出生于卡梅拉诺（马尔凯），然后将一部分教皇国，他去了罗马在1636年，伴随着唐Corintio Benicampi，秘书Taddeo巴贝里尼。[2]他成为了工作室当学徒安德烈萨基。正是在这个时候，萨基之间的辩论彼得DA科尔托纳发生在Accademia di圣·卢卡，艺术家们学院在罗马。萨基认为，绘画应该只有这应该表达的叙述而科尔托纳反驳说，允许子主题开发的数字更大号的几个数字。马拉塔的画在这个时候密切的盟国古典萨基，是更为内敛，比巴洛克风格的繁荣由彼得DA科尔托纳的画。萨基一样，他的作品被来自伟大的画家的作品灵感来自帕尔马和博洛尼亚：安尼巴莱卡拉齐，圭尔奇诺，圭多雷尼，弗朗西斯科·阿尔巴尼和乔瓦尼兰弗兰科。

他开发了萨基，直到他的主人的死亡有着密切的关系在1661年他的壁画“ 君士坦丁下令异教偶像的毁灭”（1648年），为的洗礼拉特兰，由萨基的基础上设计的，为他赢得了关注，作为一个艺术家但他的第一个突出的独立的工作是（1650）的圣朱塞佩迪Falegnami“牧羊人的崇拜”。从这一时期的另一个主要工作是“三位一体的奥秘透露，圣奥古斯丁”（约1655）画了教堂圣玛丽亚大教堂泽塞特Dolori。

教皇亚历山大七世（在位1655年至1667年）的委托，从他的许多绘画包括“探视”（1656），圣母佩斯在奎里纳尔宫的长廊，在那里，他科尔托纳谁选择了他的领导下工作，并在“诞生”完成这个任务。他已故的17世纪50年代展品光从罗马巴洛克绘画衍生运动的照片，古典唯心主义相结合。

从1660年，他建立了一个私人的客户群当中的欧洲富裕的顾客，在他那个时代罗马建立最突出的艺术工作室，并死后贝尔尼尼于1680年，他成为了罗马的著名艺术家。1664年，马拉塔成为Accademia di圣·卢卡的导演和，关注提升艺术家的地位，促进了艺术古代经典的研究和绘图。在17世纪70年代，他被委托教皇克莱门特点¯x到壁画中的家具展的天花板宫阿尔铁里 ; 对于“凯旋宽大”的肖像权计划是由Bellori设计。与焦万巴蒂斯塔Gaulli在附近的教堂的中殿壁画隔宿这是被同时画，马拉塔没有采用迷狂; 他的场面仍是其框架内，并用几个数字。

这一时期他的主要作品包括：目前在“圣母圣菲内里的外观”（C 1675）皮蒂宫佛罗伦萨; 为教会的圣母与圣徒卡洛·博罗梅奥和Loyola依纳爵，和天使“（C 1685）圣玛丽亚Vallicella酒店（C 1675）; 并为（1686）“的教会医生的圣母升天” 来世通电子教堂在圣玛丽亚del Popolo广场。这不是，因为他的批评者声称，美属维尔京众多描写为他赢得了绰号卡鲁齐奥阿尔Madonne或“圣母的小卡罗”，但他的这一主题的天才解释。

马拉塔是一个著名的肖像画家。他画萨基（约1655年，普拉多），枢机主教安东尼巴贝里尼（约1660 巴贝里尼宫），教皇克莱门特九（1669年梵蒂冈Pinacoteca）和自画像（约1695年布鲁塞尔）。在访问期间，以罗马的他还画了许多英语保姆大旅游，早在1645年有约翰·伊夫林勾画古物

在1679或1680年，一个女儿，福斯蒂纳，是由他的情妇，弗朗西斯Gommi（或GOMMA）出生马拉塔。他法律上承认她为他的女儿1698年并在成为1700鳏夫，马拉塔嫁女孩的母亲。他的女儿的功能被纳入许多马拉塔已故绘画。
在1704年马拉塔被封为爵士教皇克莱门特十一。

