出生于家庭的金匠和钟表匠，米罗在长大的哥特区巴塞罗那附近。 他的父亲是米克尔米罗Adzerias，母亲是Dolors FERRA。 他开始在7岁时在位于Carrer德尔Regomir 13，一个中世纪豪宅一所私立学校绘图类。1907年，他就读于在美术学院的La Llotja，他的父亲沮丧。他曾就读于色格拉艺术桑特Lluc酒店 他在达尔莫画廊，他的工作是嘲笑和损毁了他的首次个展于1918年。 灵感来自立体派和从国外超现实主义展览，米罗绘制对待艺术社区，这意味着聚集在蒙帕纳斯并于1920年搬到了巴黎，但继续度过他的夏天在加泰罗尼亚。

Miró最初去商学院和艺术学校。他开始了他的工作生涯，当他是一个少年作为一个职员，虽然他的商业世界完全放弃了艺术后，神经衰弱。他早期的艺术，这样的类似影响的野兽派在巴塞罗那展出，立体主义，灵感来自梵高和塞尚。米罗的工作与前卫的中间一代的相似之处使得学者们将这个时期称为加泰罗尼亚野兽派时期。 

几年后，米罗1918年巴塞罗那个展，他在巴黎定居，在那里他完成了许多，他在他父母的避暑山庄和农家开始绘画的蒙特-罗伊格德尔坎普。一个这样的绘画，农场，表现出绘画和某些民族的素质更个人风格的转变。海明威，谁以后购买了一块，相比艺术修养，以詹姆斯·乔伊斯的尤利西斯并说描述的那样，“它有这一切，你觉得西班牙的时候，你有没有和所有，当你离开你的感觉和不能去那里。没有其他人已经能够绘制这两个非常对立的东西。“ 米罗每年返回翠湖罗伊格并制定了象征主义和民族主义，将与他坚持他的职业生涯。米罗的第一部作品的两个列为超现实主义，加泰罗尼亚景观（猎人）并在耕种场，采用了象征性的语言，这是主导未来十年的艺术。 

1924年，米罗加入超现实主义团体。Miró的工作已经具有象征意义和诗意的性质，以及它固有的对立性和矛盾性，适合于团体所支持的梦幻般的自动化。Miró的许多作品失去了混乱的混乱缺乏的焦点，定义了他的工作，到目前为止，他试验了拼贴和绘画的过程，在他的工作，以拒绝传统绘画提供的框架。这对绘画的态度对立表现出来时，米罗提到他的作品在1924年作为模棱两可的信中的诗人朋友“X” 米歇尔·莱里斯。 说出来这个时期的画作最终被冠以米罗的绘画梦想。

米罗没有完全放弃主题。尽管超现实主义的自动技术，他在20世纪20年代广泛使用，草图显示，他的工作往往是一个有条不紊的过程的结果。Miró的工作很少倾向于非客观性，保持一种象征性的原理语言。这也许是在反复的最突出的加泰罗尼亚农民头系列1924年到1925年。1926年，他与合作马克斯恩斯特对芭蕾的设计掌门人 谢尔盖·佳吉列夫。与米罗的帮助，恩斯特首创的技术grattage，他在其中镘色素到他的画布。 

米罗回到绘画更表示形式荷兰内饰通过作品1928年后打造而成亨德里克Martenszoon SORGH和扬·斯特恩视为明信片复制品，绘画揭示了一趟荷兰的艺术家拍摄的影响。这些画作分享更多的共同点与耕种现场或丑角的狂欢节比用简约的梦想画在几年前生产的。

米罗在结婚皮拉尔Juncosa 帕尔马（马略卡岛 1929年10月12日）; 他们的女儿玛丽亚·多洛雷斯米罗，生于7月17日1930年1931年，皮埃尔·马蒂斯开了一家画廊纽约市。皮埃尔·马蒂斯画廊（其存在，直到马蒂斯的1989年去世）成为一个有影响力的一部分，现代艺术在美国的运动。从一开始，Matisse代表JoanMiró，并通过经常在纽约展示Miró的作品将他的作品介绍给美国市场。[12] [13]

