袁正阳(1955.9—)重庆人。四川重庆人。1971年参军，1972年入四川美术学院进修，1984年入解放军艺术学院进修，结业后在《解放军报》任美术编辑。其作品曾参加第六届全国美术作品展览。首届、第二届中国油画展。中国油画肖像艺术百年展。建军60周年全国美展。其中连环画《高山下的花环》(合作)1986年获全国第三届连环画评奖二等奖；作品曾获建军60周年全国美展佳作奖；全国第七届美展铜奖等。作品为中国美术馆、中国革命军事博物馆收藏。?袁正阳的油画艺术与传统的学院派不同，与现代派绘画更是水火不容，中国意境、中国心情是他作品努力表现和追求的东西。袁正阳熟悉中国的传统绘画，我们在他的许多作品里都能看到中国画的许多技法被合适地植入画面中。

袁正阳的油画艺术与传统的学院派不同，与现代派绘画更是水火不容，中国意境、中国心情是他作品努力表现和追求的东西。袁正阳熟悉中国的传统绘画，我们在他的许多作品里都能看到中国画的许多技法被合适地植入画面中。人物的总是尽力完整和充满意味，背景则采用晕染的方法使其充满具有忽暗忽明、流转变幻的墨气效果，他的画在婉约清虚的体格中深藏着意蕴和情感的张力。
袁正阳是当代中国写实主义实力派画家，同时也是艺术评论家。他竭力推崇明代画家董其昌“萃众美于笔下”的美学原则，坚持认为存在着一种超越任何风格和个性的艺术标准，还认为艺术不应该是时代和社会的产物，更不是文化的附庸。他的思想大胆地涉及诸如重复、无个性等禁区，为这些常常被避讳的问题申辩，他认为在创作中遵从心里的愿望比刻意去追求个性和风格重要得多。

Yuan Zhengyang (1955.9 -) chongqing. Sichuan chongqing. In 1971 he joined the Sichuan Fine Art Institute in 1972 to study, in 1984 the PLA Art Academy, after graduation served as art editor in the "Liberation Army daily. His works have participated in the Sixth National Art exhibition. The first and second China oil painting exhibition. Chinese portrait art exhibition. The 60 anniversary of founding the national art exhibition. The comic book "under mountain garland" (cooperation) in 1986 won the two prize in the third national comics awards; works won the 60 anniversary of Army National Art prizes; the Seventh National Art Exhibition. Works for the Chinese Art Museum, the Chinese Revolutionary Military Museum collection. In Zhengyang, oil painting art and traditional school, and modern painting is incompatible, China mood, mood is China he works hard work and the pursuit of something. Yuan Zhengyang is familiar with Chinese traditional painting, we can see in his many works of Chinese painting many techniques are properly implanted in the screen.
Yuan Zhengyang's oil painting art and traditional school, and modern painting is incompatible, China mood, mood is China he works hard work and the pursuit of something. Yuan Zhengyang is familiar with Chinese traditional painting, we can see in his many works of Chinese painting many techniques are properly implanted in the screen. People always try to complete and full of meaning, the effect of background ink gas method is used to fill the halo is flashed on and off, transfer and changing the hidden meaning of his paintings and emotional tension in graceful physique in qingxu.
Yuan Zhengyang is a contemporary realist painter China strength, is also an art critic. He tried to the Ming Dynasty painter Dong Qichang were all respected in the pen "aesthetic principle, insist that there is a beyond any style and character of the art standard, also believed that art should not be the product of the times and society, but not dependency culture. His bold ideas to repeat, no personality such as these are often restricted to defend the taboo issues, he believes in the creation to the heart's desire is much more important than deliberately to pursue personality and style.