随着乘客周围的十八世纪的开始，主要是由于经济衰退普遍下降，马拉塔打开他的手绘画恢复，包括拉斐尔和卡拉齐的作品。他的雕塑设计，包括为使徒数字圣乔凡尼。他继续经营他的工作室进入老年期，即使他再也无法作画。马拉塔于1713年死在罗马，并在被埋没了那里安杰利圣母。

Born in Carmela Nor (Marche), then part of the Papal States, he went to Rome in 1636, with Corintio Benicampi Secretary Taddeo Barberini Tang. [2] he became a studio apprentice Andre Saki. It is at this time, szaky debate between Peter DA of Cortona Accademia Di in St. Luca, artists college in Rome. Saki believes that paintings should be only this should express the description and Cortona retorted, several digital allows sub theme development digital size. Szaky [3] Maratha allies classical painting at this time is close, the more reserved, than the baroque style of the prosperity of Cortona painted by Peter DA. Szaky, his works are from the works of the great painters inspiration from Parma and Bologna: Annibale Carracci, Guercino, Guido Rene, Francisco Albani and Giovanni Lan Franco.
He developed Sacchi, until his master's death has a close relationship in 1661 the destruction of his mural "Constantin ordered pagan idols" (1648), for the baptism of Rutland, based on the design by Sacchi, won attention for him as an artist, but his first prominent independent the work is (1650) worship San Giuseppe di Falegnami "shepherd". Another major work from this period is "three-in-one mystery revealed, Augustine" (about 1655) drew the church Santa Maria Cathedral Sette Dolori.
Pope Alexander VII (reigned from 1655 to 1667) of the Commission, from many of his paintings include "visiting" (1656), the pace at the Quirinal palace Gallery, where he Cortona who chose his leadership work, and in the "birth" to complete the task. He was late in 1650s from the Rome Baroque painting exhibits light derived motion pictures, the combination of classical idealism.
In 1660, he established a private client group among the rich European customers, establish the most prominent art studio in his time in Rome, and after the death of Bernini in 1680, he became a famous artist in Rome. [4] 1664, Accademia Di became the Maratha Saint Luca and director, concerned to enhance the status of the artist, promote research and drawing of ancient classical art. In 1670s, he was commissioned by Pope Clement's characteristics x to the murals in the palace furniture ceiling Altieri; for the "big triumph" portrait program is designed by Bellori. Batista Gaulli and coke million in the vicinity of the nave which was also painted murals of the previous night, the Maratha did not use ecstasy; his scene is still inside the frame, and with some numbers.
Including the period of his major works: in the "Notre Dame appearance inside the Santa Fe" (C 1675) the Pitti Palace Florence; for the Church of Madonna with Saints Carlo Borromeo and Ignatius Loyola, and angel "(C 1685) Santa Maria Hotel Vallicella (C 1675); and (1686)" the church of the assumption of Mary doctor "WorldCom electronic Church in Santa Maria Del Popolo square. This is not because his critics claimed that many American Vilgin described as he earned the nickname "Madonne" or "Aoaer capuzzi Mary little Carlo", but the theme of his genius to explain.
The Maratha is a famous portrait painter. He painted Sacchi (about 1655, Prado), cardinal Anthony Barberini (ca. 1660, Palazzo Barberini Pope Clement (nine 1669) the Vatican Pinacoteca) and self portrait (about 1695 Brussels). During the visit to Rome, he also painted many English nanny tourism, John Evelyn outlined the antiquities in early 1645
In 1679 or 1680, a daughter, Fausty Na, by his mistress, Francis Gommi (or GOMMA) was born in maratha. He legally recognized her as his daughter in 1698 and became the 1700 Maratha widower, married the girl's mother. His daughter's function was incorporated into many Maratha late paintings.
In 1704 the Maratha was knighted by Pope Clement eleven.
With the start of the passengers around eighteenth Century, mainly due to the economic recession generally decreased, the Maratha opened his hand painting restoration, including Rafael and Karachi's works. His sculptures were designed to include the apostle Giovanni. He continued to run his studio into old age, even though he could never paint again. The Maratha died on 1713 in Rome, and was buried there in Santa Maria Degli Angeli.