直到爆发的西班牙内战，米罗惯常在夏天回到了西班牙。一旦战争开始，他无法回家。与许多他的超现实主义同时代人不同，米罗以前倾向于远离政治评论。虽然（加泰罗尼亚）民族主义情绪弥漫他最早的超现实景观和加泰罗尼亚农民的头，但直到西班牙共和政府委托他画的壁画，死神，为西班牙共和党馆在1937年巴黎展览会上，该米罗的工作采取了政治上充满意义。[14]

1939年，随着德国入侵法国的到来，米罗搬到了诺曼底的Varengeville，第二年5月20日，当德国入侵巴黎时，他在维希政权期间，逃往西班牙（现在由弗朗西斯科弗兰科控制）规则。[15]在瓦朗日维尔，帕尔马和Mont-Roig的，1940年和1941年之间，米罗创造了23 水粉系列星座。围绕旋转的天体的象征，星座赢得了由艺术家赞誉安德烈·布雷顿，谁十七年后写了一系列诗歌，命名，由米罗的启发系列的。这项工作的特点揭示了把重点转向女性，鸟，月亮的主题，这将主宰他的肖像为他的事业的其余部分。

米罗，蓝I，蓝II，和蓝三三联，1961年，这里描绘的展览在蓬皮杜中心梅茨博物馆，法国梅斯，2010年10月
泷口酒造上公布米罗第一本专着于1940年在1948年至1949年米罗住在巴塞罗那，并提出到巴黎互访频繁对在印刷技术工作Mourlot工作室和工作室Lacourière。他开发了密切的关系弗尔南Mourlot并导致生产一千多个不同的平版印刷版本。

1959年，安德烈·布雷顿问米罗代表西班牙的参拜超现实主义展览一起恩里克Tábara，萨尔瓦多·达利，和欧亨尼奥Granell。米罗创造了一系列雕塑和陶瓷的花园玛格基金会在圣保罗-德旺斯，法国，这是在1964年完成。

1974年，米罗创造了一个挂毯世界贸易中心与加泰罗尼亚艺术家在纽约市一起何塞普罗佑。他最初拒绝做挂毯，然后他从Royo学习工艺，两个艺术家一起做了几件作品。他的世界贸易中心挂毯被显示在大厦，是艺术最昂贵的作品在失去了一个911袭击。

1977年，米罗和罗佑完成了将要展出一个挂毯艺术国家画廊在华盛顿特区。

1981年，米罗的太阳，月亮和一星 -later改名为米罗的芝加哥 -was亮相。这大，混合媒介雕塑室外在市中心位于河套地区芝加哥从另一个大型公共雕塑的，街对面芝加哥毕加索。米罗创造的青铜模型的太阳，月亮和一星于1967年的初步设计的模型现在居住在密尔沃基艺术博物馆。

在整个60年代，米罗是由玛格基金会还包括组装的作品很多美容院显示功能的艺术家夏加尔，贾科梅蒂，BRACH，塞萨尔，UBAC和塔尔大衣。

在纽约（1972年），伦敦（1972年），圣保罗德旺斯（1973年）和巴黎（1974年）这样的城镇里，在古老的时代，对米罗的大型回顾展示了国际上的好评，在过去的半个世纪稳步增长; 后来进行了大规模的回顾性研究。在他的祖国的政治变化导致1978年的第一个完整展出他的绘画和图形工作，在索菲娅王后国家艺术中心博物馆在马德里。1993年，他诞辰100周年之际，几个展览举行，其中最突出的是那些在举行Fundació米罗，巴塞罗那的现代艺术博物馆，纽约的国立博物馆艺术中心雷纳索非亚，马德里和Lelong画廊，巴黎。[32]在2011年，另一项回顾性是安装在泰特现代美术馆，伦敦，并前往Fundació米罗和国家美术馆，华盛顿特区。米罗版画，基金会米罗（2013年）。而在2014年两个展览，米罗：从地球到天空的阿尔贝蒂娜博物馆和旷世距离苏黎世美术馆，国立新美术馆，东京。

