朱利奥.塞萨尔.普罗卡奇尼Giulio Cesare Procaccini（1574年——1625年），意大利画家。
出生在博洛尼亚他的儿子矫揉造作者画家Ercole Procaccini老和哥哥的卡米洛•Procaccini和卡洛安东尼奥Procaccini。全家搬到了米兰约1585的帮助下丰富的艺术品收藏家皮维斯孔蒂。
他开始的雕塑家大教堂和米兰教堂圣玛丽亚presso圣Celso。在1610年他画六的Quadroni、大型油画庆祝圣查尔斯包罗密.
他现在许多圣坛雕刻是包皮环切术广场Estense,摩德纳(c.1616)和《最后的晚餐》(1616)的修道院教堂del Vastato德拉桑蒂西马·阿努佳塔在热那亚。他还画基督的拷问.
与他共事Giovanni Battista Crespi(il Cerano)和码头Francesco Mazzucchelli(il Morazzone)遵循基本的方向费德里科•包罗密、艺术赞助人和表哥的查尔斯包罗密。他还画了小宗教油画富裕家庭,在米兰和热那亚,他看到的作品鲁本斯.
他的风格展示了波伦亚的习惯动作,力求避免习惯性口头语的影响威尼斯代表,标志着巴洛克式的开始。
Born in Bologna he was son of the Mannerist painter Ercole Procaccini the Elder and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti.
He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the Quadroni, large canvases celebrating Saint Charles Borromeo.
Among his many altarpieces are the Circumcision now in Galleria Estense, Modena (c.1616) and the Last Supper (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the Scourging of Christ.
He worked with Giovanni Battista Crespi (il Cerano) and Pier Francesco Mazzucchelli (il Morazzone) following the directions of Cardinal Federico Borromeo, patron of the arts and cousin of Charles Borromeo. He also painted small religious canvases for rich families, in Milan and in Genoa, where he saw the works of Rubens.
His style shows the influence of Bolognese Mannerism and Venetian colorism and marks the beginning of the Baroque.
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