工作

似乎他的绘画和图案构成随机并列图像,或图片放在另一个上面故意笨手笨脚的技术。在2005年的一次演讲,大厅说:

当我来到纽约在70年代,它是常见的,不要指望能够从你的艺术生活。我只有一点点了解画廊或艺术世界的业务方面。这一切似乎都很遥远。当人们开始关注我的工作,所以不太可能在某种程度上似乎不是那么显著。我所在的是一家小型的观众朋友,大多其他艺术家,并没有真正发生改变。同时,有显示是一种看看共鸣的其他人的工作。有这种反应,回到你的工作世界上收到,可以为您的开发作为一个艺术家是重要的。但是你必须把它与健康的怀疑…我仍然花大部分时间在我的工作室,独自一人,无论流。 

主要展览他的作品在发生了惠特尼美国艺术博物馆在纽约,阿姆斯特丹市立博物馆在阿姆斯特丹,洛杉矶当代艺术博物馆,村Castello di Rivoli(意大利都灵),毕尔巴鄂古根海姆博物馆。2009年3月,一群15画时显示Kestnergesellschaft博物馆在德国汉诺威。同年室的工作也是在一个展览题为图片一代策划的道格拉斯·埃克伦在大都会艺术博物馆在纽约了他,在同时代的许多人包括理查德·普林斯,Sherrie莱文,Cindy Sherman,南希•德怀尔,罗伯特•隆戈,托马斯·劳森,查尔斯·克劳夫和迈克尔Zwack.

其他工作

大卫Salle也变成了他的手集和服装设计,引导主流电影。1986年,Salle收到了古根海姆奖学金为剧场设计1995年,他执导的电影,搜索并摧毁主演格里芬邓恩和克里斯托弗·沃肯。他是一个长期的合作者与编排Karole阿米蒂奇当他设计集和服装对许多她的芭蕾舞剧

他也是一位多产的作家的艺术。他的论文和评论已经出现在登载于,艺术在美国,现代画家,《巴黎评论》,面试,以及众多的展览目录和选集。他是一个城市与乡村》杂志的定期撰稿人。他收藏的评论文章,如何看到诺顿出版社2016年出版的。

个人生活

他目前生活和工作在布鲁克林,纽约。

集合

室的工作可以在众多的艺术博物馆的永久收藏,包括现代艺术博物馆,纽约;大都会艺术博物馆,纽约;洛杉矶当代艺术博物馆;洛杉矶县艺术博物馆(LACMA);当代艺术博物馆,芝加哥;沃克艺术中心明尼阿波里斯市;惠特尼美国艺术博物馆,纽约;泰特现代美术馆,伦敦;澳大利亚国家美术馆、澳大利亚等等。

Work

His paintings and prints comprise what appear to be randomly juxtaposed images, or images placed on top of one other with deliberately ham-fisted techniques. At a 2005 lecture, Salle stated:

When I came to New York in the 70s, it was common not to expect to be able to live from your art. I had very little idea about galleries or the business side of the art world. It all seemed pretty distant. When people started paying attention to my work, it seemed so unlikely that somehow it wasn't so remarkable. I made my work for a small audience of friends, other artists mostly, and that has not really changed. At the same time, having shows is a way of seeing if the work resonates with anyone else. Having that response, something coming back to you from the way the work is received in the world, can be important for your development as an artist. But you have to take it with healthy skepticism... I still spend most days in my studio, alone, and whatever happens flows from that.

Major exhibitions of his work have taken place at the Whitney Museum of American Art in New York, the Stedelijk Museum in Amsterdam, Museum of Contemporary Art, Los Angeles, Castello di Rivoli (Torino, Italy), and the Guggenheim Museum Bilbao. In March 2009 a group of fifteen paintings were shown at the Kestnergesellschaft Museum in Hannover, Germany. That same year Salle's work was also featured in an exhibition titled The Pictures Generation curated by Douglas Eklund at theMetropolitan Museum of Art in New York , in which his work was shown amongst a number of his contemporaries includingRichard Prince, Sherrie Levine, Cindy Sherman, Nancy Dwyer , Robert Longo, Thomas Lawson, Charles Clough and Michael Zwack.

Other work

David Salle also turned his hand to set and costume design, and to directing mainstream cinema. In 1986, Salle received aGuggenheim Fellowship for theater design, and in 1995 he directed the feature film, Search and Destroy, starring Griffin Dunne and Christopher Walken  He is a longtime collaborator with the choreographer Karole Armitage as he designs sets and costumes for many of her ballets.

He is also a prolific writer on art. His essays and reviews have appeared in Artforum, Art in America, Modern Painters, The Paris Review, Interview, as well as numerous exhibition catalogs and anthologies. He was a regular contributor for Town & Country Magazine. His collection of critical essays, How to See, was published by W.W. Norton in 2016.

Personal life

He currently lives and works in Brooklyn, New York.

Collections

Salle's work can be found in the permanent collections of numerous art museums, including the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; Los Angeles County Museum of Art(LACMA); Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York;Tate Modern, London; and the National Gallery of Australia, Canberra, among others.