有权展览米罗：直觉与想象力和“米罗：中看到了经验”是在举行丹佛艺术博物馆从3月22日至6月28日2015年在麦克内艺术博物馆从2015年9月30日- 2016年（分别）1月10日展示从1963年至1981年间由米罗提出，在贷款的作品索菲娅王后国家艺术中心博物馆在马德里。

Born in the family of the goldsmith and watchmaker, Milo grew up in the Gothic area near Barcelona. [2] his father is Mikel Miro Adzerias, the mother is Dolors FERRA. [3] he started at the age of 7 at the Carrer Del Regomir 13, a medieval mansion in a private school drawing class. In 1907, he studied at the Academy of Fine Arts La Llotja, his father depressed. He was educated at Sant Lluc [4] Hotel Glasgow color art in his darmo Gallery, his work was ridiculed and destroyed his first exhibition in 1918. [5] inspiration from cubism and surrealism exhibition from abroad, drawing Milo towards art community, which means that the gathering in Montparnasse in 1920 and moved to Paris, but continued to spend his summer in Catalonia.Mir first went to business school and the school of art. He began his career as a teenager when he was a clerk, although his business world was completely abandoned by the art of neurasthenia. [6] his early art, similar to the influence of such Fauvism Cubism, exhibited in Barcelona, inspired by Van Gogh and Cezanne. The parallels between Milo's work and that of the middle generation of the avant garde have led scholars to refer to this period as the Catalonia era. [7]
A few years later, Milo 1918 Barcelona that show, he settled in Paris, where he completed many of Roy Geder Camp, he began painting in his parents' farm and Monte - Mountain Resort. One such painting, the farm, exhibits a more personal style of painting and the quality of certain ethnic groups. Hemingway, who later purchased a piece, compared to James Joyce's artistic accomplishment, and said Ulysses described it, "it is all this, you think of Spain, do you have any and all, when you leave you feeling and can't go there. No one else has been able to draw these two very opposite things. "[8] Milo return every year and the development of the lake Roig symbolism and nationalism, and he will stick to his occupation career. Two of Milo's first works are classified as surrealism, the Catalonia landscape (Hunter) (source request), and in the farm, [9] uses a symbolic language, which is dominated by the arts for the next ten years. [source request]
In 1924, joined the Miro surrealist group. Mr Mir's work has been with the nature of symbolism and poetic, and its inherent contradiction and conflict, for support in fantastic automation group. Many Mir works out of focus confusion lack of the definition of his work, so far, he tested the process of collage and painting, in his work, by refusing to provide the framework of traditional painting. This pair of paintings showed an opposite attitude when Milo referred to his work in 1924 as an ambiguous letter to the poet friend "X" by Michel Laires. [10] said that the paintings of this period were eventually called Milo's painting dream.
Milo did not completely abandon the theme. Despite the widespread use of surrealist automatic techniques, which he used in 1920s, sketches show that his work is often a result of an orderly process. Mr Mir's work less prone to non objectivity, keep the principle of a symbolic language. This is perhaps the most prominent series of farmers in Catalonia in the first series of 1924 to 1925. In 1926, he and Marx Ernst on the design of cooperative ballet master Sergei Gagilev. With the help of grattage technology Miro, initiated by Ernst, in which he a pigment to his canvas. [source request]
Milo returned to the painting representation of Holland interior through the works after 1928 created by Hendrik Martenszoon and Jan Stern SORGH as Postcard reproductions, reveals the influence of painting artists took a trip to Holland. [11] these paintings share more in common with the farming field or Harlequin's Carnival than simple dream of painting in a few years ago production.
Milo married pilar Juncosa Parma (Mallorca October 12, 1929); their daughter Maria Dolores Milo, born in July 17th 1930 in 1931, Pierre Mathis opened an art gallery in New York city. Pierre Mathis Gallery (whose presence until the death of Matisse in 1989) became an influential part of modern art movement in the United states. From the beginning, Matisse on behalf of JoanMir, and through the current exhibition in New York Mir works his work will be introduced to the U.S. market. [13] [12]
