《仿叔明长松仙馆图》轴，清，王鉴，纸本，设色，纵138.2cm，横54.5cm。
本幅自题：“丁未清和，仿叔明長松仙館圖，奉祝悔庵年翁50初度，王鑒。”此图是王鉴为友人尤侗祝寿所作，图中景物青松喻长寿，仙馆喻雅适之意。款识下钤“圆照”、“染香庵主”两印。丁未为清康熙六年（1667年）。
画面下方近水的岩石与长松交错，松涛阵阵似可听闻，幽径蜿蜒于松林之中通向山中馆舍，山馆四周碧树环绕，其后丘壑万千，青峰壁立，苍郁秀润，另有茅屋布于山腰处。整幅图画描绘出郁郁葱葱的青山峻岭，清幽静谧的山居茅舍，传达了绝意仕途的士大夫情系山水之间悠然自得的意趣，此图实为作者托物言志之作。
王鉴的作品有三种面目，即水墨、青绿设色、浅绛设色。浅绛山水创自五代董源，成于黄公望，元末王蒙又略加变化，在水墨的基础上以赭石勾填于局部，风神独具。王鉴此作正是师法王蒙，在树干、屋宇、山石、坡脚等处微染赭石，使画面的层次丰富，也增添了灵秀的韵味。题款中言“仿叔明”，画幅上不只在设色方面模仿王蒙，从构图、山石皴法中亦能看到王蒙的影响。如图中采用王氏惯用的重山复岭的构图形式，气势浑厚雄奇。再如山石多施王氏擅长的解索皴，把山石的质感刻划得细致入微。同时，画面也表现了王鉴的个人风貌，他那恬淡平缓的风格，雅致松秀的气韵，使观者静意自生。
此图是王鉴晚年浅绛山水画的一幅精妙作品。
--------Introduction in English--------
"Imitating Shuming Changsong Immortal Hall Picture" axis, Qing Dynasty, Wang Jian, paper, color, 138.2 cm vertical, 54.5 cm horizontal.
The title of this painting is: "Ding Weiqing and imitate the picture of Changsong Immortal Hall of Shuming. Congratulations on the first 50 years of Nianweng, Wang Jian." This picture is made by Wang Jian for his friend You Dong to celebrate his birthday. The scenery in the picture is Qingsong for longevity and Xianguan for elegance and comfort. The two prints of "Yuanzhao" and "Tanxiang Nunnery Master" of Jun were recognized by Qian. Ding Weiwei was the sixth year of Kangxi in the Qing Dynasty (1667).
Under the picture, the rocks near the water are interlaced with the Changsong, and the Songtao array seems to be audible. The quiet path winding among the pine forests leads to the mountain hall, surrounded by green trees, with thousands of hills, green peaks, lush and graceful, and thatched cottages on the hillside. The whole picture depicts lush mountains and mountains, quiet cottages, and conveys the leisurely and comfortable interest between mountains and rivers of scholar-bureaucrats who are desperate for official career.
Wang Jian's works have three kinds of features: ink, green and light crimson. Shallow Jiang Landscape was created by Dong Yuan of the Five Dynasties, and became Huang Gongwang. Wang Meng changed slightly at the end of Yuan Dynasty. On the basis of ink and wash, ocher was used to fill in the local area, and the wind and spirit were unique. Wang Jian's work is just like Wang Meng's. It dyes ochre in the trunk, house, hill stone, slope foot and so on, which enriches the level of the picture and adds a delicate charm. In the inscription, "imitate Shuming", the painting not only imitates Wang Meng in color design, but also can see Wang Meng's influence in composition and stone chains. As shown in the picture, Wang's usual pattern of Chongshan Fuling is adopted, which is full of vigor and vitality. Another example is the unscrambling that Wang Shi is good at, which delineates the texture of the rocks in detail. At the same time, the picture also shows Wang Jian's personal style, his tranquil and gentle style, elegant and loose charm, which makes the viewer quiet and self-reliant.
This picture is a delicate work of Wang Jian's shallow Jiang landscape painting in his later years.
