约翰·埃弗里特.米莱斯John Everett Millais（1829年6月8日——1896年8月13日），英国画家。
后来的作品，从19世纪70年代起展示米莱斯对崇敬古典大师，如雷诺兹和委拉斯开兹。许多这些画是一个历史题材的并且是的米莱的天赋更多的例子。其中值得注意的是两位王子爱德华和理查塔（1878年）描绘了在塔王子，西北航道（1874年）和罗利的少年时代（1871年）。这样的画作表明米莱斯在连接到英国的历史和扩大帝国科目的兴趣。米莱斯也与他的孩子们的绘画中，特别是取得了很大的知名度泡沫出名，或者臭名昭著的，在的广告中使用- （1886）梨香皂 -和樱桃成熟。他的最后一个项目（1896年）是被一幅画名为最后的跋涉。根据他的插画为儿子的书，它描述了一个白色猎人横尸在非洲大草原，他的身体由两个非洲人设想。
Millais was born in Southampton, England in 1829, based on a prominent family in New Jersey. His parents are John William Millais and Emily Mary Millais. Most of his childhood spent in Jersey, he kept in his life a strong devotion. Author Thackeray once asked him, "when England beat New Jersey." Millais replied, "never! The conquest of England jersey." The family moved to Brittany Ferdinand in his childhood years.
His mother's "forceful personality" is the most powerful in his early life influence. She has a strong interest in art and music, and encourages her son's artistic talent, promote family relocation to London to help develop the Royal Academy of arts. "I owe it all to my mother," he later said."
His amazing art was only eleven years old when he won the Royal Academy in a local school of HUAWEI. There, he met William Holman Hunt and Dante Gabriel Rossetti and the man whom he had formed a brother in his family (called "PRB") in September 1848, Gower street, Bedford square.
In 1855, her marriage was abolished after Ruskin, Effie Millais and John married. He and ivy eventually have eight children: Everett, born 1856; George, born on 1857; Ai Fei, born on 1858; Marie was born on 1860; Alice, born 1862; geoffroi, born on 1863; John in 1865 and Sophie in 1868. Their youngest son, John Gil Millais, became a famous naturalist, artist and wild animal Miley's posthumous biography.
Effie's sister Sophie sat by the Milaisiduo gray picture, led to the nature of one's relationship with some speculation they clearly love.
Millais's Christ in his parents' house (1849 to 50 years), is a realistic portrayal of the working class of the controversial Holy Family in a chaotic carpentry workshop labor. Later works are controversial, but not so. Millais has achieved widespread success with the Amish (1851 to 1852), describing the separation of a young couple from religious conflicts. He repeated the theme in many of his later works. All of these early works were painted with great attention to detail, often focusing on the beauty and complexity of the natural world. In the painting, such as the Oufei (1851 to 1852) to create Miley intensive and integrated graphics surface on the basis of natural elements. This approach has been described as a "patterned ecosystem." Mariana is a picture of the Miley from 1850 to 1851 based on the measures for the play by Shakespeare and the name of the measures of the poems of Alfred, Tennyson in 1830 in the play, the young Mariana is going to get married, but her husband refused, when her dowry was lost in a shipwreck.
This style was promoted by critics of John Raskin, who defended their criticism of the former school of Rafael. Millais's friendship with Ruskin's wife Effie Ruskin introduced to him. Not long after they met, she released a copy of his painting. The painting Millais Effie they fall in love. Although he's been married for years, she's still a virgin. Her parents realized that she had an accident, for an annulment.
After he got married, Millais on a broader style, which is blamed for the painting by Ruskin "the disaster." Some people think that this style changes from what need to increase their output to support his growing family caused by. Relentless criticism, such as William Morris accused of "betrayal", to achieve popularity and wealth he. His admirers, by contrast, pointed out the artist's connection to Whistler and Albert Moore, and the influence of the word of the Lord, and the influence of the artist, and the influence of the power of the people of the world. Millais himself argued that he became more confident and, as an artist, he could paint more boldly. In his article "in our art thinking today" (1888), he suggested Velazquez and Rembrandt as a model for artists to follow. On the eve of painting such as Saint Agnes and the sleepwalker clearly shows the artist and Whistler, their support for dialogue between the work of millais. Other paintings in the late 1850s and 1860s can be interpreted as the expected aspect of sport aesthetics. Many deployment arrangements for a wide range of harmonious colors are symbolic, not narratival. From 1862, Miley family lived in 7 Cromwell square, Kensington, london.
The later works show the reverence for classical masters, Millais from 1870s onwards, such as Reynolds and velazquez. Many of these paintings is a historical theme and the Miley talent more examples. It is noteworthy that the two princes Edward and Richarta (1878) depicted the prince in the tower, the northwest passage (1874) and the boyhood of the year of the year (1871) of the year of the year (the year of the). This painting shows that Millais in connection to British history and expand the Empire subjects of interest. Millais is also known for his children's paintings, in particular, made a great popularity of the bubble, or infamous, used in the ads - (1886) pear Soap - and cherry ripe. His last project (1896) was a painting called the last trek. According to his son the illustration for the book, which describes a white hunter lying dead in the African savannah, his body is composed of two African ideas.