提奥·凡·杜斯堡（荷兰： [特乔vɑnduzbɵrx] 8月30日1883年至1931年3月7日）是荷兰画家，谁练画画，写作，诗歌和建筑。他是最有名的创始人和领导人风格派。提奥·凡·杜斯堡生于基督教周华健玛丽Küpper于1883年8月30日，在乌得勒支，荷兰，作为儿子的摄影师 威廉Küpper和Henrietta卡特琳娜Margadant。经过短暂的演习和唱歌的训练，他决定成为一个画家。他总是认为他的继父，Theodorus Doesburg，是他的天生的父亲，所以他的第一部作品签署了Theo Doesburg，他后来添加了插入“面包车”。
Theo Van Dusburg was born Christian Emil Chau Marie K pper in August 30, 1883, in Utrecht, Holland, as the son of photographer William K pper and Henrietta Katerina Margadant. After a short training and singing, he decided to become a painter. He always considered his stepfather, Theodorus Doesburg, to be his natural father, so his first work was signed by Theo Doesburg, which he later added into the "van"".
His first exhibition was in 1908. From 1912, he supported his work to write a magazine. He regarded himself as a modern painter, at that time, although his early works were in the Amsterdam Impressionist line and influenced by Van Gogh, both in style and subject matter. This sudden change in the R u ckblicke Kandinsky after 1913, he recalled his life from 1903 to 1913 painter. It made him realize that there was a higher, more spiritual level in the painting, which came from the mind rather than the daily life. It has been in the 1912 van Doesburg is in a state of the art criticism of futurism Eenheid. In November 9, 1271912, because the speed of the analog expression (whether it may be: aircraft, cars, etc.) and the characteristics of the painting is completely contrary to its highest origin in life". In November 6, 1915, he wrote in the Journal: "aware of the importance of Mondrian lines, the line itself has almost become a piece of art; when the perceived object's performance is very important, it cannot play it. The white canvas is almost solemn, every extra line, every wrong line, any color placed without worship or care, can destroy everything, that is, the spirit".
This is a review of the magazine paper, he wrote a, in 1915 (when he served two years), when he came in contact with the works of Mondrian, who is eight years older than he, and has received some attention with his painting. Van Doesburg sees his painting ideal in these paintings: a complete abstraction of reality. Shortly after the Expo Van Dusburg made contact with Mondriaan, and Bart Van Derek, and artist Anthony horn, Huszar and JJP, the Moche Trichoderma, they founded the magazine style in 1917.