日期仍然不明朗。

罗伯特·萨蒙的作品可以在发现美国海军学院，波士顿美术馆，国家海事博物馆，格林威治; 沃克艺术画廊，利物浦，美国艺术新不列颠博物馆，康涅狄格州，耶鲁大学英国艺术中心，纽黑文，康涅狄格; 航海博物馆，纽波特纽斯 ; 威廉·法恩斯沃思艺术博物馆，罗克兰，缅因州，琵琶地博物馆塞勒姆; 谢尔博物馆，佛蒙特州; 和伍斯特艺术博物馆，美国马萨诸塞州。

Simon was born in white haven, Cumberland, England in October or November 1775 Robert Solomon; he was named White haven on November 5, 1775. His father, Francis Solomon, was a jeweler. The young Sammon apparently studied the work of 17th century Italian painter Dutch marine painter vedute Hotel, and worked with Claude Lorraine, but no one else knew of his early training. His first known work, two armed merchant ships in Whitehaven, was at 1800 when "estridge" closed Dover; his first work on display at the Royal Academy of art was in 1802.

SAMON settled in 1806 in Liverpool's busy seaport and changed his name to salmon. Many of his early marine paintings survived and were housed in the National Maritime Museum in London. His ship portraits show that he had an intimate knowledge of sailboats and how they worked. These portraits often follow his tradition of showing at least two containers in the same location on the same canvas. In April, 1811 he moved from the Liverpool area of grenock, Scotland in October 1822, then back to Liverpool in 1826 he returned to grenock, and then he left London in 1827, shortly after which he went to Southampton, North Shields and Liverpool.

With many young artists, SAMON believes that his art future lay in America. Before he set out in 1828, the artist executed his only surviving portrait, the portrait of the pirate ship, John Paul Jones, a work very much part of the romantic spirit of his time. He believes that his Paul Jones "godlike" will form an indissoluble bond with the audience in his future home. He may not know if he has ever been to the United States, where the memory of America's biggest naval hero has disappeared in the public mind before effectively completing the painting.

Immigration to the United States and living in Bosto

In 1828, SAMON left Europe, the United States "New York" for the data package ship, arrived on New Year's day, and in 1829, he lived in a cabin overlooking Boston port at the ocean railway terminal, until 1840, when he prospered as an ocean painter and accepted the Commission painting portrait ship. Growing in Boston Harbor in the first half of this century, samondu harbor 300-400 painted in 17th century Dutch custom painting style. He is regarded as a queer, withdrawn, grumpy man.

Simon soon became one of the most prominent Boston seascape painters. In the years that followed, he was in William S. Pendleton, where he met a lithography studio that divided the time between painting and working in Bradford and Fitzhenry driveways. This contact between lane and salmon is highly valued by lane and becomes apparent in his marine landscape.

In his life, Simon's work was very popular, collected by Boston Samuel Cabot, Robert Bennett Forbes and John Cushing newmarch.

Old age

SAMON was believed to have left Boston shortly after he left there in 1842. Instead, he went back to Europe and Italy. Many thanks to his Italian views survive, the latest issue dates back to 1845, his last recording year. The actual date of his death remains unclear.

The works of Robert SAMON can be found in the U.S. Naval Academy, Boston Museum of art, National Maritime Museum, Greenwich; Walker Art Gallery, Liverpool, New Britain Museum of American art, Connecticut, Yale University, British Art Center, New Haven, Connecticut; Navigation Museum, Newport News; William Farnsworth Art Museum, Rowe Crann, Maine, Museum of pipadi Salem; Schell Museum, Vermont; and Worcester Museum of art, Massachusetts, USA.