出生在阿拉巴马州的塔斯基吉的儿子,他是一个医生。他开始作为一个制图员在纽约,美国钞票公司在1864 - 65年,在相同的年学习艺术布鲁克林艺术协会和国家设计学院。他去了巴黎在1866年,1867年,他进入工作室的指出学术画家Jean-Leon Gerome(1824 - 1904),他深受Gerome精确制图术,顺利完成,关心中东的主题。此后,巴黎成了他的总部。1874年,他当选了国家设计学院作为一个准会员,并于1881年成为正式成员。
Frederick Arthur Bridgman (November 10, 1847 – January 13, 1928) was an American artist known for his paintings of "Orientalist" subjects.
Born in Tuskegee, Alabama, he was the son of a physician. He began as a draughtsman in New York City, for the American Bank Note Company in 1864–65, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design. He went to Paris in 1866, and in 1867 he entered the studio of the noted academic painter Jean-Léon Gérôme (1824–1904), where he was deeply influenced by Gérôme's precise draftsmanship, smooth finishes, and concern for Middle-Eastern themes. Thereafter, Paris became his headquarters. In 1874, he was elected into the National Academy of Design as an Associate member, and became a full member in 1881.
Bridgman made his first trip to North Africa between 1872 and 1874, dividing his time between Algeria and Egypt. There he executed approximately three hundred sketches, which became the source material for several later oil paintings that attracted immediate attention. Bridgman became known as "the American Gérôme", although Bridgman would later adopt a more naturalistic aesthetic, emphasizing bright colors and painterly brushwork. His large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, Jr., brought him the Cross of the Legion of Honor. The painting was later purchased by the famous American collector Wendell Cherry who donated it to the Speed Museum in Louisville, Kentucky in 1990 where it can be seen today.
Additional visits to the region throughout the 1870s and 1880s allowed him to amass a collection of costumes, architectural pieces, and objets d'art, which often appear in his paintings. John Singer Sargent noted that Bridgman's overstuffed studio, along with the Eiffel Tower, were Paris's must-see attractions. Though Bridgman maintained a lifelong connection to France, his popularity in America never waned. Indeed, in 1890, the artist had a one-man show of over 400 pictures in New York's 5th Avenue galleries. When the show moved toChicago's Art Institute, it contained only 300 works – testimony to the high number of sales Bridgman had made.
One of Bridgman's most recognized Orientalist images, A Street Scene in Algeria, is exceptional for its biographical and historical significance. Many of its details can be considered "signature" motifs of the artist, and its subject, a pointed record of travel. In keeping with Bridgman's tendency in the 1880s to focus on intimate domestic subjects, two seated male figures are given pride of place in the center of the composition, gesticulating while they chat.
Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in theCorcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection,Philadelphia, Pennsylvania).