北宋蔡襄楷书-古香斋宝藏蔡帖

 蔡襄书法专辑《古香斋宝藏蔡帖》,明刻,清初拓,花纸壳皮面,为二级文物藏品。宋蔡襄书。不具刻者姓名及年月。此帖所收蔡书非常丰富,第一卷为尺牍二十余通;第二卷为《茶录》、《北苑十泳》、《梦诗帖》、《金笺帖》;第三卷为《荔枝谱》;第四卷为《画锦堂记》。该帖中所选取书迹大都来自明帖,尤其是第一卷中“尺牍”部分,但真迹仅居其半。其它书迹也或笔法肥钝、或散弱无神,摹自宋拓之说不很可信。有福州本。

书法艺术经五代之乱而走入了低谷,直至宋王朝建立,由宋朝皇帝大臣的倡导,无数文人墨客的响应,书法艺术方得解放,重新显现出其耀眼的光彩,走上了正常发展的轨迹。

蔡襄正是生活在这一时期的、以自己的艺术思想和艺术实践而力挽狂澜,改变书坛面貌,揭示尚意书风序幕的奠基人之一。历代的书法家和书法评论家对蔡襄的书法艺术都作过高度评价。

近年来,书法界对蔡襄也有较多评议,有不少论著对其进行全面的研究和介绍,并给予了适度的定位。但将蔡襄的书法艺术放在两千多年来的中国书法发展过程中,放在中国传统文化圈中进行全面的剖析和审视,他应当具有更高的合理的定位。

他那在书法史上承前启后、继往开来的历史地位,他那“人品”和“书品”高度结合、完美统一所体现出的人生观的崇高性,他那著书立说,以“神气”为核心的书论主张,以及身体力行和以楷行为主各体皆通的创作实力等等,构成了一代宗师和书学楷模的完整形象。应当真正恢复其“本朝第一”或颜真卿第二的书坛位置,并对其人品和书品高度统一予以全面张扬。

--------Introduction in English--------

 

Caixiang's calligraphy album Cai Tie, the treasure of Guxiangzhai, is a second-class collection of cultural relics in Ming Dynasty and early Qing Dynasty. Song Caixiangshu. No engraved person's name and year. Cai Shu is very rich in this post, the first volume is more than 20 pieces of ruler; the second volume is "Tea Record", "Beiyuan Shiyong", "Dream Poetry Tie", "Golden Note Tie"; the third volume is "Litchi Spectrum"; the fourth volume is "Painting Jintang Ji". Most of the handwriting selected in this post comes from plain posts, especially the section of "ruler" in Volume 1, but the true handwriting is only half of it. Other handwriting is either dull or weak. It is not very credible to imitate Song Tuo's theory. There is Fuzhou Ben.

Calligraphy art went into a low ebb after the chaos of the Five Dynasties until the founding of the Song Dynasty. It was advocated by the emperor and ministers of the Song Dynasty and responded by numerous literati and ink-writers. Calligraphy art was liberated, showing its dazzling brilliance again and embarking on the normal development track.

Cai Xiang is one of the founders who lived in this period and made great efforts to pull back the storm with his artistic thoughts and practice, to change the face of the literary world and to reveal the prelude of the style of advocating Yishu. Calligraphers and calligraphy critics of all dynasties have highly appraised Caixiang's calligraphy art.

In recent years, there have been many comments on Cai Xiang in calligraphy circles, many of which have been comprehensively studied and introduced, and given a moderate orientation. But Caixiang's calligraphy art should be placed in the development of Chinese calligraphy for more than two thousand years and comprehensively analyzed and examined in the circle of Chinese traditional culture. He should have a higher and reasonable orientation.

His historic position in the history of calligraphy, the loftiness of his outlook on life embodied in the high combination and perfect unity of his "character" and "book", his book-writing theory, his book-writing theory with "spirit" as the core, and his creative strength of practicing and acting as the masters of role models, etc., constitute the complete shape of a generation of masters and calligraphy models. Elephant. We should really restore the position of Yan Zhenqing's "first in the present dynasty" or "second in Yan Zhenqing's literary circle", and fully publicize the high unity of his personality and books.

注:本站发表的所有内容均为原作者或投稿者的观点,不代表美术网(www.meishu.com)的立场及价值观取向,请浏览者自行判断取舍,若有观点错误或侵权等信息请联系管理员删除,谢谢配合。
关于美术网

美术网(www.meishu.com)专注解决美术家网络推广问题,全力打造美术家专属网络经纪人服务,美术网站内设美术搜索,网络美术展,美术报,美术知识库,名家档案,美术视频库,资源库,美术论坛,美术高考网及书画衍生品的加工与分销等为一体的名画库等总共20余个栏目,我们以弘扬中华民族的文化事业为己任,以建设世界一流的美术文化生态系统为目标,诚邀合作共赢。

Copyright (c) 2013-2019 中国美术网 All Rights Reserved 鲁ICP备12031715号-1 法律顾问:杨俊涛律师 客服QQ:800015090 微信①:4081532
会员 客服 名家 我的
复制链接 微信 QQ好友 QQ空间 新浪微博