黄慎荷鹭图轴-清朝-花鸟

古画 浏览 杨丽丽 故宫博物院

 

《荷鹭图》轴,清,黄慎绘,纸本,墨笔,纵130.2 厘米,横71.2厘米。

  画幅自题款:“双鹭应怜水满池,风飘不动顶绿垂。立当青草人先见,行榜白莲鱼未知。一分独拳寒雨里,数声相叫早秋时。林塘得雨须增价,况与诗家物色宜。瘿瓢。”钤“黄慎”朱文印、“瘿瓢”白文印。鉴藏印钤“借树山房”。

  黄慎的花鸟画更多地继承了明代徐渭的泼墨大写意花鸟画风。此图描绘雨后双鹭于荷塘憩戏觅食的情景。画上荷花数茎,枝叶劲挺,花瓣娇媚,似有暗香浮动。两只白鹭翩翩而下,谨慎地着入水面,画家通过这一细节巧妙地表现出“水满池”的情景,“用笔极简,意趣自足”,由此可见一斑。对于荷叶的用笔恣肆狂放,墨色浓重,显示出荷花枝叶肥厚、“风飘不动”的旺盛生命力。在硕壮浓郁的荷叶的衬托下,以淡而轻的笔法描绘出白鹭的轻盈稚嫩,惹人怜爱。此外,画家在简洁的构图中力求营造空间感:图中荷花高低错落,荷叶相互掩映,俯仰向背,姿态各异,有着明显的纵深前后关系。两只白鹭停息在荷杆之后,尤其那只迎面飞来的白鹭起到了扩展画面空间的作用。在文人画中,很容易因注重笔墨形式而忽略景物的空间感,职业画家出身的黄慎在吸收文人笔墨情趣的同时,恰当地将写实与写意相结合,从而形成自己独特的风格。

 

--------Introduction in English--------

 

"Lotus Picture" axis, Qing, Huang Shen Painting, paper, ink, 130.2 cm vertical, 71.2 cm horizontal.

Picture from the title: "Two herons should pity the water full pool, the wind does not move the top green pendulum. Standing as a grass-roots forerunner, the list of white lotus fish is unknown. In the cold rain of a single punch, several voices call each other early autumn. Rain in a forest pond requires an increase in price, which is suitable for a poet. Huo Huo." Jun "Huang Shen" Zhu Wenyin and "Ying Po" Bai Wenyin. Kam Zang Yinjun "Borrowing Tree Mountain House".

 

Huang Shen's flower-and-bird painting inherited more of Xu Wei's ink-splashing freehand flower-and-bird painting style in Ming Dynasty. This picture depicts the two herons relaxing in the lotus pond after the rain and looking for food. Painted lotus stems, strong branches and leaves, petals charming, like a subtle fragrance floating. Two egrets fluttered down and cautiously entered the water. Through this detail, the painter skillfully displayed the scene of "water filling the pool", "using the pen is very simple, and the interest is self-sufficient", which can be seen. For lotus leaves, the brush is bold, dark, showing the vigorous vitality of lotus leaves and branches. Under the background of strong lotus leaves, the light and tender egret is depicted with light brushwork, which is lovely. In addition, the painter strives to create a sense of space in a concise composition: the lotus flowers are scattered, the lotus leaves are mutually masked, pitched to the back, with different postures, and there is a clear relationship between the depth of the front and back. Two egrets stopped behind the pole, especially the one flying in front of them, which played a role in expanding the picture space. In literati paintings, it is easy to neglect the space sense of scenery because of the emphasis on the form of brush and ink. Huang Shen, a professional painter, absorbed the interest of literati brush and ink while properly combining realism with freehand brushwork, thus forming his own unique style.

注:本站发表的所有内容均为原作者或投稿者的观点,不代表美术网(www.meishu.com)的立场及价值观取向,请浏览者自行判断取舍,若有观点错误或侵权等信息请联系管理员删除,谢谢配合。
美术家推荐
名画库-艺术品推荐
关于美术网

美术网(www.meishu.com)专注解决美术家网络推广问题,全力打造美术家专属网络经纪人服务,美术网站内设美术搜索,网络美术展,美术报,美术知识库,名家档案,美术视频库,资源库,美术论坛,美术高考网及书画衍生品的加工与分销等为一体的名画库等总共20余个栏目,我们以弘扬中华民族的文化事业为己任,以建设世界一流的美术文化生态系统为目标,诚邀合作共赢。

Copyright (c) 2013-2019 中国美术网 All Rights Reserved 鲁ICP备12031715号-1 法律顾问:杨俊涛律师 客服QQ:800015090 微信①:4081532
会员 客服 名家 我的
复制链接 微信 QQ好友 QQ空间 新浪微博