亨利·赫伯特拉Henry Herbert La Thangue（1859年1月19日——1929年12月21日），英国画家。
香格里拉Thangue出生在克罗伊登，萨里，郊区伦敦，在被教育的德威在那里他遇到了老乡画家斯坦霍普福布斯和弗雷德里克·古多尔。他学习绘画首先是在艺术学院兰贝斯，然后，从1874年至1879年，在皇家艺术学院，伦敦，在工作室赢得金牌，他在1879年的工作这导致了一个著名的奖学金，3年让-莱昂杰罗姆在巴黎高等美术学院在巴黎。这里拉Thangue的影响下来到巴比松画派露天风景画家，如巴斯蒂安-勒帕热和Dagnan-Bouveret的，尽管事实上，他的老师是强烈批评的运动。
与1881年至1882年的La Thangue花了一些时间画上海岸布列塔尼（他的作品从这一时期是“船建设者的一码”之一），那么Donzère在罗纳河谷（1883）。他成为了成员油画家的皇家学会于1883年1886年他回到了英国，在皇家学院，展出英国艺术家皇家学会（RBA），格罗夫纳画廊，新画廊，油画家的皇家理工学院，许多地区画廊。[3]他成为参与了失败的尝试改革皇家学院，有助于发现对手英语新艺术俱乐部（NEAC），并展出他的作品在那里。
在19世纪80年代后期，香格里拉Thangue搬到南沃尔沙姆在诺福克。他的一个这个时期的绘画，（1886年）的“收割者归来”反映了他在摄影和照片般逼真的描写兴趣。在1890年代初，他定居在博山姆，在苏塞克斯，在那里，他继续他的大规模的农村风俗画，其中一些被证明是有争议的。1896年，泰特美术馆后天“与镰刀的人”。1898年，他被任命为皇家艺术学院的副教授，成为1912年的正式成员。
香格里拉Thangue最终在Haylands在做出他的基地Graffham萨塞克斯，虽然他也花很多时间画普罗旺斯，法国（1901）后，利古里亚在意大利（1903至11年）和巴利阿里岛。他南欧山水画是在一个成功的展览在显示莱斯特画廊刚刚爆发之前第一次世界大战。
1929年，他据说深受影响他的两个绘画的损失，当船麦卢卡携带它们沉没了新西兰海岸。同年，他在伦敦去世12月21日。在26日的画是在条件还算不错回收近龙角，新西兰。
香格里拉Thangue的妻子凯特于1940年9月22日去世留下三个拉Thangue的作品（“村泉”，“普罗旺斯渔船”和“关于沼泽鸻”）的罗伯特·麦克杜格尔美术馆基督城，新西兰的遗赠二期工程西澳大利亚国家画廊（以下简称“威尔”和“木收集者”）。
La Thangue was born in Croydon, Surrey, a suburb of London, and was schooled at Dulwich College where he met fellow painters Stanhope Forbes and Frederick Goodall. He studied painting first at the Lambeth School of Art and then, from 1874–79, at the Royal Academy, London, winning a gold medal for his work in 1879. This led to a prestigious scholarship for 3 years at the studio of Jean-Léon Gérôme at the Ecole des Beaux-Arts in Paris. Here La Thangue came under the influence of the Barbizon school of open-air landscape painters, such as Bastien-Lepage and Dagnan-Bouveret, despite the fact that his teacher was strongly critical of the movement.
Between 1881-82 La Thangue spent some time painting on the coast of Brittany (one of his works from this period is "The Boat-builder's Yard"), then in Donzère in the Rhone valley (1883). He became a member of the Royal Institute of Oil Paintersin 1883. He returned to England in 1886, exhibiting at the Royal Academy, Royal Society of British Artists (RBA), Grosvenor Gallery, New Gallery, Royal Institute of Oil Painters, and many regional galleries.He became involved in a failed attempt to reform the Royal Academy, helping to found the rival New English Art Club (NEAC) and exhibiting his work there.
In the late 1880s, La Thangue moved to South Walsham in Norfolk. One of his painting of this period, "Return of the Reapers" (1886) reflected his interest in photography and photo-realistic depictions. In the early 1890s he settled in Bosham, in Sussex, where he continued his large-scale rural genre paintings, some of which proved to be controversial. In 1896, the Tate Gallery acquired "The Man with the Scythe" . In 1898 he was made an Associate of the Royal Academy, becoming a full Member in 1912.
La Thangue eventually made his base at Haylands in Graffham, Sussex, though he also spent much time painting in Provence in France (after 1901), Liguria in Italy (1903–11) and the Balearic Islands. His southern European Landscape paintings were shown in a successful exhibition at the Leicester Galleries just before the outbreak of World War I.
In 1929 he was reportedly deeply affected by the loss of two of his paintings when the ship Manuka carrying them foundered off the New Zealand coast. In that same year he died in London on 21 December. On 26 December the paintings were recovered near Long Point, New Zealand, in fairly good condition.
La Thangue's wife Kate died on 22 September 1940 leaving a bequest of three of La Thangue's works ("Village Fountain", "Provençale Fishing Boats", and "Plovers on the Marshes") to the Robert McDougall Art Gallery in Christchurch, New Zealand and two works to the West Australian State Gallery ("The Weir" and "The Wood Gatherers").
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