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恽寿平高岩乔木图轴-清朝-山水-中国清朝山水画赏析

 

高岩乔木》图轴,清,恽寿平绘,纸本,设色,纵217.3cm,横97.2cm。

  本幅自题:“高岩乔木,拟北苑太守。文徵仲尝言:见北苑画山得半幅,即董宗伯所藏《溪山行旅》是也。其行笔如龙,若于尺幅中雷奔电激,神气沉郁,横绝古今,笔夺化权,网象莫测,非学者率尔可知。墨池研臼之功,书诚有之,画亦宜然。甲寅三月为雪翁老父台先生鉴,毘陵恽寿平。”钤“东园外史”白文印、“寿平”朱文印。收藏印有:“海阳孙氏莲叔珍赏书画印信”、“莲叔审定”、“无上妙品”共三方。

  “甲寅”是清康熙十三年(1674年),恽寿平时年42岁。

  据款题而知,此图是作者为前辈杨瑀(雪翁)所作。图绘丛树繁密、山峦叠嶂和木桥清溪的江南景色。此图虽自题是仿董源《溪山行旅图》之作,实际是借古人笔墨来表现作者的胸中丘壑。通篇笔墨松秀,格调淡雅,设陈布势注重结构,于大处求山水之“势”,于细微处得树石之“趣”。因此,繁多的物象纷披而又统一。此为恽氏中年难得的山水画精品之作。

 

--------Introduction in English--------

 

"High Rock Trees" Axis, Qing Dynasty, Yunshou Flat Painting, Paper, Coloring, 217.3 cm in length, 97.2 cm in transverse.

The title of this picture is "High Rock Trees, Taishou in Beiyuan". Wen Zhengzhong tried to say that half of the paintings in Beiyuan Garden, namely "Travel to Xishan" collected by Dong Zongbo. Its style is like a dragon, if the thunder rushes in the scale, the mood is melancholy, transcends the ancient and modern, the right to seize the brush, the network image is unpredictable, non-scholar rate knows. There are books and paintings that are good for Mohichi's study of mortar. Jiayin is Mr. Xue Weng's father in March, Yuling Yun Shouping. Jun's "Eastern Garden History" printed in white and "Shouping" printed in Zhu. The collection is printed with "Haiyang Sun's Uncle Lian's Treasure Calligraphy and Painting Seal", "Uncle Lian's Verification" and "Supreme Fine Articles".

Jiayin was the thirteenth year of Kangxi in the Qing Dynasty (1674), and Yun Shou was 42 years old.

According to the title, this picture was made by Yang Ro (Snow Ong), the author's predecessor. Draw the scenery of the south of the Yangtze River with dense bushes, mountains and clear streams of wooden bridges. Although this picture is titled after Dong Yuan's "Travel Picture of Xishan", it actually uses the ancient pen and ink to show the author's chest. The style is elegant, the layout is structure-oriented, the landscape is "momentum" in general, and the trees and rocks are "interesting" in subtle places. Therefore, a wide range of objects and images are diverse and unified. This is a rare masterpiece of Yun's middle-aged landscape painting.

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