法身无象,应物以形-当代油画家曾红捷作品赏析

栖息灵感孕育新生——互联网的艺术记忆

混乱的艺术市场需要一个声音、一种变革。

用互联网去替代传统思维。

谈我艺,虽千万人吾往矣,

 用互联网去乘风破浪谱写艺术新篇章。

 曾红捷,女,1969年生于南京,1993年毕业于南京金陵科技学院艺术系。现任中国当代女子画会会长,“当代艺术报”副主编,现定居北京,职业画家。

“法身无象,应物以形。”这话是东晋高僧僧肇大师说的。意思是说,佛没有任何形象,故可以化为千象、万象,乃至无穷象。曾红捷的意象山水油画给人的感觉,也是没有具体形象的。她所画的,是画家的心象,意象。是不可捉摸之象。

有点美术史常识的人,看了曾红捷的画,大抵不难看出画家的野心——融汇中西。这件事,徐悲鸿干过,林风眠干过。不过徐悲鸿在巴黎时,对印象派不感兴趣,他学了古典油画,并且将写实造型这一套东西引进了中国画,从而改良中国画。和徐悲鸿不一样,林风眠也在做融汇东西的事。不过他的画,形式西化,而神韵却是东方的,更像是在改良西画。这两个人,至今还在影响着中国画家。

其间高下,或许各有看法,但受林风眠影响的吴冠中赵无极朱德群走了很远。他们画油画,形式也许是西方的,但骨子里的东西,却是东方的。天人合一,大道至简。东方哲学,深入在他们的骨头里。曾红捷的画,和赵无极朱德群走的是相似的路子。都是将中国山水画的传统,还有东方哲学、美学,融汇到西方绘画中,为创造真正的中国油画进行有益的探索。曾经捷的画更接近朱德群——都有着变化莫测的意象,绚丽奇瑰的色彩。所不同的是,曾红捷更加注重色彩自然流动的效果。她的画,千变万化的色彩交融在一起,冲击着人们的视觉。

--------Introduction in English--------

"The body of the Dharma has no image, so it should take shape." This was said by Master Zhao, an eminent monk of the Eastern Jin Dynasty. That is to say, Buddha has no image, so it can be transformed into thousands, thousands and even infinite images. Zeng Hongjie's image of landscape oil painting gives people a feeling, but there is no specific image. What she paints is the artist's image and image. It is an elusive image.

People who have some common sense in art history have seen Zeng Hongjie's paintings, and it is not difficult to see the artist's ambition to blend Chinese and Western. Xu Beihong did it and Lin Fengmian did it. But when Xu Beihong was in Paris, he was not interested in Impressionism. He learned classical oil painting and introduced realistic modeling into Chinese painting, thereby improving Chinese painting. Unlike Xu Beihong, Lin Fengmian is also doing things that blend things. However, his paintings are westernized in form, while the charm is oriental, more like improving western paintings. These two men still influence Chinese painters.

 

In the meantime, there may be different opinions, but influenced by Lin Fengmian, Wu Guanzhong, Zhao Wuji and Zhu Dequn have gone a long way. They painted oil paintings in the form of Western paintings, but what is in their bones is Eastern. Heaven and man are one and the avenue is simple. Oriental philosophy goes deep into their bones. Zeng Hongjie's paintings are similar to those of Zhao Wuji and Zhu Dequn. They are all the traditional Chinese landscape painting, as well as oriental philosophy and aesthetics, integrated into western painting, in order to create a genuine Chinese oil painting for a useful exploration. Once Jie's paintings are closer to Zhu Dequn's - they all have unpredictable images and magnificent colors. The difference is that Zeng Hongjie pays more attention to the effect of natural color flow. Her paintings, blended with ever-changing colors, impact people's vision.

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