郑燮梅竹图轴-清朝-花鸟

古画 浏览 李湜 故宫博物院

 

《梅竹图》轴,清,郑燮作,纸本,墨笔,纵127.8厘米,横31.3厘米。

  本幅自题七言诗一首:“一生從未畫蘭(誤筆“梅”)花,不識孤山處士家。今日畫梅兼畫竹,歲寒心事滿煙霞。板橋。”钤“鄭燮之印”、“揚州興化人”二印。无鉴藏印。

  竹是郑燮最擅长表现的题材,他能出神入化地准确捕捉住竹枝、竹叶在风中摇曳的动态和神韵,并形象生动地表现出来。同时竹之高洁素雅、坚韧不屈的物性亦最能体现郑燮刚直不阿的人品。郑燮画梅的作品仅此一幅,但因他具有深厚的艺术功底,故在梅的表现上亦能挥洒自如,花瓣为中锋运笔,其形状虽方圆不一,但自然的行笔,流畅的圈线,勾勒出了花儿旺盛的生命力。梅与用润墨表现的青竹在相互映衬中体现了它们不同的美。

 

--------Introduction in English--------

 

"Plum and Bamboo Pictures" axis, Qing Dynasty, Zheng Xizuo, paper, ink, 127.8 cm vertical, 31.3 cm horizontal.

This self-titled seven-character poem is a poem: "Never painted orchid (mispen"plum") flowers in my life, and I don't know Gushan virgin scholar's family. Today's plum and bamboo painting, cold heart full of haze. Banqiao." Jun's "Zheng Xie's Seal" and "Yangzhou Xinghua People" two seals. There is no seal of identification.

Bamboo is Zheng Xie's best performance theme. He can capture the dynamics and charm of bamboo branches and leaves swaying in the wind with fascination and vividness. At the same time, the noble, elegant and tenacious nature of bamboo can best reflect Zheng Xie's upright character. Zheng Xie's painting of plum is only this one, but because of his deep artistic foundation, he can also play freely in the performance of plum, petals as the center of the stroke, although its shape is different, but the natural stroke, smooth circle line, outlined the vigorous vitality of the flower. Plum and green bamboo in moistening ink reflect their different beauty in contrast.

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