艺术学校，通常被认为是困难的，很容易康定斯基。正是在这个时候，他开始成为一个艺术理论家和画家。在第二十世纪初他的画作数量增加；还有许多的景观和城镇他作画，用色和识别的形式广泛大片。对于大多数的一部分，但是，康定斯基的画没有任何功能的人物；一个例外是 星期日，俄罗斯的老 （1904），其中康定斯基创造了一个丰富多彩的（和幻想）在一个小镇的墙壁前农民和贵族的观点。 骑马夫妇 （1907）描绘了一个骑马的人，抱着一个女人的温柔和照顾他们骑过去的发光墙壁河对面的俄罗斯小镇。马是温和而在树上，叶子的小镇，和河中的倒影反光点颜色和亮度的。这项工作表明的影响 点彩画法 在景深折叠成一个平面的方式，发光的表面。 野兽派 在这些早期的作品也很明显。颜色是用来表达康定斯基的标的物的经验，而不是描述客观性质。

也许最重要的作品从20世纪的第一个十年是 蓝骑士 （1903），这表明在超速马急于通过岩石草甸小斗篷的人影。骑手的斗篷中蓝色，投下了暗蓝色的阴影。在前台有更多的无定形蓝色的阴影，在后台秋天树木同行。蓝骑士在绘画中突出（但不明确的），和马的步态不自然（康定斯基必须知道的）。一些艺术史学家认为 【 需要的引证 ] 第二图（也许是一个孩子）正在举行的车手，虽然这可能是一个孤独的骑手的影子。这种故意的脱节，让观众参与创作的艺术品，成为一个被康定斯基在随后的几年中越来越有意识的技术；它最终在1911–1914时期的抽象作品。进入 蓝骑士 ，康定斯基显示骑手更为一系列的颜色比具体细节。在这方面的比较与当代画家这幅画也不例外，但它显示的方向，康定斯基会在几年之后。

从1906到1908康定斯基花了大量的时间在欧洲旅行（他是这副 蓝玫瑰 莫斯科象征主义组），直到他坐在小 巴伐利亚 镇 茂瑙 。1908他买了一份 思想形态 由 安妮·贝赞特 和 查尔斯利德比特 。他在1909加入了神智学会。 布卢芒廷 （1908–1909）是在这个时候画，表明他对抽象的趋势。山的两侧蓝色是由两大树，一条黄色和红色。一个队伍，三个骑手和其他几个，穿过底部。的面孔，衣服和坐垫的车手都是一个单一的颜色，而他们也都步行的数字显示任何真正的细节。平面轮廓也野兽派影响的指示。在色彩的广泛使用 布卢芒廷 说明了康定斯基的艺术倾向，颜色是独立的形式，而每种颜色都给予了关注。成分是多平面；绘画分为四个部分：天空，红色的树，黄色的树和三个骑手蓝山

Art schools are often considered difficult and easy for Kandinsky. It was at this time that he began to become an art theorist and painter. At the beginning of the twentieth century and the increase in the number of his paintings; many of the urban landscape and he painted, color and form a broad swath of recognition. For the most part, however, Kandinsky's paintings did not feature any characters; an exception is Sunday, old Russia (1904), in which Kandinsky created a rich and colorful (and fantasy) in the point of view of peasants and nobles in a small town before the walls. Riding couple (1907) depicts a man on horseback, holding a woman's tenderness and care they ride across the river past the walls light Russian town. The horses are gentle while in the trees, the leaves of the town, and the reflection of the river in the reflection point of color and brightness. This work showed that the influence of pointillism in depth folded into a plane, the light emitting surface. These early works are also very obvious. Color is used to express the subject matter of Kandinsky's experience, rather than describe the objective nature.
Perhaps the most important works since twentieth Century in the first ten years is the Blue Knight (1903), which indicates that the speeding horse rushing through a rocky meadow small cloaked figure. The rider's cloak was blue and cast a dark blue shade. In the foreground there are more amorphous blue shadows in the background of autumn trees. Prominent blue knight in painting (but not clear), and the horse has an unnatural gait (Kandinsky must know). Some art historians think [citation needed] second (perhaps a child) is being held by the rider, although this may be a lonely rider shadow. This intentional disjunction, allowing viewers to participate in the creation of art, become a Kandinsky in the next few years more and more conscious technology; it eventually in the 1911 - 1914 period Abstract works. Into the blue knight, Kandinsky shows the rider a series of colors more than specific details. In this aspect and contemporary artists, this painting is no exception, but it shows the direction, Kandinsky will be in a few years.
From 1906 to 1908, Kandinsky spent a lot of time traveling in Europe (he is this pair of blue roses Moscow symbolism group), until he sat in the small town of Bavaria murnau. 1908 he bought a thought-form by Anne Bessant and Charles Leadbitter. In 1909 he joined the Theosophical society. Blue Mountain (1908 - 1909) was at this time that he painted, the trend of abstract. Blue on both sides of the mountain is made up of two big trees, a yellow and red. A team, three riders and several others, crossing the bottom. Face, clothes and cushion drivers are a single color, and they are walking the digital display of any real detail. The plane profile is also the influence of the wild animals. Widely used in the color blue mountain illustrates Kandinsky's artistic tendency, the color is independent of the form, and each color are given attention. The composition is more planar; the painting is divided into four parts: the sky, red tree, yellow tree and three riders in Lanshan