《山水图》扇页，明，徐渭绘，金笺，墨笔，纵15.8cm，横47.4cm。

　　扇页有自题：“横江独钓为钱伯兰作，渭。”钤印模糊不辨。

　　此图近景绘山石坡陀，其上植杂木数株，有的叶已凋零，表明时值寒秋。中景是空荡荡的水域，一人头戴斗笠，驾舟独钓的情形，其孤独的身影，又为画作增添了几分荒寒之意。远景是低缓的山峦，毫无挺拔之势。徐渭才华横溢，但是，他生活在明王朝走向衰败，严嵩等奸臣当道，朋党之争异常激烈的时期，其才情难以施展，他曾在《墨葡萄》（故宫博物院藏）自题：“半生落魄已成翁，独立书斋啸晚风，笔底明珠无处卖，闲抛闲掷野藤中。”比喻自己像野葡萄一样被抛在野藤里，无人问津。此图表现出的寒意、孤独正是其人生失意，抱负难酬的写照。全图用笔简练灵活，施墨华润蕴藉，造型不求形似唯求表达内心不平之气，属于徐渭典型的山水画风貌。

 

--------Introduction in English--------

 

"Landscape Map" Fan Page, Ming, Xu Wei Painting, Golden Note, Ink, 15.8 cm in length, 47.4 cm in horizontal.

The fan page has its own title: "Hengjiang fishes alone for Chamberland, Wei." The stamp is indistinguishable.

This picture shows a close-range picture of Shipotuo, on which several miscellaneous trees are planted, and some leaves have withered, indicating that the time is cold autumn. The mid-view is empty waters, where a man wears a hat and drives a boat and fishes alone. His lonely figure adds a sense of desolation to the painting. The prospect is a gentle hill, without any upright momentum. Xu Wei was brilliant, but he lived in a period when the Ming Dynasty was declining, Yan Song and other treacherous officials were in power, and the dispute between friends was extremely fierce. His talent was difficult to exert. He once wrote in The Grape (Palace Museum Collection): "Half a lifetime has become a man, independent study roaring in the evening wind, the Pearl of the pen has no place to sell, idle throwing wild vines." It's a metaphor of being thrown into a wild vine like a wild grape, and nobody cares about it. The chill and loneliness shown in this chart is just the reflection of his disappointment and ambition. The whole picture is concise and flexible with brush strokes, rich in ink, and the shape does not seek form but expresses inner injustice. It belongs to the typical landscape painting style of Xu Wei.