Until the outbreak of the Spanish Civil War, Milo returned to Spain in the summer. Once the war started, he couldn't go home. Unlike many of his contemporaries, Milo used to prefer to stay away from political commentary. Although (Catalonia) nationalism was his earliest surreal landscape and the Catalonia farmer's head, but until the Spanish republican government commissioned him to paint murals, death, for the Spanish Republican Pavilion at the 1937 Paris exhibition, the Miro work has taken meaningful political. [14]
In 1939, with the arrival of the German invasion of France, Miro moved to Normandy Varengeville, in May 20th second, when Germany invaded Paris, he in the Vichy regime, fled to Spain (now controlled by Francisco Franco) rules. [15] in Varengeville, Parma and Mont-Roig, between 1940 and 1941, Milo created a series of 23 gouache sign. Around the symbol of the rotating celestial body, the constellation won the praise of Andre Breton by artists, who wrote a series of poems seventeen years later, named after the series inspired by Milo. The characteristics of this work of [16] reveal the focus of the shift to women, birds, and the theme of the moon, which will dominate his portrait for the rest of his career.Milo, blue I, blue II, and blue three triple, 1961, pictured here at the Pompidou Center Museum exhibition Merz, France Metz, October 2010 [17]
Takiguchi liquor published Miro first monograph on 1940 in 1948 to 1949 Miro live in Barcelona, and put forward to Paris to work in the frequent visits of printing studio and studio Lacouri re Mourlot. He developed a close relationship with Fernand Mourlot and lead to the production of more than 1 thousand different lithographic printing version.
In 1959, Andre Bretonssagemiro's visit on behalf of the Spanish surrealist exhibition together with Enrique T Bara, Salvador Daly, and Eugenio Granell. Milo created a series of ceramic sculpture and garden Maeght foundation in St Paul de Vence, France, which was completed in 1964.
In 1974, Milo created a tapestry of the world trade center and the Catalonia artist in New York city with general Jose. He initially refused to do tapestry, then he learns from Royo technology, two artists together to do a few works. His tapestry is shown in the World Trade Center building [18], is the most expensive art works in lost a 911 attack. [20] [19]
In 1977, Milo and Luo Yu completed will display a tapestry of Art National Gallery in Washington d.c.. [
In 1981, Miro's sun, moon and star -later changed their name to Miro's Chicago -was debut. This large, mixed media sculpture in the outdoor center located in Hetao area of Chicago from another large public sculpture, across the street from Chicago Picasso. The bronze model created by Milo of the sun, the moon and the star in the 1967 preliminary design model now resides in the Milwaukee Museum of art.
In the 60s, Milo is from the Maeght foundation also includes assembly of the works of many beauty salons display artist Chagall, Giacometti, BRACH, Cesar, UBAC and tal coat.
In New York (1972), London (1972), St Paul de Vence (1973) and Paris (1974) this town, in ancient times, a large review of Milo shows the international acclaim, steady growth in the past half century; then conducted a retrospective study of large scale. The political changes in his homeland led to the first full exhibition of his paintings and graphic works in 1978, at the queen Sophia National Center for the Arts in madrid. In 1993, the 100 anniversary of his birthday, held several exhibitions, of which the most prominent is those held in Fundaci Milo, Barcelona's Museum of modern art in New York, the National Museum of Art Center of Madrid and Reina Sofia, Lelong Gallery, Paris. [32] in 2011, another retrospective is installed in the Tate Museum of Contemporary Art, London, and went to Fundaci Milo and the The National Gallery, Washington d.c.. Milo prints, foundation of the Milo (2013). In 2014 two exhibition, Milo: from the earth to the sky in the Albertina Museum and a distance of the Zurich Art Museum, National Art Museum, Tokyo.
Have the right to show Milo: intuition and imagination and the "Milo: see the experience" is held in the Denver Museum of art from March 22nd to June 28th 2015 at the Museum of art from September 30, 2015 - 2016 McNeilly (respectively) January 10th show from 1963 to 1981 was proposed by Milo, on loan works Queen Sophia National Art Center Museum in madrid.